Music & Mathematics
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Representations of Conjoined Twins
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2015 Representations of conjoined twins Claire Marita Fletcher University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Fletcher, Claire Marita, Representations of conjoined twins, Master of Arts in Creative Writing thesis, Faculty of Law, Humanities and the Arts, University of Wollongong, 2015. https://ro.uow.edu.au/theses/ 4691 Research Online is the open access institutional repository for the University of Wollongong. -
Note Staff Symbol Carnatic Name Hindustani Name Chakra Sa C
The Indian Scale & Comparison with Western Staff Notations: The vowel 'a' is pronounced as 'a' in 'father', the vowel 'i' as 'ee' in 'feet', in the Sa-Ri-Ga Scale In this scale, a high note (swara) will be indicated by a dot over it and a note in the lower octave will be indicated by a dot under it. Hindustani Chakra Note Staff Symbol Carnatic Name Name MulAadhar Sa C - Natural Shadaj Shadaj (Base of spine) Shuddha Swadhishthan ri D - flat Komal ri Rishabh (Genitals) Chatushruti Ri D - Natural Shudhh Ri Rishabh Sadharana Manipur ga E - Flat Komal ga Gandhara (Navel & Solar Antara Plexus) Ga E - Natural Shudhh Ga Gandhara Shudhh Shudhh Anahat Ma F - Natural Madhyam Madhyam (Heart) Tivra ma F - Sharp Prati Madhyam Madhyam Vishudhh Pa G - Natural Panchama Panchama (Throat) Shuddha Ajna dha A - Flat Komal Dhaivat Dhaivata (Third eye) Chatushruti Shudhh Dha A - Natural Dhaivata Dhaivat ni B - Flat Kaisiki Nishada Komal Nishad Sahsaar Ni B - Natural Kakali Nishada Shudhh Nishad (Crown of head) Så C - Natural Shadaja Shadaj Property of www.SarodSitar.com Copyright © 2010 Not to be copied or shared without permission. Short description of Few Popular Raags :: Sanskrut (Sanskrit) pronunciation is Raag and NOT Raga (Alphabetical) Aroha Timing Name of Raag (Karnataki Details Avroha Resemblance) Mood Vadi, Samvadi (Main Swaras) It is a old raag obtained by the combination of two raags, Ahiri Sa ri Ga Ma Pa Ga Ma Dha ni Så Ahir Bhairav Morning & Bhairav. It belongs to the Bhairav Thaat. Its first part (poorvang) has the Bhairav ang and the second part has kafi or Så ni Dha Pa Ma Ga ri Sa (Chakravaka) serious, devotional harpriya ang. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. -
Robin Trower Biography by Greg Prato
New Releases Discover Articles Recommendations My Profile Search bmit Que Robin Trower Biography by Greg Prato One of rock's prime guitarists, due to his uncanny ability to channel Jimi Hendrix's blues-psych, Fender Strat- fueled playing style. Read Full Biography Overview Biography Discography Songs Credits Related Share on Artist Biography by Greg Prato Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. Born on March 9, 1945 in Catford, England, Trower spent the early '60s playing guitar in various London-based outfits, the most successful being the R&B group the Paramounts, who specialized mostly in covers, but managed to issue several singles between 1963 and 1965. It wasn't until 1967 that Trower received his big break, however, when he joined Procol Harum. The group had just scored a worldwide smash hit with "A Whiter Shade of Pale," but the only problem was that the band's leader, singer/pianist Gary Brooker, didn't have a proper band to back him. Brooker was previously a bandmate of Trower's in the Paramounts, and offered the guitar slot in his new fast-rising project to his old friend. As a result, Trower appeared on such Procol Harum classics as 1967's Procol Harum, 1968's Shine on Brightly, 1969's A Salty Dog, 1970's Home (which spawned the popular Trower tune "Whiskey Train"), and 1971's Broken Barricades. While Procol Harum helped launch Trower's career, the guitarist realized there was limited space for his guitar work and eventually left for a solo career. -
Record-World-1978-01
DEDICATED TO THE NEEDS OF THE MUS JANUARY 7, 1978 $1.75 Who In The World: Steve Martin SINGLES SLEEPERS ALBUMS THE SYLVERS, "NEW HORIZON" (prod. by the MARKJAMES, "EVERYBODY LOVES A RAIN THE HOLLIES, "A CRAZY STEAL." With Sylvers)(writers: L. & R. Sylvers) SONG" (prod. by Mark James) (writ- a scarcity of domestic releases at the (Rosy, ASCAP) (3:38). Now riding a ers: James-Moman) (Screen Gems - end of the year, it is refreshing to see string of r&b and pop successes, this EMI / Stratton House / Baby Chick, major albums enter the country through family group seems to be making a BMI) (3:01). James' single creates a import. One such Ip is this new Cana- move into new territories with this cover battle between this, the orig- dian studio effort from the Hollies. With single.It moves along smoothly in inal, and B.J. Thomas' recording. songs like "Hello To Romance," "Am- moderate tempo, and itsuplifting James' version has a loping, country nesty" and "Boulder To Birmingham," message should attract new listen- air about it, and does justice to a the group shows they arestilltops. ers. Capitol 4532. likely hit song. Private Stock 179. Columbia PES 90444 (Canadian import). EDDIE KENDRICKS, "INTIMATE FRIENDS" (prod. LEON HAYWOOD, "DOUBLE MY PLEASURE" PETER BROWN, "FANTASY LOVE AF- by Leonard Caston) (writer: Glenn) (prod.by Leon Haywood)(writer: FAIR." "Do Ya Wanna Get Funky With (GAB, ASCAP) (3:30). This selection Haywood)(Jim-Edd, BMI) (3:34). Me" introduced this talented musician, from Kendricks' solo greatest hits Ip Haywood brings a likeable zaniness but the song only hints at his abilities. -
