DOCSLIB.ORG

Digital Booklet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Digital Booklet with CHRISTIAN MCBRIDE BRAD MEHLDAU JOHN SCOFIELD JEFF “TAIN” WATTS 1. Soul Sister 4:54 2. Four Stars From Heaven 11:05 3. King Of Two Fives 5:07 4. New Beginning 4:39 5. Cell Phone 6:46 6. Montara 4:35 7. Havoc 5:07 8. Tergiversation 5:05 9. Knocks Me Off Of My Feet 6:37 10. A Prayer For The Christian Man 8:37 11. Stardust/The Minute Waltz 5:10 Producers: Christian McBride & Al Pryor mackavenue.com • warrenwolfmusic.com PC 2016 Mack Avenue Records II, LLC. 18530 Mack Avenue, #299, Grosse Pointe Farms, MI 48236. All rights reserved. FBI Warning: The unauthorized replication or distribution of this copyrighted work is illegal. Criminal copyright infringement is investigated by the FBI and is punishable under federal law. Printed in the USA. Executive Producer: GRETCHEN VALADE Producers: CHRISTIAN MCBRIDE & AL PRYOR Production Manager: WILL WAKEFIELD Recorded at: AVATAR STUDIOS – New York, NY Engineer: TODD WHITELOCK Additional Recording: TIM MARCHIAFAVA Mixed at: VALVETONE STUDIOS – New York, NY Mixing Engineer: TODD WHITELOCK Assistant Mixing Engineers: DAN CHEROUNY & TREVOR FEDELE Mastered at: BATTERY STUDIOS – New York, NY Mastering Engineer: MARK WILDER Art Direction + Design: RAJ NAIK • naikdesign.com Illustrations from the series ”Works on Paper” by Raj Naik Photography: STEVEN PARKE Creative Direction: RANDALL KENNEDY Creative Services + Production: MARIA EHRENREICH Management: GUESSWORKS, INC. • guessworks.com Booking: THE WINDISH AGENCY • windishagency.com SPECIAL THANKS TO: I’d like to give a huge thank you to the Universe, high above and beyond. To my late WARREN WOLF: vibes, marimba (5, 6, 9, 10, 11), Fender Rhodes (2, 9), piano (9) mother, Celeste Wolf; the first woman whom I’ve ever loved and loved me back, thank CHRISTIAN MCBRIDE: bass (1, 2, 3, 5, 6, 7, 8, 9, 10) you!!!!!!! To my wife Heather B. Malone – Wife, thank you for everything that you’ve BRAD MEHLDAU: piano (1, 2, 4, 5, 7) pushed me to do, you’ve always and will continue to be a huge influence on me. JOHN SCOFIELD: guitar (1, 7) To my cub Wolves (Kymyra, Devaughn, Kaden, Sebastian & Zoe), you guys fill my heart JEFF “TAIN” WATTS: drums (1, 2, 5, 6, 7, 8, 9, 10) with love everyday. Brad Mehldau appears courtesy of Nonesuch My sisters Shondi & Dara, my niece and nephew Britney & Darrien Pierce, my father John Scofield appears courtesy of Impulse!, a division of Universal Music France Warren Wolf Sr., MAN, Todd Marcus, Tia Fuller, Aaron Diehl, Andre & Cheryl Guess, SF- Jeff “Tain” Watts appears courtesy of Dark Key Music JAZZ, The SFJAZZ Collective, Malletech, Mike Balter, Darent Polk, Howard & Marianne Katz, SLY (for always keeping my haircuts fresh and sharp), Alex Brown, Kris Funn and All Songs Composed and Arranged by Warren Wolf Warren Wolf Music/Harper Woods Music Publishing (ASCAP) except: my extended WOLFPACK bandmates, Merritt Athletic Clubs (for keeping a brother “New Beginning” written by Dave Samuels • DMP Publishing, Inc./Orient Point Music, Inc. (ASCAP); healthy) Franklin & Ava Lee, Akua Allrich, Ronald Scott & The Caton Castle, Henry Wong “Montara” written by Bobby Hutcherson • Nosre Music/EMI Unart Catalog Inc.; & An Die Musik, to all of my musical brothers and sisters in the DMV area – we’re doing “Tergiversation” written by Gene Perla • Perla Music Division (ASCAP); it BIG everyday!!!!!! “Knocks Me Off Of My Feet” written by Stevie Wonder • Black Bull Music/Jobete Music/EMI April Music Inc. (ASCAP); “Stardust” written by Hoagy Carmichael • Songs of Peer, Ltd. (ASCAP); “The Minute Waltz” written by Frederic Chopin • Traditional, In Public Domain Last but not least, big thank you to Christian McBride, Jeff Watts, Brad Mehldau and John Scofield for making this a dream record for me!!!!! Thank you to Gretchen Valade ENDORSEMENTS and everyone at Mack Avenue Records for making this all possible. And the last thank Warren Wolf: Malletech you goes to the man behind the board, Mr. Todd Whitelock – you’re the man!!!!!! Christian McBride: D’Addario strings, AMT microphones Jeff “Tain” Watts: Sonor drums, Vic Firth sticks, Sabian cymbals.
