DOCSLIB.ORG

Pianist Richard Goode Brings an All-Bach Program to Symphony Center

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pianist Richard Goode Brings an All-Bach Program to Symphony Center For Immediate Release: Press Contacts: March 25, 2016 Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] PIANIST RICHARD GOODE BRINGS AN ALL-BACH PROGRAM TO SYMPHONY CENTER J.S. Bach’s Three-Part Inventions Anchor the Program Sunday, April 3, at 3 p.m. CHICAGO—The Symphony Center Presents (SCP) PowerShares QQQ Piano Series continues with a performance by renowned pianist Richard Goode on Sunday, April 3 at 3:00 p.m. Hailed as one of today’s premiere interpreters of both the Classical and Romantic repertoire, Goode performs an all-Bach program at Symphony Center featuring two selections from The Well- Tempered Clavier, the French Suite No. 5 in G Major, Partita No. 2 in C Minor, and the Italian Concerto. Bach’s complete set of three-part inventions or Sinfonias round out the program. Similar to J.S. Bach’s two-part inventions, instructional keyboard pieces written in every major and minor key, the Sinfonias or three-part inventions were written by the composer for his eldest son Wilhelm Friedemann Bach who was taking lessons from his father. When selecting the repertoire for his all-Bach program Goode notes “I started studying them as a whole, and I found them to be an amazing thing to do—to do 15 of the pieces, one after another, each of them very short, incredibly varied and incredibly interesting.” Goode adds, “The more I play them, the more remarkable they become in the variation [and] the emotional richness.” Richard Goode has been hailed as a pianist who communicates with deep sensitivity, bringing fresh interpretations to the Classical and Romantic keyboard repertoire. In frequent demand with major orchestras the world-over, Goode’s solo appearances this season include those with the Los Angeles Chamber Orchestra, the Orchestre de Paris, the Cincinnati Symphony, and the Orchestre National de Lyon, among others. Goode has amassed a discography of more than two-dozen records, including the Grammy® award-winning recording of the Brahms Sonatas with clarinetist Richard Stoltzman, and a Grammy®-nominated 10-CD set of the Beethoven Sonatas. His most recent release was the acclaimed 2009 recording of the complete Beethoven Piano Concertos with Iván Fischer and the Budapest Festival Orchestra. Goode returns to Symphony Center in the 2016/17 season for a performance of Beethoven’s Second Piano Concerto with Iván Fischer and the Budapest Festival Orchestra on February 8, 2017. Tickets for all Symphony Center Presents PowerShares QQQ Piano series concerts can be purchased by phone at 800-223-7114 or 312-294-3000; online at cso.org, or at the Symphony Center box office: 220 S. Michigan Ave., Chicago, IL 60604. Discounted student tickets for select concerts can be purchased, subject to availability, online in advance or at the box office on the day of the concert. For group rates, please call 312-294- 3040. Artists, programs and prices are subject to change. The SCP PowerShares QQQ Piano series is sponsored by PowerShares QQQ. # # # Symphony Center Presents Sunday, April 3, 2016, 3:00 p.m. PowerShares QQQ Piano series Richard Goode, piano BACH Prelude and Fugue No. 1 in C Major from The Well- Tempered Clavier, Book II, BWV 870 BACH French Suite No. 5 in G Major, BWV 816 BACH Sinfonias Nos. 1-15, BWV 787-801 BACH Prelude and Fugue No. 11 in F Major from The Well- Tempered Clavier, Book II, BWV 880 BACH Partita No. 2 in C Minor, BWV 826 BACH Italian Concerto Tickets: $21-$95 Richard Goode Richard Goode has been hailed for music-making of tremendous emotional power, depth and expressiveness, and has been acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic music. In regular performances with the major orchestras, recitals in the world’s music capitals, and through his extensive and acclaimed Nonesuch recordings, he has won a large and devoted following. Gramophone magazine recently captured the essence of what makes Richard Goode such an original and compelling artist: '‘Every time we hear him, he impresses us as better than we remembered, surprising us, surpassing our expectations and communicating perceptions that stay in the mind.” Richard Goode opens his 2015-2016 season as soloist with the Los Angeles Chamber Orchestra and Jeffrey Kahane, followed by appearances with the Orchestre