March 29, 2019 Miriam A. Friedberg Hall

Total Page:16

File Type:pdf, Size:1020Kb

March 29, 2019 Miriam A. Friedberg Hall MARCH 29, 2019 MIRIAM A. FRIEDBERG HALL Sean Jones, trumpet Warren Wolf, vibraphone Nasar Abadey, drums Kris Funn, bass Gavin Horning, guitar Robert Gilliam, tenor saxophone Lawrence Hutfles, bass Music and spirituality have always been fully intertwined in the artistic vision of trumpeter, bandleader, composer, educator and activist Sean Jones. Singing and performing as a child with the church choir in his hometown of Warren, Ohio, Sean switched from the drums to the trumpet at the age of ten. Sean is a musical chameleon and is comfortable in any musical setting no matter what the role or the genre. He is equally adept in being a member of an ensemble as he is at being a bandleader. Sean turned a 6-month stint with the Jazz at Lincoln Center Orchestra into an offer from Wynton Marsalis for a permanent position as lead trumpeter, a post he held from 2004 until 2010. In 2015 Jones was tapped to become a member of the SFJAZZ Collective. During this time, Sean has managed to keep a core group of talented musicians together under his leadership forming the foundation for his groups that have produced and released eight recordings on the Mack Avenue Records, the latest is his 2017 release Sean Jones: Live from the Jazz Bistro. Sean has been prominently featured with a number of artists, recording and/or performing with many major figures in jazz, including Illinois Jacquet, Jimmy Heath, Frank Foster, Nancy Wilson, Dianne Reeves, Gerald Wilson and Marcus Miller. Sean was selected by Miller, Herbie Hancock and Wayne Shorter for their Tribute to Miles tour in 2011. He has also performed with the Cleveland, Pittsburgh and Youngstown Symphony Orchestras as well as Soulful Symphony in Baltimore and in a chamber group at the Salt Bay Chamber Festival. Sean is also an internationally recognized educator. He was recently named the Richard and Elizabeth Case Chair of Jazz at John Hopkins University’s Peabody Institute in Baltimore. Before coming to Peabody, Sean served as the Chair of the Brass Department at the Berklee College of Music in Boston. Warren Wolf is a multi-instrumentalist from Baltimore, Maryland. From the age of three, Warren was trained on the vibraphone, drums, and piano—under the guidance of his father Warren Wolf Sr. Warren attended Peabody Preparatory—studying classical music with Leo LePage. Then with John Locke at Baltimore School for the Arts for his high school years. Warren also attended Berklee College of Music in Boston, Massachusetts. During his time at Berklee, Warren studied with Caribbean jazz vibraphonist Dave Samuels. After graduating from Berklee in May of 2001, Warren became an active musician on the Boston scene—also teaching at Berklee College of Music. Warren, today, living in Baltimore, is an International touring musician and music professor both at Peabody Conservatory in Baltimore and at San Francisco Conservatory. Warren has performed throughout the United States of America, South America, Canada, Italy, Spain, Amsterdam, Rotterdam, Scotland, London, Greece, Singapore, Thailand, Jarkata, Bangkok, Tokyo, Paris, Moscow and many other countries. Warren has made several recordings as a leader and as sideman for Mack Ave Records, Blue Note Records and boutique Independent Jazz Record Labels. Musicians that Warren has performed or recorded with are Wynton Marsalis and The Lincoln Center Jazz Orchestra, Jeremy Pelt, Nicholas Payton, Tim Warfield, Adonis Rose, Donal Fox, Anthony Wonsey, Aaron Goldberg, Cyrus Chestnut, Lewis Nash, Willie Jones, Eric Reed, Mulgrew Miller, Terri Lyne Carrington, Yoron Israel, Larry Willis, David “Fathead” Newman, Stefon Harris, Reuben Rogers, Kevin Eubanks, Curtis Lundy, Steve Davis, Duane Eubanks, Ron Carter, Wycliffe Gordon, Robert Glasper, Esperanza Spaulding and many others. SPONSORED BY THE HAROLD, ESTELLE The use of cameras and audio/video recorders without the express AND LEHR GORDON FUND prior written permission of Peabody is strictly prohibited. Drummer, Nasar Abadey is the founder, leader and driving force of his performing ensembles including SUPERNOVA®; the SUPERNOVA® Chamber Orchestra; Renaissance Trio; Washington Renaissance Orchestra and others. Each configuration performs music from