Esuneighborhooff^^'Ii

Total Page:16

File Type:pdf, Size:1020Kb

Esuneighborhooff^^'Ii EVENING STAR, Washington, C. 'Essie pirouetting B-26 THE D. between her meatier roles of Shakespeare ' -—air conditioned WEDNESDAY. JULY 11. 1956 husband's xylophone and print- and Fry, fare less well. Philip ing press; the word game between Bosco, who was a remarkable OLNEY now the Sycamores who have Hamlet this winter, disappoint- ART™™™e»o« » iosoo I| playing THE PASSING SHOW fun nila theatre and the Kirbys, who have only ingly attacks the Mad Russian First Time Ever money. with such ferocity he demolishes 1 Shown NYDIA WESTMAN $ Jreli Edf*: Two veterans, Nydia Westman him. Thom Hitchell, as the over-1 Satchmo Brings Music mgr as Mrs. Sycamore, and Edward bearing stockbroker father of the 'TDFMrU Finnegan, carry the perform- Sycamore girl’s suitor, manages, * k *^ll ance. Mr. Finnegan seems es- through no fault of his own, to Our Amphitheater mk A J®\ pecially at home in the role of suggest more a petulant scout- 11IPc-7?P I Ummub y Kaufman A Hart To xSti the tax-dodging sage. Miss West- leader than an outraged tycoon. J Hilarious Summer Entertainment By HARRY MCARTHUR man. who had trouble from time As Penny’s husband, Gil Rath- rrmini eei#„ Niehtly except Mon., 8:40. Mat. BUKLBSK sun., 2.40. Ticket into., call White- identifying play- bun. is pleasant but utterly fails .. , I hall 6-8100 or Jordan’s. and O. to time fellow ¦• = 13th Louis Armstrong, who has been spreading particular gaa!i=^'¦l ——• —> DI. 7-5774. Hecht's. Silver Spring. his own ers, comported to convince that he is her con- 1 ¦ capitals Europe herself with the brand of the American culture about the of and indestructible amiability and temporary. Africa, came his capital spread night. back to own to some last monumental witlessness called “You Can’t happy evening any near-capacity Carter But Take It With It was as an as Barron You,” aged, easy Amphitheater audience has had. for. with its laughs,! your doesn’t give pfeiiw, AiR-cmmoitiD for It Constance Schneider’s Essie is the players the should be equally happy tonight, tomorrow .and Friday chance to P nights, merely for amphi- r suitably frenzied; and George do their usual bril- not liant stuff. They do 45 T( patrons ("Gypsy,” Johnson, the hard 11 1I i i ?0 starts DAY theater but for its im- ¦! "Bucket’s Got a Hole as the maid’s loafing things much better. mediate neighbors as well iff in It,” etc.i is sung by Louts in beau, gives a relaxed perform- the latter are sensible enough to 5 that velvet gravel baritone. It ance. be Louis Armstrong fans. When 1 probably is the most distinctive Louis gets wrapped up in spread- - voice and singing style in the The other members, used to! j Bros wc-.cm l|iA - ing the culture, he does not con- world and no “new sound” will —" Air Conditioned fine it to any restricted area. ever take its place. Gkegojiv I - There are some other people -*** * NATIONAL 4 WKS. BEG. MON. of consequence in the jazz world “AMERICA'S FIRST THEATRE" Some of it is ad libbed, too, as ! P£CJC taking part this four-night | Ere*. R:,10: in when everyone gets Matinees Sat*. t:.10 “American Festival," , enthused Music but with giving W. C. Handy’s “Old "Richard Satchmo one they , 4 SPECIAL SHOWS is the come ' Miss” an especially exciting ? ? BaSehart Genn to see. He fairly exudes that Matinee 2:30 Wed., July 18 going over. “A-a-a-a-h,” sighs -ip v quality which marks Danny 1 Brbvi: same high-riding 7 