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Jeanmichel Basquiat: an Analysis of Nine Paintings
JeanMichel Basquiat: An Analysis of Nine Paintings By Michael Dragovic This paper was written for History 397: History, Memory, Representation. The course was taught by Professor Akiko Takenaka in Winter 2009. Jean‐Michel Basquiat’s incendiary career and rise to fame during the 1980s was unprecedented in the world of art. Even more exceptional, he is the only black painter to have achieved such mystic celebrity status. The former graffiti sprayer whose art is inextricable from the backdrop of New York City streets penetrated the global art scene with unparalleled quickness. His work arrested the attention of big‐ shot art dealers such as Bruno Bischofberger, Mary Boone, and Anina Nosei, while captivating a vast audience ranging from vagabonds to high society. His paintings are often compared to primitive tribal drawings and to kindergarten scribbles, but these comparisons are meant to underscore the works’ raw innocence and tone of authenticity akin to the primitivism of Henri Matisse, Pablo Picasso, Cy Twombly or, perhaps, even that of the infant mind. Be that as it may, there is nothing juvenile about the communicative power of Basquiat’s work. His paintings depict the physical and the abstract to express themes as varied as drug abuse, bigotry, jazz, capitalism, and mortality. What seem to be the most pervasive throughout his paintings are themes of racial and socioeconomic inequality and the degradation of life that accompanies this. After examining several key paintings from Basquiat’s brief but illustrious career, the emphasis on specific visual and textual imagery within and among these paintings coalesces as a marked—and often scathing— social commentary. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
February 2013 Calendar of Events
FEBRUARY 2013 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information NEW YORK CITY BALLET LINCOLN CENTER PRESENTS February 3 Sunday Wheeldon/Forsythe/ AMERICAN SONGBOOK is current as of JAZZ AT LINCOLN CENTER Balanchine/Martins Cécile McLorin Salvant January 3, 2012 Polyphonia The Allen Room 8:30 PM René Marie Quartet with Elias Bailey, Quentin Baxter, Herman Schmerman (Pas de Deux) Kevin Bales Variations pour une Porte et un Soupir February 1 Friday LINCOLN CENTER THEATER Dizzy's Club Coca-Cola The Waltz Project Luck of the Irish 7:30 & 9:30 PM FILM SOCIETY David H. Koch Theater 8 PM OF LINCOLN CENTER A New Play by Kirsten Greenidge To view the Film Society's February NEW YORK PHILHARMONIC LINCOLN CENTER PRESENTS schedule, visit www. Filmlinc.com. Directed by Rebecca Taichman GREAT PERFORMERS Christoph von Dohnanyi, Claire Tow Theater 2 & 7 PM conductor Angelika Kirchschlager, JAZZ AT LINCOLN CENTER mezzo-soprano Radu Lupu, piano METROPOLITAN OPERA René Marie Quartet Beethoven: Overture to Ian Bostridge, tenor with Elias Bailey, Quentin Baxter, Le Comte Ory Julius Drake, piano The Creatures of Prometheus Metropolitan Opera House 1 PM Kevin Bales Beethoven: Piano Concerto No. 1 Wolf: Selections from Dizzy's Club Coca-Cola Spanisches Liederbuch Beethoven Symphony No. 5 METROPOLITAN OPERA 7:30 & 9:30 PM Avery Fisher Hall 8 PM Alice Tully Hall 5 PM L'Elisir d'Amore JUILLIARD SCHOOL February 2 Saturday Metropolitan Opera House 8 PM LINCOLN CENTER THEATER David Westen, trombone Luck of the Irish Morse Hall 4 PM DAVID RUBENSTEIN ATRIUM NEW YORK CITY BALLET AT LINCOLN CENTER A New Play by Robbins/Peck/Balanchine Kirsten Greenidge JUILLIARD SCHOOL Meet the Artist Saturdays Glass Pieces Directed by Rebecca Taichman Mina Um, violin Harlem Gospel Choir Year of the Rabbit Claire Tow Theater 2 & 7 PM Paul Hall 6 PM David Rubenstein Atrium 11 AM Vienna Waltzes David H. -
2019 Letter to Directors Color