the threshold of Jazz to beyond space and time, through traditional African rhythms, bebop, fusion, and free form. Abadey’s performance credits include many of the jazz greats of today and yesterday including but not limited to Dizzy Gillespie, Ella Fitzgerald, and Pharoah Sanders and has recorded and/or performed with many national artists throughout his career. Mr. Abadey was selected for various honors and awards for merit and composition, and has served as a Music Panelist for DC Commission on the Arts and Humanities; National Endowment for the Arts, and the Mid Atlantic Arts Foundation, respectively. In 2018 the DC Jazz Festival presented Nasar Abadey with a Lifetime Achievement award at the Kennedy Center, and in September, 2017 the UBC organization presented Mr. Abadey with the John Coltrane Black Classical Music, Living Legends in Music and Culture Award. The Capital Hill Jazz Foundation honored him with the Jazz Leadership and Service Award; and the DC Legendary Musicians awarded him with the Community Service Award, both in 2017. Currently, and for the past Thirteen (13) years, Mr. Abadey is a Professor of Jazz Percussion in the Jazz Studies Department of the Peabody Institute, Johns Hopkins University in Baltimore, MD. An internationally acclaimed double bassist, Kris Funn, has performed at major jazz festivals and venues across the globe. He has toured with artists such as Kenny Garrett, Kamasi Washington, Nicholas Payton, Benny Golson, Jeff Lorber, Pharoah Sanders, Sean Jones, Warren Wolf, Joey Alexander, and Christian Scott Atunde Adjuah among others. He appears on several recordings including the 2019 Grammy nominated album, “The Emancipation Procrastination” by Christian Scott Atunde Adjuah. As a composer, Funn’s work has appeared in documentaries, commercial campaigns and as the theme music for The New Yorker’s Poetry Podcast. His band, Cornerstore , was the 2018 winner of the DC Jazz Fest Grand Prix and a 2018 Maryland State Arts Council grant winner for composition. Kris Funn is a native of Baltimore, Maryland and a graduate of Howard University. He is currently a member of the Peabody Institute Jazz Faculty. Born May 28th 1995, Gavin Horning is a guitarist, arranger, and composer originally from Elizabethtown in Lancaster County Pennsylvania and currently living in Baltimore, MD and Elizabethtown, PA. At the age of 20 Gavin performed in concert with former Earth Wind and Fire saxophonist/flautist, Ronnie Laws. He has gone on to perform with artists such as, Jimmy Beaumont and the Skyliners, Eddie Baccus Jr, Dwayne Dolphin, Harold Betters, Steve Rudolph, The Boilermaker Jazz Band, Eric Defade, Paul Bratcher, John Hall, Jeff Bush, Paul Thompson, the Mike Tomaro Sextet, the Joe Negri Quartet, and others. He is an Artist/Educator in the Central PA Friends of Jazz Camp at Messiah College upcoming in June 2019 featuring guest artist Sean Jones. Gavin is a 2017 graduate of Duquesne University and is currently in graduate studies on full scholarship at the Peabody Conservatory where he serves as the Graduate Assistant to Sean Jones and the reinvented Peabody Jazz Department. Gavin has studied with Joe Negri, Mark Koch, Josh Tindall, and Mike Tomaro, additional studies with Jeff Bush, and Mike Stern. He is currently studying with Matthew Stevens, Warren Wolf, and Sean Jones. Robert Gilliam is a Dallas-born multi-instrumentalist currently studying jazz saxophone at Peabody Conservatory. He Began playing cello in the fifth grade and picked up saxophone late freshman year of high school. He has been on tour with both Bobby Watson and Bobby Broom on the Thelonious Monk Peer to Peer Tours, as well participating in the Monterey Jazz Festival award winning “Booker T. Washington HSPVA Jazz Combo,” as well as many other playing/competitive opportunities. Robert aspires to be a renowned composer and jazz musician, and to inspire the next generation of up and coming artists. Lawrence Hutfles is a Third Year Jazz Bassist at the Peabody Conservatory of Music. Though classically trained for many years, Lawrence was always drawn to the freedom of expression that Jazz offered. He spent his first year at Peabody in the Classical Bass department before transferring to Jazz and is now studying under Kris Funn. Lawrence is originally from Michigan and is an Interlochen Alumni..
