A Tale of Four Cities a Bicentenary Traveling Conference
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The Wire: a Comprehensive List of Resources
The Wire: A comprehensive list of resources Contents Introduction ............................................................................................................................ 2 W: Academic Work on The Wire........................................................................................... 3 G: General Academic Work ................................................................................................... 9 I: Wire Related Internet Sources .......................................................................................... 11 1 Introduction William Julius Wilson has argued that: "The Wire’s exploration of sociological themes is truly exceptional. Indeed I do not hesitate to say that it has done more to enhance our understandings of the challenges of urban life and urban inequality than any other media event or scholarly publication, including studies by social scientists…The Wire develops morally complex characters on each side of the law, and with its scrupulous exploration of the inner workings of various institutions, including drug-dealing gangs, the police, politicians, unions, public schools, and the print media, viewers become aware that individuals’ decisions and behaviour are often shaped by - and indeed limited by - social, political, and economic forces beyond their control". Professor William Julius Wilson, Harvard University Seminar about The Wire, 4th April 2008. We have been running courses which examine this claim by comparing and contrasting this fictional representation of urban America -
Fine Arts Paris Wednesday 7 November - Sunday 11 November 2018 Carrousel Du Louvre / Paris
Fine Arts Paris WednesdAy 7 november - sundAy 11 november 2018 CArrousel du louvre / PAris press kit n o s s e t n o m e d y u g n a t www.finearts-paris.com t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris Hours Tuesday, 6 November 2018 / Preview 3 pm - 10 pm Wednesday, 7 November 2018 / 2 pm - 8 pm Thursday 8 November 2018 / noon - 10 pm Friday 9 November 2018 / noon - 8 pm Saturday 10 November 2018 / noon - 8 pm Sunday 11 November 2018 / noon - 7 pm admission: €15 (catalogue included, as long as stocks last) Half price: students under the age of 26 FINE ARTS PARIS Press oPening Main office tuesdAy 6 november 68, Bd malesherbes, 75008 paris 2 Pm Hélène mouradian: + 33 (0)1 45 22 08 77 Social media claire Dubois and manon Girard: Art Content + 33 (0)1 45 22 61 06 Denise Hermanns contact@finearts-paris.com & Jeanette Gerritsma +31 30 2819 654 Press contacts [email protected] Agence Art & Communication 29, rue de ponthieu, 75008 paris sylvie robaglia: + 33 (0)6 72 59 57 34 [email protected] samantha Bergognon: + 33 (0)6 25 04 62 29 [email protected] charlotte corre: + 33 (0)6 36 66 06 77 [email protected] n o s s e t n o m e d y u g n a t t i d e r c Fine Arts Paris From 7 to 11 november 2018 CArrousel du louvre / PAris "We have chosen the Carrousel du Louvre as the venue for FINE ARTS PARIS because we want the fair to be a major event for both the fine arts and for Paris, and an important date on every collector’s calendar. -
London Explorer Pass List of Attractions
London Explorer Pass List of Attractions Tower of London Uber Boat by Thames Clippers 1-day River Roamer Tower Bridge St Paul’s Cathedral 1-Day hop-on, hop-off bus tour The View from the Shard London Zoo Kew Gardens Shakespeare’s Globe Theatre Tour Westminster Abbey Kensington Palace Windsor Palace Royal Observatory Greenwich Cutty Sark Old Royal Naval College The Queen’s Gallery Chelsea FC Stadium Tour Hampton Court Palace Household Cavalry Museum London Transport Museum Jewel Tower Wellington Arch Jason’s Original Canal Boat Trip ArcelorMittal Orbit Beefeater Gin Distillery Tour Namco Funscape London Bicycle Hire Charles Dickens Museum Brit Movie Tours Royal Museums Greenwich Apsley House Benjamin Franklin House Queen’s Skate Dine Bowl Curzon Bloomsbury Curzon Mayfair Cinema Curzon Cinema Soho Museum of London Southwark Cathedral Handel and Hendrix London Freud Museum London The Postal Museum Chelsea Physic Garden Museum of Brands, Packaging and Advertising Pollock’s Toy Museum Twickenham Stadium Tour and World Rugby Museum Twickenham Stadium World Rugby Museum Cartoon Museum The Foundling Museum Royal Air Force Museum London London Canal Museum London Stadium Tour Guildhall Art Gallery Keats House Estorick Collection of Modern Italian Art Museum of London Docklands National Army Museum London Top Sights Tour (30+) Palaces and Parliament – Top Sights Tour The Garden Museum London Museum of Water and Steam Emirates Stadium Tour- Arsenal FC Florence Nightingale Museum Fan Museum The Kia Oval Tour Science Museum IMAX London Bicycle Tour London Bridge Experience Royal Albert Hall Tour The Monument to the Great Fire of London Golden Hinde Wembley Stadium Tour The Guards Museum BAPS Shri Swaminarayan Mandir Wernher Collection at Ranger’s House Eltham Palace British Museum VOX Audio Guide . -
Why Every Show Needs to Be More Like the Wire (“Not Just the Facts, Ma’Am”)
