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Manufacturing Realisms
Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Bachelor of Arts Dartmouth College 2000 Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 2002 MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 4 2002 Signature of Author 3, 2002 LIBRARIES Winnie Won Yin Wong, Depar nt of Architecture, May ROTCH Certified by Professor David Itriedman, Assobiate Professor of the History of Architecture, Thesis Supervisor Accepted by Professor Julian\8e,jiart, Professorlof1rchitecture, Chair, Committee on Graduate Students Copyright 2002 Winnie Won Yin Wong. All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 Readers Erika Naginski Assistant Professor of the History of Art Arindam Dutta Assistant Professor of the History of Architecture History, Theory and Criticism Department of Architecture 3 4 Manufacturing Realisms Product Placement in the Hollywood Film by Winnie Won Yin Wong Submitted to the Department of Architecture in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract Through an examination of filmic portrayals of the trademarked product as a signifier of real ownerships and meanings of commodities, this paper is concerned with the conjunction of aesthetic and economic issues of the Product Placement industry in the Hollywood film. It analyzes Product Placement as the embedding of an advertising message within a fictional one, as the insertion of a trademarked object into the realisms of filmic space, and as the incorporation of corporate remakings of the world with film fictions. -
James Bond a 50 The
JAMES BOND: SIGNIFYING CHANGING IDENTITY THROUGH THE COLD WAR AND BEYOND By Christina A. Clopton Submitted to Central European University Department of International Relations and European Studies In partial fulfillment of the requirements for the Masters of Arts Supervisor: Professor Alexander Astrov CEU eTD Collection Budapest, Hungary 2014 Word Count: 12,928 Abstract The Constructivist paradigm of International Relations (IR) theory has provided for an ‘aesthetic turn’ in IR. This turn can be applied to popular culture in order to theorize about the international system. Using the case study of the James Bond film series, this paper investigates the continuing relevancy of the espionage series through the Cold War and beyond in order to reveal new information about the nature of the international political system. Using the concept of the ‘empty signifier,’ this work establishes the shifting identity of James Bond in relation to four thematic icons in the films: the villains, locations, women and technology and their relation to the international political setting over the last 50 years of the films. Bond’s changing identity throughout the series reveals an increasingly globalized society that gives prominence to David Chandler’s theory about ‘empire in denial,’ in which Western states are ever more reluctant to take responsibility for their intervention abroad. CEU eTD Collection i Acknowledgements I would like to extend my deepest gratitude to Professor Alexander Astrov for taking a chance with me on this project and guiding me through this difficult process. I would also like to acknowledge the constant support and encouragement from my IRES colleagues through the last year. -
The James Bond Quiz Eye Spy...Which Bond? 1
THE JAMES BOND QUIZ EYE SPY...WHICH BOND? 1. 3. 2. 4. EYE SPY...WHICH BOND? 5. 6. WHO’S WHO? 1. Who plays Kara Milovy in The Living Daylights? 2. Who makes his final appearance as M in Moonraker? 3. Which Bond character has diamonds embedded in his face? 4. In For Your Eyes Only, which recurring character does not appear for the first time in the series? 5. Who plays Solitaire in Live And Let Die? 6. Which character is painted gold in Goldfinger? 7. In Casino Royale, who is Solange married to? 8. In Skyfall, which character is told to “Think on your sins”? 9. Who plays Q in On Her Majesty’s Secret Service? 10. Name the character who is the head of the Japanese Secret Intelligence Service in You Only Live Twice? EMOJI FILM TITLES 1. 6. 2. 7. ∞ 3. 8. 4. 9. 5. 10. GUESS THE LOCATION 1. Who works here in Spectre? 3. Who lives on this island? 2. Which country is this lake in, as seen in Quantum Of Solace? 4. Patrice dies here in Skyfall. Name the city. GUESS THE LOCATION 5. Which iconic landmark is this? 7. Which country is this volcano situated in? 6. Where is James Bond’s family home? GUESS THE LOCATION 10. In which European country was this iconic 8. Bond and Anya first meet here, but which country is it? scene filmed? 9. In GoldenEye, Bond and Xenia Onatopp race their cars on the way to where? GENERAL KNOWLEDGE 1. In which Bond film did the iconic Aston Martin DB5 first appear? 2. -
