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Fine Literary Manuscripts Literary Fine Thursday March 9, 2017 Thursday March New York FINE LITERARY MANUSCRIPTS FINE LITERARY FINE LITERARY MANUSCRIPTS | New York | Thursday March 9, 2017 24156A FINE LITERARY MANUSCRIPTS Thursday March 9, 2017 at 1pm New York BONHAMS BIDS INQUIRIES Automated Results Service 580 Madison Avenue +1 (212) 644 9001 New York +1 (800) 223 2854 New York, New York 10022 +1 (212) 644 9009 fax Tom Lamb, Director Business Development bonhams.com ILLUSTRATIONS To bid via the internet please visit +1 (917) 921 7342 Front cover: Lot 4 [email protected] PREVIEW www.bonhams.com/24156 Inside front cover: Lot 22 NEW YORK Darren Sutherland, Specialist Inside back cover: Lot 5 Saturday March 4 Please note that telephone bids +1 (212) 461-6531 Back cover: Lot 26 12pm to 5pm must be submitted no later than darren.sutherland@bonhams. Sunday March 5 4pm on the day prior to the com 12pm to 5pm auction. New bidders must also Monday March 6 provide proof of identity and Los Angeles 10am to 5pm address when submitting bids. Dr. Catherine Williamson Tuesday March 7 Vice President, Director 10am to 5pm Please contact client services +1 (323) 436 5442 Wednesday March 8 with any bidding inquiries. catherine.williamson@bonhams. 10am to 5pm com Thursday March 9 Please see pages 32 to 34 for 10 am to 12 pm bidder information including San Francisco Conditions of Sale, after-sale Adam Stackhouse, collection and shipment. Senior Specialist +1 (415) 503 3266 SALE NUMBER: 24156A Lots 1 - 27 adam.stackhouse@bonhams. com CATALOG: $35 © 2017 Bonhams & Butterfields Auctioneers Corp. All rights reserved. Principal Auctioneer: Patrick Meade. NYC License No. 1183066-DCA 1 1 ▲ 1 ALCOTT, LOUISA MAY. 1832-1888. Autograph Manuscript, the printer’s copy of her short story Jerseys, or The Girls’ Ghost, 53 pp (most on rectos only, lacking p 31), 8vo, on lined paper with numerous corrections and interlineations, bound in blue morocco gilt by Bennett, first leaf repaired at margins, minor finger soiling and paperclip stain on pp 2 and 3, binding rubbed. Provenance: Estelle Doheny (bookplate). This girl’s school story by the famous author of Little Women (1868-1869) was first published in St. Nicholas (July 1884), pp 680-88; and reprinted in Spinning-Wheel Stories (1885), pp 137-62. The author’s name and a printer’s note (“July St. Nic. O. S. Bourgeois. 1st Form. Wanted Soon. By May 4th”) in purple ink in a different hand appears on p. 1. The notation “No. 7” on the same page indicates that it was the seventh selection in Spinning-Wheel Stories. It is perhaps the most important of these often polemical narratives. An early feminist, Alcott introduces the latest concepts of late 19th Century dress and diet reform. Not every student at Madame Stein’s Select Boarding School welcomes the new teacher’s radical principles. “I do hope Miss Orne isn’t full of the new notions about clothes, and food, and exercise, and rights and rubbish of that sort,” complains narrow minded Maude. “Mamma hates such ideas, and so do I.” Despite initial resistance to her instruction, Miss Orne’s experiment proves in the end to be a great success in the preparation of healthy young lives. No other important Louisa May Alcott manuscript for a work of fiction has come up for auction in nearly thirty-five years. Stern, nos. 228 and 234; Eiselein and Phillips, The Louisa May Alcott Encyclopedia, p 158. US$70,000 - 100,000 2 | BONHAMS 2 2 BABEL, ISAAK EMMANUILOVICH. 1894-1940. Autograph Letter Signed (“I. Babel”), 1 p, 16mo, Moscow, March 11, 1929, discussing a painting, in ink on paper torn from a notebook, some soiling and wear at edges. RARE AUTOGRAPH LETTER FROM ISAAK BABEL, to K.P. Rotov (1902-1959), a popular Soviet cartoonist who contributed to Krokodil and Pravda and illustrated numerous children’s books: Dear Kostya, Please be so kind and send me that new painting that everybody has been talking about for a whole month. It’s of Odessa and this, you know, is an ever alive memory. Don’t forget! I. Babel M[oscow] March 11, 1929 The picture he refers to was an illustration for a new edition of Odessa Tales (1925) that was never published. Born in the Moldavanka section of Odessa, Isaak Babel is today considered one of the greatest of Soviet Jewish writers. Maxim Gorky was an early mentor; Boris Pasternak, a great admirer. According to Jorge Luis Borges, “Salt”, one of Babel’s greatest stories, “enjoys a glory seemingly reserved for poems and rarely attained by prose.” He is perhaps best known for Red Cavalry, which Sergei Eisenstein wanted to film. Unfortunately, he was also one of the most tragic figures in Russian literature. Babel’s letters and manuscripts are of greatest rarity. He was arrested as “an enemy of the people” during Stalin’s Great Purge, accused of a long-time affair with the wife of NKVD chief Nikolai Yezhov. Under interrogation, he confessed to being a counter-revolutionary Trotskyite terrorist and a foreign spy and was shot on January 27, 1940. Finally, in 1954, Nikita Khruschev rehabilitated him publicly, on a single, typed half-sheet of paper: “The sentence of the military collegium dated 26 January 1940 concerning Babel, I.E., is revoked on the basis of newly discovered circumstances and the case against him is terminated in the absence of elements of a crime.” ABPC lists only one Babel manuscript (sold Sotheby’s, London, 1993) and no letters. US$5,000 - 8,000 FINE LITERARY MANUSCRIPTS | 3 3 4 | BONHAMS 3 ▲ 3 BROWNING, ELIZABETH BARRETT. 