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The Cat's Whisker
cerdd gymunedol cymru community music THE CAT’S WHISKER wales Community Music Wales Summer Newsletter July 2009 Welcome ! Complete Control Music Reaches New Heights to the first CMW The Cat’s Whisker In May 2009 CMW was named as a recording opportunities, possible joint sponsor of the Reach the Heights releases, gigs, support and advice. We will be bringing you the latest project. This major project has This project works with a wide through the Community Music been awarded £27 million from the range of young people from many Wales new quarterly newsletter. European Social Fund. It aims to raise different musical genres, from singer This will be a way to stay in touch the skills and aspirations of young songwriters to bands to DJs. CCM and a place to find out about people across West Wales and the pairs young people with mentors who upcoming events and the latest Valleys to help them build a brighter have worked professionally within the news from the world of CMW. future by staying in education or music industry to provide specialised finding a job or training. It will target face to face mentoring. It targets Over the past year CMW has support locally to improve confidence, disaffected young people who may undergone a number of changes, decision-making and basic skills. not reach their full potential through amongst them, my appointment as traditional learning, and through the new Director last September. The Deputy First Minister Ieuan Wyn recognising and encouraging their I am primarily responsible for Jones said “Reach the Heights is a musical talents seeks to improve the effective creative and artistic major investment in the future of our their sense of worth, self confidence, management of the charity and will young people. -
Ian Watkins and B and P
Case No: 62CA1726112 The Law Courts, Cathays Park, Cardiff CF10 3PG Date: 18 December 2013 Before: THE HONOURABLE MR JUSTICE ROYCE - - - - - - - - - - - - - - - - - - - - - Between: THE QUEEN - v - IAN WATKINS AND B AND P SENTENCING REMARKS ............................. R V Watkins and P and B. Sentencing remarks. Mr Justice Royce : 1. Those who have appeared in these Courts at the Bar or on the Bench over many years see and hear a large number of horrific cases. This case however breaks new ground. 2. Any decent person looking at and listening to the material here will experience shock; revulsion; anger and incredulity. What you three did plumbed new depths of depravity. 3. You Watkins achieved fame and success as the lead singer of the Lostprophets. You had many fawning fans. That gave you power. You knew you could use that power to induce young female fans to help satisfy your apparently insatiable lust and to take part in the sexual abuse of their young children. Away from the highlights of your public performances lay a dark and sinister side. 4. What is the background ? Count 18 dates back to March 2007. You met TT after a Lostprophets concert when she was a 16 year old virgin. The prospect of taking her virginity excited you. You got her to dress in a schoolgirl’s outfit and you videoed her and you having oral, vaginal and anal sex. You asked her whether she enjoyed being your underage slut. At the end you urinated over her face and told her to drink it. That gives some insight into your attitude to young females at that time over 5 years before the counts relating to B and P. -
Ready to Shout About 'Murmurations'
ISSUE 22 / MARCH 2013 / FREE FESTIVAL LINEUP S HOTTING FOALS F UP: OR READIN @omsmagazine THE HOR G, RORS FOR TRUCK THE EPSTEIN READY TO SHOUT ABOUT ‘MURMURATIONS’ INSIDE: BBC INTRO – RECORD COLLECTION, STORNOWAY AND FOALS NEW ALBUMS, GENERAL ROOTS NEWS SJM Concerts by arrangement with X-ray & Cruisin Music presents news ‘A GENUINE AURA OF DANGER AND COOL’ Better get your tent looked out – the first acts for this year’s festivals have been announced and Nightshift magazine’s The Punt, the it’s looking like another great year for the local music lover. Truck’s eco, family friendly, folky, unmissable, yearly, multi-venue offshoot Wood Festival returns to Braziers Park in South Oxfordshire over the weekend of showcase for new Oxford bands 17–19 May. In addition to the usual extensive programme of workshops and outdoor activities, returns on Wednesday 8 May. Mary Epworth headlines on Friday, while Danny & the Champions of the World, Flights of Venues for this year are Purple Helios, Trevor Moss and Hannah Lou and Dreaming Spires will also be appearing. Tickets from Turtle, The Cellar, The Wheatsheaf, www.woodfestival.com or in person from Truck Store. The Dukes Cut and the newly FEEL IT LIVE Wychwood is at Cheltenham Racecourse on 31 May–2 June this year. It’s the usual mix of opened White Rabbit. The night current and classic favourites – The Beat are to headline Friday, Kate Nash and the Human is the best way to keep up with plus guests League on Saturday and Ukulele Orchestra for Sunday… so far. -
