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© 2014 Alejandro Jose Gomez-Del-Moral ALL RIGHTS
© 2014 Alejandro Jose Gomez-del-Moral ALL RIGHTS RESERVED BUYING INTO CHANGE: CONSUMER CULTURE AND THE DEPARTMENT STORE IN THE TRANSFORMATION(S) OF SPAIN, 1939-1982 By ALEJANDRO JOSE GOMEZ-DEL-MORAL A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Temma Kaplan And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October 2014 ABSTRACT OF THE DISSERTATION Buying Into Change: Consumer Culture and the Department Store in the Transformation(s) of Spain, 1939-1982 by ALEJANDRO JOSE GOMEZ-DEL-MORAL Dissertation Director: Temma Kaplan This dissertation examines how the development of a mass consumer society during the dictatorship of Generalissimo Francisco Franco (1939-1975) inserted Spain into transnational consumer networks and drove its democratization. As they spread, Spain’s first modern department stores, supermarkets, consumer magazines, and advertising helped create a public sphere when the Franco regime had curtailed opportunities for public life. In these stores, Spanish consumers encountered foreign products and lifestyles that signaled cosmopolitanism and internationalism, undermining the dictatorship’s foundational discourse of Spanish exceptionalism. With these products came subversive ideas on issues like gender equality, -
No Blade of Grass – 1970 Film
No blade of grass – 1970 film After establishing himself as a reliable leading man in glossy entertainments like Leave Her to Heaven (1945) and Forever Amber (1947), Cornel Wilde embarked on an unusual directorial career in which he turned out eight films over a twenty-year period, each one falling into a different genre. Wilde often cast himself as the leading man, never afraid to put himself in an unflattering light, and pulled off at least one solid hit, the grueling survivalist drama, The Naked Prey (1966), and two underperforming but fondly remembered films, the 1963 costume epic Sword of Lancelot and the 1967 war drama Beach Red. By the time he reached the pessimistic 1970 science fiction drama, No Blade of Grass, the brutality simmering in all of Wilde's films finally erupted full force thanks to the increasingly lenient film ratings system and a confused studio system trying desperately to appeal to a youth audience. Still shocking by today's standards, the film stars Wilde's wife and frequent co-star, Jean Wallace, as Ann Custance who, along with husband John (Nigel Davenport) and their children, flees London after enduring increasingly brutal food and resource shortages following a grass-ravaging plague. At a friend's farm in Scotland they intend to find solace but instead encounter a vicious group of bikers and average people quickly descending to savagery. Along the way Wilde depicts the results of a pollution-bred blight on the light via cutaways to corrupted rivers and landscapes, with Roger Whittaker's eerie theme song offering a wistful counterpoint. -
Movie Time Descriptive Video Service
DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list. -
University of Oklahoma Libraries Western History Collections Bob
University of Oklahoma Libraries Western History Collections Bob Burke Autographs of Western Stars Collection Autographed Images and Ephemera Box 1 Folder: 1. Roy Acuff Black-and-white photograph of singer Roy Acuff with his separate autograph. 2. Claude Akins Signed black-and-white photograph of actor Claude Akins. 3. Alabama Signed color photograph of musical group Alabama. 4. Gary Allan Signed color photograph of musician Gary Allan. 5. Rex Allen Signed black-and-white photograph of singer, actor, and songwriter Rex Allen. 6. June Allyson Signed black-and-white photograph of actor June Allyson. 7. Michael Ansara Black-and-white photograph of actor Michael Ansara, matted with his autograph. 8. Apple Dumpling Gang Black-and-white signed photograph of Tim Conway, Don Knotts, and Harry Morgan in The Apple Dumpling Gang, 1975. 9. James Arness Black-and-white signed photograph of actor James Arness. 10. Eddy Arnold Signed black-and-white photograph of singer Eddy Arnold. 11. Gene Autry Movie Mirror, Vol. 17, No. 5, October 1940. Cover signed by Gene Autry. Includes an article on the Autry movie Carolina Moon. 12. Lauren Bacall Black-and-white signed photograph of Lauren Bacall from Bright Leaf, 1950. 13. Ken Berry Black-and-white photograph of actor Ken Berry, matted with his autograph. 14. Clint Black Signed black-and-white photograph of singer Clint Black. 15. Amanda Blake Signed black-and-white photograph of actor Amanda Blake. 16. Claire Bloom Black-and-white promotional photograph for A Doll’s House, 1973. Signed by Claire Bloom. 17. Ann Blyth Signed black-and-white photograph of actor and singer Ann Blyth. -
Literary Miscellany
Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
Copyright by Philip Joseph Wagner 2016
