DOCSLIB.ORG

APPENDIX the Types and Reasons for Swearing in Deadpool Movie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
APPENDIX the Types and Reasons for Swearing in Deadpool Movie PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SWEAR WORDS IN DEADPOOL MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Brigitta Arni Pritadewi Student Number: 141214033 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI SWEAR WORDS IN DEADPOOL MOVIE A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Brigitta Arni Pritadewi Student Number: 141214033 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2018 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Pritadewi, Brigitta Arni. 2018. Swear words in Deadpool movie . Yogyakarta: Sanata Dharma University. Some people tend to use swear words as the way to express their emotion in a conversation since it can trigger a quick response from another person. Moreover, we can easily find swear words in a movie or a novel. Thus, the researcher chose Deadpool movie because there were a lot of swear words uttered by the characters. The researcher formulated two questions. The first research question is 1) Which types of swear words are used by the characters of Deadpool movie? The second research question is 2) What are the reasons for swearing in the Deadpool movie? This research conducted using mixed method research. The researcher used used discourse analysis as the method. The data were obtained from the English subtitle of the Deadpool movie. In order to answer the first research question, the data were classified into the types of swear words according to Battistella (2005). In order to answer the second research question, the data were classified into the reasons for swearing words according to Andersson and Trudgill (as cited in Lindahl, 2008). The research result revealed that there were four types of swear words used by Deadpool ’s characters namely epithets, profanity, vulgarity and obscenity. The most frequent type which appeared in the movie was obscenity. Furthermore, the research showed that there were four reasons for swearing done by the characters of Deadpool . They are expletive swearing, abusive swearing, humorous swearing and auxiliary swearing. In addition, there are three combinations of the reasons for swearing based on the theory namely expletive and auxiliary; abusive and auxiliary; and humorous and auxiliary. Based on the analysis, the characters of Deadpool often used the swear words to express their feeling which was called as expletive swearing. In conclusion, each type of swear words had a relation with the reasons for swearing. Based on the data, each type had more than one reason for swearing which was used by the characters in Deadpool movie. Keywords: swear words, Deadpool, discourse analysis vi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRAK Pritadewi, Brigitta Arni. 2018. Swear words in Deadpool movie . Yogyakarta: Sanata Dharma University. Beberapa orang cenderung untuk menggunakan kata umpatan sebagai media untuk mengekspresikan emosinya di dalam percakapannya karena itu dapat memicu respon yang cepat dari orang lain. Selain itu, kita dapat dengan mudah menemukan kata umpatan di dalam sebuah film atau novel. Dengan demikian, peneliti memilih film Deadpool karena banyak kata umpatan yang diucapkan oleh tokohnya. Peneliti merumuskan dua pertanyaan. Pertanyaan pertama adalah 1) Manakah jenis-jenis kata umpatan yang digunakan oleh tokoh-tokoh film Deadpool ? Pertanyaan kedua adalah 2) Apakah alasan-alasan untuk mengumpat yang terdapat di film Deadpool ? Penelitian ini dikerjakan dengan menggunakan metode campuran. Peneliti menggunakan discourse analysis dalam menganalisa data. Data-data diperoleh dari subtitle film Deadpool . Dalam menjawab pertanyaan yang pertama, data diklasifikasikan menjadi jenis-jenis kata umpatan berdasarkan teori dari Battistella (2005). Dalam menjawab pertanyaan kedua, data diklasifikasikan ke dalam alasan- alasan untuk mengumpat berdasarkan teori dari Andersson dan Trudgill (seperti dikutip dari Lindahl, 2008). Hasil dari penelitian ini menunjukkan bahwa ada empat jenis kata umpatan yang digunakan oleh tokoh film Deadpool yaitu epithets, profanity, vulgarity, dan obscenity . Selebihnya, penelitian menunjukkan bahwa ada empat alasan-alasan untuk mengumpat yang diucapkan oleh tokoh film Deadpool . Alasan-alasan tersebut adalah expletive swearing, abusive swearing, humorous swearing, dan auxiliary swearing . Selain itu, ada tiga kombinasi dari alasan-alasan untuk mengumpat sesuai teori yaitu expletive dan auxiliary ; abusive dan auxiliary ; dan humorous dan auxiliary . Berdasarkan analisa, tokoh film Deadpool sering menggunakan kata umpatan untuk mengungkapkan perasaan mereka yang disebut sebagai expletive swearing . Kesimpulannya, setiap jenis kata umpatan memiliki hubungan dengan alasan-alasan untuk mengumpat. Berdasarkan data, setiap jenis memiliki lebih dari satu alasan untuk mengumpat yang digunakan oleh tokoh-tokoh film Deadpool . Kata kunci: swear words, Deadpool, discourse analysis vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS I could have many plans from A to Z but without God’s permission and support, it won’t happen. However, I would like to send my biggest gratitude to Jesus for his blessing and grace. He always guides me when some things went wrong. I would also like to thank my beloved parents Margaretha Kris Handani and Gunadi Ibnu Sapari , my brother Henricus Ardi Setya Sudira , and my sister Veronika Armela Rini Rachmaya Jati for their never-ending love, care, support, motivation and prayers. I send my regards and gratitude to my academic advisor, Patricia Angelina Lazut, M.Hum., for her guidance during my time to learning and studying at Sanata Dharma University. Furthermore, I sincerely send my gratitude to my thesis advisor, Truly Almendo Pasaribu, S.S., M.A. for her time, feedback, patience, and motivation in writing and finishing my thesis. I would like to thank all of my friends in class B small 2014 especially Rene Santa Danastri and Girinda Kapindi for accompanying and helping me in my struggle in this college life. I would also like to thank my SPD group, Lotus , for the togetherness and cooperation to finish the battle. In addition, I thank my classmates in thesis class, Cara, Eli, Lovilla, Caca, Vidy, Dian, Ang, and Rizky , who always gave constructive feedbacks in the class, especially Tata and Ajeng for helping me to proofread my thesis. viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI Last but not least, I address my special gratitude to Ludhgerus Hervin Etby Saputra for his time, patience, support, motivation, presence, willingness to accompany me to work on my thesis and help me to find some entertainments when I felt frustrated in writing my thesis. Brigitta Arni Pritadewi ix PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS Page TITLE ................................................................................................................................ i APPROVAL PAGES ..................................................................................................... 1 STATEMENT OF WORK’S ORIGINALITY ........................................................... iv PERNYATAAN PERSETUJUAN PUBLIKASI ............................................................ v ABSTRACT ..................................................................................................................... vi ABSTRAK ........................................................................................................................ vii ACKNOWLEDGEMENTS ......................................................................................... viii TABLE OF CONTENTS ................................................................................................ x LIST OF TABLES ......................................................................................................... xii LIST OF APPENDIX ................................................................................................... xiii CHAPTER I. INTRODUCTION .................................................................................. 1 A. Research Background................................................................................... 1 B. Research Questions ...................................................................................... 3 C. Research Significance .................................................................................. 4 D. Definition of Terms ...................................................................................... 5 CHAPTER II. REVIEW OF RELATED LITERATURE ......................................... 6 A. Theoretical Description ................................................................................ 6 1. The Concept of Taboo .............................................................................. 6 2. Swear words ............................................................................................. 7 3. The Types of Swear Words ...................................................................... 8 4. The