P.M. Sunday Showt July 22, John Huston [ Louis at the climax, A, Kaye an affection for the PMDUCIiONor H|»UIN Mllyme 1 I ¦ ' "here we go.” And go they do, July 29 and August 5 people who come to see him en- I ‘ taking up where they left off. tertain that is instantaneously returned by anyone close enough , While all of this is going on, LARRY BETTY BUSTER to see him grin. young Mr. Armstrong is having J DOUGLAS O'NEIL WEST Louis comes strutting onstage, as much fun as anyone on Clad in a black silk suit that i hand. He plays with his songs would have the entire popula- ” and his audience. He takes that . .«n ..Technicolor . tion of old New Orleans pop- . trumpet up to the very peak, be- MIGHTY MITE GOES TO WAR , yond which go, Wirnfr eyed if it could see him now. He it can’t then Mickey Rooney plays one of the leading roles in “The Bold Sfir.lwg \ / beams and the rapport with his j sends it a few notes higher. He and the Brave,” new screen attraction at RKO-Keith’s audience—a true 9-to-90 group— . stands back and beams, the Theater. Advance reports have it that Rooney, who has , happiest listener in amphi- Is immediate and complete. He the done some good ones and some bad ones in his time, turns AIR-CONDITIONED « / . theater, when one or another of <Z. taps his right foot slowly, puts in a top-notch performance in the drama of war in Italy. I IB", A Col H • CO 5 5595 • Oof"~l c ml trumpet to lips and this Is . his sidemen takes a scintillating passage. music. solo .hi, BARBARA ROSTOCK \eeedhe ** * * fill He is great, that’s all, and his From the first sleepy strains ; music is to be listened to, not 'You Can't Take It With You' SEAT SALE NOW of "Sleepytime Down South” to i written or read about. Bex Office Open *1 a.m. to 9:30 p.m. the end, whicn comes too soon *** * l for the devoted, this is music of It can hardly Just Can't Hide Its Age wonderful be called warm- a rich, vital and sort. ing up the hall in the By passed ,t It's alive, it has melody, it has Rock MARY McC.RORY ’stinks” into the lan- week 1 Creek Park bowl, but at least Players, Inc., a guage a NOW in41 message is clear. youthful com- ¦ for time. ESU a beat and its the premises are prepared pany, grips Films of NEIGHBORHOOff^^’ii for Since then, Some of fast, has come to with an i the professionally More Than Routine Merit it is like the Armstrong and his All-Stars elderly the Olney K B THEATERS rousing in In- comedy at this ; scatterbrained, resolutely unem- “THE BIRDS AND THE BEF.S ’-George Gobel for Laughs "Back Home This chore is not entirely happy ployed family a" Some of lazy undertaken with week. It is an has become a and Mltzi Gavnor for decoration and there you are. 4613 Mo»». Av*. wo 6-4400 diana." it is and zest by some meeting. stage. SPPT undulating. of it is the men whose names commonplace of the Since “THE GLASS SLIPPER"—LesIie Caron makes a fetching fr tr,™rkln9 Some are to all troupe then, Veil-known jazz Many members of the ¦ practically anybody who Cinderella In a charming romantic fable. david blues, real, fine blues. Some of They just niven ••t/i™ mns'’a'nti aficionados. present quite a were learning to recite “The hadn't acted in the play has “THE MAN IN THE GRAY SUlT”—Gregory l 30 It is comic. Some of it is purely variety of FLANNEL Peck ““’V:4o“nd'»:4S’PM ’ styles, too. to provide Village Blacksmith" when “You seen it. And since then, the as the Madison denizen of Sloan Instrumental and some of it contrast avenue Wilson's best- | Mirirv