Load more

Recommended publications
  • Playbill Feb
    2014–2015 SEASON PLAYBILL FEB. 5–FEB. 28 © The &oca&ola &ompany Ľ&okeľ and the &ontour Bottle are trademarks of The &oca&ola &ompany 2 /`ba 1S\bS` C;Oaa 4W\S ]T bVS ac^^]`bS` Wa O ^`]cR 1]QO1]ZO1 0`Od]0 / C ] a Wa A Notable Lifestyle Celebrating lifelong enjoyment of the arts Discover gracious, refined independent living in a social and dynamic environment. Meet passionate, enlightened residents–from academics to artists–that will inspire you. The Loomis Communities offer an unparalleled lifestyle with superior amenities and services—with the added peace of mind for the future that comes from access to LiveWell@Loomis. APPLEWOOD LOOMIS VILLAGE Amherst, MA South Hadley, MA 413-253-9833 413-532-5325 The Western Massachusetts www.loomiscommunities.org Pioneer in Senior Living 3 Insuring The Arts Play Onn Local Insurance Agency Local Insurance Agency InsuringYourWay.com 'MPSFODFt&BTUIBNQUPO Can Study Abroad! YOU Scholarships available Education Abroad Advising Center ,QWHUQDWLRQDO3URJUDPV2I¼FH 5P+LOOV6RXWK DFURVVIURP6WXGLR$UWV%XLOGLQJ www.ipo.umass.eduip d 2SHQ0®)AM–4 PM 4 5 Good thinking. NEW ENGLAND PUBLIC RADIO News. Classical. Jazz. Amherst / Springfield / Hartford .................................. WFCR 88.5 FM North Adams .................................................................................. 101.1 FM Great Barrington ............................................................................98.7 FM Lee ....................................................................................................98.3 FM Pittsfield /
    [Show full text]
  • The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django
    FEB/MARCH 2014 The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django . 1 Cold Spring Jazz Quartet – Night Songs: The Music of Film Noir . 3 BALTIMORE JAZZ ALLIANCE An Interview with Donny McCaslin . 4 Warren Wolf, Christian McBride and Friends . 6 Jazz Jam Sessions . 10 BJA Member Notes, Products and Discounts . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XI ISSUE II THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore Discovers the Spirit of Django The Hot Club A cold start to February’s Monday night ously sat in. On this particular night a Gypsy Jazz Jam didn’t prevent Balti - blend of accordion, violin, harmonica more’s Djangophiles from flocking to and four guitars kicked off the jam. of Baltimore Liam Flynn’s Ale House, an atmospheric, Swinging into action in the middle of welcoming, bare-bones pub on W. North the room, seated in the round and soloing Avenue, Baltimore. For nearly a year, in rotation, the musicians started with the under the leadership of guitarist Michael jazz standard “Coquette.” Harris’s open - Joseph Harris, whom many will know ing solo embellished the song with the through his band Bossalingo, the Mon - arpeggios and flourishes that typify the day night jam has been picking up acco - Django style. Arefin’s guitar picked up the lades and winning over fans. City Paper theme, building the rhythmic energy with recently declared the jam to be Best Mon - a more chordal solo before handing off to day Night in Baltimore. the liquid Wes Montgomery-style runs of Musicians from as far away as Jim Tisdall.