1806-1861. Autograph Manuscript Initialed (“E.B.B.”), being the working notebook for the poems contained in The Seraphim and Other Poems, 159 pp, including 8 blanks, 8vo, n.p., [1835- 1837], with extensive holograph revisions throughout, bound in contemporary half green calf, spine plainly ruled in gilt, gray endpapers (signed “E.B.B./ 1837 to pastedown, and holograph notes to rear), modern folding cloth chemise and red morocco slipcase, internal soiling, loss of upper corner of p. 93, small crack to upper joint of binding, minor scuffing. Provenance: Sale Sotheby’s, July 16, 1984. ELIZABETH BARRETT BROWNING’S AUTOGRAPH NOTEBOOK FOR THE YEARS 1835- 1837, CONTAINING DRAFTS FOR EVERY POEM TO APPEAR IN HER FIRST SIGNIFICANT COLLECTION OF HER OWN POETRY. The Seraphim and Other Poems, published by Saunders and Otley in 1838, established Elizabeth Barrett as one of the most important poets of her age. “Poetry is essentially truthfulness,” she declares in the preface, “and the very incoherences of poetic dreaming are but the struggle and the strife to reach the True in the Unknown.” Her first significant work to carry her name (notwithstanding The Battle of Marathon, privately printed when she was only fourteen), Seraphim was in her own estimation “the first utterance of my own individuality.” The titular poem (originally called “The Crucified”), a dialogue between two angels at Christ’s Crucifixion, was suggested to her while she was translating Aeschylus’ “Prometheus Bound”, and in some ways represents the anti-Prometheus in its move away from the mythological toward the spiritual. The working notebook demonstrates how diligently she wrote and rewrote each poem. Her intense minuscule hand fills in the pages and many of the margins (even the back endpapers) with verses and revisions, words, phrases, lines and stanzas extensively altered with sepia ink and pencil and sometimes crossed out. Occasionally she turned the notebook over to begin a new poem on the verso of a sheet. Even with the chunk missing from page 94, she undauntedly turned the leaf and continued writing across the exposed area of p 92. The extraordinary autograph notebook contains all of the poems in the published collection, as well as eleven others that may remain unpublished. She has initialed the notebook in ink “E.B.B. 1837” (for “Elizabeth Barrett Barrett”) on the front endpaper; she did not marry fellow poet Robert Browning until 1846. This significant collection of drafts, with the extensive additions, deletions, and emendations, from the first important collection of the poet’s own work, as she seeks and discovers the incipient strength of her developing voice, represents an invaluable resource for Browning scholars, and provides a vital link in the extant collections of Browning’s notebooks. US$400,000 - 600,000 FINE LITERARY MANUSCRIPTS | 5 4 6 | BONHAMS 4 ▲ 4 BROWNING, ELIZABETH BARRETT. 1806-1861. Autograph Manuscript, being transcripts from early English poets Geoffrey Chaucer, Edmund Spencer, John Fletcher and popular balladry as appropriate subjects for watercolors, 12 pp, 8vo rectos and versos, n.p., [c.1839]; WITH: Autograph Letter Signed (“Elizabeth B. Barrett”), 4 pp, 16mo, Torquay, 11 June 1839, to Mr. Weale, with manuscript title page with tipped- in engraved portrait frontispiece, bound to 4to size, in gilt-lettered full deep brown levant morocco, g.e., by Sangorski & Sutcliffe. Provenance: Maggs, Catalogue 333, Spring 1915, item 44; Anderson Galleries, Library of John L. Clawson, November 29, 1920, item 29; W. T. H. Howe; Edith Barbara Tranter (bookplates); the present owner. In the letter, Miss Barrett, while convalescing in Torquay, writes to Mr. Weale: “The watercolour drawing is extremely beautiful & suggestive. The moonlight in it cannot be said to have “no business there” — for it comes like a spirit upon the ruin..the place for spirits — and reconciles us to desolation. You have done what is said to be impossible ‘painted a thought’..And I am satisfied to hear in the silence of your picture, Spencer’s very own voice... “O mulla mine, I whilome taught to weep,” looking , with that moonlight on it, as if it wept still! Thank you again and again!-- I have written out some suggestions for paintings--as you asked me to do.
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