Load more

Recommended publications
  • (“Spider-Man”) Cr
    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
    [Show full text]
  • Copyrighted Material
    INDEX “abnormality,” 8–12 race and, 187 Abrams, M. H., 45–46 Arendt, Hannah, 39–40 Action Comics #1, 108 Ariel. See Pryde, Kitty (Kate, adamantium, 105, 165 Shadowcat) African Americans, 64 Aristotle, 71, 74–78, 109 African characters, 2 Asian characters, 2 Age of Apocalypse, 167 Astonishing X-Men #25, 186 Ahab, 89 Atlas Shrugged (Rand), 79–80 “Allegory of the Cave” (Plato), autonomy, 33, 103, 104–105 109–110 Avengers, 68, 90, 91 “alterity,” 210 Avengers Annual #10, 94 Amazing Adventures of Kavalier and Avengers Disassembled, 91 Clay, The (Chabon), 41–42 America, Captain, 22, 42 Bacon, Sir Francis, 70–74, 78, 79 Angel, 1 “bad faith,” 41, 93 cure and, 175–178 Banshee, 187 existentialism and, 44 Batman (character), 108 normality and, 8, 11 Batman (Kane, Finger), 41 phenomenology and, 202 Baudrillard, Jean, 91 Animalibus, De (Aristotle), 74 Beak Animal Man (Morrison), 120 personal identity and, 20 Anti-Semite and Jew (Sartre), 39 telepathy and, 155–156 anti-Semitism, 39–44 Beast (Hank McCoy), 1, 54, 71 Apocalypse COPYRIGHTEDcure MATERIAL and, 44, 178–179 cure and, 44 disability and, 181 genetics and, 53, 58, 60, 65 existentialism and, 96 personal identity and, 22 normality theme and, 8, 11, 13 phenomenology and, 204, 206 personal identity and, 20 race and, 187 race and, 186, 189 telepathy and, 161 telepathy and, 149, 168 Arclight Becker, Ernest, 205 cure and, 180 benefi cience, 177–178 241 bbindex.inddindex.indd 224141 11/31/09/31/09 44:25:24:25:24 PPMM 242 INDEX Bentham, Jeremy, 129, 144 Celestials, 186, 187 Big Bertha, 115–116 Cerebro,
    [Show full text]
  • The Physics of Wind-Blown Sand and Dust
    The physics of wind-blown sand and dust Jasper F. Kok1, Eric J. R. Parteli2,3, Timothy I. Michaels4, and Diana Bou Karam5 1Department of Earth and Atmospheric Sciences, Cornell University, Ithaca, NY, USA 2Departamento de Física, Universidade Federal do Ceará, Fortaleza, Ceará, Brazil 3Institute for Multiscale Simulation, Universität Erlangen-Nürnberg, Erlangen, Germany 4Southwest Research Institute, Boulder, CO USA 5LATMOS, IPSL, Université Pierre et Marie Curie, CNRS, Paris, France Email: [email protected] Abstract. The transport of sand and dust by wind is a potent erosional force, creates sand dunes and ripples, and loads the atmosphere with suspended dust aerosols. This article presents an extensive review of the physics of wind-blown sand and dust on Earth and Mars. Specifically, we review the physics of aeolian saltation, the formation and development of sand dunes and ripples, the physics of dust aerosol emission, the weather phenomena that trigger dust storms, and the lifting of dust by dust devils and other small- scale vortices. We also discuss the physics of wind-blown sand and dune formation on Venus and Titan. PACS: 47.55.Kf, 92.60.Mt, 92.40.Gc, 45.70.Qj, 45.70.Mg, 45.70.-n, 96.30.Gc, 96.30.Ea, 96.30.nd Journal Reference: Kok J F, Parteli E J R, Michaels T I and Bou Karam D 2012 The physics of wind- blown sand and dust Rep. Prog. Phys. 75 106901. 1 Table of Contents 1. Introduction .......................................................................................................................................................... 4 1.1 Modes of wind-blown particle transport ...................................................................................................... 4 1.2 Importance of wind-blown sand and dust to the Earth and planetary sciences ...........................................
