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Bud Fisher—Pioneer Dean of the Comic Artists
Syracuse University SURFACE The Courier Libraries Winter 1979 Bud Fisher—Pioneer Dean of the Comic Artists Ray Thompson Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons, and the American Popular Culture Commons Recommended Citation Thompson, Ray. "Bud Fisher—Pioneer Dean of the Comic Artists." The Courier 16.3 and 16.4 (1979): 23-36. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. ISSN 0011-0418 ARCHIMEDES RUSSELL, 1840 - 1915 from Memorial History ofSyracuse, New York, From Its Settlement to the Present Time, by Dwight H. Bruce, Published in Syracuse, New York, by H.P. Smith, 1891. THE COURIER SYRACUSE UNIVERSITY LIBRARY ASSOCIATES Volume XVI, Numbers 3 and 4, Winter 1979 Table of Contents Winter 1979 Page Archimedes Russell and Nineteenth-Century Syracuse 3 by Evamaria Hardin Bud Fisher-Pioneer Dean of the Comic Artists 23 by Ray Thompson News of the Library and Library Associates 37 Bud Fisher - Pioneer Dean of the Comic Artists by Ray Thompson The George Arents Research Library for Special Collections at Syracuse University has an extensive collection of original drawings by American cartoonists. Among the most famous of these are Bud Fisher's "Mutt and Jeff." Harry Conway (Bud) Fisher had the distinction of producing the coun try's first successful daily comic strip. Comics had been appearing in the press of America ever since the introduction of Richard F. -
Garfield Bizarro Shoe Non Sequitur Stone Soup Wizard
CHRIS BROWNE JAN ELIOT STONE SOUP HAGAR THE HORRIBLE JIM DAVIS JIM BORGMAN & JERRY SCOTT ZITS GARFIELD MORT, GREG & BRIAN WALKER MARK TATULLI LIO BEETLE BAILEY MASTROIANNI & HART RAY BILLINGSLEY B.C. CURTIS DAN PIRARO WILEY BIZARRO NON SEQUITUR RICHARD THOMPSON BRANT PARKER & JOHNNY HART CUL DE SAC WIZARD OF ID CHRIS CASSATT & GARY BROOKINS FRANCESCO MARCIULIANO & CRAIG MACINTOSH SHOE SALLY FORTH JACK ELROD SCRABBLE GRAMS Make a 2- to 7- letter word from the letters in each RACK 1 row. Add points of each word, using scoring directions at right. Finally, MARK TRAIL RACK 2 7-letter words get 50-point bonus. 2nd Letter “Blanks” used as Double any letter have CATHY GUISEWITE RACK 3 no point value. All the words Triple are in the Official Word Score SCRABBLE Play- RACK 4 ers Dictionary, 3rd Edition. PAR SCORE 145-155 FOUR RACK TOTAL BEST SCORE 244 TIME LIMIT: 20 MIN CATHY Wednesday’s Scrabble grams Par score: 195-205 pts. Total: 255 pts. Rack 1: FACTUAL, Rack 3: VANTAGE, 62 points 72 points Rack 2: GRAMMAR, Rack 4: LATERAL, DARRIN BELL 64 points 57 points ©2010 Hasbro. Distributed by Tribune Media Services, Inc. All rights reserved 1/14 CRYPTOQUIP ©2010 by King Features Syndicate, Inc. Wednesday’s Cryptoquip: IF FIXING THINGS UP MAKES YOU EXTREMELY NERVOUS, YOU LIKELY ARE HAVING REPARATION ANXIETY. XKMSIY ZXNR QV IY IXXMBTIOTMY CANDORVILLE MD XBTNYOTXOX LCM IFN XOZRVTYS SCOTT STANTIS TBNQNFSX: “SM LTOC OCN DKMN.” The Cryptoquip is a substitution cipher in which one letter stands for an- other. If you think that X equals O, it will equal O throughout the puzzle. -
X-Men Epic Collection: Children of the Atom Free
FREE X-MEN EPIC COLLECTION: CHILDREN OF THE ATOM PDF Stan Lee,Jack Kirby | 520 pages | 31 Dec 2016 | Marvel Comics | 9780785189046 | English | New York, United States X-Men Epic Collection: Children Of The Atom - Comics by comiXology Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. X-Men Epic Collection Vol. Jack Kirby. Now, in this massive Epic Collection, you can feast your eyes as Stan, Jack and co. You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man Billed as "The Strangest Super-Heroes of All! You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man and mutant; their first battle with arch-foe Magneto; the dynamic debuts of Juggernaut, the Sentinels, Quicksilver, the Scarlet X-Men Epic Collection: Children of the Atom and X-Men Epic Collection: Children of the Atom Brotherhood of Evil Mutants. Get A Copy. Paperbackpages. More Details Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jun 27, Sean Gibson rated it really liked it. And, I love me X-Men Epic Collection: Children of the Atom Stan Lee—the guy is one of my real-life heroes, and Spider-Man is my all- time favorite superhero. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Planets: Earth, Mars, & Beyond
