VICTOR DANCE STUDIOS LOI Uuksloti

Total Page:16

File Type:pdf, Size:1020Kb

VICTOR DANCE STUDIOS LOI Uuksloti Warren F. Johnson, Organist CHURCH of Hie PILGRIMS M. £. Beach Heads I 22nd fr P Sts. N.W. 7:30 o'clock "O Bavins Victim”_Kenneth Walten Kelliher Post of Anverrne —_ Jean Pasanet Saintmal _ Bichard Pnrvle Contemporary VFW Department NATIONAL SYMPHONY With the reorganization el Music Needs HANS KINDLER, Csndiiotsr Joseph B. Kelliher Post of the Dis- • (WEDNESDAY SERIES) trict of Columbia Department, Vet- Jan. 14th, 8:30 P.M. Wednesday, erans of Foreign Wan of the United Prehearings —CONSTITUTION BALL— By Alice Eversman States, officers were elected last A very definite step toward en- Ezio week as follows: lightening both musicians and the Pinza, Commander, Milton X. Beach; public as to contemporary music Basso, Metropolitan Opera senior vice commander, W. Dewey was made some four years ago when Available Re-Sale Tickets at Artur Rodzinski inaugurated read- Women’s Committee Special Bureau Tinsman, junior vice commander, 1727 K ST. N.W.r EX. 62*4 ing rehearsals by the New York C William 'Tuel; quartermaster, Ed- Philharmonic of manuscript scores. i W. William Attendance was invitation, al- ward Kelliher; chaplain, by though any one making a request E n N. Porter. NATIONAL SYMPHONY iould obtain a ticket. Last winter The following appointments were -i-i—-i-;-— HANS KINDLER, Conductor the composer, Norman Dello Joio, (SUNDAY SERIES) made by the commander: Adjutant, tried another scheme by inviting TODAY, JANUARY 11, 4 P.M. James Robert Earner; officer ot :omposers to meet with their pros- —CONSTITUTION HALL— to become ac- the day, James F. Kelliher. Mr. pective interpreter* luainted in an informal manner. Ha Kelliher is a brother of the man bad composers and pianists, com- was The Percy Grainger for whom the post named. posers and violinists, or singers as *J8Kt**. CONT.aim pVE POPULAR PROGRAM post is made up largely of boys needed, for cozy get-togethers to Tchaikovsky’, “Piano Concerto” try out music and talk it over. MYRNA DEAN Waits, “Voice, of Sprins.” Strom, from the section around the George- SLATS TIMY were constructive efforts for '•f- B RfS. Rimskr-Koreakov', “Caprlecio town Boys’ Club, and many of them These TtTttl FIHH Espaxnol” i better of what is grew up together in that same understanding Sl.se. St.ee. S*.40, S3, S3.ee tax tael. in the creative Conatitution Hail Box Office neighborhood. >eing accomplished Oven 1 P.M. in this Such FIFTEENTH WASHINGTON YEAR: The post is holding meetings at vay country. plans be in commu- 3*36 M street N.W. »uld adopted every THREE PUBLIC PERFORMANCES ANNUALLY _I_ nity with most helpful results for The Southern Conference of the til concerned. It is not fair to The Catholic University of America VFW, made up of the Southern and sompoeer, interpreter or public to ACADEMY OF will sponsor a concert bv Southwestern States and which in- five one hearing of a work and let and the local t go at that. So much is involved AQrPT NATIONAL SYMPHONY cludes Peary Ship, Soloists with the National Symphony this week Will be Ezio Pinza (left), Metropolitan Opera ORCHESTRA Hpnart.mpnt. will hold the midwin- n the way of expansion of the old on and on this afternoon’s program. on basso, Wednesday night Percy Grainger, pianist, playing nusical idiom that its reason or its DRAMATIC ART HANS KINDLER, Conducting ter meeting at Biloxi, Miss., be without IllfCEl Pianist January 16, 17 and 18. tffect cannot judged EMERSON MEYERS, those University Gymnasium. Miehisan Ave. An Invitation to attend was pre- Menuhin Gave Paris nore complete knowledge by DRAMA—PUBLIC SPEAKING—RADIO and 7th St. N.E. sented to the Council of Adminis- Operatic Quartet :oncerned in making a concert, sea- at 3i30 P.M. Sunday, January 18th) tration night at the Dis- ion. floor Seats: St.to and ti.tO Monday First Concert After Here Tomorrow Bleachers: 00 cents trict Building. The members voted Concentrated Effort Needed. BEGINS (Tex Included) NEW TEN-WEEK TERM to send Department Junior Vice Many artists have taken up the Ticket, on