    [Show full text]
  • Innovation Through Generations of Jazz Vibraphonists: Jackson
    INNOVATION THROUGH GENERATIONS OF JAZZ VIBRAPHONISTS: JACKSON, HUTCHERSON, BURTON AND LOCKES’ IMPROVISATIONS ON “BAGS’ GROOVE” 爵士鐵琴的世代變革：傑克森、赫卻森、柏頓和拉克在「袋之律動」上之即興 YU CHIH CHERRY CHEN 陳玉至 1 BIOGRAPHIES Milt Jackson Milt Jackson (1923-1999, MI) is recognized as the bebop innovator of the vibraphone. Following in the steps of two of the previous masters of the vibraphone Lionel Hampton and Red Norvo, Jackson succeeded in transferring the bebop idiom to his instrument, becoming one of the greatest vibraphonists in the bop style. Jackson used two mallets, almost treating the vibraphone as a single-line instrument. His playing is marked by his adept skills, but also laced with blues phrases that refer to his musical upbringing in the church.1 He is universally recognized as a definitive interpreter of the blues. As a member of the Modern Jazz Quartet (MJQ), he was required to read and memorize the arrangements written by John Lewis. These arrangements incorporated many classical materials with jazz, which is known as third stream. Playing these arrangements inspired Jackson to find a voice beyond the bebop idiom.2 Some of his significant works are “Bags and Trane”, “Sunflower” and “The Prophet Speaks.” Bobby Hutcherson Studying piano briefly with his mother at an early age provided Bobby Hutcherson (1941-2016, LA) with a foundation in harmony. In his teens he heard Milt Jackson playing the vibraphone on a 1Dick Sisto, The Jazz Vibraphone Book (U.S.A: Meredith Music Publication, 2005), 27-36. 2Ted Gioia, The history of Jazz (2nd ed. New York: Oxford University Press. 2011), 258-259.
    [Show full text]
  • Make It New: Reshaping Jazz in the 21St Century
    Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of
    [Show full text]
  • Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
    October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Program Notes
    Home delivery plus 2021 SeRIeS Dizzy Spellz SEAN JONES & BRINAE ALI PREMIERING FRI, MAR 19, 8pm (ET) STREAMING ON DEMAND THROUGH THU, MAR 25, 11:59pm (ET) Dizzy spellz Dizzy Spellz is an investigative process with an Afro- extremely triggering. Oppression and systemic futuristic lens that looks at the intersecting cultural racism are practices that are embedded in the and spiritual dilemmas within Black America. It fabric of America. It is one of the very reasons why challenges mankind to imagine a world of freedom, our country is so divided. Sean Jones and I not only liberation, and justice through the music of Dizzy re-imagine Dizzy’s music, but we decode messages Gillespie. From his coming of age through the racial that are like a road map or a compass to our own and social dynamics in the Deep South, creating and path of liberation and healing. curating the Bebop movement in New York, to his This piece offers a sacred space to release trauma spiritual journey to Africa and his delve into Afro- and celebrate joy for people of all walks of life. Cuban music and the Bahá’i Faith, Dizzy was very Although the present is deeply connected to the past, much ahead of his time. our imaginations are the keys of possibility to create Dr. Joy DeGruy’s theory of what she calls Post- the future that we envision. It is a reminder that our Traumatic Slave Syndrome resonates intensely spirits are having a human experience. We are just a throughout this work. Events such as the murders guest or visitor to this place called Earth.