Recommended publications
  • Ronnie Scott's Jazz C
    GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 7 z 1 0 z 2 a r J MEMBERSHIP TO e b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n OR CALL: 020 74390747 m e n v o Europe’s Premier Jazz Club in the heart of Soho, London o N R Cover artist: Roberto Fonseca (Mon 27th - Wed 29th Nov) Page 36 Page 01 Artists at a Glance Wed 1st - Thurs 2nd: The Yellowjackets N LD OUT Wed 1st: Late Late Show Special - Too Many Zooz SO o Fri 3rd: Jeff Lorber Fusion v Sat 4th: Ben Sidran e m Sun 5th Lunch Jazz: Jitter Kings b Sun 5th: Dean Brown Band e Mon 6th - Tues 7th: Joe Lovano Classic Quartet r Wed 8th: Ronnie Scott’s Gala Charity Night feat. Curtis Stigers + Special Guests Thurs 9th: Marius Neset Quintet Fri 10th - Sat 11th: Manu Dibango & The Soul Makossa Gang Sun 12th Lunch Jazz: Salena Jones “Jazz Doyenne” Sun 12th: Matthew Stevens Preverbal November and December are the busiest times Mon 13th - Tues 14th: Mark Guiliana Jazz Quartet of the year here at the club, although it has to be Wed 15th - Thurs 16th: Becca Stevens Fri 17th - Sat 18th: Mike Stern / Dave Weckl Band feat. Tom Kennedy & Bob Malach UT said there is no time when we seem to slow down. Sun 19th Lunch Jazz: Jivin’ Miss Daisy feat. Liz Fletcher SOLD O November this year brings our Fundraising night Sun 19th: Jazzmeia Horn Sun 19th: Ezra Collective + Kokoroko + Thris Tian (Venue: Islington Assembly Hall) for the Ronnie Scott’s Charitable Foundation on Mon 20th - Tues 21st: Simon Phillips with Protocol IV November 8th featuring the Curtis Stigers Sinatra Wed 22nd: An Evening of Gershwin feat.
    [Show full text]
  • Dennis Chambers
    IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs.
    [Show full text]
  • Friday, Aug. 31 Saturday, Sept. 1 Sunday, Sept. 2 Monday, Sept. 3
    2018 DETROIT JAZZ FESTIVAL presented by Quicken Loans 2018 DETROIT JAZZ FESTIVAL presented by Quicken Loans SCHEDULE SCHEDULE FRIDAY, AUG. 31 SATURDAY, SEPT. 1 SUNDAY, SEPT. 2 MONDAY, SEPT. 3 JPMorgan 6:30 p.m. Dr. Valade’s Brass Band 1:45–3:00 p.m. 2018 Curtis Fuller National Jazz Trombone NOON–1:15 p.m. Michigan State University Jazz Orchestra I 12:45–2:00 p.m. University of Michigan Jazz Chase Main led by New Orleans legend, Competition Winner 2:00–3:15 p.m. Karriem Riggins with the Detroit Jazz Fest Alumni Band Ensemble: A Tribute to Geri Allen Shannon Powell with special guest Regina Carter Stage 4:00–5:15 p.m. Tia Fuller and guests 7:00–8:15 p.m. Resident Ensemble: Terri Lyne 6:00–7:15 p.m. Ravi Coltrane’s Universal Consciousness: 4:00–5:15 p.m. Hubtones: Freddie Hubbard 80th Birthday Celebration – 3:00–4:15 p.m. The Brecker Brothers Band Reunion (Campus Martius) Carrington and Esperanza Melodic Meditations of Alice Coltrane Featuring: Nicholas Payton, Randy Brecker, David Weiss, and 5:00–6:15 p.m. Resident Ensemble: Terri Lyne Spalding – Tribute to Geri 8:00–9:15 p.m. Nicholas Payton – Afro-Caribbean Dwight Adams Carrington and Esperanza Allen “Open On All Sides” Mixtape Project 6:00–7:15 p.m. Chris Dave and the Drumhedz Spalding – Tribute to Geri Allen 8:20–8:40 p.m. Monsieur Periné “Flying Toward the Sound” 8:00–9:15 p.m. Resident Ensemble: Terri Lyne Carrington and Esperanza Spalding 9:00–10:15 p.m.