UNIVERSITY OF CALIFORNIA Los Angeles Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille A Dissertation Submitted in Partial Satisfaction of the Requirement for the Degree of Doctor in Philosophy In Film and Television by Philip Joseph Wagner 2016 ©Copyright by Philip Joseph Wagner 2016 ABSTRACT OF THE DISSERTATION Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille By Philip Joseph Wagner Doctor of Philosophy in Film and Television University of California, Los Angeles, 2016 Professor Chon A. Noriega, Chair This dissertation looks to the career of epic cinema pioneer Cecil B. DeMille in order to grasp the role of the research department in the Hollywood studio system. Situated at the intersections of three areas of study—scholarship on the form and social function of popular historical representation; theorizing on the archive as a site of knowledge production; and studies on film authorship that attend to the historical underpinnings of aesthetic choices—the dissertation explores the following questions in particular: What were the industrial standards on which studio researchers based the success and authenticity of their work? And what can we know about the research process as it relates to the production and reception of DeMille’s brand of spectacular cinema? ii I offer this study as an intervention into previous scholarship on research practice in Hollywood, which too often stresses cinema’s divergence from the factual record and draws a rigid binary between academia’s histories and the “unprofessional” ones derived from research departments. This study takes a different approach by examining a wider range of archival materials, including studio library circulation records, scaled prop sketches based on photographs and artifacts, and researcher correspondence with historical consultants and museum curators. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
Programs Magazine
WEEK'S COMPLETE TELEVISION PROGRAMS THE SUNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL-. MAGAZINE Clifton East Paterson air Lawn Garfield Haledon Hawthorne L•d• Little Falls Mountain View ß Nerth Haledon Pat.•rson ssaic Por.•pton Lakes Prospect Park S•ga½ Totowa Wayne West Paterson JANUARY 10, 1960 Freeholder Director Frank X. Graves Jr. and Family ¾OL. XXXII, No. 2 WHITE ..d SHAUGER, Inc. A GoodName to Rememberfor !!?i•::..••"/:•'i•"• •+!?•.i/.i•: FURNITURE " l. LivingRoom - BedRoom •. ....•,• i . Dining Room ........... RUGS AND CARPETS A SPECIALTY Quality and Low Price 39 Years Serving the Public 435-S•OHT ST.1i•!•T (Co•rm•20th Ave) PA'rBR•ON, N.J. "The Pi•ee witit the C!oe•' -- MUI• 4-•8M Headquarters for Engaged Couples THE IDEAL PLACE TO DINE AND WINE ITALIAN-AMERICAh•"11•- , J• • • •.,'• ••--'••'-•' -- •--•• SEA.,.c..'"FOOD •d-•.• q ' • -•_ _ •--•' ß BROILED LOBSTER • --DAILY FROGS' I,EG.'•- S•I;'F SHELb CR^•J:,- BLUEFISH - RAINBOW TItOUT - HALIBUT - SALMON - SHIIIM['S- SCALLOPS- OYSTh•HS - CLAM - COD F!•'!! - SWORD FISH - DAILY DINNERS 168 BELMONTAVE. {Cor. Burhans).HALEDON - - - LAmbert 5-9•85 CASTRO'SYEAR- Cuban Premier Fidel Castro, whosemobile face reflects the victories and problems of his regime, will be seen in "Castro's Year of Power" Saturday, Jan. 23 on the NBC- TV Network. The program has been filmed over the past two months by an NBC News camera team of 10 who have examined every phase of Cuban life. The telecast is the first in NBC'8 new "World Wide 60" series of public affairs programs featur- ing Frank McGee as host and covering subjects ranging from P.•*.arctica ta suh.rhi=. -
Pictorial Article with Captions
NOTES ON JEFFREY HUNTER AND HIS FILMS by Jim Meyer "Jeffrey Hunter is beautiful!" a girl friend gurgled to me some 15 years ago. And indeed he was, as any man not envious of Hunter's impressive 6' 1" height and blue-eyed, brown-haired handsomeness must admit. As is well enough known, many film actors have little more to offer audiences than handsomeness. But far too many critics (men and women alike) too quickly tabbed the exceptionally hand- some actor "beautiful but bland." But teen-age girls didn't mind. Many didn't care whether he could act. In Jeffrey Hunter they saw (or thought they saw) a dream prince, a husky young god, who could fulfill their most imaginative fantasies. Less dazzled male viewers saw something else: a man who was handsome enough for them to resent, largely, one suspects, because many of them wished that his good looks belonged to them, and, not being able to measure up, consoled themselves by insisting that he couldn't act and wouldn't last long in films. Obviously, Hunter had to work twice as hard as many another actor of his type to prove he was a good actor. I believe he succeeded although he never became a superstar. Did Hunter's good looks make him arrogant, overbearing, and hard to work with? Possibly not, when one recalls that Jean Peters, a co-star of his, once went out of her way to observe that his courtesy toward and consideration for her would be remarkable anywhere but especially in Hollywood. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
Department of English and American Studies Soldier Archetypes in the Second World War Films 2016
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Monika Křižánková Soldier Archetypes in The Second World War Films Master’s Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph.D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor, Jeffrey Alan Smith, for his insightful comments, suggestions, and very positive encouragement of my specific field of study. But the greatest and the deepest gratitude is dedicated to my father who introduced me to these Second World War combat films. Table of Contents Introduction ....................................................................................................................... 5 1 The Second World War Combat Genre ......................................................................... 9 2 Archetypal Theory ....................................................................................................... 16 3 Narrative Analysis ....................................................................................................... 19 4 “Group” Soldier Character ........................................................................................... 21 5 “Leader” Soldier Character .......................................................................................... 28 6 “Group” Soldier Archetypes .......................................................................................