n. h. Av*a Um« Lon* with each other and Can’t Take It With You” first problems of Russian refugees,, 2 Perfs. Today 2:00 A 8:30 seller. IaRHULLI 4. with Ht J700 Satchmo’s pure New 'fractured Broadway some 20 ’ income tax evasion and the re- 9MONI •ISHVATIONt “PATTERNS-’-Yan Heflin vs. Sloane in a dramatic Orleans. years Everett ago. Its gently subversive changed, ACCIPTID Ml. 6-44 M j' " ,al Co ',, lief rolls have either in battle behind the big business scenes. vF*" «.'S 1 e5 ?, j r .PT.I nSn a l6 6 111 ln<* The opening warm up pro- message that money isn’t every- degree or in kind. ItSlavlO Sf ATS NOW ON SAlt "THE SEARCHERS”—John Wayne In yarn p.m. ' ' ' ' ‘ WHERE is NAILOIDftS HUID MOMkTLY an outdoor artion 9°io vided thing brought warm comfort • by f *' **• & by a seven-piece group to It still has its moments of a PSX o»ict O»|N 10 Au <0 A >1 u marked John Ford's sure directorial touch. PI fIWPR low Pin*y Br id depression headed by Eddie Condon. audiences. And the musty, familiar charm. Mrs. — Mr. 1 CMAROI IT—Wt Haw#. All Mai» I ROBERT MITCHUM In "FOREION AND WHEN Condon has done us all a service Sycamores, with snakes in the Sycamore, referring to minions fAto'iM# 4*d Air T.a.al CkA'g* CA.Ot by acting as a sort of one-man 1 parlor and love in their hearts, of the FBI as “J-men”; grand- W ( Alt A tiltCHAISE Ntmbti Stanley Warner Theaters DRIYC-IN THEATERS Hi Current Theater Attractions AU S..n, W»n»»r Ar. lobby for jazz through the years were the first of their kind, a father, the commencement-col- Air Conditioned ;;r ThjAter. I S P - 3 ''l 2»th & Ala. Av. S.E. and Time of Showing Dlh A Pfl‘"•‘ClLIlMFR H.,,, IRI.
Recommended publications
  • The Victor Black Label Discography
    The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • University of Oklahoma Libraries Western History Collections Bob
    University of Oklahoma Libraries Western History Collections Bob Burke Autographs of Western Stars Collection Autographed Images and Ephemera Box 1 Folder: 1. Roy Acuff Black-and-white photograph of singer Roy Acuff with his separate autograph. 2. Claude Akins Signed black-and-white photograph of actor Claude Akins. 3. Alabama Signed color photograph of musical group Alabama. 4. Gary Allan Signed color photograph of musician Gary Allan. 5. Rex Allen Signed black-and-white photograph of singer, actor, and songwriter Rex Allen. 6. June Allyson Signed black-and-white photograph of actor June Allyson. 7. Michael Ansara Black-and-white photograph of actor Michael Ansara, matted with his autograph. 8. Apple Dumpling Gang Black-and-white signed photograph of Tim Conway, Don Knotts, and Harry Morgan in The Apple Dumpling Gang, 1975. 9. James Arness Black-and-white signed photograph of actor James Arness. 10. Eddy Arnold Signed black-and-white photograph of singer Eddy Arnold. 11. Gene Autry Movie Mirror, Vol. 17, No. 5, October 1940. Cover signed by Gene Autry. Includes an article on the Autry movie Carolina Moon. 12. Lauren Bacall Black-and-white signed photograph of Lauren Bacall from Bright Leaf, 1950. 13. Ken Berry Black-and-white photograph of actor Ken Berry, matted with his autograph. 14. Clint Black Signed black-and-white photograph of singer Clint Black. 15. Amanda Blake Signed black-and-white photograph of actor Amanda Blake. 16. Claire Bloom Black-and-white promotional photograph for A Doll’s House, 1973. Signed by Claire Bloom. 17. Ann Blyth Signed black-and-white photograph of actor and singer Ann Blyth.
    [Show full text]
  • Autograph Albums - ITEM 936
    Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman
    [Show full text]
  • Programs Magazine
    WEEK'S COMPLETE TELEVISION PROGRAMS THE SUNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL-. MAGAZINE Clifton East Paterson air Lawn Garfield Haledon Hawthorne L•d• Little Falls Mountain View ß Nerth Haledon Pat.•rson ssaic Por.•pton Lakes Prospect Park S•ga½ Totowa Wayne West Paterson JANUARY 10, 1960 Freeholder Director Frank X. Graves Jr. and Family ¾OL. XXXII, No. 2 WHITE ..d SHAUGER, Inc. A GoodName to Rememberfor !!?i•::..••"/:•'i•"• •+!?•.i/.i•: FURNITURE " l. LivingRoom - BedRoom •. ....•,• i . Dining Room ........... RUGS AND CARPETS A SPECIALTY Quality and Low Price 39 Years Serving the Public 435-S•OHT ST.1i•!•T (Co•rm•20th Ave) PA'rBR•ON, N.J. "The Pi•ee witit the C!oe•' -- MUI• 4-•8M Headquarters for Engaged Couples THE IDEAL PLACE TO DINE AND WINE ITALIAN-AMERICAh•"11•- , J• • • •.,'• ••--'••'-•' -- •--•• SEA.,.c..'"FOOD •d-•.• q ' • -•_ _ •--•' ß BROILED LOBSTER • --DAILY FROGS' I,EG.'•- S•I;'F SHELb CR^•J:,- BLUEFISH - RAINBOW TItOUT - HALIBUT - SALMON - SHIIIM['S- SCALLOPS- OYSTh•HS - CLAM - COD F!•'!! - SWORD FISH - DAILY DINNERS 168 BELMONTAVE. {Cor. Burhans).HALEDON - - - LAmbert 5-9•85 CASTRO'SYEAR- Cuban Premier Fidel Castro, whosemobile face reflects the victories and problems of his regime, will be seen in "Castro's Year of Power" Saturday, Jan. 23 on the NBC- TV Network. The program has been filmed over the past two months by an NBC News camera team of 10 who have examined every phase of Cuban life. The telecast is the first in NBC'8 new "World Wide 60" series of public affairs programs featur- ing Frank McGee as host and covering subjects ranging from P.•*.arctica ta suh.rhi=.
    [Show full text]
  • Pictorial Article with Captions
    NOTES ON JEFFREY HUNTER AND HIS FILMS by Jim Meyer "Jeffrey Hunter is beautiful!" a girl friend gurgled to me some 15 years ago. And indeed he was, as any man not envious of Hunter's impressive 6' 1" height and blue-eyed, brown-haired handsomeness must admit. As is well enough known, many film actors have little more to offer audiences than handsomeness. But far too many critics (men and women alike) too quickly tabbed the exceptionally hand- some actor "beautiful but bland." But teen-age girls didn't mind. Many didn't care whether he could act. In Jeffrey Hunter they saw (or thought they saw) a dream prince, a husky young god, who could fulfill their most imaginative fantasies. Less dazzled male viewers saw something else: a man who was handsome enough for them to resent, largely, one suspects, because many of them wished that his good looks belonged to them, and, not being able to measure up, consoled themselves by insisting that he couldn't act and wouldn't last long in films. Obviously, Hunter had to work twice as hard as many another actor of his type to prove he was a good actor. I believe he succeeded although he never became a superstar. Did Hunter's good looks make him arrogant, overbearing, and hard to work with? Possibly not, when one recalls that Jean Peters, a co-star of his, once went out of her way to observe that his courtesy toward and consideration for her would be remarkable anywhere but especially in Hollywood.
    [Show full text]
  • Everything Old Is New Again
    Volume 46 • Issue 1 january 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. “Professor” Adrian Cunningham and his Old School Band made their Suncoast Jazz Classic debut and played sets throughout the weekend, including a CD release party for their latest Arbors album, Swing It Out! Here the leader pays close attention to bassist Jim Robertson’s solo on November 17. Photo by Mitchell Seidel. everything old Is new again By Mitchell Seidel verything we’re playing tonight is prior and ASCAP licensing rights, but it could just “E to 1923,” half-seriously joked trumpeter as easily have meant the repertoire of a good Dave Tatrow of Wally’s Warehouse Waifs, number of repeat performers at the 27th performing in the ballroom for the pre-festival annual event. Indeed, Tatrow and the Waifs sponsors’ dinner for the 2017 Suncoast Jazz have been performing at the event since the Classic in November. His quip referred to BMI turn of the century (21st, not 20th). Despite continued on page 28 New JerseyjazzSociety in this issue: new jersey jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/join njjs . 51 Crow’s Nest . 52 New/Renewed Members . 53 his marks my final “Prez Sez” column (it’s hard There were also some disappointments, the main to believe I have written 55 of them), because ones being the discontinuance of Jazzfest due to storIes T Suncoast Jazz Festival .
    [Show full text]
  • FILM CREDITS Last Update: 7/08
    KERN COUNTY FILM CREDITS Last Update: 7/08 (TV) Made for Television (D) Documentary (S) Serial TITLE RELEASED LOCATION CAST Keystone Cops unknown Red Rock Canyon The Keystone Cops Opportunity 1913 Taft Fatty Arbuckle Cowboy and the Lady, The 1915 Mojave S. Miller Kent, Hellen Case Back To God's Country 1919 Kern River Valley Nell Shipman, Wheeler Oakman Branded a Bandit 1924 Robbers Roost Yakima Canutt, Alys Murrell King of the Wild Horses, The 1924 Old Kernville Edna Murphy, Charley Chase Man From God's Country, The 1924 Kern River Valley William Fairbanks, Dorothy Revier Greed 1925 Mojave Desert Gibson Gowland, Zasu Pitts White Thunder 1925 Old Kernville Yakima Canutt Wild Horse Canyon 1925 Red Rock Canyon, Kernville Yakima Canutt, Helene Rosson Battling Butler 1926 Bakersfield, Kern River Buster Keaton, Sally O'Neil, Walter James Born to the West 1926 Red Rock Canyon Jack Holt, Margaret Morris Hands Up! 1926 Red Rock Canyon George A Billings, Virginia Lee Corbin Beau Sabreur 1928 Red Rock Canyon Gary Cooper, Evelyn Brent Hell's Heroes 1930 Mojave Desert Charles Bickford, Raymond Hatton Under a Texas Moon 1930 Red Rock Canyon Frank Fay, Myrna Loy Cimarron 1931 Kern River Valley Richard Dix, Irene Dunne Lightning Warrior, The (S) 1931 Old Kernville Rin Tin Tin Phantom of the West, The 1931 Old Kernville Tom Tyler, William Desmond Range Feud 1931 Kernville John Wayne, Buck Jones Vanishing Legion, The 1931 Old Kernville Harry Carey, Edwina Boothe Border Devils 1932 Kern River Valley Harry Carey, Gabby Hayes Flaming Guns 1932 Red Rock Canyon
    [Show full text]
  • Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
    Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker.
    [Show full text]
  • Notes on Jeffrey Hunter and His Films
    NOTES ON JEFFREY HUNTER AND HIS FILMS by Jim Meyer "Jeffrey Hunter is beautiful!" a Robert Wagner replied, through his girl friend gurgled to me some 15 secretary, that he and Hunter had been years ago. And indeed he was, as any close friends but that he preferred to man not envious of Hunter's impres- make no further comment. sive 6' 1" height and blue-eyed, brown- David Janssen replied (also haired handsomeness must admit. through a representative) that he and As is well enough known, many Hunter had worked together in only film actors have little more to offer two films and rarely saw each other audiences than handsomeness. But far socially. But Janssen remembered too many critics (men and women Hunter as "a fine actor...completely alike) too quickly tabbed the excep- professional in his approach to his tionally handsome actor "beautiful but work." bland." Two actresses were also contacted: But teen-age girls didn't mind. Anne Francis and Viveca Lindfors, Many didn't care whether he could act. with each of whom Hunter had worked In Jeffrey Hunter they saw (or thought in two films. Neither responded. Per- they saw) a dream prince, a husky haps they never received my letters. young god, who could fulfill their most imaginative fantasies. Less dazzled Jeffrey Hunter was born Henry H. male viewers saw something else: a McKinnies, Jr., on November 24, man who was handsome enough for 1927, in New Orleans, La. His father them to resent, largely, one suspects, (a sales engineer) and his mother because many of them wished that his moved with him, their only child, to good looks belonged to them, and, not Milwaukee when Hank, as the child being able to measure up, consoled was called, was three.
    [Show full text]
  • University of London Thesis
    REFERENCE ONLY UNIVERSITY OF LONDON THESIS Degree Year ZOOS Name of Author laaJ/ A • COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished typescript and the copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION J recognise that the copyright of the above-described thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. LOANS Theses may not be lent to individuals, but the Senate House Library may lend a copy to approved libraries within the United Kingdom, for consultation solely on the premises of those libraries. Application should be made to: Inter-Library Loans, Senate House Library, Senate House, Malet Street, London WC1E 7HU. REPRODUCTION University of London theses may not be reproduced without explicit written permission from the Senate House Library. Enquiries should be addressed to the Theses Section of the Library. Regulations concerning reproduction vary according to the date of acceptance of the thesis and are listed below as guidelines. A. Before 1962. Permission granted only upon the prior written consent of the author. (The Senate House Library will provide addresses where possible). B. 1962 - 1974. In many cases the author has agreed to permit copying upon completion of a Copyright Declaration. C. 1975 - 1988. Most theses may be copied upon completion of a Copyright Declaration. D. 1989 onwards. Most theses may be copied. This thesis comes within category D.
    [Show full text]
  • 0 Otfvuocokdmaimjkqao A- I >Fh ST, N W J Wm
    M THE EVENING STAB, Washington, D. C. Jacfuti Bergerac, the Kirk •mother in the long-ago film • ball In Hew York. There to the flappers of the *2os. FBIDAT, S, A-24 NOVEMBER 1950 Douglases, and Maureen O’Sul- weepie, “Over the Hill," is still i appear as contestant on “The The most bemused sailors In plays speaking part Big Surprise,” besieged aeadogs livan with husband Johnny Far- active and a 1 he’s for Britain are the 20 who THE PASSING SHOW In WUlle Wyler’s big blue-plate autographs wherever he goes, worked with Marilyn Monroe for row. special. "Friendly Persuasion.” ] pegged for all the local TV and a scene in “The Sleeping Prince." ** * * She attended the premiere here. radio shows and—in the best Sighed one later, “Itwas better Lana Turner’s doctor, at the Silent - movie matinee Idol I Bushman tradition—creating the than double pay and a ration 'Oklahoma' Retains last moment, wouldn’t let the : Francis X. Bushman la having i same excitement as he did among of grog.” beautiful star make that trip to Houston, New Orleans and New York on behalf of the City of Its Liltand Lift just enough Hope. She isn’t well expected By JAY CARMODY after the loss of her baby. Singer Joanne Gilbert RHQOff^^ig. The filmed "Oklahoma!” which opened with a stylish pre- will go in her stead. miere last night at the Uptown Theater is everything the period’s LS3NEIGHBO - year most cherished entertainment should be. Eighty -two -old Mary DRIVE-IN THEATERS Unsurprisingly, auspices, loving Carr, who played the aged Films of More Than Routine Merit in view of its the hands of W'Rtm Richard Rodgers and Oscar Hammerstein IX who created it, the "BUS STOP”—With Marilyn Monroe proving she can act as the nsarvnsAIRPORT 0T 4.(100 rich flavor of the original is retained.
    [Show full text]