December 17, 2018 Dear Jazz Ensemble Director, I am pleased to invite you to participate in the 33rd Annual Mineral Area College Carol Moore Memorial Jazz Festival to be held on March 1 and 2, 2019. This year we are thrilled to feature extraordinary trumpeter and educator Sean Jones as our guest artist. A prolific performer and recording artist, Mr. Jones recently released his eighth recording as a leader, Live from Jazz at the Bistro on Mack Avenue Records. His résumé as a sideman is highlighted by stints with the Jazz at Lincoln Center Orchestra and SF Jazz Collective, as well as being selected by Marcus Miller, Herbie Hancock, and Wayne Shorter to serve as the featured trumpeter for their Tribute to Miles Tour in 2011. In addition to his work as a performer, Mr. Jones is the artistic director of the Pittsburgh Jazz Orchestra, Artist-in-Residence at San Francisco Performances, and was appointed as the director of Carnegie Hall’s NYO Jazz, which made its Carnegie Hall debut and inaugural European tour in the summer of 2018. Mr. Jones is the Richard and Elizabeth Case Chair of Jazz Studies at the Peabody Institute of Johns Hopkins University. Sean Jones will provide a clinic at noon and be featured in live performance at 6pm on both March 1 and 2, 2019 in the MAC Theater. In addition to Sean Jones’ clinics, over the course of the two-day festival each of our adjudicators will present a daytime masterclass. It is my hope that, in addition to listening to other ensembles perform, your students will take advantage of these masterclasses and find them to be meaningful learning experiences while in attendance at the festival. -
Playbill Feb
2014–2015 SEASON PLAYBILL FEB. 5–FEB. 28 © The &oca&ola &ompany Ľ&okeľ and the &ontour Bottle are trademarks of The &oca&ola &ompany 2 /`ba 1S\bS` C;Oaa 4W\S ]T bVS ac^^]`bS` Wa O ^`]cR 1]QO1]ZO1 0`Od]0 / C ] a Wa A Notable Lifestyle Celebrating lifelong enjoyment of the arts Discover gracious, refined independent living in a social and dynamic environment. Meet passionate, enlightened residents–from academics to artists–that will inspire you. The Loomis Communities offer an unparalleled lifestyle with superior amenities and services—with the added peace of mind for the future that comes from access to LiveWell@Loomis. APPLEWOOD LOOMIS VILLAGE Amherst, MA South Hadley, MA 413-253-9833 413-532-5325 The Western Massachusetts www.loomiscommunities.org Pioneer in Senior Living 3 Insuring The Arts Play Onn Local Insurance Agency Local Insurance Agency InsuringYourWay.com 'MPSFODFt&BTUIBNQUPO Can Study Abroad! YOU Scholarships available Education Abroad Advising Center ,QWHUQDWLRQDO3URJUDPV2I¼FH 5P+LOOV6RXWK DFURVVIURP6WXGLR$UWV%XLOGLQJ www.ipo.umass.eduip d 2SHQ0®)AM–4 PM 4 5 Good thinking. NEW ENGLAND PUBLIC RADIO News. Classical. Jazz. Amherst / Springfield / Hartford .................................. WFCR 88.5 FM North Adams .................................................................................. 101.1 FM Great Barrington ............................................................................98.7 FM Lee ....................................................................................................98.3 FM Pittsfield / -
Orrinevans EPK 0626 REV2.Pdf
...It Was Beauty …a poised artist with an impressive template of ideas at his command. – New York Times Pianist Orrin Evans released his 20th recording “…It Was Beauty ” on Criss Cross which debuted the music on May 27th @ Blue Note, NYC ••• A Prodigious Producer, Evans Also Launched Likemind Collective With New CDs by Tarbaby, Eric Revis and JD Walter Two time Grammy nominee and Pew Fellow, Orrin Evans has been recognized as one of the most distinctive and inventive pianists of his generation. In a short span of time Orrin has earned the titles of pianist, composer, bandleader, teacher, producer and arranger. The New York Times described the pianist as "... a poised artist with an impressive template of ideas at his command", a quality that has undoubtedly assisted in keeping Orrin at the forefront of the music scene. The latest release by Evans, “It Was Beauty” marks his 20th recording as a