    [Show full text]
  • October 8, 2015 Young Lords Exhibit, Christian Scott at Harlem Stage
    October 8, 2015 Young Lords exhibit, Christian Scott at Harlem Stage By Ron Scott Christian Scott EMILIE PONS PHOTO The 1960s were heavily colored with shaded overtones of rebellious youth implementing revolutionary tactics against an indifferent government that always seemed to have a smirk of supremacy. In an effort to bring civil and human rights to the forefront of this revolution, the Young Lords, with founder Jose Cha Cha Jimenez, reorganized to become the Young Lords Party in the fall of 1960. Their sense of urgency at the time was Chicago Mayor Richard Daley’s urban renewal plan, which was displacing Puerto Ricans from prime real estate areas such as Lakeview and Lincoln Park. The Young Lords became a militant social activist organization defining Puerto Rican self- determination in the community. Multiple chapters began forming nationwide in Philadelphia, New Jersey, Los Angeles and Puerto Rico. In July 1969, the national headquarters in Chicago sanctioned New York City, where nearly 80 percent of the U.S. Puerto Rican population lived, as the regional chapter. This chapter was formed by Mickey Melendez with Felipe Luciano, chairman; David Perez, minister of defense; Juan Gonzalez, minister of education; Pablo Guzman, minister of information; Juan Fi Ortiz, minister of finance; and Denise Oliver, minister of economic development. “¡Presente! The Young Lords in New York” is now on exhibit at Loisaida through Oct. 10 at 710 E. Ninth St. and Avenue C, the Bronx Museum of the Arts through Oct. 18 at 1040 Grand Concourse and El Museo del Barrio through Oct. 17 at 1230 Fifth Ave.
    [Show full text]
  • Sammy Figueroa Full
    Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a
    [Show full text]
  • User's Manual
    USER’S MANUAL G-Force GUITAR EFFECTS PROCESSOR IMPORTANT SAFETY INSTRUCTIONS The lightning flash with an arrowhead symbol The exclamation point within an equilateral triangle within an equilateral triangle, is intended to alert is intended to alert the user to the presence of the user to the presence of uninsulated "dan- important operating and maintenance (servicing) gerous voltage" within the product's enclosure that may instructions in the literature accompanying the product. be of sufficient magnitude to constitute a risk of electric shock to persons. 1 Read these instructions. Warning! 2 Keep these instructions. • To reduce the risk of fire or electrical shock, do not 3 Heed all warnings. expose this equipment to dripping or splashing and 4 Follow all instructions. ensure that no objects filled with liquids, such as vases, 5 Do not use this apparatus near water. are placed on the equipment. 6 Clean only with dry cloth. • This apparatus must be earthed. 7 Do not block any ventilation openings. Install in • Use a three wire grounding type line cord like the one accordance with the manufacturer's instructions. supplied with the product. 8 Do not install near any heat sources such • Be advised that different operating voltages require the as radiators, heat registers, stoves, or other use of different types of line cord and attachment plugs. apparatus (including amplifiers) that produce heat. • Check the voltage in your area and use the 9 Do not defeat the safety purpose of the polarized correct type. See table below: or grounding-type plug. A polarized plug has two blades with one wider than the other.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • A Phenomenal Woman
    Lighting The Road To The Future Data Zone XULA Students Volunteer Page 6 “The People’s Paper” March 3 - March 9, 2018 52nd Year Volume 44 www.ladatanews.com A Data News Weekly Exclusive LEDISI A Phenomenal Woman Page 2 Fashion 42 Tribes Try a Big Chief John Shirt Dress “Twin” Ohillia Page 7 Page 5 Page 2 March 3 - March 9, 2018 Cover Story www.ladatanews.com The DefinitionLEDISI of a Phenomenal Woman New Orleans native Ledisi is a 12 time Grammy Nominee who has in her two decades career won legions of fans that include Stevie Wonder, the late great Prince and Michelle and Barack Obama where she performed at the White House eight times during his Presidency. By Edwin Buggage what true beauty is . Ledisi is the Essence of Phenom- she prepares to perform a Nina Simone Retrospective Data News Weekly Editor enal womanhood, with 12 Grammy nominations, her with the New Orleans Jazz Orchestra . talent is limitless, and her style, grace, and beauty are I have known and followed Ledisi’s career for many The True Essence of Beauty impeccable . Over her two decades career, Ledisi has years; seeing her grind and now with her ninth studio The late great Maya Angelou wrote a poem called come to redefine the industry with her brand of girl album “Let Love Rule” climbing the charts she has Phenomenal Woman about embracing and defining power as she embodies the spirit of many greats who come a long way and shining as bright as her lumi- beauty beyond the eye, but the depth of the soul is have come before her .