Malcolm Lowry: a Study of the Sea Metaphor in "Ultramarine" and "Under the Volcano"
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1967 Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano". Bernadette Wild University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Wild, Bernadette, "Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano"." (1967). Electronic Theses and Dissertations. 6505. https://scholar.uwindsor.ca/etd/6505 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. MALCOLM LOWRY: A STUDY OF THE SEA METAPHOR IN ULTRAMARINE AND UNDER THE VOLCANO BY SISTER BERNADETTE WILD A T hesis Submitted to the Faculty of Graduate Studies through the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario 1967 Reproduced with permission of the copyright owner. -
Written Evidence Submitted by the Musicians' Union
Written evidence submitted by the Musicians’ Union Musicians Union’ response to DCMS call for evidence ‘The future of UK music festivals’ The MU represents over 32,000 professional musicians working across all sectors of the UK music industry. 1. What is the economic and cultural contribution of the UK’s festival industry? 1.1 UK music festivals attract audiences in excess of 4.9 million annually (2018 figure). i This has increased from 2.79 million in 2012. They generate international as well as domestic tourism and provide an important boost to local (and in particular rural) economies. 1.2 Festivals are an important part of the live music ecosystem and its talent pipeline. They play a key part in the career path of many musicians whether a) an emerging artist playing a small stage or b) a headlining act on the main stage. You don’t get to b without first starting at a. 1.3 The UK’s large and diverse festival circuit ensures that artists can develop and grow their audiences, which boosts the economy and the cultural footprint of the UK. 1.4 Many festivals are programmed around a particular genre or theme, which is invaluable for niche artists who may otherwise struggle to have a full touring itinerary across music venues. Such events feed into the diversity of UK music, and allow artists to sustain a career without compromising their musical output, and also for fans to access and discover their favourite kinds of music. 1.5 Playing outdoor festivals in the warmer months to larger audiences can also boost audiences across the UK to attend indoor gigs during the colder months, again supporting local communities, culturally and economically. -
Für Sonntag, 21
Tägliche BeatlesInfoMail 19.06.20: PAUL McCARTNEY: 2020er FLAMING PIE /// MANY YEARS AGO ---------------------------------------------------------------------------------------------- Im Beatles Museum erhältlich: 2020er ARCHIVE COLLECTION: FLAMING PIE Doppel-CD versenden wir gut verpackt als Brief (mit Deutscher Post), LPs und Boxen mit DHL (Info über Sendeverlauf kommt per E-Mail). Freitag 31. Juli 2020: PAUL McCARTNEYs FLAMING PIE ARCHIVE COLLECTION Kurzübersicht: Produkt 1: 2020er Doppel-Vinyl-LP FLAMING PIE. Produkt 2: 2020er 3er Vinyl-LP FLAMING PIE . Produkt 3: 2020er Doppel-CD FLAMING PIE . Produkt 4: 2020er Box (5 CDs, 2 DVDs) FLAMING PIE. Produkt 5: 2020er Deluxe-Box (4 LPs, 5 CDs, 2 DVDs) FLAMING PIE . Abbildungen: Cover-Vorderseite / Doppel-LP mit Beilagen (verkleinerte Abbildung) Produkt 1: PAUL McCARTNEY: 2020er Doppel-Vinyl-LP FLAMING PIE. 39,95 € MPL - Universal Music 7 06025 086177 1 ?, weltweit. Half-speed master of the remastered main album tracks cut over two lp’s for the first time. Doppel-LP remastered album, Seite 1: Track 1: The Song We Were Singing. / Track 2: The World Tonight. / Track 3: If You Wanna. Doppel-LP remastered album, Seite 2: Track 4: Somedays. / Track 5: Young Boy. / Track 6: Calico Skies. / Track 7: Flaming Pie Doppel-LP remastered album, Seite 3: Track 8: Heaven On A Sunday. / Track 9: Used To Be Bad. / Track 10: Souvenir. Doppel-LP remastered album, Seite 4: Track 11: Little Willow. / Track 12: Really Love You. / Track 13: Beautiful Night. / Track 14: Great Day. ---------------------------------------------------------------------------------------------- Abbildungen: Cover-Vorderseite / 3er LP mit Beilagen (verkleinerte Abbildung) Produkt 2: PAUL McCARTNEY: 2020er 3er Vinyl-LP FLAMING PIE. 74,95 € MPL - Universal Music 7 06025 086177 2 ?, weltweit. -
Download This Issue (PDF)
DREW BROWN america’s tastiest driveTM Bu alo’s corner taverns have been perfecting the chicken wing since it was invented at the legendary Anchor Bar in 1964. Secret recipes, historic charm and Bu alo-style hospitality make the new BUFFALO WING TRAIL an experience to be savored. Come to Buffalo this summer to taste the delicious dozen. The wet naps are on us. buffalowingtrail.com @buffalowingtrail #WingBUF #NeverRanch © NYSDED DREW BROWN CONTENTS From the Editors The only local voice for news, arts, and culture. Roaring, Rewriting, and Editors-in-Chief: May 22, 2019 Brian Graham & Adam Welsh Roving for Restaurants Managing Editor: Breathing Difficulties – 5 Nick Warren inter is over. Just like Game of Thrones, all things must Copy Editor: The need for better air quality monitors in Matt Swanseger the wake of Erie Coke’s ongoing violations Wcome to an end. As many of us know very Contributing Editors: well, however, not everything goes quite the way we Ben Speggen Missing the mark – 7 want it to. Prior to the show’s series finale, over one Jim Wertz million fans signed an online petition on Change.org, Contributors: Why the EDDC’s game plan for North Park asking for showrunners David Benioff and D.B. Weiss Mary Birdsong Row needs adjustment to remake the entire last season. It’s a new level of Charles Brown community involvement in the face of what they feel Jonathan Burdick Katie Chriest Pithole City – 11 to be poor decisions. Back in the north(west) of Penn- Symoné Crockett sylvania, there’s an oddly similar feeling happening. -
This Page Deliberately Left Blank
THIS PAGE DELIBERATELY LEFT BLANK Online Quiz League Questions set by: Tadzio For use in: Week 2 matches played 20/01/2021 Correct as of: 15/01/2021 Round 1 1a Inspired by the forward Roger Milla, which African country reached the World Cup Quarter-Finals in 1990, having CAMEROON beaten the holders Argentina in the tournament's opening match? 1b Written by the one-time Nazi Franz Liebkind, Springtime for Hitler is a fictional musical that appears in which stage The PRODUCERS musical adapted by Mel Brooks and Thomas Meehan from Brooks's 1967 film of the same name? 2a The material denim takes its name from a corruption of the name of which French city? NIMES 2b Slovenia's oldest castle and one the country's most-visited tourist attractions, which medieval castle overlooks its BLED Castle namesake glacial lake at the southern foot of the Karawanks mountains near the border with Austria? 3a During the 1820s and 30s, John Constable completed a series of famous paintings of which English cathedral? SALISBURY Cathedral 3b Portrayed by George Takei in the original Star Trek series, what is the name of the helmsman of the USS Enterprise? Hikaru SULU 4a The subject of a noted 1776 portrait by Sir Joshua Reynolds, and quickly a favourite in London society, by what OMAI or MA’I name do we know the young Ra'iatean man who became the first Pacific Islander to visit Britain? 4b What type of environmentally harmful substance is defined as an atmospheric gas that absorbs and emits GREENHOUSE radiation within the thermal infrared range? GAS Round 2 1a "You better not tell nobody but God. -
From No Future to Delete Yourself (You Have No Chance to Win)
Journal of Popular Music Studies, Volume 25, Issue 4, Pages 504–536 From “No Future” to “Delete Yourself (You Have No Chance to Win)”: Death, Queerness, and the Sound of Neoliberalism Robin James University of North Carolina, Charlotte Introduction Death is one of the West’s oldest philosophical problems, and it has recently been the focus of heated debates in queer theory. These debates consider the political and aesthetic function of a specific concept of death— death as negation, failure, an-arche, or creative destruction. However, as Michel Foucault (1990) argues, death is an important component of the discourse of sexuality precisely because it isn’t a type of negation. The discourse of sexuality emerges when “the ancient right to take life or let live was,” he argues, “replaced by a power to foster life or disallow it to the point of death” (Foucault 138).1 “Sexuality is the heart and lifeblood of biopolitics” (Winnubst 2012: 79) because it—or rather, as other scholars like Laura Ann Stoler (1995), LaDelle McWhorter (2009), and Jasbir Puar (2013) have demonstrated, racialized sexuality—is one of the main instruments through which liberalism “fosters” or “disallows” life. So, insofar as it pertains to sexuality, death isn’t a negation or a subtraction of life, but a side effect of a particular style of life management. In late capitalist neoliberalism, “death” only appears indirectly, not as a challenge to or interruption of life, but as its unthinkable, imperceptible limit.2 What are the theoretical, political, and aesthetic implications of neoliberalism’sreconceptualization of death as divested, or “bare,” life?3 What if we reframe ongoing debates about queer death, futurity, and antisociality by replacing the punk metaphorics of “No Future” with the cyberpunk/digital hardcore mantra “Delete Yourself (You Have No Chance To Win)”? Asking the question in this way, I use some methods, concepts, and problems from queer theory to think about a few pieces of music; I then use my analyses of these musical works to reflect back on that theory. -
End of Year Charts: 2010
End Of Year Charts: 2010 Chart Page(s) Top 200 Singles .. .. .. .. .. 2 - 5 Top 200 Albums .. .. .. .. .. 6 - 9 Top 200 Compilation Albums .. .. .. 10 - 13 All rights reserved. No portion of this publication may be reproduced, stored in a retrieval system, posted on an Internet/Intranet web site or forum, forwarded by email, or otherwise transmitted in any form or by any means, electronic, mechanical, photocopying, recording without prior written permission of UKChartsPlus Published by: UKChartsPlus e-mail: [email protected] http://www.UKChartsPlus.co.uk - 1 - Symbols: Platinum (600,000) Gold (400,000) Silver (200,000) 12” Vinyl only 2010 7” Vinyl only Download only Entry Date 2010 2009 2008 2007 Title - Artist Label (Cat. No.) (w/e) High Wks 1 -- -- -- LOVE THE WAY YOU LIE - Eminem featuring Rihanna Interscope (2748233) 03/07/2010 2 28 2 -- -- -- WHEN WE COLLIDE - Matt Cardle Syco (88697837092) 25/12/2010 13 3 3 -- -- -- JUST THE WAY YOU ARE (AMAZING) - Bruno Mars Elektra ( USAT21001269) 02/10/2010 12 15 4 -- -- -- ONLY GIRL (IN THE WORLD) - Rihanna Def Jam (2755511) 06/11/2010 12 10 5 -- -- -- OMG - Usher featuring will.i.am LaFace ( USLF20900103) 03/04/2010 1 41 6 -- -- -- FIREFLIES - Owl City Island ( USUM70916628) 16/01/2010 13 51 7 -- -- -- AIRPLANES - B.o.B featuring Hayley Williams Atlantic (AT0353CD) 12/06/2010 1 31 8 -- -- -- CALIFORNIA GURLS - Katy Perry featuring Snoop Dogg Virgin (VSCDT2013) 03/07/2010 12 28 WE NO SPEAK AMERICANO - Yolanda Be Cool vs D Cup 9 -- -- -- 17/07/2010 1 26 All Around The World/Universal -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Canvas 06 Music.Pdf
THE MUSIC ISSUE ALTER I think I have a pretty cool job as and design, but we’ve bridged the editor of an online magazine but gap between the two by including PAGE 3 if I could choose my dream job some of our favourite bands and I’d be in a band. Can’t sing, can’t artists who are both musical and play any musical instrument, bar fashionable and creative. some basic work with a recorder, but it’s still a (pipe) dream of mine We have been very lucky to again DID I STEP ON YOUR TRUMPET? to be a front woman of some sort work with Nick Blair and Jason of pop/rock/indie group. Music is Henley for our editorials, and PAGE 7 important to me. Some of my best welcome contributing writer memories have been guided by a Seema Duggal to the Canvas song, a band, a concert. I team. I met my husband at Livid SHAKE THAT DEVIL Festival while watching Har Mar CATHERINE MCPHEE Superstar. We were recently EDITOR PAGE 13 married and are spending our honeymoon at the Meredith Music Festival. So it’s no surprise that sooner or later we put together a MUSIC issue for Canvas. THE HORRORS This issue’s theme is kind of a departure for us, considering we PAGE 21 tend to concentrate on fashion MISS FITZ PAGE 23 UNCOVERED PAGE 28 CREATIVE DIRECTOR/FOUNDER CONTRIBUTING PHOTOGRAPHERS Catherine McPhee NICK BLAIR JASON HENLEY DESIGNER James Johnston COVER COPYRIGHT & DISCLAIMER EDITORIAL MANAGER PHOTOGRAPHY Nick Blair Reproduction in whole or in part without written permission by Canvas is strictly prohibited.