University of Mauritius Mahatma Gandhi Institute
University of Mauritius Mahatma Gandhi Institute Regulations And Programme of Studies B. A (Hons) Performing Arts (Vocal Hindustani) (Review) - 1 - UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART I General Regulations for B.A (Hons) Performing Arts (Vocal Hindustani) 1. Programme title: B.A (Hons) Performing Arts (Vocal Hindustani) 2. Objectives To equip the student with further knowledge and skills in Vocal Hindustani Music and proficiency in the teaching of the subject. 3. General Entry Requirements In accordance with the University General Entry Requirements for admission to undergraduate degree programmes. 4. Programme Requirement A post A-Level MGI Diploma in Performing Arts (Vocal Hindustani) or an alternative qualification acceptable to the University of Mauritius. 5. Programme Duration Normal Maximum Degree (P/T): 2 years 4 years (4 semesters) (8 semesters) 6. Credit System 6.1 Introduction 6.1.1 The B.A (Hons) Performing Arts (Vocal Hindustani) programme is built up on a 3- year part time Diploma, which accounts for 60 credits. 6.1.2 The Programme is structured on the credit system and is run on a semester basis. 6.1.3 A semester is of a duration of 15 weeks (excluding examination period). - 2 - 6.1.4 A credit is a unit of measure, and the Programme is based on the following guidelines: 15 hours of lectures and / or tutorials: 1 credit 6.2 Programme Structure The B.A Programme is made up of a number of modules carrying 3 credits each, except the Dissertation which carries 9 credits. 6.3 Minimum Credits Required for the Award of the Degree: 6.3.1 The MGI Diploma already accounts for 60 credits. -
(Iot) Architecture for Music Therapy
electronics Article Artificial Neural Network (ANN) Enabled Internet of Things (IoT) Architecture for Music Therapy Shama Siddiqui 1 , Rory Nesbitt 2, Muhammad Zeeshan Shakir 2,* , Anwar Ahmed Khan 3 , Ausaf Ahmed Khan 4 , Karima Karam Khan 4 and Naeem Ramzan 2 1 Department of Computer Science, DHA Suffa University, Karachi City 75500, Pakistan; [email protected] 2 School of Computing, Engineering and Physical Sciences, University of the West of Scotland, Glasgow G72 0LH, UK; [email protected] (R.N.); [email protected] (N.R.) 3 Department of Computer Science, Institute of Business Administration, Karachi City 75270, Pakistan; [email protected] 4 Department of Anaesthesiology, Aga Khan University Hospital, Karachi City 74800, Pakistan; [email protected] (A.A.K.); [email protected] (K.K.K.) * Correspondence: [email protected]; Tel.: +44-141-848-3420 Received: 1 October 2020; Accepted: 24 November 2020; Published: 29 November 2020 Abstract: Alternative medicine techniques such as music therapy have been a recent interest of medical practitioners and researchers. Significant clinical evidence suggests that music has a positive influence over pain, stress and anxiety for the patients of cancer, pre and post surgery, insomnia, child birth, end of life care, etc. Similarly, the technologies of Internet of Things (IoT), Body Area Networks (BAN) and Artificial Neural Networks (ANN) have been playing a vital role to improve the health and safety of the population through offering continuous remote monitoring facilities and immediate medical response. In this article, we propose a novel ANN enabled IoT architecture to integrate music therapy with BAN and ANN for providing immediate assistance to patients by automating the process of music therapy. -
National Malaysian Twin Registry - a Perfect Opportunity for Researchers to Study Nature Versus Nurture
