College Voice Vol. 10 No. 5
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Bishop Confers Candidacy on 5 Couples Use NFP for Religious
Official Too busy Politics Inside Bishop Wuerl announces the following clergy appointment effec Bishop Anthony G. Bosco. city Catholics express dismay with E ditorials.......................P age 4 tive as noted- native and former auxiliary bishop Newly Ordai th e pro-abortion stand o f L etters........................... Page 5 In Pittsburgh, says he is too busy to Democratic presidential candidate The Reveren Around the Diocese. Page 8-10 be homesick Page 3. Michael S. Dukakis Page S ft 6. St. Vitus Pari Classified.......................Page 11 tive August 3 a Entertainment Page 12 < oc 33 >- Q. i/i in ►- OC CL PITTSBURGH 1 1 O —i z . u r- Z2 lJ •4 O c h- sj o L I ^ 1/1 J D ►- ( J Ü ^ 3 O ~ U J Q. 144th Year, C X U V No. 15 25 cents Established In 1844: America'stholic Oldest Catholic Newspaper In Continuous Publication Friday, July 29, 1985 Bishop confers candidacy on 5 By RICHARD INFANTE evaluate my progress toward Bishop Donald Wuerl conferred priesthood." he said. "An oppor candidacy on five seminarians tunity to discern which areas I am preparing to enter the ordained comfortable with and which need ministry in a Eucharistic growth over the next two years so ceremony last Sunday at St. Paul that I can become the kind of Seminary. Oak wood. priest God wants me to be." The ceremony is the diocese's Paul Merkovsky. 24. from St. official recognition of a Helen Church in East Pittsburgh, seminarian as a candidate for the discussed his excitement about diaconate and priesthood. -
Woman on Fire: Jana Schneider from Spark to Finish by Melanie Williams
Woman on Fire: Jana Schneider from Spark to Finish by Melanie Williams Amongst the Ashes The amass of trees in the front yard of the Schneider household is quite shocking when juxtaposed with the rest of barren, heavily landscaped suburbia. The small, ranch- style home still stands with integrity despite its age, as does its occupant Jana (formerly Janet) Schneider of McFarland, Wis. Her shiny, obviously well kept Mercedes looks out of place parked in what appears to be an average garage full of gardening equipment and boxes labeled “J.S.” in thick black marker. There’s no seeing what’s in the boxes, but research explains what they most likely hold. How she came about enough money to afford such a luxurious car remains unexplained as she lights up a cigarette and sits, legs crossed, in a rusty lawn chair. She inhales, exhales smoke through her nose, and makes a few grunting noises as she adjusts herself. She flicks her Marlboro Light sending gray and white ash into her unruly, black hair. The chair snags her brown, oversized sweater causing a couple of strings to fray around the cuff. Since there are already several noticeable holes in her corduroy pants, the loose strings only add to the distressed look of her secondhand clothing. She comments briefly on the nice weather. The sun is shining for the first time all week and the natural light in the garage casts the shadow of her lanky figure and flawless facial features as she lounges in her chair and uses the smoldering end of her cigarette to light a second one. -
KUNSTRAUM Katalog 2016-2018
KUNSTRAUM 2016 2018 2016 2017 KUNSTRAUM studierendenWERK BERLIN KUNSTRAUM studierendenWERK BERLIN studierendenWERK KUNSTRAUM 2016 2017 2018 # 1 www.stw.berlin KUNSTRAUM Vorwort | Preface 4 KUNSTRAUM Hardenbergstraße 7 KUNSTRAUM Kultur Kiosk 21 KUNSTRAUM Schinkelsaal 29 KUNSTRAUM Behrenstraße 43 KUNSTRAUM Keller 65 KUNSTRAUM Potsdamer Straße 101 Internationaler Workshop ParisXBerlin 154 Künstler*innen | Artists 194 Impressum | Credits 196 studierendenWERK BERLIN studierendenWERK VO RWORT PR EFACE Kreativität fördern, Raum geben und CROUS de Paris, betreibt, muss es Ergebnis schärfer und die Resonanz Fostering creativity, providing space the studierendenWERK BERLIN is Furthermore, all students in Berlin Diversität leben sind die drei Leitsät- – in guter Berliner Tradition – Kunst beim Publikum stärker. and living diversity are the three forced –in good Berlin tradition–to are always invited to participate ze, die der Bereich Kultur und Inter- in andere Räume und Flächen brin- guiding principles that the Office bring its art to other spaces and sur- in the Open Calls for the KUNST- nationales mit Studierenden