Representations of Masculinity in Selected 21 Century Children's Texts
AT THE CROSSING-PLACES: REPRESENTATIONS OF MASCULINITY IN SELECTED 21st CENTURY CHILDREN’S TEXTS by Janice Robertson submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE & PHILOSOPHY in Theory of Literature PhD (Lan Lin & Lit) at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: Prof. R.A. Northover June 2019 1 For my boys Brandon, Michael and Gareth 10 years later 2 I am a growing teen who reads, I wonder about love, I hear my bones stretching, I see a young man brewing, I want to thrive in life, I am a growing teen who reads. I pretend to fly on dancing skies, I feel the love, true love that keeps me going, I want a flag, a flag of peace, I worry for all the mistakes I make, I cry for broken hearts and lives, I am a growing teen who reads I understand how loneliness can hurt, I say, “Don’t give in” I dream of happiness, not money or fame, I try to love my enemies, I hope for peace and self-respect, I am a growing teen who reads. Brandon, age 12 3 ABSTRACT AT THE CROSSING-PLACES: REPRESENTATIONS OF MASCULINITY IN SELECTED 21ST CENTURY CHILDREN’S TEXTS by Janice Robertson Supervisor : Prof. R.A. Northover Department : Theory of Literature This study explores the representations of masculinity in selected contemporary children’s adventure literature. According to John Stephens (2002:x), a problem for boys, both in narrative fictions and in the world, is that hegemonic masculinity ‘appears simultaneously to propose a schema for behaviour and to insist on their subordination as children, to conflate agency with hegemonic masculinity, and to disclose that, for them, such agency is illusory’. -
Earth's Biggest Volcano: the Hawaii Drilling Project 4
ISSN: 1816-8957 , March 2009 7 NUMBER 1, 2005 N o . Scientific Drilling Reports on on Deep Deep Earth Earth Sampling Sampling and Monitoring and Monitoring Earth's Biggest Volcano: The Hawaii Drilling Project 4 Addressing Geohazards Through Ocean Drilling 15 Ocean Drilling Cores Consolidated in Three Global Repositories 31 Early Life on Earth: Cleaverville Drilling Project 34 In Situ Sampling of Gas Hydrates 44 Workshop Reports: Lake Drilling, Normal Faults, and Hydrothermal Systems 51 Published by the Integrated Ocean Drilling Program with the International Continental Scientific Drilling Program Scientific Drilling Editorial Preface ISSN 1816-8957 (printed version) 1816-3459 (electronic version) Scientific Drilling is a semiannual journal published by the Integrated Ocean Drilling Dear Reader: Program (IODP) with the International Continental Scientific Drilling Program (ICDP). The editors welcome contributions on any aspect of scientific drilling, including borehole instruments, observatories, and Volcanoes have many stories to tell,����������������������������������������������������������������������������� and their activity profoundly impacts monitoring experiments. The journal is produced and distributed by the Integrated human life ���������and �����Earth��������������������������������s environment. In this issue of Scientific Drilling, a Ocean Drilling Program Management report on the Hawaii Drilling Project highlights “hot spot” volcanism (p. 4). International (IODP-MI) for the IODP under the sponsorship of the U.S. National -
Read Our Interview with Earl Cameron Here
INTERVIEW WITH ‘PINDER’ AKA EARL CAMERON, AUGUST 2012 Interview by Anders Frejdh, Editor of From Sweden with Love. Did you always want to become an actor? I had, from my early childhood, a secret yearning for acting but I was far too shy to mention it to anyone. How did you become involved in Thunderball in the first place? I had worked on three films with Coby Brockley "Safaria, Odongo and Killers of Killers of Kilamanjaro" and he wanted me on the first Bond picture "Dr. No" but Saltzman did not think I was right for the part of quarrel however when "Thunderball came along" the part of Pinder came my way. How did you prepare for the film once you were contracted? Did you read the novel or any other of the Fleming novels? I never read any of the Ian Fleming's novels, but the part of Pinder is fairly straight forward which did not cause for much study. How was it like filming on location in the Bahamas? Location on Nassau was very glamorous, more than any other I had or have been on in my seven weeks there was a delight. What did you think about the relationship between Sean Connery and the rest of the crew? As I remember, in relationship with Connery, he was extremely friendly and also with myself. What happened at the end of filming this film, any end-of-shooting party or similar event? Did you attend the premiere and/or any other Bond film premieres over the years? I did not attend the premiere as I was away at the time of the event, in fact, at the end of the filming, I was in Manchester at Grenada Television working on a Production "The Life of Bessie Smith". -
Time to Bond
Etc. Etc. Etc. “I’ve always wanted to play a spy, because it is the ultimate acting exercise. You are never what you seem.” Benedict Cumberbatch Life Imitates Art: The CIA Favored James Bond In his article, “Ian Fleming and the Public Profile of the Time CIA,” published this year in the Journal of Cold War Studies, Christopher Moran, a professor at the University of Warwick, to Bond contends that the CIA attempted to recreate spy gadgets from n recognition of the Bond the James Bond films Goldfinger and From Russia, With Love. Ifranchise’s 50th year in 2012, To write the article, Moran studied declassified letters, Time compiled a list, “James media reports and interviews from the 1950s and 1960s. Bond, Declassified: 50 Things “There was a surprising two-way influence between the CIA You Didn’t Know About 007.” and the James Bond novels during the Cold War, stemming Here are a few highlights: from the mutual admiration between [then CIA director] Al- •In an interview with Life len Dulles and [Bond author] Ian Fleming,” Moran explains. Magazine, John F. Kennedy After meeting Fleming in London in 1959, Dulles tasked listed From Russia, With agency staff to copy Bond gadgets, such as Rosa Klebb’s Love as one of his favorite spring-loaded poison knife shoe used in From Russia, With novels. It’s been reported Love and the homing beacon device used in Goldfinger. that this influenced the Moran also found that Dulles encouraged Fleming to portray filmmakers to select this the agency positively. “For a long time, the James Bond book to be the basis for books had a monopoly on the CIA’s public image and the the second Bond movie, agency used this to its advantage.” ScienceDaily SETRESET following Dr. -
A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information. -
View Fleming Villa Rates & Factsheet
The Fleming Villa is like an island unto itself. Looking for privacy? Fleming Villa (along with its satellite cottages, Pool House and Sweet Spot) is all about privacy. Your own beach and, of course, your own pool, gardens, and staff. Walk over to GoldenEye for a spa treatment, sunset cocktails at the Bizot Bar or dinner at the Gazebo Restaurant. Walk back to Fleming Villa and, again, you’re secluded. Removed from it all. Really, it’s the best of all worlds and the very best of ours. Of course, there’s the history. Fleming, and his character, Bond. James Bond. If these walls could talk they’d tell tales of artists and writers, spies and seducers. The romantic atmosphere is palpable. The vibe, utterly relaxing, though you may feel the inspiration that lives here, still. The villa features the original three bedrooms and two stand alone guest cottages (sleeps up to 10). Other exclusive features include the private Fleming Beach, pool and state-of-the-art media room. The villa has its own dedicated staff that includes a butler, housekeeper and cook. 2021 RATES DEC 20 2020 - JAN 4 2021 - APR 6 2021 - NOV 1 2021 - ROOM CATEGORY JAN 3 2021 APR 5 2021 OCT 31 2021 DEC 19 2021 One Bedroom on request on request $2,895 $4,170 Two Bedroom on request on request $3,705 $4,985 Three Bedroom on request $7,640 $4,520 $5,790 Four Bedroom on request $8,215 $5,440 $6,715 Five Bedroom $10,605 $8,685 $6,365 $7,640 CANCELLATION POLICY TERMS & CONDITIONS • 25% of the total reservation value is non-refundable at the time reservation is confirmed. -
[QT1K]⋙ John Gardner James Bond 5 Books Collection Pack
John Gardner James Bond 5 Books Collection Pack Set (Goldeneye, COLD, Death is Forever, Licence to Kill, Icebreaker) John Gardner Click here if your download doesn"t start automatically John Gardner James Bond 5 Books Collection Pack Set (Goldeneye, COLD, Death is Forever, Licence to Kill, Icebreaker) John Gardner John Gardner James Bond 5 Books Collection Pack Set (Goldeneye, COLD, Death is Forever, Licence to Kill, Icebreaker) John Gardner Title In This Collection:- Goldeneye COLD Death is Forever Licence to Kill Icebreaker (3) Goldeneye She is beautiful. She is Russian. And she is very, very dangerous. Once Xenia worked for the KGB. But her new master is Janus, a powerful and ambitious Russian leader who no longer cares about ideology. Janus''s ambitions are money and power: his normal business methods include theft and murder. And he has just acquired GoldenEye, a piece of high-tech space technology witht the power to destroy or corrupt the West''s financial markets.But Janus has underestimated his most determined enemy: COLD James Bond is on a mission that will become an obsession. It starts the night Flight 229 is torn apart at Washington airport, killing 435 passengers. But the victim who matters to Bond is the Principessa Sukie Tempesta: once his lover, still his friend.The search for Sukie''s killers will turn out to be the most complex and demanding assignment of Bond''s career. Across continents and through ever-changing labyrinths of evil, he follows the traces of clues into the centre of a fanatical so Death is Forever The Cold War is over. -
For Immediate Release
FOR IMMEDIATE RELEASE BOND 22 STARTS PRODUCTION TODAY AT PINEWOOD STUDIOS, LONDON CULVER CITY, Calif., Monday 07 January 2008 — Producers Michael G. Wilson and Barbara Broccoli of EON Productions Ltd, Sony Pictures Entertainment and Metro-Goldwyn- Mayer Studios announced today the start of principal photography on the eagerly anticipated 22nd James Bond adventure. Daniel Craig reprises his role as 007 in the film which is directed by Marc Forster and follows the success of CASINO ROYALE, the latest and highest grossing film in the series. Starring alongside Craig is an impressive international cast led by the critically acclaimed French actor Mathieu Amalric as the sinister villain, and the Ukranian actress Olga Kurylenko who plays 007’s leading lady. Returning to Bond 22 (working title) from CASINO ROYALE are Judi Dench in her role as M, Jeffrey Wright as Felix Leiter and Giancarlo Giannini as Mathis. Newcomer to the Bond franchise, Gemma Arterton, will play the role of MI6 Agent Fields. Commenting on the announcement, Wilson and Broccoli said "We are fortunate to continue in the Bond tradition of attracting the finest international actors for our starring roles. Mathieu in the role of Dominic Greene, a leading member of the villainous organization introduced in CASINO ROYALE, will be a powerful counterpart to Daniel’s portrayal of Bond. Olga Kurylenko will play the dangerously alluring Camille, who challenges Bond and helps him come to terms with the emotional consequences of Vesper’s betrayal." MGM and Sony Pictures will share distribution rights worldwide with Columbia Pictures and Sony Pictures Releasing International distributing the film to theaters worldwide on November 7th, 2008. -
Tomorrow Never Dies
Tomorrow Never Dies Svensk premiärtitel: Tomorrow Never Dies Videotitel i Sverige: Tomorrow Never Dies Produktionsuppgifter: Produktionsland: Storbritannien, USA Distributör i Sverige (35 mm): United International Pictures AB Svenska Filminstitutet Distributör i Sverige (hyrvideo) (fysisk): Warner Home Video Sweden AB Distributör i Sverige (köpvideo): Warner Home Video Sweden AB Produktionsbolag: Eon Productions Ltd. United Artists Pictures Inc. Danjaq Inc. Förlaga: Titel: James Bond (Fiktiva personer) Skapade av: Ian Fleming Manus: Bruce Feirstein Producent: Michael G. Wilson Barbara Broccoli Foto: Robert Elswit Musik: David Arnold Produktionsdesign: Allan Cameron Klippning: Dominique Fortin Michel Arcand Regi: Roger Spottiswoode Bildformat: Scope (2,35:1) Färgsystem: Färg Ljudsystem: Dolby Stereo Spectral Recording Censur: 135.071 Datum: 1997-12-10 Aldersgräns: Tillåten från 15 år Längd: 3267meter Sverigepremiär: 1997-12-19 BioPalatset Göteborg Sverige 119 minuter 1997-12-19 Filmstaden Göteborg Sverige 119 minuter 1997-12-19 Palladium Göteborg Sverige 119 minuter 1997-12-19 BioPalatset Malmö Sverige 119 minuter 1997-12-19 DownTown Malmö Sverige 119 minuter 1997-12-19 Royal Malmö Sverige 119 minuter 1997-12-19 BioPalatset 1 Stockholm Sverige 119 minuter 1997-12-19 Filmstaden Sergel Stockholm Sverige 119 minuter 1997-12-19 Filmstaden Söder Stockholm Sverige 119 minuter 1997-12-19 Rigoletto 1 Stockholm Sverige 119 minuter TV-visning: 2000-12-10 TV3 Sverige 114 minuter 2002-01-28 TV3 Sverige 114 minuter Videorelease: 1998-05 Sverige 114