Malaysian Family Physician 2008; Volume 3, Number 2 ISSN: 1985-207X (print), 1985-2274 (electronic) ©Academy of Family Physicians of Malaysia Online version: http://www.ejournal.afpm.org.my/ News & Views NATIONAL MALAYSIAN TWIN REGISTRY - A PERFECT OPPORTUNITY FOR RESEARCHERS TO STUDY NATURE VERSUS NURTURE S Jahanfar Postdoctorate in Epidemiology, Public Health (UPM), PhD Obstetrics and Gynecology (NSW) Director of National Malaysian Twin Registry Corresponding address: Dr. Shayesteh Jahanfar, Lecturer, Department of Public Health, Royal College of Medicine Perak – University of Kuala Lumpur, No 3, Jalan Greentown, Ipoh, 30450, Perak, Malaysia. Tel: 05-243 2535, Fax: 05-243 2536, Email: [email protected]; [email protected] Jahanfar S. National Malaysian Twin Registry - a perfect opportunity for researchers to study nature versus nurture. Malaysian Family Physician. 2008;3(2):111-112 INTRODUCTION overall infant mortality, morbidity, and long term handicap.2 Intrauterine death of one foetus in a multiple gestation is A twin registry is a registry of twin pairs (monozygotic = MZ associated with significant morbidity and mortality in surviving and Dizygotic = DZ) who are willing to consider participating twin.5 Arrival of twins has an economic, social and in health-related research. Twins are able to help researchers psychological impact on families of twins.6 Vital statistics study the impact of genetic and environmental factors on health relevant to twins are needed to plan better services for twin and the treatment and prevention of disease in a special way. pregnancies and twins. Throughout the world, twin registries have been established by the governments via the National Health and Medical In efforts to solve the problem on aetiology of disease, twin Research in order to put researchers in touch with twins who studies have contributed greatly; since the early days of genetic might be willing to take part in particular projects. -
Courseleaf's Users' Guide
Table of Contents Home ........................................................................................................................................................................................................................................... 3 CourseLeaf ........................................................................................................................................................................................................................... 4 Browsers ........................................................................................................................................................................................................................ 4 Web Site Accessiblity .................................................................................................................................................................................................... 5 Showing Differences (Red/Green Markup) ................................................................................................................................................................... 5 CourseLeaf Catalog (CAT) .................................................................................................................................................................................................. 7 Borrowed Content ........................................................................................................................................................................................................ -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
The Differentiated Classroom (Tomlinson)
Tomlinson cover final 12/8/05 9:26 AM Page 1 Education $ 21.95 TheThe The DifferentiatedDifferentiated Classroom: Differentiated esponding R to ClassroomClassroom the Ne eds s of All Learner It’s an age-old challenge: How can teachers divide their time, of All Learners to the Needs Responding resources, and efforts to effectively instruct so many students of diverse backgrounds, readiness and skill levels, and interests? The Differentiated Classroom: Responding to the Needs of All Learners offers a powerful, practi- cal solution. Drawing on nearly three decades of experience, author Carol Ann Tomlinson describes a way of thinking about teaching and learning that will change all aspects of how you approach students and your classroom. She looks to the latest research on learning, education, and change for the theoretical basis of differentiated instruction and why it’s so important to today’s children. Yet she offers much more than theory, filling the pages with real-life examples of teachers and students using—and benefiting from—differentiated instruction. At the core of the book, three chapters describe actual lessons, units, and classrooms with differentiated instruction in action. Tomlinson looks at elementary and secondary classrooms in nearly all subject areas to show how real teachers turn the challenge of differenti- ation into a reality. Her insightful analysis of how, what, and why teachers differentiate lays the groundwork for you to bring differentia- tion to your own classroom. Tomlinson’s commonsense, classroom-tested advice speaks to experi- enced and novice teachers as well as educational leaders who want to foster differentiation in their schools.