ESRARC 2014 6Th European Symposium on Religious Art
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ARTES. JOURNAL of MUSICOLOGY Vol
“GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing. -
THO 3347 (H 2015) – Glossary of Terms
THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”). -
TYPIKON (Arranged by Rev
TYPIKON (Arranged by Rev. Taras Chaparin) March 2016 Sunday, March 26 4th Sunday of Great Lent Commemoration of Saint John of the Ladder (Climacus). Synaxis of the Holy Archangel Gabriel. Tone 4. Matins Gospel I. Liturgy of St. Basil the Great. Bright vestments. Resurrection Tropar (Tone 4); Tropar of the Annunciation; Tropar of St. John (4th Sunday); Glory/Now: Kondak of the Annunciation; Prokimen, Alleluia Verses of Resurrection (Tone 4) and of the Annunciation. Irmos, “In You, O Full of Grace…” Communion Hymn of Resurrection and of the Annunciation. Scripture readings for the 4th Sunday of Lent: Epistle: Hebrew §314 [6:13-20]. Gospel: Mark §40 [9:17-31]. In the evening: Lenten Vespers. Monday, March 27 Our Holy Mother Matrona of Thessalonica. Tuesday, March 28 Our Venerable Father Hilarion the New; the Holy Stephen, the Wonderworker (464). Wednesday, March 29 Our Venerable Father Mark, Bishop of Arethusa; the Deacon Cyril and Others Martyred during the Reign of Julian the Apostate (360-63). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Wednesday of Lent: Genesis 17:1-9; Proverbs 15:20-16:9. Thursday, March 30 Our Venerable Father John Climacus, Author of The Ladder of Divine Ascent (c. 649). Great Canon of St. Andrew of Crete. Friday, March 31 Our Venerable Father Hypatius, Bishop of Gangra (312-37). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Friday of Lent: Genesis 22:1-18; Proverbs 17:17-18:5. April 2016 Saturday, April 1 5th Saturday of Lent – Saturday of the Akathist Hymn Our Venerable Mother Mary of Egypt (527-65). -
Constructing the Underground Community: the Letters of Theodore the Studite and the Letter of Emperors Michael Ii and Theophilos to Louis the Pious
Vladimir Baranov Novosibirsk, Russia [email protected] CONSTRUCTING THE UNDERGROUND COMMUNITY: THE LETTERS OF THEODORE THE STUDITE AND THE LETTER OF EMPERORS MICHAEL II AND THEOPHILOS TO LOUIS THE PIOUS The Le er of the Iconoclastic Emperors Michael II and Theophilos to Louis the Pious1 (dated to 824) contains a list of off ences that were allegedly commi ed by the Iconodules against what they considered the right practices of the Church. Their list includes the substitution of images in churches for crosses, taking images as godparents, using images to perform the cu ing of children’s hair and monastic habit, scraping paint of images to be added to the Eucharist or distributing the Eucharistic bread from the hands of images, as well as using panel images as altars for serving the Liturgy in ordinary houses and church- es.2 Of course, these might have been easily treated as fi ction and pro- (1) Emperor Theophilus (b. 812/813) was crowned co-Emperor in 821 by his Father Michael II (820–829), and this is why his name appears on the Let- ter. However, since in 824 he was only a 12-year old boy, for the Le er I will use the short title “Le er of Michael II.” (2) The Le er is preserved in the MGH, Leg. Sect. III, Concilia, tomus II, pars 2, Concilia aevi Karolini I (Hannover—Leipzig, 1908, repr. 1979) 475–480; Mansi, XIV, 417–422; the pertinent passage is translated in C. Mango, The Art of the Byzantine Empire 312–1453: Sources and Documents (Toronto: University of Toronto Press, 1986) 157–158. -
A Concise Glossary of the Genres of Eastern Orthodox Hymnography
Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service. -
Durham E-Theses
Durham E-Theses Methodios I patriarch of Constantinople: churchman, politician and confessor for the faith Bithos, George P. How to cite: Bithos, George P. (2001) Methodios I patriarch of Constantinople: churchman, politician and confessor for the faith, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4239/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 METHODIOS I PATRIARCH OF CONSTANTINOPLE Churchman, Politician and Confessor for the Faith Submitted by George P. Bithos BS DDS University of Durham Department of Theology A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Orthodox Theology and Byzantine History 2001 The copyright of this thesis rests with the author. No quotation from it should be published in any form, including' Electronic and the Internet, without the author's prior written consent All information derived from this thesis must be acknowledged appropriately. -
Aspects of St Anna's Cult in Byzantium
ASPECTS OF ST ANNA’S CULT IN BYZANTIUM by EIRINI PANOU A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for Byzantine, Ottoman and Modern Greek Studies Institute of Archaeology and Antiquity College of Arts and Law The University of Birmingham January 2011 Acknowledgments It is said that a PhD is a lonely work. However, this thesis, like any other one, would not have become reality without the contribution of a number of individuals and institutions. First of all of my academical mother, Leslie Brubaker, whose constant support, guidance and encouragement accompanied me through all the years of research. Of the National Scholarship Foundation of Greece ( I.K.Y.) with its financial help for the greatest part of my postgraduate studies. Of my father George, my mother Angeliki and my bother Nick for their psychological and financial support, and of my friends in Greece (Lily Athanatou, Maria Sourlatzi, Kanela Oikonomaki, Maria Lemoni) for being by my side in all my years of absence. Special thanks should also be addressed to Mary Cunningham for her comments on an early draft of this thesis and for providing me with unpublished material of her work. I would like also to express my gratitude to Marka Tomic Djuric who allowed me to use unpublished photographic material from her doctoral thesis. Special thanks should also be addressed to Kanela Oikonomaki whose expertise in Medieval Greek smoothened the translation of a number of texts, my brother Nick Panou for polishing my English, and to my colleagues (Polyvios Konis, Frouke Schrijver and Vera Andriopoulou) and my friends in Birmingham (especially Jane Myhre Trejo and Ola Pawlik) for the wonderful time we have had all these years. -
Kassia: a Female Hymnographer of the 9Th Century SPYROS PANAGOPOULOS
Proceedings of the 1st International Conference of the ASBMH page 111 Kassia: A female hymnographer of the 9th century SPYROS PANAGOPOULOS Introduction For over 1.000 years many men and a few women wrote hymns in Byzantium. Their contribution to world literature and to Greek letters constitutes a vast and priceless treasure of sacred poetry. It’s impossible to exaggerate the value of this hymnography, since it expresses, as nothing else can, the spiritual riches, faith and beauty of Eastern Christendom. Some of these hymns are still chanted today in many languages in Orthodox Churches in every part of the world. Others remain unknown. Hidden in manuscripts stored in monastic libraries, they wait to be discovered and to be edited.78 It’s obvious that the Byzantine female hymnography was not flourished especially in Byzantium. We have the names of hundreds male hymnodists who came from all parts of the oikoumene, from Greece, Italy, Palestine, and Syria, as well as from the islands of Cyprus, Crete and Sicily. These hymnodists came of all classes of Byzantine society, from the obscure man who signed his hymn ὁ ἀμαρτωλός (the sinner) to the Emperor Justinian (527‑565), who wrote in imperial red ink the troparion ὁ μονογενὴς υἱός, and then ordered its insertion into the Divine Liturgy. Despite the great number of male hymnodists, we know only six feminine names that composed hymns: Γρηγορίς, Μάρθα, Θεοδοσία79, Θέκλα80, Κασσία and Παλαιολογίνα.81 The fame of Kassia the Melodist outshines by far all other women writers in both medieval and Modern Greek writers. 78 For an introduction in Bzyantine Hzmnography there is a vast bibliography. -
The Catholic University of America A
THE CATHOLIC UNIVERSITY OF AMERICA A Manual of Prayers for the Use of the Catholic Laity: A Neglected Catechetical Text of the Third Plenary Council of Baltimore A DISSERTATION Submitted to the Faculty of the School of Theology and Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By John H. Osman Washington, D.C. 2015 A Manual of Prayers for the Use of the Catholic Laity: A Neglected Catechetical Text of the Third Plenary Council of Baltimore John H. Osman, Ph.D. Director: Joseph M. White, Ph.D. At the 1884 Third Plenary Council of Baltimore, the US Catholic bishops commissioned a national prayer book titled the Manual of Prayers for the Use of the Catholic Laity and the widely-known Baltimore Catechism. This study examines the Manual’s genesis, contents, and publication history to understand its contribution to the Church’s teaching efforts. To account for the Manual’s contents, the study describes prayer book genres developed in the British Isles that shaped similar publications for use by American Catholics. The study considers the critiques of bishops and others concerning US-published prayer books, and episcopal decrees to address their weak theological content. To improve understanding of the Church’s liturgy, the bishops commissioned a prayer book for the laity containing selections from Roman liturgical books. The study quantifies the text’s sources from liturgical and devotional books. The book’s compiler, Rev. Clarence Woodman, C.S.P., adopted the English manual prayer book genre while most of the book’s content derived from the Roman Missal, Breviary, and Ritual, albeit augmented with highly regarded English and US prayers and instructions. -
Robert F. Taft, S.J. the 2001 Vatican Addai and Mari Decision
Robert F. Taft, S.J. Pontificio Istituto Orientale Piazza S, Maria Maggiore 7 00185 Rome ITALY PROFILE : Robert F. Taft, S.J., born in Providence, RI (USA) Jan. 9, 1932, entered the Society of Jesus on August 14, 1949. After receiving the MA and Licentiate in Philosophy, he taught from 1956-59 at Baghdad College, Baghdad, Iraq, followed by an MA in Russian Studies at Fordham University in NY (1961), and an MA and STL in theology in 1964. He was ordained to the priesthood in the Byzantine Slavonic (Russian) Rite in 1963. He is Professor- emeritus of Oriental Liturgy at the Pontifical Oriental Institute, Rome, and founder and editor-in-chief of its Anaphorae Orientales series. He studied there his doctorate (1965-70), then did postdoctoral studies in Oriental Philology at the University of Louvain (1971-72). The bibliography of his publications and writings comprises over 800 titles written in English, French, and Italian, mostly scholarly publications on Eastern Liturgy, including 23 books, three of them co-authored. His writings have been translated into eighteen different languages. Fr. Taft is also Consultor for Liturgy of the Vatican Congregation for the Oriental Churches, and a member of several Vatican commissions and other editorial and advisory boards. Fr. Taft has received numerous ecclesiastical honors and academic awards, including three honorary doctorates and election as Corresponding Fellow of the British Academy, the highest honor the Academy confers in recognition of scholarly distinction. He is the first American Jesuit -
Byzantine Liturgical Schedule
ITI Liturgical Schedule Fall 2014 (in the SCHLOSS unless otherwise noted) Sunday Monday Tuesday Wednesday Thursday Friday Saturday Adoration Adoration Adoration Adoration Adoration Adoration 6:00–7:15 6:00–7:15 6:00–7:15 6:00–7:15 6:00–7:15 6:00–7:15 ORATORY ORATORY ORATORY ORATORY ORATORY ORATORY 6:45 Laudes Laudes Laudes Laudes Laudes 7:15 Prime Prime Prime Prime Prime Terce Terce Terce Terce Terce ORATORY ORATORY ORATORY ORATORY ORATORY 7:15 HOLY MASS HOLY MASS HOLY MASS HOLY MASS HOLY MASS Extraordinary Extraordinary Extraordinary Extraordinary Extraordinary form form form form form 8:00 DIVINE DIVINE DIVINE DIVINE DIVINE HOLY MASS LITURGY LITURGY LITURGY LITURGY LITURGY Extraordinary form 9:00 HOLY MASS Adoration of Adoration of Adoration of Adoration of Adoration of DIVINE Most Holy Most Holy Most Holy Most Holy Most Holy Extraordinary LITURGY form Sacrament Sacrament Sacrament Sacrament Sacrament 9:00 – 12:00 9:00 – 12:00 9:00 – 12:00 9:00 – 12:00 9:00 – 12:00 9:30 HOLY MASS Devotion to German Mary st PARISH CHURCH 1 Saturday 10:30 DIVINE LITURGY 12:00 Angelus Angelus Angelus Angelus Angelus 12:05 DIVINE LITURGY HOLY MASS HOLY MASS HOLY MASS HOLY MASS HOLY MASS English. Latin Latin English English Adoration Adoration Adoration Adoration Adoration Adoration Adoration 13:00 –22:00 13:00 –22:00 13:00 –22:00 13:00 –22:00 13:00 –22:00 13:00 – 0:00 18:00–22:00 ORATORY ORATORY ORATORY ORATORY ORATORY ORATORY ORATORY 16:30 DIVINE LITURGY 17:30 Benedictine HOLY MASS DIVINE HOLY MASS DIVINE DIVINE Vespers Vespers English LITURGY English LITURGY LITURGY Roman Rite Praise & Worship Byz. -
The Service of Matins 5Th Saturday of Lent: the Akathist Hymn Hilarion the New, Herodion the Apostle of the 70, Stephen the Wonderworker
The Service of Matins 5th Saturday of Lent: The Akathist Hymn Hilarion the New, Herodion the Apostle of the 70, Stephen the Wonderworker Maui Orthodox Christian Mission Metropolis of San Francisco Greek Orthodox Archdiocese of America Service held at Saint Theresa Church Kihei, Maui, Hawaii (Dated: March 28, 2015) Maui Orthodox Christian Mission Project for a Daily Sequential Hymnal in English Liturgical Texts courtesy from the following: Holy Cross Press 50 Goddard Avenue, Brookline, Massachusetts The Greek Orthodox Metropolis of Denver 4550 East Alameda Avenue, Denver, Colorado Fr. Seraphim Dedes 7900 Greenside Ct., Charlotte, North Carolina Contents Acknowledgements Orthros (Service of Matins) Akolouth (Fixed portion) ROYAL BEGINNING 5 Trisagion 5 THE ROYAL TROPARIA 6 Troparion of the Cross 6 Kontakion of the Cross 6 Theotokion 6 LITANY 6 HEXAPSALM (Six Psalms) 7 Psalm 3 7 Psalm 37 8 Psalm 62 9 Psalm 87 10 Psalm 102 11 Psalm 142 12 LITANY OF THE PEACE (The Great Litany) 13 Sequences (Variable portion) THEOS KYRIOS (God is Lord) 16 Mode pl. 4. 16 APOLYTIKIA AND THEOTOKION 16 Apolytikia 16 Saturday of the Akathist Hymn 16 Mode pl. 4. 16 Saturday of the Akathist Hymn 16 Mode pl. 4. 16 THE PSALTER 17 Maui Orthodox Christian Mission | www.mauimission.org 1 THE LITTLE LITANY 17 SESSIONAL HYMNS (Kathismata) 17 Kathisma I 17 Mode 1. Your tomb, O Savior. 17 PSALM 50 18 KONTAKION 19 Mode pl. 4. 19 OIKOS 19 Mode pl. 4. 19 SYNAXARION 20 KATAVASIAE OF THE THEOTOKOS 21 Mode 4e. 21 Ode i 21 Ode iii 21 Ode iv 21 Ode v 21 Ode vi 21 Ode vii 21 Ode viii 22 MAGNIFICAT 22 Mode 4.