From Atom to Universe Planets: Earth, Mars, & Beyond Research Planetary Science Dr. Christopher Adcock Assistant Research Professor Department of Geoscience Email: [email protected] Expertise: Planetary Surface Processes | Extraterrestrial Habitability Planetary Surface Processes / Low Temperature Geochemistry: Mars Left: Synthesized chlorapatite (top) and whitlockite used in experiments. Same scale for both images. The ability to synthesize these Mars- relevant minerals in quantity is a specialty of Dr. Adcock and the Hausrath LaB. Physical sample allow for experiments that cannot Be done By calculation. Above: Empirical Dissolution rates Left: Shock induced of terrestrial (fluorapatite / metamorphism of whitlockite (a) whitlockite) and more Mars- to merrillite/whitlockite mix (B). relevant phosphate minerals Shock removes the water from (chlorapatite and merrillite). 25 °C , whitlockite to make merrillite. variaBle pH. Higher rates mean Since all of our current samples potentially higher phosphate of Mars come from shocked availaBility in past Martian meteorites, this has implications environments – with positive for the past hydrologic cycle of implications for past life. Adcock et Mars. Adcock et al., (2017) al., (2013) Nature Geoscience 6 Nature communications 8 (1), 1- (10), 824-827. 8. Extraterrestrial Habitability | In Situ Resources and Environments on Mars Left: Results of low temperature hydrogen generation experiments using Martian soil simulants. These experiments show it is possible to use Martian materials and a low energy system to generate Above: A typical set of hydrogen generation experiments. H2 for fuel, energy, or water for future human missions to Simulants and soution are slowly Mars. Adcock et al., (2020), shaken at 25 °C to produce 51st LPSC. hydrogen. -
Molecular Symmetry
Molecular Symmetry Symmetry helps us understand molecular structure, some chemical properties, and characteristics of physical properties (spectroscopy) – used with group theory to predict vibrational spectra for the identification of molecular shape, and as a tool for understanding electronic structure and bonding. Symmetrical : implies the species possesses a number of indistinguishable configurations. 1 Group Theory : mathematical treatment of symmetry. symmetry operation – an operation performed on an object which leaves it in a configuration that is indistinguishable from, and superimposable on, the original configuration. symmetry elements – the points, lines, or planes to which a symmetry operation is carried out. Element Operation Symbol Identity Identity E Symmetry plane Reflection in the plane σ Inversion center Inversion of a point x,y,z to -x,-y,-z i Proper axis Rotation by (360/n)° Cn 1. Rotation by (360/n)° Improper axis S 2. Reflection in plane perpendicular to rotation axis n Proper axes of rotation (C n) Rotation with respect to a line (axis of rotation). •Cn is a rotation of (360/n)°. •C2 = 180° rotation, C 3 = 120° rotation, C 4 = 90° rotation, C 5 = 72° rotation, C 6 = 60° rotation… •Each rotation brings you to an indistinguishable state from the original. However, rotation by 90° about the same axis does not give back the identical molecule. XeF 4 is square planar. Therefore H 2O does NOT possess It has four different C 2 axes. a C 4 symmetry axis. A C 4 axis out of the page is called the principle axis because it has the largest n . By convention, the principle axis is in the z-direction 2 3 Reflection through a planes of symmetry (mirror plane) If reflection of all parts of a molecule through a plane produced an indistinguishable configuration, the symmetry element is called a mirror plane or plane of symmetry . -
Superheroes Trivia Quiz Iv
SUPERHEROES TRIVIA QUIZ IV ( www.TriviaChamp.com ) 1> Which superhero carries an indestructible shield? a. The Green Lantern b. Captain America c. Captain Flag d. The Red Tornado 2> Which character is often romantically paired with Batman? a. The Black Canary b. Miss America c. Catwoman d. Hawkgirl 3> Which superhero started out as a petty criminal? a. The Atom b. Spiderman c. The Blue Knight d. Plastic Man 4> Which superhero's alter ego is Raymond Palmer? a. The Atom b. Hawkman c. The Green Arrow d. The Tornado 5> Which superhero is associated with the phrase, "With great power there must also come great responsibility"? a. Spiderman b. Hell Boy c. Batman d. The Hulk 6> Which superhero is nicknamed the "Scarlett Speedster"? a. The Flash b. Speedball c. Stardust d. The Thing 7> Which superhero is dubbed the "Man without Fear"? a. Daredevil b. The Flash c. Wolverine d. Green Lantern 8> Which superhero is the medical doctor for the X-men? a. Storm b. Shadowcat c. Ice Man d. The Beast 9> Who is Batgirl's father (Barbara Gordon)? a. The Mayor b. The Governor c. Batman's Butler d. The Chief of Police 10> Which superhero gains his power from a ring? a. The Green Lantern b. Storm c. Dazzler d. The Hulk 11> Which superhero can manipulate the weather? a. The Tornado b. The Atom c. Strom d. The Thing 12> Which Island does Wonder Woman call home? a. Emerald Island b. Paradise Island c. Amazonia d. Eden Isle 13> Where does the Green Arrow operate? a. -