    [Show full text]
  • MAY 2013 a Celebration of Women in Jazz
    MAY 2013 A Celebration of Women in Jazz . 1 Maryland All-State Senior Jazz Band . 5 Jazz Jam Sessions . 6 BALTIMORE JAZZ ALLIANCE The Second Baltimore Jazz Composers’ Showcase . 7 Lady Day Way . 8 WEAA’s CD Jazz Pick of the Month . 9 BJA Member Notes, Products and Discounts . 10 Ad Rates and Member Sign-up Form . 11 VOLUME X ISSUE V THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM A Celebration of Women in Jazz PHOTO BY ROBERT SHAHID L to R: Corinthia Cromwell, Rhonda Robinson, Camay Murphy, Gail Marten, Carla Wills, Maysa Leak, Gabrielle Goodman, Navasha Daya n Wednesday, March 20th, the Eubie Blake Cultural Following her graduation from Morgan State University Center and WEAA-FM radio ushered in spring by in 1991, Maysa left the Baltimore area to become a backup Ocelebrating Women's History Month with a panel singer for Stevie Wonder. She characterized this as a positive discussion on women in jazz . experience overall; but when she joined the British jazz funk Internationally renowned vocalist Maysa Leak and WEAA group Incognito, Maysa found it necessary to establish her - senior producer Carla Wills moderated. The panelists included self and demand respect from this all-male group. She is cur - saxophonist Corinthia Cromwell; vocalist and co-founder of rently on tour with Incognito and in the process of recording the band Fertile Ground Navasha Daya; vocalist and educator her tenth solo CD. Gabrielle Goodman; vocalist and songwriter Gail Marten; ed - Cromwell, a graduate of Howard University and a pro - ucator and historian Camay Calloway Murphy; and vocalist tégée of Wynton Marsalis, received a Master’s in Music from and flutist Rhonda Robinson.
    [Show full text]
  • Program Notes
    Jay Blakesberg Jay SFJAZZ COLLECTIVE The Music of Miles Davis and Original Compositions Miguel Zenón Alto Saxophone David Sánchez Tenor Saxophone Sean Jones Trumpet Robin Eubanks Trombone Warren Wolf Vibraphone Edward Simon Piano Matt Penman Bass Obed Calvaire Drums PROGRAM There will be an intermission. Sunday, April 2 @ 7 PM Zellerbach Theatre Part of the African Roots, American Voices series. Media Sponsor: 16/17 SEASON 25 PROGRAM NOTES This year, the all-star SFJAZZ Collective pays tribute to trumpeter, composer and innovator Miles Davis. More than any other figure, Davis changed the sound of jazz – not once, but consistently over his career – from the birth of bebop in the 1940’s to the integration of rock approaches that gave rise to the fusion movement in the 1970’s. ABOUT THE ARTISTS SFJAZZ Collective The SFJAZZ Collective is an all-star award-winning jazz ensemble comprising eight of the finest performers/composers at work in jazz today. Launched in 2004 by SFJAZZ in San Francisco, the SFJAZZ Collective has become one of the most exciting and acclaimed groups on the jazz scene. The award-winning SFJAZZ Center in San Francisco is the Collective’s home base. The current octet is a burnished international ensemble comprising of alto saxophonist Miguel Zenón, tenor saxophonist David Sánchez, vibraphonist Warren Wolf, trumpeter Sean Jones, trombonist Robin Eubanks, pianist Edward Simon, bassist Matt Penman and drummer Obed Calvaire. Each year, the SFJAZZ Collective creates and performs eight new works and eight new arrangements of tunes by an honored artist. Past honorees include Ornette Coleman, John Coltrane, Herbie Hancock, Thelonious Monk, Wayne Shorter, McCoy Tyner, Horace Silver, Stevie Wonder and Chick Corea.
    [Show full text]
  • September 2020
    The only jazz magazine in NY in print, online and on apps! TheTheTheThe onlyonly Theonly Theonly jazz jazzonly jazz only jazz magazine magazine jazzmagazine jazzmagazine magazine magazine in in in NY NYin NY inNY inin print,NY print, inNYprint, inprint, inonlineprint, onlineonlineprint, online online and online andand and on onandon appsandon appsapps on apps on! apps!! apps! ! ! SSepSettpeeStpmmeSetmepbebmtepbeerterbm e 2re2m b02r0 e2b02r0e20 2r02 02020020 wwwwwwww.wh.w.whwoho.twwohttwho.hhotu.ohohusuotoeshsutejoehasjujoaezasuzjzae.szzczje.a.ozccjza.mooczzmmo.zcm.ocmom Flushing Town Hall at Home Page 2 FlushingFlushingFlushingFlushing Town TownFlushing TownFlushing Hall TownHall Hall at Townat HallHome atHomeTown Home atHall Home Hall at Home at Home PagePagePage 2Page 2 2 Page 2 Page 2 2 CarolCarolCarolCarolCarol SudhalterCarolSudhalter Sudhalter Sudhalter Sudhalter Sudhalter JoeJoeJoe FarnsworthJoe FarnsworthJoe Farnsworth Farnsworth Farnsworth DaveDaveDaveDave PostDave Post Post Post Post Joe Farnsworth Dave Post TavernTavernTavern on GeorgeonTavern GeorgeonTavern George andon Georgeonand Swing Georgeand Swing Swing46and and46 Swing 46 Swing 46 46 PagePage 6Page 6 Page 6 Page 6 6 SmokeSmokeSmoke JazzJazz JazzSmoke & &JazzSmoke SupperSupper & SupperJazz & JazzSupper Club Club& ClubSupper & and andSupperClub and SmallsLive SmallsLive Club and SmallsLive Club SmallsLiveand and SmallsLiveJazz Jazz SmallsLiveJazz Club ClubJazz Club JazzClub Jazz Page PageClub Page Club 4 Page4 4 Page 4Tavern Page 4 4 on George and Swing 46 Page 6 Smoke Jazz & Supper Club and SmallsLive Jazz Club Page 4 Tavern on George and Swing 46 Page 6 WhereWhereWhereWhereWhere To To ToGo ToGo ToGo &Go & Go Who& Who & Who& Who ToWho To ToSee ToSee ToSee SeeSince SeeSince Since Since Since 1982 1982 1982 1982 1982 Where To Go & Who To See Since 1982 CAROL SUDHALTER Back to basics By Elzy Kolb AROL SUDHALTER SPENT APRIL Cand May winning a bout with COVID- 19, and the months since have been a time of introspection for the multi-instrumen- talist.
    [Show full text]
  • W a Rren W O Lf Wo Lfpac K
    AND WOLF WARREN Visiting Artist Series presents THE WOLFPACK ARTIST PARTNER PROGRAM November 2 . 7 & 9PM KAY THEATRE @ MilkBoy ArtHouse VISITINGVAS ARTIST 1SERIES The Clarice Smith Performing Arts Center's Visiting Artist Series presents WARREN WOLF PROGRAM AND THE WOLFPACK Warren Wolf vibraphone, marimba and Fender Rhodes Alex Brown piano Eliot Seppa electric & acoustic basses Carroll "CV" Dashiell III drums This performance will last approximately 1 hour 10 minutes. Program to be selected from: Grey Skies in Baltimore Vahybing In the Heat of the Night For Ma At Home Alone The Struggle Enter the Chambers Livin' the Good Life Don't You Worry 'Bout a Thing* Stevie Wonder (b.1950) *All tunes composed by Warren Wolf except "Don't You Worry 'Bout a Thing." 2 Warren Wolf is a multi-instrumentalist from Baltimore, MD. From ABOUT THE ARTISTS the young age of three years old, Warren has been trained on the vibraphone, marimba, drums, and piano. Warren attended the Baltimore School for the Arts and studied with current Baltimore Symphony Orchestra member John Locke. After graduating, Warren headed north and enrolled at the Berklee College of Music in Boston, MA. One of the highlights of Warren's stay in Boston was co-leading a quintet with Boston-based trumpeter Jason Palmer at the historic jazz club Wally’s Cafe. Warren is a former faculty member at Berklee College of Music, teaching there from September 2003 to December 2004. Since his return to Baltimore as a full time performing musician, he has joined the Rachael Price Group as the group’s pianist.
    [Show full text]
  • Guarantee Your Seat!
    SUBSCRIBE AND SAVE! GUARANTEE 2014–2015 Season YOUR SEAT! To headline our 2014-15 season, 2014 -2015 Season Subscription Packages 2014–2015 Season we’re rolling out the red carpet for ( ) Regina Carter, one of the most QUINTET 5 concerts Subscriber: $165 highly regarded jazz artists on (One Subscription) today’s scene. Along side Asper Supporter: $334 Steve Kirby favourites pianist Cyrus Chestnut (One Subscription + $169 tax receipt) Patron: $665 and jazz guitar genius Russell Malone, we bring on (One Subscription + $500 tax receipt) a handful of outrageously gifted newcomers like Benefactor: $1,654 vibraphonist Warren Wolf, hailed as the next major (Two Subscriptions + $1,324 tax receipt) QUARTET (4 concerts) voice on the vibes and Trinidadian born Etienne Subscriber: $149 Charles who will add his own brand of excitement (one subscription) to the mix with Caribbean soul jazz. We round Supporter: $296 (One subscription + $147 tax receipt) out the year with Carmen Lundy, a gifted singer Patron: $595 who brings her amazing range and sinewy vocal (One subscription + $446 tax receipt) ability to the great music of legendary singers Benefactor: $1,432 (Two subscriptions + $1,134 tax receipt) Dinah Washington and Sarah Vaughan. What an incredible season! Enjoy! Student Subscriptions: Quintet $82 Quartet $75 Purchase your SUBSCRIPTION PACKAGE online at: www.radyjcc.com or call Debbie Figowy at 204-477-7534 Steve Kirby, Artistic Director Beverly Aronovitch, Producer e-mail [email protected] Sponsored by: in association with: Izzy Asper Jazz Performances Rady Jewish Community Centre B100-123 Doncaster Street, Winnipeg, MB R3N 2B3 VICKAR Sponsored by: in association with: Chev Olds www.radyjcc.com GUARANTEE THE ETIENNE CHARLES YOUR SEAT REGINA CARTER’S QUINTET TO SOUTHERN COMFORT QUINTET THEHOTTEST Winner of the 2014 Jazz Journalists’ Award Saturday, Sept.
    [Show full text]
  • (OR Perforhiim IRIS After Graduating from the Baltimore Sschooc L for the Arts in the Spring of 1 997, Warren Headed North and Enrolled at Berklee College of Music
    WARREN WOLF- piano Warren Wolf is a multi-instrumentalist who lives in Baltimore, MD. From a very young age until the present time, Warren plays many different instruments including the vibraphone/marimba,drumset/percussion,and the piano/keyboards. As a youth, Warren attended the Peabody Preparatory of The John Hopkins Institute in Baltimore, MD where he studied with former Baltimore Symphony Member Leo LePage. While at Peabody, Warren played many popular styles of music which included classical, jazz, and ragtime. (OR PERfORHIIM IRIS After graduating from The Baltimore SSchooc l for the Arts in the spring of 1 997, Warren headed north and enrolled at Berklee College of Music. At Berklee. Warren studied with Caribbean Jazz Project vibist Dave Samuels. Governors State University Also at Berklee, Warren had the chance to play and record with many of the world's best musicians, including Wynton Marsalis and the Lincoln Center Jazz Orchestra, Nicholas Payton, Mulgrew Miller, Lewis Nash, Christian McBride, Terri-LyneCarrington, Bobby Watson, Roy Hanynes, Danilo Perez, and many others. He began to experiment with many different music styles outside of jazz and classical, such as hip-hop, R&B, drum-n-bass, funk, rock, gospel, world music, Latin and many others. During his time at Berklee, Warren had the opportunity to play at the legendary jazz club Wally's Cafe to help broaden his skills. After years of training and sitting in with musidans, Warren landed 2010 Cabaret Series Presents the weekend gig at Wally's for the next three years, playing drums and on occasion the vibraphone. Warren co-led a quintet with trumpeter Jason Palmer at Wally's.
    [Show full text]