de Paris and Herbert Blomstedt, the Cincinnati Symphony and David Zinman, and the Orchestre National de Lyon and Ton Koopman, among others. A compelling recitalist, Mr. Goode will be featured in the Great Performers Series at Lincoln Center in New York, at the Royal Festival Hall in London, in the Chicago Symphony series, and at major venues in the U.S. and Europe including those in Budapest, Cleveland, Denver, Dublin, Genova, Glasgow, Kansas City, Philadelphia, San Francisco, Vancouver and Washington, DC. He will also return to both the Gilmore Festival and Krannert Center at the University of Illinois in addition to performing in a gala concert celebrating the 30th Anniversary of the Philadelphia Chamber Music Society. In the 2014-2015 season Mr. Goode opened Lincoln Center’s Mostly Mozart Festival and was featured in five appearances at Carnegie Hall. In addition to a recital in the main hall, he appeared as a soloist with the Boston Symphony Orchestra under the baton of Andris Nelsons, in two chamber music concerts with young artists from Marlboro Music Festival and conducting a master class on Debussy piano works. He was also heard as soloist with orchestras including the Los Angeles Philharmonic, St. Louis, Milwaukee and San Diego Symphonies. In addition, he performed recitals at the Concertgebouw in Amsterdam, Wigmore Hall in London, the Celebrity Series of Boston, Cal Performances in Berkeley, the Philadelphia Chamber Music Society, the University Musical Society in Ann Arbor, at Shriver Hall in Baltimore, in Toronto at the Royal Conservatory, at The Schubert Club in St. Paul, Spivey Hall in Atlanta, Yale School of Music, Dartmouth College, Duke Performances, Middlebury College and in other major series in the U.S. and Europe. Among the highlights of recent seasons have been the recitals in which, for the first time in his career, Mr. Goode performed the last three Beethoven Sonatas in one program, drawing capacity audiences and raves in such cities as New York, London and Berlin. The New York Times, in reviewing his Carnegie Hall performance, hailed his interpretations as “majestic, profound readings......Mr. Goode’s playing throughout was organic and inspired, the noble, introspective themes unfolding with a simplicity that rendered them all the more moving.” Recent seasons have also included performances with the Metropolitan Opera Orchestra led by Fabio Luisi at Carnegie Hall; with the Los Angeles Philharmonic and Gustavo Dudamel; with Orpheus on tour and at Carnegie Hall playing the Schumann Concerto; and on tour with the Boston Symphony Orchestra. An exclusive Nonesuch recording artist, Goode has made more than two dozen recordings over the years, ranging from solo and chamber works to lieder and concertos. His latest recording of the five Beethoven concertos with the Budapest Festival Orchestra and Iván Fischer was released in 2009 to exceptional critical acclaim, described as “a landmark recording” by the Financial Times and nominated for a Grammy award. His 10-CD set of the complete Beethoven sonatas cycle, the first-ever by an American-born pianist, was nominated for a Grammy and has been ranked among the most distinguished recordings of this repertoire. Other recording highlights include a series of Bach Partitas, a duo recording with Dawn Upshaw, and Mozart piano concertos with the Orpheus Chamber Orchestra. A native of New York, Richard Goode studied with Elvira Szigeti and Claude Frank, with Nadia Reisenberg at the Mannes College of Music, and with Rudolf Serkin at the Curtis Institute. His numerous prizes over the years include the Young Concert Artists Award, First Prize in the Clara Haskil Competition, the Avery Fisher Prize, and a Grammy award for his recording of the Brahms Sonatas with clarinetist Richard Stoltzman. His first public performances of the complete cycle of Beethoven sonatas at Kansas City’s Folly Theater and New York’s 92Y in 1987-88 brought him to international attention being hailed by the New York Times as “among the season’s most important and memorable events.” It was later performed with great success at London’s Queen Elizabeth Hall in 1994 and 1995. Mr. Goode served, together with Mitsuko Uchida, as co-Artistic Director of the Marlboro Music School and Festival in Marlboro, Vermont from 1999 through 2013. Participating initially at the age of 14, at what the New Yorker magazine recently described as "the classical world's most coveted