    [Show full text]
  • Dragon Magazine #179
    SPECIAL ATTRACTIONS Issue #179 Magic is Power Vol. XVI, No. 10 9 A treasure trove of magical items youve never seen before. March 1992 Picture This! Nigel Findley 10 Magical paintings that can save your lifeor take it away. Publisher James M. Ward Magic by Candlelight Gregg Chamberlain 16After you light one of these magical candles, be sure you stand way Editor back. Roger E. Moore Something Completely Different Bruce Humphrey 21 Liven up your treasure hoards with valuables that surprise as well as Fiction editor please. Barbara G. Young Seven Enlightening Lanterns Stephen Giles Associate editor 26 If you explore the dungeons of the Forgotten Realms, be sure to have Dale A. Donovan one of these devices in hand. Editorial assistant Wolfgang H. Baur Art director Larry W. Smith OTHER FEATURES Production staff Gaye OKeefe Angelika Lokotz Moonlight fiction by Heather Lynn Sarik Tracey Zamagne Mary Chudada 32 Pure, distilled moonlight, silvery and brightjust the target for two smart thieves. Subscriptions The Voyage of the Princess Ark Bruce A. Heard Janet L. Winters 41 A journey to a kingdom that has gone entirely to the dogs. U.S. advertising The MARVEL® Phile Dale A. Donovan and Steven E. Schend Roseann Schnering 47 Did you ever meet a super villain you wanted to laugh at rather than punch? U.K. correspondent The Role of Computers Hartley, Patricia, and Kirk Lesser and U.K. advertising Bronwen Livermore 57 A look through Eye of the Beholder II and a visit with some Merry Men. Wonders of the Land of Fate Jeff Grubb 66 The AD&D® AL-QADIM setting has flying carpets, efreeti bottles, and much, much more! Role-playing Reviews Lester W.
    [Show full text]
  • Roger Ebert This Message Came to Me from a Reader Named Peter Sv Ensland
    In Memoriam 1942 – 2013 | ROGEREBERT..COM Choose a Section REVIEWS DEADPOOL | Brian Tallerico February 12, 2016 | “Deadpool” is the cinematic equivalent of that kid in school who would always say how much he didn’t care what people thought of him, but just loud enough so everybody could hear him. It is the teenager who pretends to be too cool to care, but wants you Print Page to like him so badly it hurts. Of course, this is partially a byproduct of being a cog in the machine of the superhero movie Like 197 marketing system—you unavoidably have to hit a few of the beats of the genre in order to satisfy the audience. However, 6 “Deadpool” fails to live up to the potential of its beloved source material, subverting its own agenda by becoming a remarkably generic, by-the-numbers man-in-tights flick. “Deadpool” is about a guy who constantly pushes back against the expectations of Tweet the superhero, but the movie about him fails to match his rebellious personality. It’s a remarkably straightforward origin flick, lacking in true satire of its genre, carried almost entirely by its lead. Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality. After years in development limbo, Ryan Reynolds finally gets a role that he was WATCH NOW undeniably built for in this adaptation of Fabian Nicieza and Rob Liefeld’s Marvel creation. A lot of pushback against reviews of comic book films tends to come from those who believe the critic unaware of the source material’s inherent strengths, so it seems fair to note that I read Deadpool back in the ‘90s.