leader and his seventh release for the label, Criss Cross, which he began recording for at age 21. In his 20-year plus career, he’s been critically acclaimed for his imposing chops, his propulsive take on rhythm and harmony alike. Over- looked has been the beauty he creates through his art form. For the project, Evans convened four bassists – Eric Revis, Ben Wolfe, Luques Curtis, and Alex Claffy – and drummer Donald Edwards, all bandstand partners in recent years. Brian McKenna ph: 917.748.4337 P.O. Box 88 Pomona, NY 10970 [email protected] ...It Was Beauty Likemind. Evans has a restless mind as an artist, producer and bandmate, compelling him to forge new paths for himself and artists of likemind. -
The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django
FEB/MARCH 2014 The Hot Club of Baltimore: Baltimore Discovers the Spirit of Django . 1 Cold Spring Jazz Quartet – Night Songs: The Music of Film Noir . 3 BALTIMORE JAZZ ALLIANCE An Interview with Donny McCaslin . 4 Warren Wolf, Christian McBride and Friends . 6 Jazz Jam Sessions . 10 BJA Member Notes, Products and Discounts . 10 Ad Rates and Member Sign-up Form . 11 VOLUME XI ISSUE II THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Baltimore Discovers the Spirit of Django The Hot Club A cold start to February’s Monday night ously sat in. On this particular night a Gypsy Jazz Jam didn’t prevent Balti - blend of accordion, violin, harmonica more’s Djangophiles from flocking to and four guitars kicked off the jam. of Baltimore Liam Flynn’s Ale House, an atmospheric, Swinging into action in the middle of welcoming, bare-bones pub on W. North the room, seated in the round and soloing Avenue, Baltimore. For nearly a year, in rotation, the musicians started with the under the leadership of guitarist Michael jazz standard “Coquette.” Harris’s open - Joseph Harris, whom many will know ing solo embellished the song with the through his band Bossalingo, the Mon - arpeggios and flourishes that typify the day night jam has been picking up acco - Django style. Arefin’s guitar picked up the lades and winning over fans. City Paper theme, building the rhythmic energy with recently declared the jam to be Best Mon - a more chordal solo before handing off to day Night in Baltimore. the liquid Wes Montgomery-style runs of Musicians from as far away as Jim Tisdall. -
Innovation Through Generations of Jazz Vibraphonists: Jackson
INNOVATION THROUGH GENERATIONS OF JAZZ VIBRAPHONISTS: JACKSON, HUTCHERSON, BURTON AND LOCKES’ IMPROVISATIONS ON “BAGS’ GROOVE” 爵士鐵琴的世代變革:傑克森、赫卻森、柏頓和拉克在「袋之律動」上之即興 YU CHIH CHERRY CHEN 陳玉至 1 BIOGRAPHIES Milt Jackson Milt Jackson (1923-1999, MI) is recognized as the bebop innovator of the vibraphone. Following in the steps of two of the previous masters of the vibraphone Lionel Hampton and Red Norvo, Jackson succeeded in transferring the bebop idiom to his instrument, becoming one of the greatest vibraphonists in the bop style. Jackson used two mallets, almost treating the vibraphone as a single-line instrument. His playing is marked by his adept skills, but also laced with blues phrases that refer to his musical upbringing in the church.1 He is universally recognized as a definitive interpreter of the blues. As a member of the Modern Jazz Quartet (MJQ), he was required to read and memorize the arrangements written by John Lewis. These arrangements incorporated many classical materials with jazz, which is known as third stream. Playing these arrangements inspired Jackson to find a voice beyond the bebop idiom.2 Some of his significant works are “Bags and Trane”, “Sunflower” and “The Prophet Speaks.” Bobby Hutcherson Studying piano briefly with his mother at an early age provided Bobby Hutcherson (1941-2016, LA) with a foundation in harmony. In his teens he heard Milt Jackson playing the vibraphone on a 1Dick Sisto, The Jazz Vibraphone Book (U.S.A: Meredith Music Publication, 2005), 27-36. 2Ted Gioia, The history of Jazz (2nd ed. New York: Oxford University Press. 2011), 258-259. -