    [Show full text]
  • 6Th Annual Kaiser Permanente San Jose Jazz Winter Fest Presented By
    ***For Immediate Release: Thursday, January 14, 2016*** 6th Annual Kaiser Permanente San Jose Jazz Winter Fest Presented by Metro Thursday, February 25 - Tuesday, March 8, 2016 Cafe Stritch, The Continental, Schultz Cultural Arts Hall at Oshman Family JCC (Palo Alto), Trianon Theatre, MACLA, Jade Leaf Eatery & Lounge and other venues in Downtown San Jose, CA Event Info: sanjosejazz.org/winterfest Tickets: $10 - $65 "Winter Fest has turned into an opportunity to reprise the summer's most exciting acts, while reaching out to new audiences with a jazz-and-beyond sensibility." –KQED Arts National Headliners: John Scofield Joe Lovano Quartet Regina Carter Nicholas Payton Trio Delfeayo & Ellis Marsalis Quartet Marquis Hill Blacktet Bria Skonberg Regional Artists: Jackie Ryan J.C. Smith Band Chester ‘CT’ Thompson Jazz Beyond Series Co-Curated with Universal Grammar KING Kneedelus Kadhja Bonet Next Gen Bay Area Student Ensembles Lincoln Jazz Band SFJAZZ High School All Stars Combo Homestead High School Jazz Combo Los Gatos High School Jazz Band San Jose State University Jazz Combo San Jose Jazz High School All Stars San Jose, CA -- Renowned for its annual Summer Fest, the iconic Bay Area institution San Jose Jazz kicks off 2016 with dynamic arts programming honoring the jazz tradition and ever-expanding definitions of the genre with singular concerts curated for audiences within the heart of Silicon Valley. Kaiser Permanente San Jose Jazz Winter Fest 2016 presented by Metro continues its steadfast commitment of presenting a diverse array of some of today’s most distinguished artists alongside leading edge emerging musicians with an ambitious lineup of more than 25 concerts from February 25 through March 8, 2016.
    [Show full text]
  • Ithaca College Alumni Big Band
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-26-2008 Concert: Ithaca College Alumni Big Band Ithaca College Alumni Big Band Steve Brown Ray Brown Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Alumni Big Band; Brown, Steve; and Brown, Ray, "Concert: Ithaca College Alumni Big Band" (2008). All Concert & Recital Programs. 6670. https://digitalcommons.ithaca.edu/music_programs/6670 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE ALUMNI BIG BAND Steve Brown and Ray Brown, musical directors Ford Hall Saturday, April 26, 2008 8:15 p.m. PROGRAM Straightahead City Ray Brow Bossa Barbara Steve Brown Arr. Ray Brown Sweet Angel Steve Brown Lyrics: Tish Rabe Two Birds, On~ Stone Steve Brown Embraceable You/Quasimodo Gershwin/Parker Arr. Ray Brown The Telephone Song Menescal/Boscoli/Gimbel .. Arr. Ray BrowU Bittersweet Willie Maiden Trans. Ray Brown The Best of Everything Tony Bennett Arr. Steve Brown Our Love Is Here To Stay George Gershwin Air. Ray Brown INTERMISSION Del Sasser Sam Jones Arr. Ray Brown PickYours·elf Up Fields/Kem Arr. Neal Hefti Trans. Tony DeSare Kayak Kenny Wheeler Arr. Ray Brown Barbara Horace Silver Arr. Ray Brown I Could Write A Book Rodgers/Hart Arr. Ray Brown The Thumb Wes Montgomery Arr. Ray Brown The Ballad of Thelonious Monk Jimmy Rowles Arr.
