The Parliament of Trolls

Total Page:16

File Type:pdf, Size:1020Kb

The Parliament of Trolls You are invited to attend THE PARLIAMENT OF TROLLS “Troll-Thing” or “Ettinmoot” “The London floods only prove what we all know, that False Guinevere is not mistress of the elements, much less master, and no Pendragon. The Pendragon must be strong, like Trolls are strong. Like I am strong!” – King Lot of Orkady King Lot invites all true-blooded trolls to Bedegraine to contend the rulership of London, of Albion and of New Camelot and decide who is to be KING OF ALL THE TROLLS! Bedegraine is an Unseelie Realm, but stout hearted Seelie Trolls will not tremble to attend! Your tournament commentators Korrigan ferch Nud Yorick Brandworthy Redcap Jester Verbena Mage Three times winner of the Feast of Fools (she ate Known for his political pamphlets and scathing the other fools – geddit?!?!?) and scatological oratories, Yorick is the author of Antedulivians, stand-up comic. Korrigan hosts her own webzine Fomorians & Capitalist Conspiracy Theories . “Fairy My A$$” at mistsmademeforget.fae He’s a practising druid and part-time werewolf. The Candidates King Lot of Orkady Estranged husband of Morgause of Gorre, father of the Orkady Brothers (Agravain, Gawain, Gareth, Gaheris) K: A big dude with a big ‘tude. He called this Thing and he ain’t going home without the throne. Y: That’s right Korrie: he’s the pookas’ favourite with odds of 5-2. But one thing: he doesn’t need to go home; he’s on his home turf. Sir Agravaine of Gorre Son of Lot and Morgause, loyal to Morgan La Fey of Gorre Y: Lot’s son, with all the old man’s aggression but a dash of modern sensibility. Might appeal to the 21 st century trolls K: Don’t think they’re that big a demographic Yorick – most trolls like their politics medieval. Horned helmets and ‘more-ale-wench’ is their style! Sir Gaheris of Cameliard Son of Lot and Morgause, loyal to Guinevere of Cameliard K: A seelie troll, now that’s more like it. Loyal as a lamppost and stout-hearted as a ball of twine. Basically, Queen Jenny’s yard-dog. Y: That yard-dog has a bite on him, Korrie. He’s a traditionalist who likes things the way they used to be – as in, back in the 5 th century. Sir Gareth of Cameliard Son of Lot and Morgause, loyal to Guinevere of Cameliard K: More Orkady brothers?!?! How many did Morgause squeeze out?!??! Those satyresses must have rubber hymens! Y: That’s *Queen* Morgause, Korrie, and she’s here too. In fact, she’s looking at you right now…. Queen Morgause of Gorre Sister of Morgan La Fey and estranged wife of King Lot, mother of the Orkady Brothers, Satyr sorceress Y: Korrigan’s indisposed right now, but I’ve got the opportunity to share a few words with Her Highness Queen Morgause Morcades. How would you describe your role at this parliament, Your Grace? QM: An onlooker, darling, just an onlooker, like yourself. Of course, I’m supporting all my boys, every darling one of them. Y: And King Lot, their father and your former husband? QM: Lot is fine troll, a fine, upstanding, lusty troll with arms like great knotted… well, ahem, there’s nothing between us now, but I wish him well. TBC Bors of Ganis Independent troll with a Holding in the Forest of Broceliande Y: Still no Korrigan, and no Bors of Ganis either. Will the ‘People’s Troll’ make a showing? Tongues are still talking about the Great Kraken he slew in the Cameliard floods and whether this means his loyalty is to Guinevere now. Kay the Tall of Kaer Goch Independent Ogre of Bedegraine, nominally loyal to King Lot Y: Ah, Korrigan, back in humanoid form. Did your time as a toad give you an insight into Kay Hir? K: Bleugh. Kay the Tall, biggest, meanest and badass-est in a room of badasses. If might makes right, then he’s not going to be in the wrong. Hengist Jute of House Balor Sidhe lord of House Balor, loyal to Morgan La Fey of Gorre, claims overlordship of the trolls through an ancient pact K: Wow -sa! Tall, dark and broodysexy, you