Otto Preminger at Museum
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Hoy En Soria Semanal Del 14 Al 20 De Enero
Agenda de actividades en Soria Capital HOY EN SORIA SEMANAL DEL 14 AL 20 DE ENERO 2019 EVENTOS LUNES 14 DE ENERO DE 2019 CLUB DE LECTURA DE LOS LUNES Lugar: sección Local (2ª planta Biblioteca Pública de Soria) Hora: 19:30 horas Precio: gratuito Datos del evento: El club de lectura de los Lunes es un club de narrativa que se reúne quincenalmente en horario de tarde (19:30 h.) en la Sección Local (2ª Planta) de la Biblioteca de Soria. Un Club de Lectura es un grupo de personas que leen el mismo libro en casa y posteriormente se reúnen en la Biblioteca para comentarlo. La Biblioteca es la encargada de proponer los libros de lectura y facilitar un ejemplar a cada componente del club. Cada club tiene un máximo de 18 personas. CINE CLUB UNED-MIRADAS DE CINE- OTTO PREMINGER: “MARGEN DE ERROR” Lugar: Casa de la Tierra Hora: 20:00 horas Precio: gratuito Datos del evento: Moe Finkelstein es un policía judío de Brooklyn asignado para proteger el cónsul nazi Karl Baumer en Nueva York, antes de la Segunda Guerra Mundial. Baumer no es sólo un violento antisemita, pero es también un sinvergüenza, que desvía fondos del consulado alemán para un uso propio. Su perfidia es conocida por su mujer Sophie, que se casó con Baumer sólo para salvar a su familia de los campos de concentración, y por el asistente de Baumer, el Barón de Alvenstor. Por lo tanto, cuando Baumer es encontrado muerto, Sophie y el Barón son los primeros sospechosos del crimen. (FILMAFFINITY) MARTES 15 DE ENERO DE 2019 CICLO “ENERO ES PURO TEATRO”- RECITAL “PALABRA DE CORSARIO” Lugar: Hemeroteca de la Biblioteca Pública de Soria Hora: 19:00 horas Precio: gratuito, hasta completar aforo Datos del evento: Ciclo de teatro durante el mes de enero en la Biblioteca Pública. -
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an ex-patriate American woman Roland Culver, whose portrait of a flnd'"To Each His Own” too much Olivia Proves who looks very much like, Olivia De taciturn Lord Desham wooing the in the mood of those tearful enter- Havilland may look 25 years from middle-aged American woman is tainments contrived for the radio* now. These passing years are made j lighter for the audiences by some wonderfully comic. daylight hours. But Miss De Havil- Set to Tunes An Actress in There will be those, of course, who i land makes it worthwhile. Stock History Pretty bright glimpses of the varying ^^\Completo g American scene and some able Blank £\ by AMUSEMENTS AMUSEMENTS Earle Film work on the part of the players in- In Lavish Film volved. The most notable of these is Capitol ‘TO EACH HI8 OWN.'1 * Paramount Olivia De with Havilland, produced AMUSEMENTS All Official Pictures from BIKINI VE. Morrison Paper Co. £ / By Jay Carmody eicturey Charles Brackett, directed by Mitchell [At LOEW^i America's history is never more popularly sugar-coated than when Lelsen, screenplay by Charles Brackett and ^^1009 Penn. Ave. N.W. from an Theatres l it is covered with the sweet music of Jerome Kem or Jacques Thery original story by ATOM BOMB vs WARSHIP I Richard Rodgers, Mr. Brackett. At the Earle. with Oscar Hammerstein II as Under these lyricist. conditions, history THE CAST. becomes the most of all and screen themes. SPOT CASH! popular stage What it lacks Miss Norris _Olivia De Havilland of accuracy is more than balanced by what it has of melody and a hack- Corinne Piersen_Mary Anderson Desham_Roland Culver which itself off as Lord neyed quality passes gracefully old-fashioned charm. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Darryl F. Zanuck's <Em>Brigham Young</Em>: a Film in Context
BYU Studies Quarterly Volume 29 Issue 1 Article 2 1-1-1989 Darryl F. Zanuck's Brigham Young: A Film in Context James V. D'Arc Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation D'Arc, James V. (1989) "Darryl F. Zanuck's Brigham Young: A Film in Context," BYU Studies Quarterly: Vol. 29 : Iss. 1 , Article 2. Available at: https://scholarsarchive.byu.edu/byusq/vol29/iss1/2 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. D'Arc: Darryl F. Zanuck's <em>Brigham Young</em>: A Film in Context darryl F zanucks brigham young A film in context james V darc when darryl F zanucks brigham young was first released in 1940 president heber J grant of the church of jesus christ of latter day saints praised the motion picture as a friendmakerfriendmaker 1 I1 the prestigious hollywood studio twentieth century fox had spent more money on it than most motion pictures made up to that time its simultaneous premiere in seven theaters in one city still a world record was preceded by a grand parade down salt lake citescitys main street businesses closed for the event and the mayor proclaimed it brigham young day 2 not all reactions to the film however have been so favorable A prominent biographer of brigham young called the movie merely an interesting romance when a more authentic -
Anatomia De Um Crime – 1959
