Dopo Aver Suonato Sui Palchi Di Tutto Il Mondo, I FOALS Sono Pronti

Total Page:16

File Type:pdf, Size:1020Kb

Dopo Aver Suonato Sui Palchi Di Tutto Il Mondo, I FOALS Sono Pronti #DMPressRelease FOALS FOALS ROCK IN ROMA – IPPODROMO DELLE CAPANNELLE 23 GIUGNO 2020 Apertura porte h 19:00 Inizio concerto h 21:00 Prezzo biglietti Posto Unico Intero - € 30,00 + € 4,50 d.p. Artist Pre-sale: dalle ore 9:00 di giovedì 23 gennaio fino alla general sale Biglietti disponibili su rockinroma.com, www.ticketmaster.it e www.ticketone.it dalle ore 10.00 di venerdì 24 gennaio In tutti i punti vendita Ticketone e Box Office Lazio dalle ore 10.00 di lunedì 27 gennaio Info e Contatti ROCK IN ROMA: www.rockinroma.com - www.the-base.it mail to: [email protected] Tel. 06.54.22.08.70 - Info diversamente abili: 06.54.22.08.70 Dopo aver suonato sui palchi di tutto il mondo, i FOALS sono pronti a tornare in Italia: il 23 giugno 2020 si esibiranno al ROCK IN ROMA, all’Ippodromo delle Capannelle. I biglietti saranno disponibili in prevendita su rockinroma.com, www.ticketmaster.it e www.ticketone.it dalle ore 10.00 di venerdì 24 gennaio, e in tutti i punti vendita Ticketone e Box Office Lazio dalle ore 10.00 di lunedì 27 gennaio. I FOALS sono un gruppo inglese nato a Oxford nel 2005. “Antidotes” è il titolo del loro album di debutto, prodotto da Dave Sitek, membro dei Tv on The Radio e produttore degli Yeah Yeah Yeahs. Il disco ottiene subito un ottimo successo in UK e si posiziona alla #3 della UK Album Chart. La band pubblica nel 2010 il secondo album intitolato “Total Life Forever” e riceve una nomination ai Mercury Prize 2010, mentre il singolo “Spanish Sahara” viene riconosciuto come miglior canzone agli NME Awards nel 2011. “Holy Fire” è il titolo del terzo album anticipato dal singolo “Inhaler”, premiato come miglior canzone agli NME Awards nel 2013 e seguito nel 2015 dal quarto album “What Went Down”, subito alla #3 della UK Album Chart e premiato come miglior album agli NME Awards del 2014. I FOALS ricevono nel 2016 la loro prima nomination ai Brit Awards come miglior gruppo inglese. Nel 2019 tornano con ben due album: “Everything Not Saved Will Be Lost Part 1” uscito a marzo e vincitore del premio “Best Album” ai Q Awards e “Everything Not Saved Will Be Lost Part 2” uscito a ottobre. “Everything Not Saved Will Be Lost” è stato accolto con grande entusiasmo dalla critica e dai fan e i singoli estratti hanno conquistato le classifiche radiofoniche. “Part 1” ha debuttato in seconda posizione nella classifica degli album in UK e ha fatto guadagnare alla band una nomination ai Mercury Prize Award, mentre “Part 2” ha debuttato in prima posizione nella medesima classifica. Rock in Roma Sito ufficiale Twitter Facebook Instagram Youtube Foals Sito ufficiale Twitter Facebook Instagram Youtube .
Recommended publications
  • This Page Deliberately Left Blank
    THIS PAGE DELIBERATELY LEFT BLANK Online Quiz League Questions set by: Tadzio For use in: Week 2 matches played 20/01/2021 Correct as of: 15/01/2021 Round 1 1a Inspired by the forward Roger Milla, which African country reached the World Cup Quarter-Finals in 1990, having CAMEROON beaten the holders Argentina in the tournament's opening match? 1b Written by the one-time Nazi Franz Liebkind, Springtime for Hitler is a fictional musical that appears in which stage The PRODUCERS musical adapted by Mel Brooks and Thomas Meehan from Brooks's 1967 film of the same name? 2a The material denim takes its name from a corruption of the name of which French city? NIMES 2b Slovenia's oldest castle and one the country's most-visited tourist attractions, which medieval castle overlooks its BLED Castle namesake glacial lake at the southern foot of the Karawanks mountains near the border with Austria? 3a During the 1820s and 30s, John Constable completed a series of famous paintings of which English cathedral? SALISBURY Cathedral 3b Portrayed by George Takei in the original Star Trek series, what is the name of the helmsman of the USS Enterprise? Hikaru SULU 4a The subject of a noted 1776 portrait by Sir Joshua Reynolds, and quickly a favourite in London society, by what OMAI or MA’I name do we know the young Ra'iatean man who became the first Pacific Islander to visit Britain? 4b What type of environmentally harmful substance is defined as an atmospheric gas that absorbs and emits GREENHOUSE radiation within the thermal infrared range? GAS Round 2 1a "You better not tell nobody but God.
    [Show full text]
  • End of Year Charts: 2010
    End Of Year Charts: 2010 Chart Page(s) Top 200 Singles .. .. .. .. .. 2 - 5 Top 200 Albums .. .. .. .. .. 6 - 9 Top 200 Compilation Albums .. .. .. 10 - 13 All rights reserved. No portion of this publication may be reproduced, stored in a retrieval system, posted on an Internet/Intranet web site or forum, forwarded by email, or otherwise transmitted in any form or by any means, electronic, mechanical, photocopying, recording without prior written permission of UKChartsPlus Published by: UKChartsPlus e-mail: [email protected] http://www.UKChartsPlus.co.uk - 1 - Symbols: Platinum (600,000) Gold (400,000) Silver (200,000) 12” Vinyl only 2010 7” Vinyl only Download only Entry Date 2010 2009 2008 2007 Title - Artist Label (Cat. No.) (w/e) High Wks 1 -- -- -- LOVE THE WAY YOU LIE - Eminem featuring Rihanna Interscope (2748233) 03/07/2010 2 28 2 -- -- -- WHEN WE COLLIDE - Matt Cardle Syco (88697837092) 25/12/2010 13 3 3 -- -- -- JUST THE WAY YOU ARE (AMAZING) - Bruno Mars Elektra ( USAT21001269) 02/10/2010 12 15 4 -- -- -- ONLY GIRL (IN THE WORLD) - Rihanna Def Jam (2755511) 06/11/2010 12 10 5 -- -- -- OMG - Usher featuring will.i.am LaFace ( USLF20900103) 03/04/2010 1 41 6 -- -- -- FIREFLIES - Owl City Island ( USUM70916628) 16/01/2010 13 51 7 -- -- -- AIRPLANES - B.o.B featuring Hayley Williams Atlantic (AT0353CD) 12/06/2010 1 31 8 -- -- -- CALIFORNIA GURLS - Katy Perry featuring Snoop Dogg Virgin (VSCDT2013) 03/07/2010 12 28 WE NO SPEAK AMERICANO - Yolanda Be Cool vs D Cup 9 -- -- -- 17/07/2010 1 26 All Around The World/Universal
    [Show full text]
  • P20-21 Layout 1
    20 Established 1961 Lifestyle Gossip Monday, March 18, 2019 Walker won’t sing at his wedding Tom Walker won’t sing at his own wedding. Flux Pavilion to do the after-party! Absolute class!” But champagne and popped the question to her in Sri Lanka. A The 27-year-old musician popped the ques- the ‘Leave a Light On’ hitmaker and his wife-to-be are He previously said that she loves being with his sweet- tion to his long-term partner Annie last year still in early stages of planning the wedding as they have heart because she has been unfazed by his fame and but he’s dismissed suggestions he provide the been so busy. He said: “I have found a few potential ven- stood by him all through his journey. He said: “When I entertainment on their big day, insisting he can’t imagine ues and me and my missus have had a couple of discus- met my missus, Annie, I didn’t even have a job. She just “anything worse”. Asked by Britain’s OK! magazine if he sions about it. She just finished a masters degree and has likes me for me and nothing has changed between us, was going to be singing on his wedding day, he replied: started a new job and I have just been hectically busy as which is really nice because a lot in my life has changed “At my wedding? Are you joking? I can’t think of any- well. So hopefully when it all dies down a bit we’ll get but she’s stayed the same.” thing worse.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat.