    [Show full text]
  • {PDF EPUB} Astonishing X-Men Volume 3 Torn by Joss Whedon Quotes from Astonishing X-Men, Volume 3: Torn
    Read Ebook {PDF EPUB} Astonishing X-Men Volume 3 Torn by Joss Whedon Quotes from Astonishing X-Men, Volume 3: Torn. “There's so much you thought you could never face. The decision not to try to control your power, to let it be your demon. Too shameful to remember, so you let it eat your life up instead. But you're past it now, Scott. And all you had to defeat, all you had to let go of. was you. You're free, my love. You're free.” ― Joss Whedon, quote from Astonishing X-Men, Volume 3: Torn. “Are you all right?" "Oh my god! I phased!" "Are you all right?" "I can't believe I phased just then! That's never. it was totally your fault." "I like to think so, yes." "Tee hee.” ― Joss Whedon, quote from Astonishing X-Men, Volume 3: Torn. “All right, Emma. You brought me in. You made your move. Just like I knew you would. A nice move. Now it's my turn.” ― Joss Whedon, quote from Astonishing X-Men, Volume 3: Torn. “I'm sorry. But it's like you said, Emma. I don't have any claws.” ― Joss Whedon, quote from Astonishing X-Men, Volume 3: Torn. About the author. Joss Whedon Born place: in New York, New York, The United States Born date June 23, 1964 See more on GoodReads. Popular quotes. Alex Haley, quote from Roots: The Saga of an American ― ”ﻻ ﺗﺤﯿﻄﻮا أﺑﺪًا ﺑﺎﻟﻌﺪو ﺗﻤﺎ ًﻣﺎ، ودﻋﻮا ﻟﮫ ﻣﺨﺮ ًﺟﺎ ﻟﻠﮭﺮب، ﻷﻧﮫ ﺳﯿﺤﺎرب أﻗﻮى وھﻮ ﯾﺎﺋﺲ إذا ﻣﺎ ﺣﻮﺻﺮ“ Family.
    [Show full text]
  • The Pacific Sentinel, February 2019" (2019)
    Portland State University PDXScholar University Archives: Campus Publications & The Pacific Sentinel Productions 2-2019 The Pacific Sentinel, ebruarF y 2019 Portland State University. Student Publications Board Follow this and additional works at: https://pdxscholar.library.pdx.edu/pacificsentinel Let us know how access to this document benefits ou.y Recommended Citation Portland State University. Student Publications Board, "The Pacific Sentinel, February 2019" (2019). The Pacific Sentinel. 20. https://pdxscholar.library.pdx.edu/pacificsentinel/20 This Book is brought to you for free and open access. It has been accepted for inclusion in The Pacific Sentinel by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. VANPORT MOSAIC A storytelling experience of Black residents from Vanport as they were flooded out of their The Pacific Sentinel destroyed homes and moved to Albina GOVERNMENT SHUTDOWN? What happened/is happening exactly? Volume IV Iss ue IV DR. KING HAD A DREAM February 2019 RECLAIM THE DREAM I~ CONTENTS 3 Dr. King Had a Dream, Reclaim the Dream 30 The Syria ~estion: Is Withdrawal Necessary? 8 Vanport Mosaic 312018 in Movies 10 Audubon Nature Night with Jo Ann Hardesty 34 Annhilation 15 Measels Weasels Its Way Into Portland 36 The Many Lives of Lincoln Hall 16 What's Up With the Microbiome? PSU Library Archives 18 Government Shutdown? 22 The Plastic Problem On the front cover: 24 Lilies of the Field, A Flower in the Hand Young activist Kofi Franklin speaks at Reclaim 26 Abhina Aher: ~eer Rights in India MLK March. photo by Brooke Jones Still Fighting For Stonewall Back cover: about us.
    [Show full text]
  • African Biomass Burning Is a Substantial Source of Phosphorus Deposition to the Amazon, Tropical Atlantic Ocean, and Southern Ocean
    Nova Southeastern University NSUWorks Marine & Environmental Sciences Faculty Department of Marine and Environmental Articles Sciences 8-13-2019 African biomass burning is a substantial source of phosphorus deposition to the Amazon, Tropical Atlantic Ocean, and Southern Ocean Anne E. Barkley Rosenstiel School of Marine and Atmospheric Science Joseph M. Prospero Rosenstiel School of Marine and Atmospheric Science Natalie Mahowald Cornell University Douglas S. Hamilton Cornell University Kimberly J. Popendorf Follow this and additional works at: https://nsuworks.nova.edu/occ_facarticles Rosenstiel School of Marine and Atmospheric Science Part of the Marine Biology Commons, and the Oceanography and Atmospheric Sciences and MeteorSee nextology page Commons for additional authors Find out more information about Nova Southeastern University and the Halmos College of This Article has supplementary content. View the full record on NSUWorks here: Natural Sciences and Oceanography. https://nsuworks.nova.edu/occ_facarticles/1159 NSUWorks Citation Anne E. Barkley, Joseph M. Prospero, Natalie Mahowald, Douglas S. Hamilton, Kimberly J. Popendorf, Amanda M. Oehlert, Ali Pourmand, Alexandre Gatineau, Kathy Panechou-Pulcherie, Patricia Blackwelder, and Cassandra J. Gaston. 2019. African biomass burning is a substantial source of phosphorus deposition to the Amazon, Tropical Atlantic Ocean, and Southern Ocean .Proceedings of the National Academy of Sciences of the United States of America , (33) : 16216 -16221. https://nsuworks.nova.edu/ occ_facarticles/1159. This Article is brought to you for free and open access by the Department of Marine and Environmental Sciences at NSUWorks. It has been accepted for inclusion in Marine & Environmental Sciences Faculty Articles by an authorized administrator of NSUWorks. For more information, please contact [email protected].
    [Show full text]
  • Deadpool 101 Deadpool 101
    DEADPOOL 101 DEADPOOL 101 by Steve Dustcircle Smashwords Edition © 2015 aLife Beyond Books Columbus, Ohio 43216 http://www.aLifebeyondbooks.com Copyright © 2015 by Steve Dustcircle All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher, addressed “Attention: Permissions Coordinator,” at the address below. aLife Beyond Books c/o Hudson Media P.O. Box 163381 Columbus, OH 43216 www.aLifeBeyondBooks.com The character, name and likeness of DEADPOOL is the creation and property of Marvel Comics, Marvel Universe, and/or Marvel Enterprises. Ordering Information: Orders by U.S. trade bookstores and wholesalers. Please contact Steve Dustcircle at: [email protected] Printed in the United States of America Publisher’s Cataloging-in-Publication data Dustcircle, Steve. A Deadpool 101 / Steve Dustcircle. p. cm. ISBN: 9781311392275 (Smashwords Edition) CONTENTS: An Interpretation of Deadpool's first comic appearance 0. Introduction 1. The Formation 2. Who Is Deadpool? 3. His Story 4. Impressions 5. Screen Time 6. Tidbits 7. Key Issues About the Author A man in a blue outfit stands in the now stillness. Something peeks his attention toward the external wall. He senses it, with his eye. The noise in his head rises. The wall explodes, sending books and shelves outward from the location, like a suicide bomber's self-explosion.
    [Show full text]
  • Common Uncommon
    COMMON 32. Sandi Brandenberg: Secretary AND Receptionist 33. : Sword 1. Agent Carter: Behind Enemy Lines Satchel of Unlimited Weaponry 34. : Scarlet? Why not just red? 2. Agent X: Nijo Minamiyori Scarlet Witch 35. : Demon Bride 3. Angel Dust: Chicagoan Shiklah 36. : Mindee 4. Angela: Asgardian Assassin Stepford Cuckoos 37. : Thunderclap 5. Black Bolt: … Storm 38. : Astounding Mimicry 6. Black Tom Cassidy: Trusty Shillelagh Taskmaster 39. : Snikt! 7. Blind Al: Stay in the Deadhut Wolverine 40. : Created to be a Weapon 8. Bob, Agent of Hydra: Hiding Behind You X-23 9. Colossus: Rigid Morals UNCOMMON 10. Deadpool: My Set. My Rules. 41. Agent Carter: Combat Trained 11. Dogpool: Earth-20110 42. Agent X: Trained by Taskmaster 12. Domino: Neena Thurman 43. Angel Dust: Morlock 13. Elektra: Greek Tragedy 44. Angela: Aldrif Odinsdottir 14. Evil Deadpool: Spare Parts 45. Black Bolt: Let It All Out! 15. Fantomex: Misdirection 46. Black Tom Cassidy: Concussive Blast 16. Flying Car: Buckle Up! 47. Blind Al: Laxatives in Your Food 17. Free Chimichangas: Delicious 48. Bob, Agent of Hydra: Hydra Doesn’t Offer Dental 18. Hit-Monkey: No Monkey Business 49. Colossus: Former Juggernaut 19. Kidpool: Earth-10330 50. Deadpool: Mmmmmm Chimichangas… 20. Lady Bullseye: Attack on Two Fronts 51. Dogpool: Woof 21. Lady Deadpool: Regenerative Healing Factor-Thingie 52. Domino: Luck Be A Lady 22. Lockjaw: Fiercely Loyal 53. Elektra: Get to the Point 23. M.O.D.O.K.: Most Powerful Brain Alive 54. Evil Deadpool: Bang! Bang! Bang! 24. Madame Hydra: Viper 55. Fantomex: E.V.A. 25. Medusa: Tangled Up 56.