DIALOGUE WHY EVERY SHOW NEEDS TO BE MORE LIKE THE WIRE (“NOT JUST THE FACTS, MA’AM”) NEIL LANDAU University of California, Los Angeles (UCLA) The Wire (HBO, 2002-2008) upends the traditional po- ed the cop-drama universe. It was a pioneering season-long lice procedural by moving past basic plot points and “twists” procedural. Here are my top 10 reasons why Every Show in the case, diving deep into the lives of both the cops and Needs to Be More Like The Wire. the criminals they pursue. It comments on today’s America, employing characters who defy stereotype. In the words of — creator David Simon: 1. “THIS AMERICA, MAN” The grand theme here is nothing less than a nation- al existentialism: It is a police story set amid the As David Simon explains: dysfunction and indifference of an urban depart- ment—one that has failed to come to terms with In the first story arc, the episodes begin what the permanent nature of urban drug culture, one would seem to be the straightforward, albeit pro- in which thinking cops, and thinking street players, tracted, pursuit of a violent drug crew that controls must make their way independent of simple expla- a high-rise housing project. But within a brief span nations (Simon 2000: 2). of time, the officers who undertake the pursuit are forced to acknowledge truths about their de- Given the current political climate in the US and interna- partment, their role, the drug war and the city as tionally, it is timely to revisit the The Wire and how it expand- a whole. -
Great Expectations on Screen
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Violeta Martínez-Alcañiz Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Tesis presentada por Violeta Martínez-Alcañiz Licenciada en Periodismo y en Comunicación Audiovisual para la obtención del grado de Doctor Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair” (Charles Dickens, A Tale of Two Cities) “Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?” (Sergei Eisenstein, “A dialectic approach to film form”) “An honest adaptation is a betrayal” (Carlo Rim) Table of contents ACKNOWLEDGMENTS 13 CHAPTER 1. INTRODUCTION 15 CHAPTER 2. LITERATURE REVIEW 21 Early expressions: between hostility and passion 22 Towards a theory on film adaptation 24 Story and discourse: semiotics and structuralism 25 New perspectives 30 CHAPTER 3. -
The Wire: a Comprehensive List of Resources
The Wire: A comprehensive list of resources Contents Introduction ............................................................................................................................ 2 W: Academic Work on The Wire........................................................................................... 3 G: General Academic Work ................................................................................................... 9 I: Wire Related Internet Sources .......................................................................................... 11 1 Introduction William Julius Wilson has argued that: "The Wire’s exploration of sociological themes is truly exceptional. Indeed I do not hesitate to say that it has done more to enhance our understandings of the challenges of urban life and urban inequality than any other media event or scholarly publication, including studies by social scientists…The Wire develops morally complex characters on each side of the law, and with its scrupulous exploration of the inner workings of various institutions, including drug-dealing gangs, the police, politicians, unions, public schools, and the print media, viewers become aware that individuals’ decisions and behaviour are often shaped by - and indeed limited by - social, political, and economic forces beyond their control". Professor William Julius Wilson, Harvard University Seminar about The Wire, 4th April 2008. We have been running courses which examine this claim by comparing and contrasting this fictional representation of urban America -
Various Locations in England Including Pip's Home in Kent, a Cemetery On
1. SETTING: Various locations in England including Pip’s home in Kent, a cemetery on the marshes, Miss Havisham’s estate a.k.a. Satis House, Joe Gargery’s forge, and Pip’s rooms in London. The time flows between the years 1812 and 1840. AT RISE: The ruined gardens of Satis House, 1840. ACTORS #3, #4, #5, and #6 enter. They look around the garden in wonder, then take the positions they will assume at play’s end. PIP enters and looks around at the disaster of what was once a grand estate. After a moment… PIP (To audience) My name is Philip Pirrip, but ever since I was a young lad I was known as… ACTOR #4 Pip… ACTOR #5 Pip… ACTOR #6 Pip… ACTOR #3 Pip… (ESTELLA enters.) ESTELLA Hello, Pip. (PIP turns to her, surprised. He takes a step towards her.) PIP Estella! (ESTELLA, ACTOR #6, and ACTOR #5 twirl off.) 2. PIP (cont.) (To audience) At the age of two I was orphaned, and was taken in by my brother-in-law, a kind-hearted blacksmith named Joe Gargery… (ACTOR # 4 steps forward and becomes JOE.) …and his wife, my much older sister, whom I have always referred to as “Mrs. Joe.” (ACTOR #3 steps forward and becomes MRS. JOE.) Mrs. Joe resented my presence in her household. MRS. JOE I did and I do and I don’t deny it. Left with a child such as this to raise up… (She shakes PIP.) Lazy and useless, that’s what you are! A trial to my very soul! JOE Now, there’s no need for that. -
Cartes Postales Parisiennes (Vers 1900 – Vers 1950)
