Chick Corea Windows Transcription Mike Stern
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Dennis Chambers
IMPROVE YOUR ACCURACY AND INDEPENDENCE! THE WORLD’S #1 DRUM MAGAZINE FUSION LEGEND DENNIS CHAMBERS SHAKIRA’S BRENDAN BUCKLEY WIN A $4,900 PEARL MIMIC BLONDIE’S PRO E-KIT! CLEM BURKE + DW ALMOND SNARE & MARCH 2019 GRETSCH MICRO KIT REVIEWED NIGHT VERSES’ ARIC IMPROTA FISHBONE’S PHILIP “FISH” FISHER THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2019 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 LAYER » EXPAND » ENHANCE HYBRID DRUMMING ARTISTS BILLY COBHAM BRENDAN BUCKLEY THOMAS LANG VINNIE COLAIUTA TONY ROYSTER, JR. JIM KELTNER (INDEPENDENT) (SHAKIRA, TEGAN & SARA) (INDEPENDENT) (INDEPENDENT) (INDEPENDENT) (STUDIO LEGEND) CHARLIE BENANTE KEVIN HASKINS MIKE PHILLIPS SAM PRICE RICH REDMOND KAZ RODRIGUEZ (ANTHRAX) (POPTONE, BAUHAUS) (JANELLE MONÁE) (LOVELYTHEBAND) (JASON ALDEAN) (JOSH GROBAN) DIRK VERBEUREN BEN BARTER MATT JOHNSON ASHTON IRWIN CHAD WACKERMAN JIM RILEY (MEGADETH) (LORDE) (ST. VINCENT) (5 SECONDS OF SUMMER) (FRANK ZAPPA, JAMES TAYLOR) (RASCAL FLATTS) PICTURED HYBRID PRODUCTS (L TO R): SPD-30 OCTAPAD, TM-6 PRO TRIGGER MODULE, SPD::ONE KICK, SPD::ONE ELECTRO, BT-1 BAR TRIGGER PAD, RT-30HR DUAL TRIGGER, RT-30H SINGLE TRIGGER (X3), RT-30K KICK TRIGGER, KT-10 KICK PEDAL TRIGGER, PDX-8 TRIGGER PAD (X2), SPD-SX-SE SAMPLING PAD Visit Roland.com for more info about Hybrid Drumming. Less is More Built for the gigging drummer, the sturdy aluminum construction is up to 34% lighter than conventional hardware packs. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
User's Manual
USER’S MANUAL G-Force GUITAR EFFECTS PROCESSOR IMPORTANT SAFETY INSTRUCTIONS The lightning flash with an arrowhead symbol The exclamation point within an equilateral triangle within an equilateral triangle, is intended to alert is intended to alert the user to the presence of the user to the presence of uninsulated "dan- important operating and maintenance (servicing) gerous voltage" within the product's enclosure that may instructions in the literature accompanying the product. be of sufficient magnitude to constitute a risk of electric shock to persons. 1 Read these instructions. Warning! 2 Keep these instructions. • To reduce the risk of fire or electrical shock, do not 3 Heed all warnings. expose this equipment to dripping or splashing and 4 Follow all instructions. ensure that no objects filled with liquids, such as vases, 5 Do not use this apparatus near water. are placed on the equipment. 6 Clean only with dry cloth. • This apparatus must be earthed. 7 Do not block any ventilation openings. Install in • Use a three wire grounding type line cord like the one accordance with the manufacturer's instructions. supplied with the product. 8 Do not install near any heat sources such • Be advised that different operating voltages require the as radiators, heat registers, stoves, or other use of different types of line cord and attachment plugs. apparatus (including amplifiers) that produce heat. • Check the voltage in your area and use the 9 Do not defeat the safety purpose of the polarized correct type. See table below: or grounding-type plug. A polarized plug has two blades with one wider than the other. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Biography of Lars Danielsson
Biography of Lars Danielsson The late great Danish bass legend Nils-Henning Ǿrsted Pedersen didn't only leave the world a direct legacy of great jazz through his own playing; a part of what he has bequeathed is indirect. When the young Swedish musician Lars Danielsson once heard him in concert, he was so deeply affected, he turned towards jazz, and to the bass. Until that point, Danielsson, born in Gothenburg in 1958, had been studying classical cello at the conservatory in his home town of Gothenburg. Fortunately, that study of the cello is not something he has chosen to shrug off, he has integrated it into what he does now. Not just in the sense that he always includes the cello in his repertoire, but also that his bass-playing unmistakably has a slightly more melodious, floating and lyrical ring to it than that of many of his fellow bass players. These were the special qualities which soon placed him in very high demand internationally as a sideman. As early as the 1980s, he had worked not only with local and European greats such as Lars Jansson, Hans Ulrik, Carsten Dahl, Nils Landgren, Christopher Dell, Johannes Enders and Trilok Gurtu (in whose group he remained a member for some time), but also with luminaries of the American scene such as saxophonists Rick Margitza and Charles Lloyd, the Brecker Brothers, drummers Terri Lyne Carrington , Jack DeJohnette and Billy Hart or guitarists John Scofield, Mike Stern and John Abercrombie. But Danielsson has never been content with just an accompanying role. He has always been a creative composer as well and is one of a relatively small group of bassists who has also emerged as a significant bandleader. -