Arthur Suydam: “Heroes Are What We Aspire to Be”
Ro yThomas’’ BXa-Ttrta ilor od usinary Comiics Fanziine DARK NIGHTS & STEEL $6.95 IN THE GOLDEN & SILVER AGES In the USA No. 59 June 2006 SUYDAM • ADAMS • MOLDOFF SIEGEL • PLASTINO PLUS: MANNING • MATERA & MORE!!! Batman TM & ©2006 DC Comics Vol. 3, No. 59 / June 2006 ™ Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editors Emeritus Jerry Bails (founder) Contents Ronn Foss, Biljo White, Mike Friedrich Writer/Editorial: Dark Nights & Steel . 2 Production Assistant Arthur Suydam: “Heroes Are What We Aspire To Be” . 3 Eric Nolen-Weathington Interview with the artist of Cholly and Flytrap and Marvel Zombies covers, by Renee Witterstaetter. Cover Painting “Maybe I Was Just Loyal” . 14 Arthur Suydam 1950s/60s Batman artist Shelly Moldoff tells Shel Dorf about Bob Kane & other phenomena. And Special Thanks to: “My Attitude Was, They’re Not Bosses, They’re Editors” . 25 Neal Adams Richard Martines Golden/Silver Age Superman artist Al Plastino talks to Jim Kealy & Eddy Zeno about his long Heidi Amash Fran Matera and illustrious career. Michael Ambrose Sheldon Moldoff Bill Bailey Frank Motler Jerry Siegel’s European Comics! . 36 Tim Barnes Brian K. Morris When Superman’s co-creator fought for truth, justice, and the European way—by Alberto Becattini. Dennis Beaulieu Karl Nelson Alberto Becattini Jerry Ordway “If You Can’t Improve Something 200%, Then Go With The Thing John Benson Jake Oster That You Have” . 40 Dominic Bongo Joe Petrilak Modern legend Neal Adams on the late 1960s at DC Comics. -
Batman, Screen Adaptation and Chaos - What the Archive Tells Us
This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot. -
Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
Biblical Interpretation in the Age of Superheroes by Nicholaus Pumphrey
Biblical Interpretation in the Age of Superheroes By Nicholaus Pumphrey In 1938 Superman literally jumped off the pages of a comic book and into American culture. The world’s strongest and soon to be most famous superhero was created within the context of a nation suffering from the Great Depression and on the verge of entering a global war. How does this super-being impact American culture and does he influence how we read the Bible? Action Comics No. 1, 1938. Within five years, over 70 million people would be reading comic books about Superman or related to him. Superman’s debut in Action Comics #1 was followed by his appearance on radio, in cartoons, and eventually in movies and on television. While comic books have had ups and downs in sales, the superhero related medium has had an undeniable influence on Americans, child and adult alike. The concept of hero has shifted from a larger-than-life, flawed demi-god to a sci-fi, costumed character that can do no wrong. But biblical undertones remain inescapable. Scholars often point to his creators, Jerry Siegel and Joe Shuster, and their Jewish background as a sign that the Bible directly influenced Superman’s creation, and then influenced the readers. Superman’s origin narrative depicts parents of a dying civilization sending their child in a spaceship (a futuristic reed basket) only to grow up and become a savior of another world. The child is also uniquely strong and only stoppable by a single weakness. Siegel himself noted that Samson and other biblical figures played a prominent role in Superman’s development. -
She Said What? Interviews with Women Newspaper Columnists
University of Kentucky UKnowledge Women's Studies Gender and Sexuality Studies 4-7-1993 She Said What? Interviews with Women Newspaper Columnists Maria Braden University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Braden, Maria, "She Said What? Interviews with Women Newspaper Columnists" (1993). Women's Studies. 2. https://uknowledge.uky.edu/upk_womens_studies/2 SHE SAID WHAT? This page intentionally left blank SHE SAID WHAT? Interviews with Women Newspaper Columnists MARIA BRADEN THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1993 by Maria Braden Published by The University Press of Kentucky Paperback edition 2009 The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. ISBN 978-0-8131-9332-8 (pbk: acid-free paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.