retreat," he has made a notable contribution to this unique community over the 28 summers he has spent there. He is married to the violinist Marcia Weinfeld, and, when the Goodes are not on tour, they and their collection of some 5,000 volumes live in New York City. The Chicago Symphony Orchestra: www.cso.org and www.csosoundsandstories.org Founded in 1891, the Chicago Symphony Orchestra is consistently hailed as one of the greatest orchestras in the world. Since 2010, the preeminent conductor Riccardo Muti has served as its 10th music director. Yo-Yo Ma is the CSO’s Judson and Joyce Green Creative Consultant, and Samuel Adams and Elizabeth Ogonek are its Mead Composers-in-Residence. From baroque through contemporary music, the CSO commands a vast repertoire. Its renowned musicians annually perform more than 150 concerts, most at Symphony Center in Chicago and, each summer, at the suburban Ravinia Festival. They regularly tour nationally and internationally. Since 1892, the CSO has made 58 international tours, performing in 29 countries on five continents.
Load more

Recommended publications
  • Acclaimed Pianist and Conductor Jeffrey Kahane Named a Professor at the USC Thornton School of Music
    Web Version | Contact Media Reps | Find Experts Like Tweet Forward Acclaimed Pianist and Conductor Jeffrey Kahane Named a Professor at the USC Thornton School of Music CONTACT: Evan Calbi 213/740-3229 [email protected] Libby Huebner 562/799-6055 and Laura Stegman 310/470-6321 [email protected] Jeffrey Kahane, the acclaimed pianist and music director of the Los Angeles Chamber Orchestra (LACO), will join the USC Thornton School of Music faculty part time in fall 2015 during his final two years with LACO, becoming a full-time professor after he steps down from his LACO post in 2017. He will be transitioning to music director laureate at LACO after a 20-year run, the longest of any music director in the ensemble’s history. This appointment ensures he will remain a musical force in Los Angeles for years to come. Officials from USC Thornton and LACO made the joint announcement today that Kahane will join the keyboard studies department to teach piano as well as other classes. “Jeffrey is an important addition to the USC Thornton faculty as we continue to assemble what we believe to be the strongest music faculty in the world,” said Robert Cutietta, dean of USC Thornton. “He has such a strong humanities background that he will be a diverse and strong addition to our school. The sky is the limit on what might evolve.” Kahane said he was “deeply honored to join the immensely distinguished faculty” of USC Thornton and said he is “profoundly grateful for their warm and enthusiastic welcome and support.” Kahane said that a commitment to education has been a central part of his musical life for more than two decades.
    [Show full text]
  • Familiar Faces in Symphony Season
    Albanian violinist Tedi Papavrami will play Shostakovich’s Violin Concerto No. 1 with the Santa Rosa Symphony Oct. 5, 6 & 7. The Press Democrat . Friday, October 4, 2013 by Diane Peterson Familiar Faces in Symphony Season There will be lots of familiar faces when the Santa Rosa Symphony opens its 2013-2014 season this weekend at the Green Music Center's Weill Hall. The “Encores and Debuts” season not only welcomes back such soloists as cellist Maya Beiser but showcases familiar works such as Jean Sibelius' Symphony No. 2. “That's a theme running through the season,” said Santa Rosa Symphony Music Director Bruno Ferrandis. “Because it's anchored in the repertoire, it's one of the most balanced seasons I've ever realized.” The orchestra also will present a few contemporary works on the heels of winning an award from the American Society of Composers, Authors and Publishers (ASCAP) for innovative programming during 2012-2013. “For me, it's mission accomplished, as far as the first season in the hall,” Ferrandis said. “This year, we have a lot of things to explore as well ... it's a very creative and modern program.” For Ferrandis, last season flew by quickly — it was the symphony's first year as resident orchestra of the new hall — and ended on a high note with Dmitri Shostakovich's Symphony No. 10. This season, the symphony picks up where it left off by performing Shostakovich's Symphony No. 5, one of the composer's most popular works. When it was written in 1937, Shostakovich was under intense scrutiny by the Soviet government.