    [Show full text]
  • February 2013 Calendar of Events
    FEBRUARY 2013 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information NEW YORK CITY BALLET LINCOLN CENTER PRESENTS February 3 Sunday Wheeldon/Forsythe/ AMERICAN SONGBOOK is current as of JAZZ AT LINCOLN CENTER Balanchine/Martins Cécile McLorin Salvant January 3, 2012 Polyphonia The Allen Room 8:30 PM René Marie Quartet with Elias Bailey, Quentin Baxter, Herman Schmerman (Pas de Deux) Kevin Bales Variations pour une Porte et un Soupir February 1 Friday LINCOLN CENTER THEATER Dizzy's Club Coca-Cola The Waltz Project Luck of the Irish 7:30 & 9:30 PM FILM SOCIETY David H. Koch Theater 8 PM OF LINCOLN CENTER A New Play by Kirsten Greenidge To view the Film Society's February NEW YORK PHILHARMONIC LINCOLN CENTER PRESENTS schedule, visit www. Filmlinc.com. Directed by Rebecca Taichman GREAT PERFORMERS Christoph von Dohnanyi, Claire Tow Theater 2 & 7 PM conductor Angelika Kirchschlager, JAZZ AT LINCOLN CENTER mezzo-soprano Radu Lupu, piano METROPOLITAN OPERA René Marie Quartet Beethoven: Overture to Ian Bostridge, tenor with Elias Bailey, Quentin Baxter, Le Comte Ory Julius Drake, piano The Creatures of Prometheus Metropolitan Opera House 1 PM Kevin Bales Beethoven: Piano Concerto No. 1 Wolf: Selections from Dizzy's Club Coca-Cola Spanisches Liederbuch Beethoven Symphony No. 5 METROPOLITAN OPERA 7:30 & 9:30 PM Avery Fisher Hall 8 PM Alice Tully Hall 5 PM L'Elisir d'Amore JUILLIARD SCHOOL February 2 Saturday Metropolitan Opera House 8 PM LINCOLN CENTER THEATER David Westen, trombone Luck of the Irish Morse Hall 4 PM DAVID RUBENSTEIN ATRIUM NEW YORK CITY BALLET AT LINCOLN CENTER A New Play by Robbins/Peck/Balanchine Kirsten Greenidge JUILLIARD SCHOOL Meet the Artist Saturdays Glass Pieces Directed by Rebecca Taichman Mina Um, violin Harlem Gospel Choir Year of the Rabbit Claire Tow Theater 2 & 7 PM Paul Hall 6 PM David Rubenstein Atrium 11 AM Vienna Waltzes David H.
    [Show full text]
  • 2019 Letter to Directors Color
    December 17, 2018 Dear Jazz Ensemble Director, I am pleased to invite you to participate in the 33rd Annual Mineral Area College Carol Moore Memorial Jazz Festival to be held on March 1 and 2, 2019. This year we are thrilled to feature extraordinary trumpeter and educator Sean Jones as our guest artist. A prolific performer and recording artist, Mr. Jones recently released his eighth recording as a leader, Live from Jazz at the Bistro on Mack Avenue Records. His résumé as a sideman is highlighted by stints with the Jazz at Lincoln Center Orchestra and SF Jazz Collective, as well as being selected by Marcus Miller, Herbie Hancock, and Wayne Shorter to serve as the featured trumpeter for their Tribute to Miles Tour in 2011. In addition to his work as a performer, Mr. Jones is the artistic director of the Pittsburgh Jazz Orchestra, Artist-in-Residence at San Francisco Performances, and was appointed as the director of Carnegie Hall’s NYO Jazz, which made its Carnegie Hall debut and inaugural European tour in the summer of 2018. Mr. Jones is the Richard and Elizabeth Case Chair of Jazz Studies at the Peabody Institute of Johns Hopkins University. Sean Jones will provide a clinic at noon and be featured in live performance at 6pm on both March 1 and 2, 2019 in the MAC Theater. In addition to Sean Jones’ clinics, over the course of the two-day festival each of our adjudicators will present a daytime masterclass. It is my hope that, in addition to listening to other ensembles perform, your students will take advantage of these masterclasses and find them to be meaningful learning experiences while in attendance at the festival.
    [Show full text]