Lebanese Reconciliation Through Youth Graffiti Art
Murals for Hope: Lebanese Reconciliation through Youth Graffiti Art By © 2017 Katelyn M. Bronell B.A, Marquette University, 2015 Submitted to the graduate degree program in Global and International Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. Chair: Marike Janzen Erik R. Scott F. Michael Wuthrich Date Defended: 30 November 2017 ii The thesis committee for Katelyn M. Bronell certifies that this is the approved version of the following thesis: Murals for Hope: Lebanese Reconciliation through Youth Graffiti Art Chair: Marike Janzen Date Approved: 13 December 2017 iii Abstract Lebanese history contains both violence and sectarian tension which permeates Lebanese society and hinders reconciliation for the many ethnic groups in the country. Although the older generation lives with the memories of the civil war, the younger generation has instead developed memories of the war with perspectives that normalize both the social tension and lingering past stories. However, these negative perspectives are transmuted as the younger Lebanese generation reflects their hopes and dreams of the world through the public domain using graffiti as a medium. Although criminalized globally in the past, graffiti art has the potential to repaint walls of society with opinions and art, especially in the Middle East. This textual analysis paper examines the graffiti artwork of five young Lebanese artists, who did not experience the civil war, but grew up in its aftermath and whose perspective add the religious and social aspects needed to authenticate a reconciliation narrative. Using theoretical discussion of both reconciliation and of Ricœur’s hermeneutic phenomenology one can interpret the Lebanese narratives of reconciliation through the images of acknowledgment and acceptance of a collective past, the image of reparation of destroyed relationships through similar cultural symbols, and a commitment to a future of coexistence and peace. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
M Ary Pappert School of Music
duq.edu/music Mary Pappert School of Music We canyour prepare you for future Mary Pappert School of Music at DUQUESNE UNIVERSITY A national leader in music performance, education, technology, therapy and sacred music • Music students receive a strong foundation in the liberal arts and a mission-centered, values-based education at one of the nation’s top Catholic universities. • Founded in 1878 by the Congregation of the Holy Spirit • Campus consists of 49 acres atop a bluff overlooking Downtown Pittsburgh, just minutes from some of the finest theaters, museums and music performance venues in the country. • 10,000 students and 150 undergraduate and graduate programs Pittsburgh—America’s Most ‘Livable’ City Pittsburgh is a city where the arts thrive. The Pittsburgh Symphony, Pittsburgh Opera and Pittsburgh Ballet are just some of our well-known musical institutions. Home to career in music. jazz legends like Erroll Garner, Art Blakey and Billy Strayhorn, the city also boasts a wide range of cultural amenities—theaters, world-class museums and performance venues including the Andy Warhol Museum, Carnegie Museums, Manchester Craftsmen’s Guild and Heinz Hall. Pittsburgh is a global leader in technology, robotics, health care and sustainability, not to mention our professional football, baseball and hockey teams. Here you will find safe neighborhoods, a modest cost of living and abundant arts and recreational opportunities throughout the city and surrounding areas. Visit Pittsburgh Mary Pappert School of Music The Mary Pappert School of Music provides musical education that connects the broad spectrum of historical and current practices, and, in promoting the relationship between theory and practice, prepares professionals who will be the leaders in the musical culture of the 21st century. -
Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin