Byzantine Liturgical Schedule

Total Page:16

File Type:pdf, Size:1020Kb

Byzantine Liturgical Schedule ITI Liturgical Schedule Fall 2014 (in the SCHLOSS unless otherwise noted) Sunday Monday Tuesday Wednesday Thursday Friday Saturday Adoration Adoration Adoration Adoration Adoration Adoration 6:00–7:15 6:00–7:15 6:00–7:15 6:00–7:15 6:00–7:15 6:00–7:15 ORATORY ORATORY ORATORY ORATORY ORATORY ORATORY 6:45 Laudes Laudes Laudes Laudes Laudes 7:15 Prime Prime Prime Prime Prime Terce Terce Terce Terce Terce ORATORY ORATORY ORATORY ORATORY ORATORY 7:15 HOLY MASS HOLY MASS HOLY MASS HOLY MASS HOLY MASS Extraordinary Extraordinary Extraordinary Extraordinary Extraordinary form form form form form 8:00 DIVINE DIVINE DIVINE DIVINE DIVINE HOLY MASS LITURGY LITURGY LITURGY LITURGY LITURGY Extraordinary form 9:00 HOLY MASS Adoration of Adoration of Adoration of Adoration of Adoration of DIVINE Most Holy Most Holy Most Holy Most Holy Most Holy Extraordinary LITURGY form Sacrament Sacrament Sacrament Sacrament Sacrament 9:00 – 12:00 9:00 – 12:00 9:00 – 12:00 9:00 – 12:00 9:00 – 12:00 9:30 HOLY MASS Devotion to German Mary st PARISH CHURCH 1 Saturday 10:30 DIVINE LITURGY 12:00 Angelus Angelus Angelus Angelus Angelus 12:05 DIVINE LITURGY HOLY MASS HOLY MASS HOLY MASS HOLY MASS HOLY MASS English. Latin Latin English English Adoration Adoration Adoration Adoration Adoration Adoration Adoration 13:00 –22:00 13:00 –22:00 13:00 –22:00 13:00 –22:00 13:00 –22:00 13:00 – 0:00 18:00–22:00 ORATORY ORATORY ORATORY ORATORY ORATORY ORATORY ORATORY 16:30 DIVINE LITURGY 17:30 Benedictine HOLY MASS DIVINE HOLY MASS DIVINE DIVINE Vespers Vespers English LITURGY English LITURGY LITURGY Roman Rite Praise & Worship Byz. Choir Praise & Worship Byz. Choir 18:00 Byzantine Devotion to Byzantine Vespers Sacred Heart Vespers 1st Friday 19:00 HOLY MASS HOLY MASS HOLY MASS HOLY MASS HOLY MASS 18:00 VIGIL German German German German German HOLY MASS PARISH CHURCH PARISH CHURCH PARISH CHURCH PARISH CHURCH PARISH CHURCH German PARISH CHURCH 20:00 Akathist Akathist Hymn Hymn st Confessions 1 Friday 21:30 Rosary Rosary Rosary Rosary Rosary Rosary Rosary St. Therese bld. St. Therese bld. St. Therese bld. St. Therese bld. St. Therese bld. St. Therese bld. St. Therese bld. Solemn Vespers on the days before the major feast days .
Recommended publications
  • ARTES. JOURNAL of MUSICOLOGY Vol
    “GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing.
    [Show full text]
  • THO 3347 (H 2015) – Glossary of Terms
    THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”).
    [Show full text]
  • The Constitution on the Sacred Liturgy
    THE CONSTITUTION ON THE SACRED LITURGY Sacrosanctum Concilium, 4 December, 1963 INTRODUCTION 1. The sacred Council has set out to impart an ever-increasing vigor to the Christian life of the faithful; to adapt more closely to the needs of our age those institutions which are subject to change; to foster whatever can promote union among all who believe in Christ; to strengthen whatever can help to call all mankind into the Church's fold. Accordingly it sees particularly cogent reasons for undertaking the reform and promotion of the liturgy. 2. For it is the liturgy through which, especially in the divine sacrifice of the Eucharist, "the work of our redemption is accomplished,1 and it is through the liturgy, especially, that the faithful are enabled to express in their lives and manifest to others the mystery of Christ and the real nature of the true Church. The Church is essentially both human and divine, visible but endowed with invisible realities, zealous in action and dedicated to contemplation, present in the world, but as a pilgrim, so constituted that in her the human is directed toward and subordinated to the divine, the visible to the invisible, action to contemplation, and this present world to that city yet to come, the object of our quest.2 The liturgy daily builds up those who are in the Church, making of them a holy temple of the Lord, a dwelling-place for God in the Spirit,3 to the mature measure of the fullness of Christ.4 At the same time it marvelously increases their power to preach Christ and thus show forth the Church, a sign lifted up among the nations,5 to those who are outside, a sign under which the scattered children of God may be gathered together 6 until there is one fold and one shepherd.7 _______________________________________________________ 1.
    [Show full text]
  • TYPIKON (Arranged by Rev
    TYPIKON (Arranged by Rev. Taras Chaparin) March 2016 Sunday, March 26 4th Sunday of Great Lent Commemoration of Saint John of the Ladder (Climacus). Synaxis of the Holy Archangel Gabriel. Tone 4. Matins Gospel I. Liturgy of St. Basil the Great. Bright vestments. Resurrection Tropar (Tone 4); Tropar of the Annunciation; Tropar of St. John (4th Sunday); Glory/Now: Kondak of the Annunciation; Prokimen, Alleluia Verses of Resurrection (Tone 4) and of the Annunciation. Irmos, “In You, O Full of Grace…” Communion Hymn of Resurrection and of the Annunciation. Scripture readings for the 4th Sunday of Lent: Epistle: Hebrew §314 [6:13-20]. Gospel: Mark §40 [9:17-31]. In the evening: Lenten Vespers. Monday, March 27 Our Holy Mother Matrona of Thessalonica. Tuesday, March 28 Our Venerable Father Hilarion the New; the Holy Stephen, the Wonderworker (464). Wednesday, March 29 Our Venerable Father Mark, Bishop of Arethusa; the Deacon Cyril and Others Martyred during the Reign of Julian the Apostate (360-63). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Wednesday of Lent: Genesis 17:1-9; Proverbs 15:20-16:9. Thursday, March 30 Our Venerable Father John Climacus, Author of The Ladder of Divine Ascent (c. 649). Great Canon of St. Andrew of Crete. Friday, March 31 Our Venerable Father Hypatius, Bishop of Gangra (312-37). Dark vestments. Liturgy of the Presanctified Gifts. Scripture readings for the 5th Friday of Lent: Genesis 22:1-18; Proverbs 17:17-18:5. April 2016 Saturday, April 1 5th Saturday of Lent – Saturday of the Akathist Hymn Our Venerable Mother Mary of Egypt (527-65).
    [Show full text]
  • Leading Worship
    Designation: Core Education for Layreaders Objectives On completion of this course you should be able to Know where to find Daily Office liturgies in our Anglican liturgical books and resources and where to find resources to prepare for worship Be familiar with the liturgies for Morning, Evening Prayer, and Compline Understand how to adapt the liturgy to add content appropriate to the liturgical day Know the factors to consider to organize and lead the service Understand the basic considerations for leading a Burial Service 2 Reflections on Leading Worship Leading worship is different than participating It is always easier for the Layreader to adapt to local custom Most Anglicans are familiar with the basic structure of the service; if you don’t explain everything that’s OK It is often a team effort; know your team and use them Let go the ego; our boundless insight, wisdom, and knowledge is not the key to a successful service. Getting in touch with God through worship is… 4 Daily Office History By the 8th century eight Time Service Time Service daily prayer services Midnight Matins Midday Sext were held every three hours in cathedrals, 3 am Lauds 3 pm None monasteries and 6 am Prime 6 pm Vespers convents 9 am Tierce 9 pm Compline 5 Daily Office History Lauds Matins Prime Morning Prayer 6 Daily Office History Vespers Compline Evening Prayer 7 Daily Office History Morning Prayer Prayers at Midday and Compline reintroduced in the Canadian BCP of 1962 Prayers at Compline Mid Day Compline used when Evening Prayer has been previously
    [Show full text]
  • The Rites of Holy Week
    THE RITES OF HOLY WEEK • CEREMONIES • PREPARATIONS • MUSIC • COMMENTARY By FREDERICK R. McMANUS Priest of the Archdiocese of Boston 1956 SAINT ANTHONY GUILD PRESS PATERSON, NEW JERSEY Copyright, 1956, by Frederick R. McManus Nihil obstat ALFRED R. JULIEN, J.C. D. Censor Lib1·or111n Imprimatur t RICHARD J. CUSHING A1·chbishop of Boston Boston, February 16, 1956 PRINTED IN THE UNITED STATES OF AMERICA INTRODUCTION ANCTITY is the purpose of the "new Holy Week." The news S accounts have been concerned with the radical changes, the upset of traditional practices, and the technical details of the re­ stored Holy Week services, but the real issue in the reform is the development of true holiness in the members of Christ's Church. This is the expectation of Pope Pius XII, as expressed personally by him. It is insisted upon repeatedly in the official language of the new laws - the goal is simple: that the faithful may take part in the most sacred week of the year "more easily, more devoutly, and more fruitfully." Certainly the changes now commanded ,by the Apostolic See are extraordinary, particularly since they come after nearly four centuries of little liturgical development. This is especially true of the different times set for the principal services. On Holy Thursday the solemn evening Mass now becomes a clearer and more evident memorial of the Last Supper of the Lord on the night before He suffered. On Good Friday, when Holy Mass is not offered, the liturgical service is placed at three o'clock in the afternoon, or later, since three o'clock is the "ninth hour" of the Gospel accounts of our Lord's Crucifixion.
    [Show full text]
  • Inwardly Digest: the Prayer Book As a Guide to a Spiritual Life Section 2; Chapter 5 & 6
    Inwardly Digest: The Prayer Book as a Guide to a Spiritual Life Section 2; Chapter 5 & 6 SECTION 2: THE DAILY OFFICE 1. Identify the following terms: • Alimentary offerings (p.168) • Versicles (p. 181 & footnote 12, p. 228) • The 4 parts of morning and evening prayer (p. 176) • Suffrages (p.177) [e.g. BCP p.97] A series of petitions pronounced by the celebrant with the responses of the congregation. (fr. L: assistance) • Invitatory (p. 182) • Canticle (p189): Middle English: from Latin canticulum ‘little song’, diminutive of canticum, from canere ‘sing’. • Cento (p.198). 2 Deepening Our Understanding i. P.154: Evelyn Underhill writes that poetry in the liturgy has three main purposes. Olsen also writes (p.155) that “like great poetry, scripture invites us into different way of seeing the world and our relationships within it.” How do you experience the language of the Prayer Book? ii. P. 161-165 discusses the Palestinian and Egyptian models of daily prayer. Cranmer’s prayer book followed which model? Which model is featured in the 1979 BCP? iii. Bonus material: Benedictine Prayer is divided into the following hours • First Vespers (evening prayer for Sundays, which are said on Saturday evening) • Vigils (a lengthier time of prayer that originally were the night watches) • Lauds – morning prayer • Terce- a prayer at the third hour or midmorning • Sext – prayer at the 6th hour or noon • None – prayer at the 9th hour or midafternoon • (second) Vespers – evening prayer • Compline – night or the last prayer of the day iv. P. 168: what is the real purpose of a sacrifice? How can prayer be considered a sacrifice? v.
    [Show full text]
  • Praying the Liturgy of the Hours
    Praying the Liturgy of the Hours The Liturgy of the Hours, also known as the Divine Office or the Work of God (Opus Dei), is a beautiful and ancient tradition in the Church marking the hours of each day and sanctifying the day with prayer. It is not reserved for clerics and religious (although they take vows to say it), but can also be prayed by the lay faithful. In fact, the Second Vatican Council highly encouraged the laity to “recite the divine office [especially Morning and Evening Prayer-the Major hours], either with the priests, or among themselves, or even individually” (Sacrosanctum Concilium, 100). The Hours are a meditative dialogue on the mystery of Christ, using scripture and prayer. The foundation of the prayer is simple – praying the Psalms – but in practicality can be difficult. If one chooses to purchase a physical breviary (the book that contains the Liturgy of the Hours, it can be challenging – especially if no one is there to show you what to do. However, after an initial introduction to praying the Liturgy of the Hours, it becomes much easier and soon it will be like clockwork. There are two main forms of the breviary. You can purchase a four-volume set entitled The Liturgy of the Hours from the Catholic Book Publishing. You can usually purchase for as low as $155. However, you can also purchase one volume at a time: This four-volume set contains prayers for all the hours of the day: Office of Readings (Major Hour); Lauds or Morning Prayer (Major Hour); Daytime Prayer (minor hour(s)-one or more of Terce (Midmorning), Sext (Midday), or None (Midafternoon); Vespers (Major Hour); and Compline or Night Prayer.
    [Show full text]
  • A Concise Glossary of the Genres of Eastern Orthodox Hymnography
    Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section III: Miscellanea, pp. 198–207 ISSN 2342-1258 https://journal.fi/jisocm A Concise Glossary of the Genres of Eastern Orthodox Hymnography Elena Kolyada [email protected] The Glossary contains concise entries on most genres of Eastern Orthodox hymnography that are mentioned in the article by E. Kolyada “The Genre System of Early Russian Hymnography: the Main Stages and Principles of Its Formation”.1 On the one hand the Glossary is an integral part of the article, therefore revealing and corroborating its principal conceptual propositions. However, on the other hand it can be used as an independent reference resource for hymnographical terminology, useful for the majority of Orthodox Churches worldwide that follow the Eastern Rite: Byzantine, Russian, Bulgarian, Serbian et al., as well as those Western Orthodox dioceses and parishes, where worship is conducted in English. The Glossary includes the main corpus of chants that represents the five great branches of the genealogical tree of the genre system of early Christian hymnography, together with their many offshoots. These branches are 1) psalms and derivative genres; 2) sticheron-troparion genres; 3) akathistos; 4) canon; 5) prayer genres (see the relevant tables, p. 298-299).2 Each entry includes information about the etymology of the term, a short definition, typological features and a basic statement about the place of a particular chant in the daily and yearly cycles of services in the Byzantine rite.3 All this may help anyone who is involved in the worship or is simply interested in Orthodox liturgiology to understand more fully specific chanting material, as well as the general hymnographic repertoire of each service.
    [Show full text]
  • A BRIEF GUIDE to the LITURGY of the HOURS (For Private/Individual Recitation) Taken in Part From
    A BRIEF GUIDE TO THE LITURGY OF THE HOURS (For Private/Individual Recitation) taken in part from http://www.cis.upenn.edu/~dchiang/catholic/hours.html Names: LOH, Divine Office, “The Office,” “The Breviary” Brief History Jewish practice: • Ps. 119:164: "Seven times a day I praise you" • perhaps originating in the Babylonian Exile (6th cent. BC): “sacrifice of praise.” • Perhaps older: synagogues • Temple use after the Exile: o Morning and Evening Prayer and at the Third, Sixth and Ninth Hours Early Christians continued • Acts 3: 1 Now Peter and John were going up to the temple at the hour of prayer, the ninth hour. • Acts 10:9: The next day, as they were on their journey and coming near the city, Peter went up on the housetop to pray, about the sixth hour. Mass of the Catechumens Monastic Use Current Canonical Use: clerics, religious and laity Liturgical nature: • “why”: the prayer of the Church • “norm”: public recitation, with rubrics, etc. o chanted Instructions: • General Instruction of the Liturgy of the Hours • Rubrics • “Saint Joseph Guide for the Liturgy of the Hours” Sources used to pray the liturgy of the hours, either: • the 4 volume “Liturgy of the Hours” (“Breviary”) • the 1 volume “Christian Prayer”: there are various versions of this. • various “apps” for smartphones and websites as well (e.g.: http://divineoffice.org/. 1 When: The “Hours” (Note: each is also called an “office”, that is “duty”) There are seven “hours”—or each day: 1. Office of Readings [OR] or “Matins”: can be any time of day, but traditionally first 2.
    [Show full text]
  • Liturgical Press Style Guide
    STYLE GUIDE LITURGICAL PRESS Collegeville, Minnesota www.litpress.org STYLE GUIDE Seventh Edition Prepared by the Editorial and Production Staff of Liturgical Press LITURGICAL PRESS Collegeville, Minnesota www.litpress.org Scripture texts in this work are taken from the New Revised Standard Version Bible: Catholic Edition © 1989, 1993, Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Cover design by Ann Blattner © 1980, 1983, 1990, 1997, 2001, 2004, 2008 by Order of Saint Benedict, Collegeville, Minnesota. Printed in the United States of America. Contents Introduction 5 To the Author 5 Statement of Aims 5 1. Submitting a Manuscript 7 2. Formatting an Accepted Manuscript 8 3. Style 9 Quotations 10 Bibliography and Notes 11 Capitalization 14 Pronouns 22 Titles in English 22 Foreign-language Titles 22 Titles of Persons 24 Titles of Places and Structures 24 Citing Scripture References 25 Citing the Rule of Benedict 26 Citing Vatican Documents 27 Using Catechetical Material 27 Citing Papal, Curial, Conciliar, and Episcopal Documents 27 Citing the Summa Theologiae 28 Numbers 28 Plurals and Possessives 28 Bias-free Language 28 4. Process of Publication 30 Copyediting and Designing 30 Typesetting and Proofreading 30 Marketing and Advertising 33 3 5. Parts of the Work: Author Responsibilities 33 Front Matter 33 In the Text 35 Back Matter 36 Summary of Author Responsibilities 36 6. Notes for Translators 37 Additions to the Text 37 Rearrangement of the Text 37 Restoring Bibliographical References 37 Sample Permission Letter 38 Sample Release Form 39 4 Introduction To the Author Thank you for choosing Liturgical Press as the possible publisher of your manuscript.
    [Show full text]
  • NSA-03 Psalter Terce Sext None.Pdf
    THE SARUM RITE Sarum Breviary Noted. Scholarly Edition. VOLUME A. Part . Pages []-[]. Psalter. Terce. Sext. None. Edited by William Renwick. HAMILTON ONTARIO . THE GREGORIAN INSTITUTE OF CANADA . MMXV. The Sarum Rite is published by The Gregorian Institute of Canada/L’Institut grégorien de Canada, Mercer Street, Dundas, Ontario, Canada LH N. The Gregorian Institute of Canada is affiliated with the School of the Arts, McMaster University. The Sarum Rite is distributed over the internet through .pdf files located at: www.sarum-chant.ca This document first published November , . All rights reserved. This publication may be downloaded and stored on personal computers, and may be printed for purposes of research, study, education, and performance. No part of this publication may be uploaded, printed for sale or distribution, or otherwise transmitted or sold, without the prior permission in writing of the Gregorian Institute of Canada. The Gregorian Institute of Canada/L’Institut grégorien du Canada is a charitable organization registered by the Federal Government of Canada. www.gregorian.ca © The Gregorian Institute of Canada, . Terce. At Terce. [ This Melody is sung on this Hymn on all Double Feasts throughout the whole year.]1 Nunc Sancte nobis Spiritus. 1519-P:49r; HS:90v; 1531-P:11v. 2 Hymn. IV. 8354. C Ome, Ho- ly Ghost, with God the Son, * And God the Fa ther, ev- er one ; Shed forth thy grace with- in our breast, And dwell with us, a rea dy guest. 2. By eve ry pow'r, by heart and tongue, By act and deed, thy praise be sung ; In flame with per- fect love each sense, That oth ers' souls A-3.
    [Show full text]