saio at Kltta Music Store. In Benefit ef Comdr. Robert F. Sutphin as Nazis’ : a use of ! MONDAY, JANUARY 12th 1330 G St. N.W., and lobby Tyranny The Cathedral Choral Society will Program contemporary composers McMahon Hail, Catholic University. Mr. Sutphin Yehudi Menuhin, world-famous an i md their and made Oredrs, Address: Office ef their representative. start rehearsals for the “Footlight Favorites,” operatic output every CHILDREN’S SAT. 10 A.M. TERM $30 (For Mail the of the May per- 1 CLASS, FEE, the Preeurator, Catholic University, hopes to enlist support violinist, will give his only Wash- of Richard Bonelli, sffcrt to acquaint the public With it. C.J formance of Bach's “Mass in B quartet consisting \ School Student* Drama Clots**—Thur*., 4—Sat*., 1—Term Fee, $30 Washlnxton 17, D. conference in putting over a reso- ington recital this winter Tuesday rhls is most praiseworthy and al- High Get Tour Tickets Son Metropolitan Opera baritone; Ade- lution, passed by the District ol night at 8:30 o’clock in Constitution Minor” tomorrow at 8 p.m. in St. ready some of the reluctance toward in laide Abbot, soprano; Evelyn Knapp, new has 3228 N ST. N.W. Wit ontin Av«.) Tele. DU, 1616 Columbia Department December, Hall under the Alban’s Church. Those Interested iccepting the been broken j to have the Commander In Chief 6f and Edward tenor, iown. But it is not One management in joining the society should regis- contralto, Kane, enough. appoint a National Un-American Dorothy Hodg- in Constitution lew work sandwiched in between the COMING ter at 7:30 before the rehearsal. will be presented Activities Committee, to support the kin Dorsey. p.m., >ld and familiar on a program has Hall tomorrow night gtt 1:30 p.m. in work of the Un-American Activities Menuhin had ittle chance of registering as strong- TODAY'S NEIGHBORHOOD MOVIES NOAMI ALEH-LEAF The will Committee of the District of Colum- the distinction The Army Band, Capt. Hugh a benefit concert.. proceeds y as it should. An entire evening DANCES OF THE NEAR EAST bia Department. of being the Curry, conductor, will present Wed- go to charities uid activities fund if new music also defeats the end CAROLINA At the of the Council of to 'or it is tiring to listen to and the ,1*^N.lnc^V$E- bv meeting first artist at 8 the first of 13 of the Chase Rotary •SMASHUP," the Story of » Women, WARNER BROS.' THEATERS Sponsored nesday pm. pro- Bethesda-Chevy 1 The last and. Vest Association Administration John S. Macaboy in the new- ibsorbing faculties cannot remain SUSAN HAYWARD; Plus ’ADVENTURE For Additional Inlormation. Phone play all of which will be held Club, which is sponsoring the event. RORY Theatere Direct or Call RE. 0800 to the department Its golf grams, ilert. Both of these ways of ISLAND," CALHOUN. _ presented ly liberated pre- JEWISH COMMUNITY CENTER at the Auditorium. Matinees at 1 F.M. Today All Theaters. trophy, which was the prize com- Paris. While in Departmental The program will feature out- senting new music, however, are but 2103 Po. Ave. N.W. RE. 0184 P.M. This will be the initial CIRCLE January 29th, 8:00 peted for in the recent golf tour- London in 1943 appearance standing songs of light opera and passing gestures rather than the WILDE in AMEASSADOR •*>1 4. GINGER ROGERS, CORNEL Tickets SI .30. Includins tax in The of the Army Band in a public hall musical Marcel TO BE YOU," »t 1:20, 3:15, £s nament held November. Mr. Menuhin comedy arranged by "IT HAD Dennis Moraan in "My :Wild Irish BUREAU will be 5:20, 7:30, 9:35. SNOW CONCERT name of the first winner of the in the District. All concerts Frank, a Viennese who won the Rose.” at l:OS, »:15, 6:20. 7:30. 9:*6. 1108 G Street N.W. was at a dinner juired. Av" has broadcasted. Charlton Myer, for Since 1349 Republic 4433 trophy, Charles W. Muck, jr„ which Sergt. Geneva prize composition. Music in all its details does not DUMBARTON Telephone during will be the soloist. APOLLO been inscribed on it, as will be the pianist, the organization of the company, the inger in the mind with the same 2:30, Cont. Two Main Hits 424MHSboNt the liberation of Mat. at Lucille Ball. to be traveled some miles and RED SKELTON, VIRGINIA O’BRIEN in Geora* Sanders in ‘l<ur*d,” winners in the tournaments Prance was group 30,000 :larlty as a book or a play. It is ■ ’: Plus "HIGH at 1:55. 4:20. 6:50. 9:15. MERTON OF THE MOVIES held each year. V#h«Si Menuhin. The Federated Music Club sang popular favorites such as the | in a flash and a Comedy, Car- toasted. Gen. dC Sligo' rone only vague CONQUEST,” ANNE LEE. 5412 Conn. Av*. N W. F00TLI8HT FAVORITES Patrick .J. Widow Waltz” and AVALONHTfMsUn Tournament Chairman Gaulle the vio- will hold a meeting at the residence “Merry excerpts , reneral idea remains unless some toon.______ 1400 privately promised Wo. announced plans for the tour- of Mrs. Smith. 105 from “Oklahoma” 700 times in 30 >ne interested in its con- THEATER Optratl* Qaarttt Foley linist that when Prance was free Dwight Hodges acutely FAIRFAX S,?^HS^».,,rr,n,r <4 From nament next year. from Nazi tyranny,he would have lane, Takoma Park, Md., Tuesday. States. struction is listening avidly. It is 445 the honor of giving the first concert.
Recommended publications
  • © 2014 Alejandro Jose Gomez-Del-Moral ALL RIGHTS
    © 2014 Alejandro Jose Gomez-del-Moral ALL RIGHTS RESERVED BUYING INTO CHANGE: CONSUMER CULTURE AND THE DEPARTMENT STORE IN THE TRANSFORMATION(S) OF SPAIN, 1939-1982 By ALEJANDRO JOSE GOMEZ-DEL-MORAL A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Temma Kaplan And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October 2014 ABSTRACT OF THE DISSERTATION Buying Into Change: Consumer Culture and the Department Store in the Transformation(s) of Spain, 1939-1982 by ALEJANDRO JOSE GOMEZ-DEL-MORAL Dissertation Director: Temma Kaplan This dissertation examines how the development of a mass consumer society during the dictatorship of Generalissimo Francisco Franco (1939-1975) inserted Spain into transnational consumer networks and drove its democratization. As they spread, Spain’s first modern department stores, supermarkets, consumer magazines, and advertising helped create a public sphere when the Franco regime had curtailed opportunities for public life. In these stores, Spanish consumers encountered foreign products and lifestyles that signaled cosmopolitanism and internationalism, undermining the dictatorship’s foundational discourse of Spanish exceptionalism. With these products came subversive ideas on issues like gender equality,
    [Show full text]
  • No Blade of Grass – 1970 Film
    No blade of grass – 1970 film After establishing himself as a reliable leading man in glossy entertainments like Leave Her to Heaven (1945) and Forever Amber (1947), Cornel Wilde embarked on an unusual directorial career in which he turned out eight films over a twenty-year period, each one falling into a different genre. Wilde often cast himself as the leading man, never afraid to put himself in an unflattering light, and pulled off at least one solid hit, the grueling survivalist drama, The Naked Prey (1966), and two underperforming but fondly remembered films, the 1963 costume epic Sword of Lancelot and the 1967 war drama Beach Red. By the time he reached the pessimistic 1970 science fiction drama, No Blade of Grass, the brutality simmering in all of Wilde's films finally erupted full force thanks to the increasingly lenient film ratings system and a confused studio system trying desperately to appeal to a youth audience. Still shocking by today's standards, the film stars Wilde's wife and frequent co-star, Jean Wallace, as Ann Custance who, along with husband John (Nigel Davenport) and their children, flees London after enduring increasingly brutal food and resource shortages following a grass-ravaging plague. At a friend's farm in Scotland they intend to find solace but instead encounter a vicious group of bikers and average people quickly descending to savagery. Along the way Wilde depicts the results of a pollution-bred blight on the light via cutaways to corrupted rivers and landscapes, with Roger Whittaker's eerie theme song offering a wistful counterpoint.