Berlins gen. Dadurch entsteht ganz neues, Darüber hinaus sind auch immer alle for Cultural & International Affairs faces. This leads to the development RÄUME. Thus not only students 2015 entwickelt hat und seither aufregendes Potential: Räume kön- Studierenden Berlins eingeladen, an (Bereich Kultur und Internationales, of totally new, exciting potential. at the major art institutions get to konsequent umsetzt. Die Studieren- nen eine sinnvolle Zwischennutzung den Calls für die Kunsträume teilzu- BKI) developed in 2015 together Spaces can be meaningfully used exhibit their work, but also those den haben damals klar festgehal- erfahren, wie z. B. der Keller unter nehmen. Dadurch werden nicht nur with students in Berlin. -
The Lion King at the Paramount Seattle
DECEMBER 2018 © Disney December 13 – January 6 December 2018 Volume 23, No. 3 WELCOMEFrom Seattle Theatre Group, a non-profit arts organization Paul Heppner President Welcome to Disney’s The Lion King, the fourth production of our 2018/2019 Mike Hathaway Senior Vice President KeyBank Broadway at The Paramount season! Kajsa Puckett We are so proud to be collaborating with Disney Theatrical Group, Theatre Vice President, Sales & Marketing Development Fund, and our sponsors and community partners to offer a Genay Genereux sensory-friendly performance of The Lion King on January 5, 2019 at 2 p.m. Accounting & Office Manager at the Paramount Theatre. Production As STG’s first-ever sensory-friendly performance, this experience will provide Susan Peterson a supportive and judgment-free environment for families and friends with Vice President, Production children or adults affected by autism and other sensory challenges to enjoy Jennifer Sugden the shared experience of live theatre. Slight adjustments, including altered Assistant Production Manager lighting and reduced sound, will be made to the show and staffed specialists, Ana Alvira, Stevie VanBronkhorst noise-cancelling headphones, fidget items, and additional support will be Production Artists and Graphic Designers available throughout the theatre. To learn more about the performance as a Sales whole, please visit stgpresents.org/access. Amelia Heppner, Marilyn Kallins, Terri Reed We would like to take a moment to extend special thanks to those who have San Francisco/Bay Area Account Executives made this sensory-friendly performance possible. Thank you to our two Devin Bannon, Brieanna Hansen, Ann Manning corporate sponsors Premera and Columbia Bank, as well as to the Bradley Seattle Area Account Executives Family Foundation for its confidence and investment. -
STAGES Theatre Circle INSIGHTS Special Edition - Fall 2014 Indiana University Department of Theatre, Drama, + Contemporary Dance
STAGES Theatre Circle INSIGHTS Special Edition - Fall 2014 Indiana University Department of Theatre, Drama, + Contemporary Dance IU Theatre’s Journey to the Prague Quadrennial of Performance, Design, and Space n 2010 faculty Technical Director Paul Brunner was selected Ito be part of the United States entry in the 2015 Prague Qua- drennial. As a member of the design team, Paul has been attend- ing weekly webinar meetings with team colleagues in New York, London, Houston, and L.A. to discuss the design and fabrication details. Eight IU students applied to take part in the project and volunteered five weeks of their summer to fabricate two exhibits at IU’s Scenic Studio: the national exhibit that represents U.S. design- ers, and the student exhibit which highlights schools of theatre. Tese students will travel to Prague next summer to install the exhibits and serve as hosts to thousands of attendees from around the world. Te opportunity for these theatre students to attend the Prague Quadrennial, to be exposed to the very best in design and live performance from around the world, and to spend almost three weeks in Prague is a rich and life-changing experience. Of the eight students, four are funded by the project’s major sponsor, the United States Institute for Teatre Technology (USITT.org), and four by a gracious local donor. It is not easy to put the Quadrennial into context. Since 1967, the event has been held every four years and is the only interna- Computer-generated rendering of the USA Exhibit entry in the Prague Qua- tional exhibition of performance design and space. -
Disney's the Lion King
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