    [Show full text]
  • Table of Contents Introduction 2 Young Readers 3 Middle School 7 High School 14 Older Teens 22
    An Annotated Bibliography by Jack Baur and Amanda Jacobs-Foust with Carla Avitabile, Casey Gilly, Jessica Lee, Holly Nguyen, JoAnn Rees, Shawna Sherman, and Elsie Tep May 17th, 2012 Table of Contents Introduction 2 Young Readers 3 Middle School 7 High School 14 Older Teens 22 Prepared by BAYA for the California Library Association 1 Introduction It’s no secret that comics (or “graphic novels,” if you prefer) are hot items in the library world these days. Oh, we’ve known that for years, but recently publishers have been getting into the game in a big way. Too big, arguably. As publishers struggle, it seems like more and more they are turning to graphic novels as new revenue streams, to diversify existing properties, or as ways to repackage old content. With the deluge of titles coming at us, it’s becoming increasingly difficult for a librarian who isn’t deeply invested in their GN collection or tuned into the world of comics publishing to discern the excellent titles from the merely popular, and the quality from the... well, crap. And oh there’s a lot of crap out there these days... But there’s a whole lot of great stuff, too. Comics are a wonderful and unique medium, which allow any kind of story or instruction to be delivered in a way that is fun, engaging, and accessible. Just like other storytelling forms, the content can be simple and amusing, or it can be deep and challenging. It’s no surprise that comics are seeing such a jump in popularity and acceptance now.
    [Show full text]
  • 2019 Upper Deck Marvel Deadpool Trading Cards Checklist
    Set Name Card Description Sketch Auto Mem #'d Odds Point Base Set 1 Knock/ Knock Four Base Cards per Pack 24 Base Set 2 Have Some Fun Four Base Cards per Pack 24 Base Set 3 The End is Nigh Four Base Cards per Pack 24 Base Set 4 Adrift in time Four Base Cards per Pack 24 Base Set 5 Flyboy Four Base Cards per Pack 24 Base Set 6 Leave Him Be Four Base Cards per Pack 24 Base Set 7 Hit It! Four Base Cards per Pack 24 Base Set 8 Logic Four Base Cards per Pack 24 Base Set 9 Upside Down Four Base Cards per Pack 24 Base Set 10 Rooftop Four Base Cards per Pack 24 Base Set 11 Is That Thing On? Four Base Cards per Pack 24 Base Set 12 This Fight Is Over Four Base Cards per Pack 24 Base Set 13 Gotta Bounce Four Base Cards per Pack 24 Base Set 14 Outta My way Four Base Cards per Pack 24 Base Set 15 The Helmet Four Base Cards per Pack 24 Base Set 16 Sock Puppet Four Base Cards per Pack 24 Base Set 17 The Man Four Base Cards per Pack 24 Base Set 18 Hoboken Four Base Cards per Pack 24 Base Set 19 Yahoos Four Base Cards per Pack 24 Base Set 20 Rough Draft Four Base Cards per Pack 24 Base Set 21 Sunset Four Base Cards per Pack 24 Base Set 22 Funeral Four Base Cards per Pack 24 Base Set 23 D.P.
    [Show full text]