    [Show full text]
  • Movie Time Descriptive Video Service
    DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany A Selection from Recent Acquisitions and Stock Including Prose and Poetry from the 17th - 20th Centuries Association Copies and Letters Fine Printing, Illustrated Books, Film Material, And Varia of Other Sorts Catalogue 306 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
    [Show full text]
  • Copyright by Philip Joseph Wagner 2016
    UNIVERSITY OF CALIFORNIA Los Angeles Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille A Dissertation Submitted in Partial Satisfaction of the Requirement for the Degree of Doctor in Philosophy In Film and Television by Philip Joseph Wagner 2016 ©Copyright by Philip Joseph Wagner 2016 ABSTRACT OF THE DISSERTATION Research, Rhetoric, and the Cinematic Events of Cecil B. DeMille By Philip Joseph Wagner Doctor of Philosophy in Film and Television University of California, Los Angeles, 2016 Professor Chon A. Noriega, Chair This dissertation looks to the career of epic cinema pioneer Cecil B. DeMille in order to grasp the role of the research department in the Hollywood studio system. Situated at the intersections of three areas of study—scholarship on the form and social function of popular historical representation; theorizing on the archive as a site of knowledge production; and studies on film authorship that attend to the historical underpinnings of aesthetic choices—the dissertation explores the following questions in particular: What were the industrial standards on which studio researchers based the success and authenticity of their work? And what can we know about the research process as it relates to the production and reception of DeMille’s brand of spectacular cinema? ii I offer this study as an intervention into previous scholarship on research practice in Hollywood, which too often stresses cinema’s divergence from the factual record and draws a rigid binary between academia’s histories and the “unprofessional” ones derived from research departments. This study takes a different approach by examining a wider range of archival materials, including studio library circulation records, scaled prop sketches based on photographs and artifacts, and researcher correspondence with historical consultants and museum curators.
    [Show full text]
  • Twentieth Century Fox: 1935-1965
    The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L.
    [Show full text]
  • Crime Wave for Clara CRIME WAVE
    Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International,
    [Show full text]
  • Department of English and American Studies Soldier Archetypes in the Second World War Films 2016
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Monika Křižánková Soldier Archetypes in The Second World War Films Master’s Diploma Thesis Supervisor: Jeffrey Alan Smith, M.A., Ph.D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature I would like to thank my supervisor, Jeffrey Alan Smith, for his insightful comments, suggestions, and very positive encouragement of my specific field of study. But the greatest and the deepest gratitude is dedicated to my father who introduced me to these Second World War combat films. Table of Contents Introduction ....................................................................................................................... 5 1 The Second World War Combat Genre ......................................................................... 9 2 Archetypal Theory ....................................................................................................... 16 3 Narrative Analysis ....................................................................................................... 19 4 “Group” Soldier Character ........................................................................................... 21 5 “Leader” Soldier Character .......................................................................................... 28 6 “Group” Soldier Archetypes .......................................................................................