    [Show full text]
  • Oral History Number: 473-009 Interviewee: John Fleming Interviewer
    Archives and Special Collections Mansfield Library, University of Montana Missoula MT 59812-9936 Email: [email protected] Telephone: (406) 243-2053 This transcript represents the nearly verbatim record of an unrehearsed interview. Please bear in mind that you are reading the spoken word rather than the written word. Oral History Number: 473-009 Interviewee: John Fleming Interviewer: Breanna McCabe Date of Interview: November 2, 2019 Project: Missoula Music History Oral History Project Breanna McCabe: John, I’m just gonna have you start by saying and spelling your first and last name. John Fleming: John Fleming, J-o-h-n F-l-e-m-i-n-g. BM: We are rolling. Hello, I’m Breanna McCabe. It's Saturday, November 2, 2019, and with me here at the Mansfield Library on the University of Montana campus is John Fleming. John is the proprietor of Ear Candy Music, which opened September 21, 1997, and is now located at 624 South Higgins Avenue here in Missoula. John, thanks so much for being here. JF: You're welcome. BM: Please introduce yourself and share a little bit about your background. JF: Well, my name is John Fleming. I moved to Missoula in 1991 to attend grad school, and I got my ABT degree, all but the thesis, so didn't quite get there. Then kicked around for a bit, got a job at Rockin’ Rudy’s, and then a friend approached me about opening our own store. Figured if I didn't take the chance, then it would never happen. So, I sold my 1958 Chrysler Windsor and used that money to purchase some product and liquidated my personal record collection—well, not entirely, but a lot of them—and that was my initial inventory.
    [Show full text]
  • Dream Spinner Teaser Chapters ©2021 Kristen Ashley Not to Be Distrubuted Or Reproduced Without Permission
    DREAM SPINNER By Kristen Ashley Teaser Chapters Prologue Right at Him Hattie It happened on the opening night of the Revue. I knew it when I finished my dance. And I looked for him. They were there, all the guys (and Evie) to cheer us on. To support us. But when my dance was done, I didn’t look to my friend Evie. I didn’t look to Lottie’s man (and my friend) Mo. I didn’t look to Evie’s guy (and also my friend) Mag. I further didn’t look to Ryn’s fella (and yes, my friend too) Boone. Or Auggie, who should be Pepper’s, but he was not. I looked right at him. Right at him. At Axl. And he was looking at me. Of course, I’d just been dancing. But it was more. Because I’d picked that song. And it became even more when my eyes went right to his. I saw how his face changed when I did this, and I didn’t know him all that well, but I still read it. Page 1 Dream Spinner Teaser Chapters ©2021 Kristen Ashley Not to be distrubuted or reproduced without permission I knew exactly what it meant, the way he was looking at me, and the fact, after I’d finished dancing to that song, I’d looked right at him. And what it meant was… I was in trouble. Chapter One Ivan the Terrible Hattie “It went well.” “Tens of thousands of dollars on teachers, leotards, pointe shoes, payin’ for gas to drive you to class, recitals, competitions, and you’re sittin’ here tryin’ to convince me all that was worth it seein’ as you got the big promotion from being a stripper to being a burlesque dancer.” “It’s not burlesque exactly.
    [Show full text]
  • Accepted Version
    ACCEPTED VERSION Katie Barclay Love and violence in the music of late modernity Popular Music and Society, 2018; 41(5):539-555 © 2017 Informa UK Limited, trading as Taylor & Francis Group This is an Accepted Manuscript of an article published by Taylor & Francis in Popular Music and Society on 21 Sep 2017 available online: https://www.tandfonline.com/doi/full/10.1080/03007766.2017.1378526 PERMISSIONS http://authorservices.taylorandfrancis.com/sharing-your-work/ Accepted Manuscript (AM) As a Taylor & Francis author, you can post your Accepted Manuscript (AM) on your personal website at any point after publication of your article (this includes posting to Facebook, Google groups, and LinkedIn, and linking from Twitter). To encourage citation of your work we recommend that you insert a link from your posted AM to the published article on Taylor & Francis Online with the following text: “This is an Accepted Manuscript of an article published by Taylor & Francis in [JOURNAL TITLE] on [date of publication], available online: http://www.tandfonline.com/[Article DOI].” For example: “This is an Accepted Manuscript of an article published by Taylor & Francis Group in Africa Review on 17/04/2014, available online: http://www.tandfonline.com/10.1080/12345678.1234.123456. N.B. Using a real DOI will form a link to the Version of Record on Taylor & Francis Online. The AM is defined by the National Information Standards Organization as: “The version of a journal article that has been accepted for publication in a journal.” This means the version that has been through peer review and been accepted by a journal editor.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • Film - Iron Man 2 - a Nightmare on Elm Street
    president Letter from the President Travel Centre closes after another year of losses Union President Steve O’Reilly gives the low down of the academic year. e As you will all now know, earlier this year we closed the highs and the lows with the best bits and the not so glamorous moments. Union Travel Centre. As an independent travel provider, we have been un- What an amazing year, and what a privilege to serve hiccups. e “Grad Ball Fiasco of 2010” was a major pain der pressure from internet travel operators for many years the students that elected me last year. is year has been in the backside and rightly upset many students for which and it’s clear that the forecast for high street operations is tough, it’s been stressful, but it’s been an amazing experi- I have done, but will apologise again. ere was also the not set to improve. We have always taken pride in the per- ence and the team and I, we’ve achieved a lot. Whether it case of some rather poorly chosen content for a Women’s sonal, professional service we have offered, as well as the was extension of Library hours, fi nally closing down the Day poster, women in bikini’s probably not being one of independent, expert advice we have given, but we were no Travel Centre, or being a founding member in the creation the best ways to promote a day about international femi- longer able to continue to trade at a loss. of USU a national collaborative network of like-minded nism (who knew?).