Anatomia de um crime – 1959 Título original: Anatomy of a Murder Realizador/Produtor: Otto Preminger Argumento: Adaptação do livro de Robert Traver - pseudónimo de J. D. Voelker, juiz do Supremo Tribunal do Michigan Actores principais: James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell, Eve Arden; George C. Scott Música: Duke Ellington Local das filmagens: Michigan's Upper Peninsula Resumo P. Bigler, advogado de uma pequena cidade, solteirão e na fase descendente da carreira aceita defender Manion, official do exército, acusado do ter assassinado o proprietário de um bar local. Manion admite ter cometido o crime mas levado por um “impulso irresistível” logo após ter ouvido a confissão/juramento da mulher que fora vitima de violação pelo proprietário do bar. O argumento do “impulso irresistível” constituirá a peça principal da estratégica de defesa de P. Biegler, mas depara com a feroz oposição tanto do representante do Ministério Público local (prosecutor) como de um famoso colega de profissão junto do tribunal superior do respectivo círculo. O escândalo da linguagem relativa ao acto de violação e a música de Duke Ellington ajudaram à celebrização do filme que se tornou um clássico dos filmes habitualmente classificados como filmes de tribunal (trial films). Aliás, o filme ainda hoje é utilizado no apoio didáctico à cadeira de direito penal das faculdades de direito de quase todo o mundo. A crítica Intercourse. Contraceptive. Spermatogenesis. Sexual climax. Panties. These were not the sort of words movie theatre audiences were used to hearing on the screen in 1959 but director Otto Preminger changed all that with his controversial courtroom drama, Anatomy of a Murder. -
The Per Niente Per Niente Club Septembre 1, Due Mila Cinque Volume 1, Issue IX Editor Joe Di Leo
The Per Niente Per Niente Club Septembre 1, due mila cinque Volume 1, Issue IX Editor Joe Di Leo Richard Conte (March 24, 1910 – April 15, 1975) Inside this issue: was an American actor who appeared in films such as I'll Cry Tomorrow and The Godfather. Bread and Onions 2/3 He was born Nicholas Conte in Jersey City, New Jersey, the son of a barber. Mrs Calabash 3 In 1935, Conte was spotted by Elia Kazan and John Garfield when he was working as an entertainer at a Connecticut resort, which led to Conte finding Roy Campanella 4/5 stage work. Conte eventually earned a scholarship to study at the Neighborhood Playhouse in New York, where he became a standout actor. The 5' 8" Maggiore’s Corner 6 Conte became a Broadway actor in the late 30s, starring in such plays as Night Music and Walk Into My Parlor. That lead to his first film performance in 1939, Heaven with a Barbed Wire Fence. Letter’s to the Editor 7 In 1942 he signed a long-term contract with 20th Century Fox. He then changed his The Journey Over 8/9 stage name to Richard. His first film at Fox was Guadalcanal Diary (1943). During the World War II years, Conte played mostly soldiers in war dramas, including A Walk in the Sun (1945). Spiegelman on Golf 10/11 During the World War II years Conte appeared in such Fox crime dramas as Cry of the Grandpa 12 City and Call Northside 777 (both from 1948). In the early 1950s, Conte, now not Pictures 13 working for Fox, began appearing in films for various studios. -
G^Gjggg Tj«YI a As VAWT Nn MARTHA Possible
out and Ronnie is in. But Mrs. Wil- And In real life she’s expecting a June. So Don took her to his swank the Hit liam Powell, as stated exclusively in baby, so it will all tie in very nicely. shop on the strip and outfitted her Ifs Always Just Plays this column, will still play the mer- The picture starts in April, with, it from tip to toe, including shoes! maid because she fits Pro- is exactly hoped, Cary Grant. Delmer Daves Guy Madison introduces Gail Rus- offend people for nine reels, and AMUSEMENTS ducer Johnson’s directs and And First Want Nunnally require- Jerry Wald produces. sell to bis pals as "the squaw.” Kid- have three big scenes, it's in the ments for the role. Peter Lind Ward Nights They Watching Bond dance at ding, or are they married? bag." John’s like a little boy ith a Hayes will supply the comedy. the Atwater Kent party, you’d never By Jay Carmody You can bet that Danny Kaye will new toy when he shows me Time 1 NATIONALS I Drama And here’s a switch for Walter know there was anything the mat- Editor of Thr Star free-lance after his next (the fifth) magazine’s very fAvorable revi I MIL * ERIN I NEW YORK Pidgeon. I’m told that Pidge will ter with his leg. "I hope to throw his and the Badman. and last picture on his Goldwyn "Angel • sometimes if New take over for Spencer Tracy in away the brace in a few HAMILTON OBRIEN-MOORE You wonder York’s theater press agents wish the entirely contract. -
Notes for Where the Sidewalk Ends
IAP Film Series, January 2012: Five Émigré Directors and the Rise of Film Noir SCREENING #6: Where the Sidewalk Ends (96 minutes) Production Company Twentieth Century Fox / Produced by Otto Preminger US Release 7 July 1950 (New York) Director Otto Preminger: He was born in 1905, probably in a Ukrainian region of the Austro- Hungarian Empire, but possibly in Vienna; his family were middle-class Jews. His father became a leading prosecutor for the government, and the family relocated to Vienna in 1915. Otto studied law at the University of Vienna and got his degree in 1928; but by then he had begun a career in the theater, at first under the tutelage of Max Reinhardt. Starting as an actor (of moderate success), he moved into directing and also directed a few German-language films in the early 1930s. In 1935 he was invited by producer Joseph Schenck to come work at Fox in the USA, to which he agreed. Arriving in New York in 1936, he stopped off to direct a play, then went on to Hollywood. His work at Fox came to an abrupt halt in 1938, when he was fired by Zanuck while directing the “A-List” film Kidnapped. So he studied English and resumed a career directing plays in New York and elsewhere. He was called back to Fox in 1942, originally to act in various films. In 1944 he was hired by Zanuck to produce the controversial film version of Laura, eventually becoming its director. The success of this “scandalous” film noir led to his being hired to direct (and often to produce) 13 more films at Fox—the fine film Where the Sidewalk Ends being the next to last. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives.