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Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
SFJAZZ Collective Plays the Music of Stevie Wonder at the Spanos
University News & Information California Polytechnic State University, San Luis Obispo, California March 6, 2012 NEWS RELEASE FROM CAL POLY ARTS: CONTACT: LISA WOSKE, [email protected] TICKET SALES: 805/756-2787 FOR IMMEDIATE RELEASE SAN LUIS OBISPO, CALIFORNIA – On Thursday, March 22, 2012 at 7:30 p.m. in the Alex and Faye Spanos Theatre, Cal Poly Arts proudly presents the SFJAZZ Collective, in a special tour entitled “The Music of Stevie Wonder.” Each year, the SFJAZZ Collective honors the work of an acknowledged master by revisiting classics from that artist’s repertoire. For 2012, Stevie Wonder is the ensemble’s featured composer – an artist outside of the jazz tradition, but one whose sophisticated songcraft and timeless melodies are more than worthy of exploration. “It takes a brave soul to tackle the music of Stevie Wonder. The latest incarnation of the SFJAZZ Collective happens to contain eight of them." — San Francisco Chronicle The Collective includes: Antonio Hart – Alto Saxophone Mark Turner – Tenor Saxophone Avishai Cohen – Trumpet Robin Eubanks – Trombone Stefon Harris – Vibraphone, Marimba Edward Simon – Piano Matt Penman – Bass Eric Harland – Drums The evening includes re-arrangements of work from modern music master Wonder, plus all-new original compositions, commissioned exclusively for this ensemble by SFJAZZ. Stevie Wonder material featured: “Superstition” – arranged by Miguel Zenon; “Sir Duke” – arranged by Avishai Cohen; “Blame it on the Sun” – arranged by Mark Turner; “Look Around” – arranged by Stefon Harris; “My Cherie Amour” arranged by Edward Simon; “Race Babbling” – arranged by Robin Eubanks; “Creepin’” – arranged by Matt Penman; and “Do I Do” – arranged by Eric Harland. -
August 11, 2014 Jazz Album Chart
Jazz Album Chart August 11, 2014 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Sean Jones 1 5 6 1 im.pro.vise Mack Avenue 302 246 56 4 57 6 Biggest Gainer Bobby Hutcherson 2 1 3 1 Enjoy The View Blue Note 291 289 2 6 58 2 Most Reports 3 5 2 2 Mike LeDonne I Love Music Savant 253 246 7 7 52 2 4 4 11 4 Cyrus Chestnut Midnight Melodies Smoke Sessions 252 250 2 4 50 4 5 2 7 2 Theo Croker Afro Physicist OKeh 248 268 -20 8 41 1 6 3 4 1 Jimmy Cobb The Original Mob Smoke Sessions 226 261 -35 7 48 1 7 11 23 7 Henry Butler-Steven Bernstein and The Hot 9 Viper’s Drag Impulse!/Universal 220 197 23 4 47 3 7 8 1 1 Keith Jarrett & Charlie Haden Last Dance ECM 220 228 -8 5 44 2 9 7 5 1 Louis Hayes Return Of The Jazz Communicators Smoke Sessions 218 235 -17 11 39 1 10 16 23 10 Marcus Roberts and Wynton Marsalis Together Again – Live In Concert J-Master 215 178 37 4 49 7 11 12 9 9 Joshua Redman Trios Live Nonesuch 185 186 -1 5 45 2 11 12 19 11 Barbara Morrison I Love You, Yes I Do Savant 185 186 -1 3 40 4 13 9 8 7 Dena DeRose We Won’t Forget You ... An Homage To HighNote 179 208 -29 7 40 3 Shirley Horn 14 18 15 14 Holly Hoffman Low Life Capri 174 173 1 10 38 1 15 14 37 14 Fred Hersch Floating Fred Hersch Music 173 185 -12 3 40 3 15 10 17 10 Cory Weeds As Of Now Cellar Live 173 204 -31 7 36 0 Hendrik Meurkens - Misha Tsiganov Duo & 17 16 19 16 Quartet Junity HMS 172 178 -6 4 37 3 18 27 34 18 Charlie Apicella and Iron City Big Boss Zoho Music 159 135 24 3 39 2 19 15 13 1 Eric Alexander Chicago Fire HighNote 158 184 -26 15 36 1 19 19 10 -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
July 23, 2018 Jazz Album Chart
Jazz Album Chart July 23, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds John Coltrane 1 3 160 1 Both Directions at Once - The Lost Album Impulse / Verve 275 258 17 2 55 13 Most Reports 2 1 1 1 Joey Alexander Eclipse Motema 237 315 -78 10 48 0 3 2 4 2 Kenny Barron Quintet Concentric Circles Blue Note 227 284 -57 10 49 0 4 4 2 2 Eddie Henderson Be Cool Smoke Sessions 223 257 -34 10 48 0 5 14 64 5 Bob Mintzer Big Band - New York Voices Meeting of Minds MCG Jazz 222 190 32 2 49 4 6 8 5 4 Allan Harris The Genius of Eddie Jefferson Resilience 212 233 -21 9 45 1 7 6 10 6 Buster Williams Audacity Smoke Sessions 207 243 -36 4 54 1 8 18 14 8 Ellis Marsalis The Ellis Marsalis Quintet Plays the Music of ELM 206 180 26 8 42 3 Ellis Marsalis 9 10 3 3 Mike LeDonne and The Groover Quartet From The Heart Savant 200 223 -23 7 45 1 10 12 7 5 Jim Snidero & Jeremy Pelt Jubilation! Savant 185 215 -30 11 43 1 11 5 9 5 Freddy Cole My Mood Is You HighNote 184 249 -65 7 46 0 12 10 25 10 Marcus Miller Laid Black Blue Note 178 223 -45 3 40 1 13 7 6 2 Don Braden Earth, Wind and Wonder Creative Perspective Music 177 240 -63 11 42 0 14 9 7 6 Tia Fuller Diamond Cut Mack Avenue 175 231 -56 9 40 0 Black Art Jazz Collective 15 21 114 15 Armor Of Pride HighNote 172 164 8 2 55 5 Most Reports 16 22 21 16 Brad Mehldau Trio Seymour Reads The Constitution! Nonesuch 170 160 10 5 46 2 17 14 12 12 Cyrille Aimée Live Mack Avenue 167 190 -23 5 45 1 18 17 15 8 Benito Gonzalez, Gerry Gibbs & Essiet Essiet Passion, Reverence, Transcendence Whaling City Sound 166 184 -18 10 35 0 19 49 142 19 Kamasi Washington Heaven and Earth Young Turks 163 112 51 2 43 7 20 22 16 16 Tiffany Austin Unbroken Con Alma Music 158 160 -2 5 35 0 Cory Weeds Little Big Band 21 52 - 21 Explosion Cellar Live 154 111 43 1 43 10 Highest Debut 22 13 10 8 Manhattan Transfer The Junction BMG 152 194 -42 11 32 0 23 16 19 13 McClenty Hunter, Jr. -
The Jazz Record
oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year. -
Myra Melford & Snowy Egret Language of Dreams
Saturday, November 19, 2016, 8pm Zellerbach Hall Myra Melford & Snowy Egret Language of Dreams Conceived and composed by Myra Melford Myra Melford’s Snowy Egret Myra Melford, piano, melodica, and sampler Ron Miles, cornet Liberty Ellman, guitar Stomu Takeishi, acoustic bass guitar Tyshawn Sorey, drums David Szlasa, video artist and lighting design Oguri, dancer and choreography Sofia Rei, narrator/spoken text Hans Wendl, artistic direction and production Texts excerpted from Eduardo Galeano’s Memory of Fire (Memoria del Fuego ) trilogy: Genesis (1982) Faces and Masks (1984) Century of the Wind (1986) Copyright 1982, 1984, 1986 respectively by Eduardo Galeano. Translation copyright 1985, 1987, 1988 by Cedric Belfrage. Published in Spanish by Siglo XXI Editores, México, and in English by Nation Books. By permission of Susan Bergholz Literary Services, New York, NY and Lamy, NM. All rights reserved. e creation and presentation of Language of Dreams was made possible by Yerba Buena Center for the Arts, a Guggenheim Fellowship, the Doris Duke Performing Artist Award, and a University of California Faculty Research Grant. Jazz residency and education activities generously underwritten by the Thatcher-Meyerson Family. n e s i o B s e l y M Myra Melford (far right) with Snowy Egret Language of Dreams I Prelude e Promised Land Snow e Kitchen II e Virgin of Guadalupe A Musical Evening For Love of Fruit/Ching Ching III Language IV Times of Sleep and Fate Little Pockets/Everybody Pays Taxes Market e First Protest V Night of Sorrow Day of the Dead e Strawberry VI Reprise – e Virgin of Guadalupe This performance will last approximately 75 minutes and will be performed without intermission. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
PROGRAM NOTES Guided Tour
13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.