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Roger Sadowsky Carves a Guitar Neck by Hand
Right: Roger Sadowsky carves a guitar neck by hand. Below: Roger takes a break beneath a wall of customized guitars and basses. ROGER SADOWSKY he job of the instrument maker is to provide a tool that “ allows the musician to express himself. Ultimately, the changes in sound and design don’t come from us, but New York’s T from innovative musicians whose talent demands something new. The most dramatic example we get is people Acclaimed Craftsman from all over the world requesting the ‘Marcus Miller bass sound’.” Tailors Instruments —Roger Sadowsky For Everyone From “Roger was the first repairman to take an interest in my playing. He asked a lot of questions concerning how hard I played, the Springsteen and Sting kinds of music I was involved with, and what sort of sound I was looking for. He has great insight into the wood and To Di Meola And Stern electronics that make up an instrument, and he suggested I try one of his preamps. At the time, I was having trouble conveying my style through my bass. With the preamp, I gradually noticed that I could do more with the instrument and the sound was By Chris Jisi projecting better. What Roger did was give me a sound with which I could communicate my style.” —Marcus Miller PHOTOS BY EBET ROBERTS PHOTOS Similar accolades arrive from all corners of the music busi- New York in 1979, 95% of my clients were top studio and ness for New York luthier/repairman Roger Sadowsky, from guitar touring musicians in town. -
Steve Smith Biography 2020 Steve Smith's Drumming, While Always
Steve Smith Biography 2020 Steve Smith's drumming, while always decidedly modern, can best be described as a style that embodies the history of U.S. music. Originally drawn to the drums by hearing marching bands in parades as a child in his native Massachusetts, Smith began studying the drums at age nine, in 1963. After high school, Smith studied in Boston at the Berklee College of Music from 1972-76, where he had private lessons with both Gary Chaffee and Alan Dawson. His original love of rudimental parade band drumming is evident in his intricate solos. Likewise, his command of jazz, from New Orleans music, swing, big band, bebop, avant-garde to fusion, plus his rock drumming sensibilities and knowledge of rhythms from India allow him to push the boundaries of all styles to new heights. In 1976, Smith began his association with jazz-fusion by joining violinist Jean-Luc Ponty's group and recording the 1977 landmark fusion album Enigmatic Ocean. It was while touring with rocker Ronnie Montrose a year later that Smith was asked to join the popular rock band Journey which brought his playing to the attention of a rock audience. With Journey, Smith toured the world and recorded numerous successful albums including the immensely popular Escape (which includes the ubiquitous hit song “Don’t Stop Believin’”) and Frontiers, both of which garnered the band many Top 40 hits. Journey’s albums have sold in excess of 75 million copies worldwide to date. In 1985 Smith left Journey to pursue his original passion, jazz, and to continue his developing career as a session player, bandleader and educator. -
Jazz Combofest
Monday–Friday, December 7–11, 2020 Livestream from MSM Jazz ComboFest Monday, December 7 PROGRAM 3:15 PM Theo Bleckmann Ensemble Miriam Crellin, voice Rostrevor, Australia Nick Creus, guitar Rye, New York Rocco Dapice, piano Ardsley, New York April Varner, voice Sylvania, Ohio Tammy Huynh, voice Ambler, Pennsylvania Shimone Gambourg, double bass Brooklyn, New York Joshua Green, drums Houston, Texas SET LIST/SELECTIONS Dream State Shimon Gambourg/April Varner The One I’ve Waited For Music by Guy Wood, Vocalese by April Varner She Will Lead the Way Music and Lyrics by Rocco Dapice and April Varner For Lonely Nights Tammy Huynh I Spend My Days Rocco Dapice/Nicholas Creus/Tammy Huynh Still I Ask Miriam Crellin (arr. Shimon Gambourg) Joy Miriam Crellin Early Pennsylvania Miriam Crellin 