ARCHIVES DE PARIS Cartes postales parisiennes (vers 1900 – vers 1950) 8 Fi Sommaires et index des 14 albums Ont participé au traitement des cartes postales et à la confection des albums : Marie-Claude BERGER , Colette BONNE , France-Odile DES MAZERY , Jean-Philippe DUMAS , Louis-Gilles PAIRAULT et Jean-Jacques WEBER . Mai 2002 PRÉSENTATION Contenu – La présente collection, qui rassemble environ 6 000 cartes postales, résulte de dons faits aux Archives de Paris par des particuliers, des bibliothèques et d’autres services d’archives. Dans leur grande majorité, ces cartes postales ont été éditées durant la première motié du XX e siècle, et notamment durant les années 1900-1920 ; certaines, cependant, sont plus récentes, et se complètent de rééditions modernes de vues prises au début du siècle. Pour leur présentation, les cartes postales ont été distribuées selon un cadre de classement qui prend en compte leur sujet, leur titre, le plus souvent un nom de lieu ou de monument. Moins qu’à une division intellectuelle, toutefois, la répartition en 14 albums découle simplement de la nécessité de confectionner des volumes d’importance égale. On notera cependant que le 10 e album est entièrement consacré à des communes de la banlieue parisienne, classées par ordre alphabétique. Reproductions – Les cartes postales sont reproduites dans les albums sous forme de photocopies. Les lecteurs qui souhaiteraient consulter les « originaux » sont invités à présenter une demande motivée auprès du chef de service des relations avec les publics. Des tirages peuvent évidemment être commandés au moyen des formulaires de demande de reproduction, disponibles à la présidence de la salle de lecture, et sur lesquels sont à reporter les indications suivantes : numéro de l’album, numéro de la page, place de la carte sur la page et sujet de la vue (exemple : 5 e album, page 12, carte en bas à gauche : vue du pont de la Concorde). -
DP Maison De Victor Hugo.Indd
MAI DOSSIER DE PRESSE Réouverture de la Maison de Victor Hugo RÉOUVERTURE PROCHAINE APRÈS RÉNOVATION MAISON DE VICTOR HUGO 6, place des Vosges INFORMATIONS 75004 Paris www.maisonsvictorhugo.paris.fr EXPOSITION Victor Hugo. Dessins. Dans l’intimité du génie CONTACTS PRESSE PIERRE LAPORTE COMMUNICATION Laurence Vaugeois : [email protected] - Tél. : 01 45 23 14 14 MAISON DE VICTOR HUGO Florence Claval : [email protected] - Tél. : 01 71 28 14 85 PARIS MUSÉES Andréa Longrais : [email protected] - Tél. : 01 80 05 40 68 SOMMAIRE COMMUNIQUÉ DE PRESSE Réouverture de la maison de Victor Hugo page 01 Victor Hugo. Dessins. Dans l’intimité du génie page 02 Une maison repensée pour le confort des visiteurs page 04 Des applications numériques page 09 AUTOUR DE L’EXPOSITION DESSINS. DANS L’INTIMITÉ DU GÉNIE Un livre événement Un beau livre monographique Victor Hugo. Dessins page 11 AUTOUR DE L’EXPOSITION FRANÇOIS AUGUSTE BIARD, PEINTRE VOYAGEUR page 12 LA MAISON DE VICTOR HUGO - PARIS page 14 INFORMATIONS PRATIQUES page 14 Communiqué de presse Réouverture de la Maison de Victor Hugo EXPOSITION Victor Hugo. Dessins. Dans l’intimité du génie 10 juin - 21 novembre 2021 MAISON DE VICTOR HUGO 6, place des Vosges INFORMATIONS 75004 Paris www.maisonsvictorhugo.paris.fr La maison de Victor Hugo va accueillir très prochainement ses premiers visiteurs après 18 mois de travaux. Cette longue attente sera récompensée par la présentation d’une exceptionnelle exposition de près de 200 dessins réalisés par Victor Hugo durant près de 50 ans. Issues des collections du musée riche de près de 700 œuvres dessinées, cette exposition rare, du fait de la fragilité des dessins, invite le visiteur, à entrer dans 01 l’intimité du dessinateur par une allégorie des multiples ateliers de Hugo. -
Rapport D'activités 2017
Rapport d’activités 2017 Table des matières Synthèse de l’activité ......................................................................................................... 3 I – Projet Territoire Apprenant Contributif ........................................................................ 5 1 – Axes de recherche ................................................................................................................. 5 I - L’Urbanité Numérique ............................................................................................................. 5 II - Capacitation, soin, savoirs dans l’économie contributive ............................................................. 8 III - Les instruments de l’économie contributive ............................................................................ 10 IV - La plateforme territoriale : vers une architecture favorisant l’interprétation, la contribution et la délibération .................................................................................................................................... 15 2 - Actions menées .................................................................................................................... 16 I - Enquête de terrain ..................................................................................................................... 16 II - Les Ateliers .............................................................................................................................. 23 III - Les colloques et journées publiques ....................................................................................... -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air