    [Show full text]
  • Maureen O'hara
    Maureen O’Hara MAUREEN O’HARA ~ THE BIOGRAPHY AUBREY MALONE Copyright © 2013 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 17 16 15 14 13 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Dillon-Malone, A. (Aubrey) Maureen O’Hara : the biography / Aubrey Malone. pages cm Includes bibliographical references and index. ISBN 978-0-8131-4238-8 (hardcover : alk. paper) — ISBN 978-0-8131-4239-5 (epub) — ISBN 978-0-8131-4240-1 (pdf) 1. O’Hara, Maureen, 1920- 2. Motion picture actors and actresses— United States—Biography. I. Title. PN2287.O33M35 2013 791.4302’8092—dc23 [B] 2013022751 This book is printed on acid-free paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses Contents Introduction 1 1. Young Girl in a Hurry 7 2. Maiden Voyage 21 3. The Old Son of a Bitch 29 4. Saluting Uncle Sam 45 5. Civvy Street 71 6. Sojourn in Cong 95 7. Back to Bread and Butter 111 8. Keeping Things Confidential 135 9.
    [Show full text]
  • Guide to the William Knight Zewadski Classical Movie Stills Collection, 1860-2007
    Guide to the William Knight Zewadski Classical movie stills collection, 1860-2007 Descriptive Summary Title : William Knight Zewadski Classical movie stills collection Creator: Zewadski, William Knight Dates : 1860-2007 ID Number : Z11 Size: 28 boxes Abstract: This collection traces the relationship between antiquity and popular culture through the usage of Classical imagery on the screen and stage. Materials in the collection include photographs (both color and black and white), postcards, advertising materials, and other visual art from the late 19th--early 21st centuries. Most images are American or European in origin, showcasing themes of antiquity, mythology, and literature. The film stills range from the early silent era to more modern Hollywood blockbusters, but also include televised movies and series. In addition to marketing images by studios, the collection also consists of rare behind the scenes images from film sets and creative departments. The stage works exhibited include theater, ballet, and opera. Materials from this previously private collection have been curated and displayed at institutions such as the Tate Modern, Emory University, and the University of Oxford. Language(s): English French German Italian Spanish;Castilian Russian Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Zewadski, William Knight Acquisition Information: Donation. Access Conditions: The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information. Processing History: processed Preferred Citation: William Knight Zewadski Classical movie stills collection, Special Collections, University of South Florida Tampa Library.
    [Show full text]
  • The Role of the White Father in Contemporary Post-Apocalyptic Cinema
    University of Kentucky UKnowledge Theses and Dissertations--English English 2016 FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA Felicia Cosey University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.008 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Cosey, Felicia, "FATHER OF ALL DESTRUCTION: THE ROLE OF THE WHITE FATHER IN CONTEMPORARY POST-APOCALYPTIC CINEMA" (2016). Theses and Dissertations--English. 27. https://uknowledge.uky.edu/english_etds/27 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • South African Film Music Representation of Racial, Cultural and National Identities, 1931-1969
    South African film music Representation of racial, cultural and national identities, 1931-1969 Christopher Jeffery Town Thesis presented in partial fulfilment of the requirements forCape the degree of DOCTOR OF MUSICof (COMPOSITION) in the South African College of Music UNIVERSITY OF CAPE TOWN October 2017 University Supervisors: Assoc. Prof. Morné Bezuidenhout Assoc. Prof. Adam Haupt The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Plagiarism Declaration “This thesis/dissertation has been submitted to the Turnitin module (or equivalent similarity and originality checking software) and I confirm that my supervisor has seen my report and any concerns revealed by such have been resolved with my supervisor.” Name: Christopher Jeffery Student number: JFFCHR002 Signature: Signature Removed Date: 28 February 2017 i Contents Abstract ............................................................................................................................. vi Acknowledgements ......................................................................................................... vii Introduction ......................................................................................................................
    [Show full text]