4:15 PM Scott Wendholt Ensemble Henry Sherris, trumpet Wellington, New Zealand Estes Noe Cantarero-George, trombone Alexandria, Virginia Zoe Harrison, double bass Davis, California Audrey Pretnar, guitar Mohegan Lake, New York Kabelo Mokhatla, drums Kempton Park, South Africa SET LIST/SELECTIONS A New Beginning Estes Noe Cantarero-George Simplicity Kabelo Boy Mokhatla Woodchuck Waltz Audrey Meying Pretnar Joy Spring Clifford Brown Mirage Zoe Harrison 5:15 PM Rogerio Boccato Ensemble Evan Amoroso, bass trombone Harrisonburg, Virginia Evan Arntzen, clarinet New York, New York Shimone Gambourg, double bass Brookyln, New York Joshua Green, drums Houston, Texas Ethan Fisher, vibraphone Philadelphia, Pennsylvania Kellin Hanas, trumpet Wheaton, Illinois Emmett Sher, guitar Staten Island, New York Rogerio Boccato, percussion (MSM faculty member) SET LIST/SELECTIONS A Rã João Donato Bebê Hermeto Pascoal Fato Consumado Djavan A Porta Dori Caymmi Coisa No. -
JAZZ GUITAR TRIO: an HOUR of SERIOUS JAZZ /October 16/3.00PM Gerry Gibbs Is a Grammy Nominated Drummer, Producer, Band Leader, Composer & Arranger
ST. CATHERINE OF SIENA MUSIC SERIES / CONCERTS IN THE CHAPEL PRESENTS JAZZ GUITAR TRIO: AN HOUR OF SERIOUS JAZZ /October 16/3.00PM Gerry Gibbs is a Grammy nominated Drummer, Producer, Band Leader, Composer & Arranger. As a Solo Artist, Gibbs has released 9 Jazz Recordings. His first, back in 1996, ‘Gerry Gibbs Sextet – The Thrasher’ features Saxophonist Ravi Coltrane with Quincy Jones as Executive Producer, while his last two recordings: ‘Gerry Gibbs & The Thrasher Dream Trio’, ’We’re Back’ and ‘Live In Studio’ feature Ron Carter & Kenny Barron. In 2014 and 2015, all three recordings topped the National Jazz Radio Charts. Gerry performed, recorded and toured with a who’s who in jazz, funk, electronic & world music, among them: McCoy Tyner, Stanley Clarke, Joe Henderson, James Moody, Patrice Rushen, Dewey Redman, Eddie Harris, Mike Stern, Larry Coryell, Randy Brecker, Tom Harrell, Brad Mehldau, Parliament Funkadelic & Electronic Music Pioneer Flying Lotus, to name but a few. GERRY GIBBS / DRUMS Essiet Okon Essiet an internationally renowned Bassist, having toured throughout the The Americas, Europe and Japan as part of the Blue Note Allstars and Danilo Perez's Motherland Project and with South African pianist Abdullah Ibrahim. A member of Art Blakey and the Jazz Messengers, Essiet performed and recorded with such notables as Benny Golson, Johnny Griffin, James Moody, Freddie Hubbard, Bobby Hutcherson, Cedar Walton, Pat Martino, Kenny Burrell, Jackie McLean, Kenny Barron, Louis Hayes, Art Farmer, Victor Lewis, Kenny Garrett, Kenny Kirkland ,Mulgrew Miller, Jeff "Tain " Watts, Mike Stern, Fort Apache Band, to highlight only a partial list. Currently, Essiet leads his own group called "IBO" named after a Nigerian tribe. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Bioteepelongversion 2017
Biography Joris Teepe (updated 2017) Joris Teepe Bassist, Band Leader, Recording Artist, Composer, Producer, Educator Dutch born Joris Teepe graduated in 1991 from the Amsterdam Conservatory in The Netherlands and moved shortly thereafter to New York. He has been traveling between New York and Amsterdam ever since although New York has been his main home. Recently (since 2013) he has an additional residence in Amsterdam. Arriving in New York in 1992 with just his bass and a suitcase, he quickly became a bassist in great demand. He has been working with the "who is who in Jazz" such as Benny Golson, Lee Konitz, Dave Liebman, Randy Brecker & Barry Harris, but is mostly known for his 9 year stint with the Rashied Ali Quintet (2000- 2009). Joris Teepe established himself not only as a sideman but has gained respect as a bandleader (14 CD’s), composer, record producer and educator. Teepe leads his own groups and his own New York Big Band that plays only his original music. Noteworthy is that he composed several large symphonic works (for Jazz Band and full symphony orchestra). Teepe is director of Jazz Studies in Groningen, one of the biggest universities in the Netherlands and he is Bass Professor at Queens College in New York. Website: www.joristeepe.com Facebook: https://www.facebook.com/joris.teepe In 2004 Joris Teepe has been nominated for the Bird Award at the North Sea Jazz Festival in the category “Artist deserving wider recognition”. Bassist Teepe has developed an extensive knowledge of every aspect of jazz performance and never denies his artistic vision and adventurous personality.