    [Show full text]
  • Jeffrey Kahane
    JEFFREY KAHANE Equally at home at the piano or on the podium, Jeffrey Kahane is recognized around the world for his mastery of a diverse repertoire ranging from Bach and Mozart to the music of our time. Kahane has appeared as soloist with major orchestras such as the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra, and the Chicago and San Francisco Symphonies, and is also a popular artist at all of the major US summer festivals, including Aspen, Blossom, Caramoor, Mostly Mozart, and Ravinia. In August 2016 he was appointed Music Director of the Sarasota Music Festival, which offers master classes and chamber music coaching by a distinguished international faculty, and features chamber music performances and orchestral concerts performed by highly advanced students and young professionals, as well as faculty members. Since making his Carnegie Hall debut in 1983, he has given recitals in many of the nation’s major music centers including New York, Chicago, Boston, San Francisco, Los Angeles, and Atlanta. A highly respected chamber musician, Kahane collaborates with many of today’s most important chamber ensembles and was the Artistic Director of the Green Music Center Chamberfest during the summers of 2015 and 2016. Kahane made his conducting debut at the Oregon Bach Festival in 1988. Since then, he has guest conducted many of the major US orchestras including the New York and Los Angeles Philharmonics; Philadelphia and Cleveland Orchestras; Saint Paul Chamber Orchestra; and the Chicago, Detroit, St. Louis, Baltimore, Indianapolis, and New World Symphonies. In May 2017 Kahane completed his 20th and final season as Music Director of the Los Angeles Chamber Orchestra.
    [Show full text]
  • Conducting from the Piano: a Tradition Worth Reviving? a Study in Performance
    CONDUCTING FROM THE PIANO: A TRADITION WORTH REVIVING? A STUDY IN PERFORMANCE PRACTICE: MOZART’S PIANO CONCERTO IN C MINOR, K. 491 Eldred Colonel Marshall IV, B.A., M.M., M.M, M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2018 APPROVED: Pamela Mia Paul, Major Professor David Itkin, Committee Member Jesse Eschbach, Committee Member Steven Harlos, Chair of the Division of Keyboard Studies Benjamin Brand, Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Marshall IV, Eldred Colonel. Conducting from the Piano: A Tradition Worth Reviving? A Study in Performance Practice: Mozart’s Piano Concerto in C minor, K. 491. Doctor of Musical Arts (Performance), May 2018, 74 pp., bibliography, 43 titles. Is conducting from the piano "real conducting?" Does one need formal orchestral conducting training in order to conduct classical-era piano concertos from the piano? Do Mozart piano concertos need a conductor? These are all questions this paper attempts to answer. Copyright 2018 by Eldred Colonel Marshall IV ii TABLE OF CONTENTS Page CHAPTER 1. INTRODUCTION: A BRIEF HISTORY OF CONDUCTING FROM THE KEYBOARD ............ 1 CHAPTER 2. WHAT IS “REAL CONDUCTING?” ................................................................................. 6 CHAPTER 3. ARE CONDUCTORS NECESSARY IN MOZART PIANO CONCERTOS? ........................... 13 Piano Concerto No. 9 in E-flat major, K. 271 “Jeunehomme” (1777) ............................... 13 Piano Concerto No. 13 in C major, K. 415 (1782) ............................................................. 23 Piano Concerto No. 20 in D minor, K. 466 (1785) ............................................................. 25 Piano Concerto No. 24 in C minor, K.
    [Show full text]
  • Solzh 19-20 Short
    IGNAT SOLZHENITSYN 2019-20 SHORT BIO {206 WORDS} IGNAT SOLZHENITSYN Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline. CURRENT AS OF: 18 NOVEMBER 2019 PLEASE DESTROY ANY PREVIOUS BIOGRAPHICAL MATERIALS. PLEASE MAKE NO CHANGES, EDITS, OR CUTS OF ANY KIND WITHOUT SPECIFIC PERMISSION..
    [Show full text]
  • Brentano String Quartet
    “Passionate, uninhibited, and spellbinding” —London Independent Brentano String Quartet Saturday, October 17, 2015 Riverside Recital Hall Hancher University of Iowa A collaboration with the University of Iowa String Quartet Residency Program with further support from the Ida Cordelia Beam Distinguished Visiting Professor Program. THE PROGRAM BRENTANO STRING QUARTET Mark Steinberg violin Serena Canin violin Misha Amory viola Nina Lee cello Selections from The Art of the Fugue Johann Sebastian Bach Quartet No. 3, Op. 94 Benjamin Britten Duets: With moderate movement Ostinato: Very fast Solo: Very calm Burlesque: Fast - con fuoco Recitative and Passacaglia (La Serenissima): Slow Intermission Quartet in B-flat Major, Op. 67 Johannes Brahms Vivace Andante Agitato (Allegretto non troppo) Poco Allegretto con variazioni The Brentano String Quartet appears by arrangement with David Rowe Artists www.davidroweartists.com. The Brentano String Quartet record for AEON (distributed by Allegro Media Group). www.brentanoquartet.com 2 THE ARTISTS Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism.” In 2014, the Brentano Quartet succeeded the Tokyo Quartet as Artists in Residence at Yale University, departing from their fourteen-year residency at Princeton University. The quartet also currently serves as the collaborative ensemble for the Van Cliburn International Piano Competition. The quartet has performed in the world’s most prestigious venues, including Carnegie Hall and Alice Tully Hall in New York; the Library of Congress in Washington; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Suntory Hall in Tokyo; and the Sydney Opera House.
    [Show full text]
  • Download Booklet
    JOHANN SEBASTIAN BACH 1685–1750 1 Chromatic Fantasia arr. solo clarinet and Fugue BWV 903 arr. clarinet, marimba and bandoneon by R. Stoltzman 15.51 2 Chaconne arr. solo marimba by M. Stoltzman 16.51 from Partita in D minor for solo violin BWV 1004 MAURICE RAVEL 1875–1937 3 Pavane pour une infante défunte arr. clarinet and marimba 6.47 WILLIAM THOMAS MCKINLEY 1938–2015 4 Mostly Blues Nos. 2, 8 & 12 for clarinet and marimba 6.10 JOHN ZORN b.1953 5 Palimpsest for clarinet and marimba 4.44 ASTOR PIAZZOLLA 1921–1992 6 Tango–Étude No.5 arr. solo clarinet 2.30 7 Fuga y misterio arr. clarinet, marimba, bandoneon and bass 6.10 59.04 RICHARD STOLTZMAN clarinet MIKA STOLTZMAN marimba HÉCTOR DEL CURTO bandoneón PEDRO GIRAUDO double bass The Stoltzmans – Clarinet and Marimba ‘The combination of clarinet and marimba has a mysterious beauty,’ says Richard Stoltzman. ‘Partly it’s because both instruments generate music from pieces of wood, even though in very different ways. One involves blowing against a reed, the other striking with mallets – but together they create a wonderful musical mystery.’ The renowned clarinetist, a two-time Grammy Award winner, could equally well be talking about his relationship with his wife, the marimba player Mika Stoltzman. For all relationships have an element of mystery, sometimes light and sometimes dark, and it was during an experience of the latter kind – a painful divorce – that he began working with Mika. She had been a long-time admirer of the American’s work via his recordings and had previously invited him to perform at a music festival in her small hometown of Amakusa in Japan.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • A Chinese Clarinet Legend Also in This Issue
    Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017.
    [Show full text]
  • Influencersnfluencers
    Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14.
    [Show full text]
  • L.A. Chamber Orchestra's 2018-19 Season Features Three World Premieres
    L.A. Chamber Orchestra's 2018-19 Season Features Three World Premieres broadwayworld.com/los-angeles/article/LA-Chamber-Orchestras-2018-19-Season-Features-Three-World-Premieres- 20180129 by BWW News January 29, 2018 Desk Los Angeles Chamber Orchestra (LACO), one of the nation's premier music ensembles and a leader in presenting wide-ranging repertoire and adventurous commissions, announces broadened collaborations and inventive new programming for its 2018-19 season. Opening in September 2018 and continuing into May 2019, the season spotlights LACO's virtuosic artists and builds upon the Orchestra's five decades of intimate and transformative musical programs. Highlighting an eight-program Orchestral Series are two world premieres and a West Coast premiere, all LACO commissions/co-commissions, including the world premiere of celebrated film composer James Newton Howard's Cello Concerto, a world premiere by Los Angeles composer Sarah Gibson and a West Coast premiere by Bryce Dessner, best known as a member of the Grammy Award-nominated band The National and a force in new music. The series also features a broad array of works by other internationally- renowned living composers, among them LACO's Creative Advisor Andrew Norman, Matthias Pintscher, Arvo Pärt and Gabriella Smith. A versatile and diverse array of exceptional guest artists range from classical music's most eminent to those who have more recently established themselves as among the most compelling musicians of their generation. They include Hilary Hahn and Jennifer Koh, violins; Jonathan Biss, piano; Anthony McGill, clarinet; Lydia Teuscher, soprano; Kelley O'Connor and Michelle DeYoung, mezzo-sopranos; Tuomas Katajala, tenor; and conductors David Danzmayr, Thomas Dausgaard, Bernard Labadie, Jaime Martín, Gemma New, Peter Oundjian, Pintscher and Jeffrey Kahane, who stepped down as LACO Music Director in June 2017 after a 20-year tenure and makes his second appearance as Conductor Laureate.
    [Show full text]
  • RICHARD GOODE, Piano
    GUEST ARTIST CONCERT RICHARD GOODE, piano Monday) September 14) 198 7 8:00p.m. in Hamman Hall ,. the RICE UNIVERSITY Sfiepherd_ SchOol Of Music PROGRAM LUDWIG VAN BEETHOVEN (1770-1827) Sonata No. 1 in F Minor, Op. 2 No. 1 Allegro Adagio Menuetto: Allegretto; Trio Prestissimo Sonata No. 4 in E-Jlat Major, Op. 7 Allegro molto e con brio Largo, con gran espressione Allegro Rondo: Poco allegretto e grazioso INTERMISSION Sonata No. 8 in C Minor, Op. 13, "Pathetique)) Grave; Allegro di molto e con brio Adagio cantabile Rondo: Allegro Sonata No. 28 in A Major, Op. 101 Allegretto ma non troppo Vivace alla marcia Adagio, ma non troppo, con ajfetto Allegro This concert was funded in part by an endowment established in 1979 by a bequest from Henry Leigh Bartlett, M.D. Richard Goode is represented by Byers, Schwalbe & Assoc., Inc. Photographing and sound recording are prohibited. We further request that audible paging devices not be used during the performance. Paging arrangements may be made with the ushers. BIOGRAPHY An acclaimed recitalist} chamber musician} and frequent guest soloist with major orchestras} pianist RICHARD GOODE is one of this countryJs most sought after musicians and leading interpreters of Beethoven. Not only has Mr. Goode embarked on a vast recording project of all the Beethoven sonatas for Book-of-the-Month Records} but he has performed the complete Beethoven piano concerti with David Zinman and the Baltimore Symphony as part of its 1986 summer festival. In the upcoming 1987-1988 season Mr. Goode will undertake the complete Beethoven sonata cycle - thirty-two sonatas in a seven concert series - at the 92nd Street Y in New York City.
    [Show full text]