    [Show full text]
  • Will My Best Be Good Enough? Realizing That Other Students Have More Advantages Makes Me Worried About Getting Into College Page 10 for People Who Care About Teens
    May-June 2012 also in this issue www.layouth.coM Racial profiling 6 ‘Injustice’ art contest winners 14 Understanding the newspaper by and about teens mental illness 16 Will my best be good enough? Realizing that other students have more advantages makes me worried about getting into college Page 10 For PeoPle Who care about teens About L.A.Youth How L.A. Youth started Former teacher Donna Myrow founded the nonprofit teen newspaper in 1988 after the Supreme Court Hazelwood decision, which struck down student press Senior Writers: Jennifer Gonzales-Romero • Ha Young Kwen, Wilson HS • Jessica Marin, Culver rights. Myrow saw a need for an independent, uncensored forum for youth City HS • Kristy Plaza, Duarte HS • Christian Santiago • Stephany Yong, Walnut HS expression. L.A. Youth is now celebrating its 24th year of publishing. Staff: Angela Aie, Walnut HS • Rocio Arenas, Granada Hills Charter HS • Emily Bader, Cleveland HS • Rosie Baek, South How L.A. Youth is doing today HS • Emily Bai, Arcadia HS • Flor Carolina Barillas, South Gate HS • Victor Beteta, University HS • Maceo Bradley, Animo Locke HS #3 • Tyler Bradshaw, Redondo Union HS • Heidi Carreon, Gladstone HS • Andrew Chen, Walnut HS • Jinny Choi, L.A. Youth now has a readership of 350,000 in Los Angeles County. Thousands of La Cañada HS • Sydney Chou, Sonora HS • Camille Didelot-Hearn, L.A.C.E.S. • Avika Dua, Walnut HS • Seth Falcon, Alliance students have benefited from L.A. Youth’s journalism training. Many have graduated College-Ready Middle Academy #5 • Amy Fan, Temple City HS • Araceli Gutierrez, Cleveland HS • Sareen Habeshian, AGBU from college and have built on their experiences at L.A.
    [Show full text]
  • WIN the ULTIMATE VINYL FOALS PRIZE PACK 2019” Competition Terms and Conditions
    Warner Music Australia Pty Limited “WIN THE ULTIMATE VINYL FOALS PRIZE PACK 2019” Competition Terms and Conditions By entering Warner Music Australia Pty Limited’s (“Warner”) “WIN THE ULTIMATE VINYL FOALS PRIZE PACK 2019” Competition 1. STANDARD TERMS 1.1 Information and instructions on "How to Enter” form part of these conditions of entry. By entering the Competition, entrants accept and agree to be bound by these conditions of entry. 2. WHO CAN ENTER? 2.1 The only persons who may enter and be awarded the prize are those who; a) are residents of Australia; b) are 16 years of age or older; entrants under the age of 18 must seek prior permission from their parent or guardian to enter this Competition. Any such entrant without this permission is not eligible to enter the Competition. c) have a valid Spotify account or valid Apple Music account; d) have a valid email address; and e) are not employees of the Promoter or their associated companies, agencies or families. 3. THE COMPETITION 3.1 The Competition is known as the “WIN THE ULTIMATE VINYL FOALS PRIZE PACK 2019” Competition 4. HOW TO ENTER 4.1 The Competition will run between 15 February 2019 at 12:00pm (AEST) and 7 March February 2019 at 11.59PM (AEST) (“the Competition Period”). 4.2 To enter using Spotify: (a) Step 1: Follow the prompts on the webpage https://campaigns.topsify.com/app/14594/pre-save-everything-not-saved-will-be-lost--- part-1-by-foals (“the Entry Page”); (b) Step 2: Follow the prompts on the Entry Page and: a.
    [Show full text]