can colour m e INFATUATED. Look at the way those dark robes just hang off him. Yummy! I could EAT him up. Y: Some are dismissing him as a joke candidate though, Korrie, since he’s not even a troll. K: Troll schmoll. He’s descended from Fomorians! You can’t BUY that sort of pedigree! Gawain of Cameliard Y: Bit of a mystery figure, this one. K: Yup Yorick, recently switched allegiance to the Seelie Court, rumoured to be half-mad with Bedlam, widely thought to be as politically relevant as a garden gnome. Nice sword, though. TBC King Uriens of Gorre Husband of Morgan La Fey Y: Any chance of Morgana’s husband showing? K: Only if she takes her thumb off his head and lets him out of the bedroom. TBC King Carados of Escoce Independent troll of Listenoise, nominally loyal to King Lot K: Here’s an interesting one; so where *is* Escoce? Y: Scotland? Somewhere north of Listenoise anyway. They call this lunk the “King of the Wasteland” and he supposedly owes Lot big time. Might be a surprise contender. Enid the Silent Independent Seelie Troll K: Speaking of surprise contenders – a LADY TROLL?!?! A troll-ess? Are those pecks or boobs? Or both? Y: I’d keep your voice down Korrie – Enid has sworn to speak to no man who cannot beat her in single combat. I think she’s got something to say to you though…. Redhilda Valkyrie Unseelie Troll sorceress Y: Korrie’s had to step out, so I’ll just read from my crib sheet on this one – a troll sorceress of the Old Religion. Her website calls her a technopagan virtual-valkyrie. Not exactly standard for trolls, but definitely my kind of girl. THE FIVE TRIALS OF TROLLS “Mixing the ancient with the modern, medieval with the new-media, the time- honoured trials re-imagined for a hipper, cooler, more bloody ass-kicking kind of 21 st century troll” – Redhilda Valkyrie The Tourney – to the First Fall K: Yay, Hulk Smash! Puny Humans! Trolls doing what trolls do best – breaking skulls. Y: Still don’t know the details yet, like whether this is duels or grand melee, sole combatants or squires and entourages…. But it promises to be a fantastic display of jotunic martial arts The Saga – to the Greatest Tale K: What’s this? Storytelling? Troll POETRY? Boo! Hiss! Y: Actually, Korrigan, trolls have a vibrant artistic heritage and a troll ruler is expected to be a bard as well as a warrior, a man of words as well as weapons, a thinker as well as a… well, you get the idea The Hunt – to the Finest Quarry Y: Not sure about this – are we hunting stags through Lewisham? K: Not stags, Yorick – Glamour! Definitely favours the Unseelie who can ravage without restriction, and the local trolls who know where the best dreams go down The Feast – to the Greatest Gift Y: So, a prize for the best present? K: Not just any present, it’s a Wassail, a dream-made-real. Trolls will be forging magic swords and carving runic spells in advance of this and bringing a Dreamer along to make them real. The Acclaim – to the Majority Y: Then everybody votes? I like that: grassroots democracy in an or ganic folk community K: Votes? Shouts, more like. Most trolls can’t count past their fingers, so the name that gets the loudest roar carries the day, or that gets the most allies when the post-shouting fight breaks out! .
Recommended publications
  • Arthurian Legend
    Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1.
    [Show full text]
  • Read Ebook {PDF EPUB} the Story of Queen Guinevere and Sir Lancelot
    Read Ebook {PDF EPUB} The Story Of Queen Guinevere And Sir Lancelot Of The Lake With Other Poems by Wilhelm Hertz The Story Of Queen Guinevere And Sir Lancelot Of The Lake: With Other Poems by Wilhelm Hertz. Access to raw data. The story of Queen Guinevere and Sir Lancelot of the lake. After the German of Wilhelm Hertz. With other poems. Abstract. Mode of access: Internet. To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request. Suggested articles. Useful links. Blog Services About CORE Contact us. Writing about CORE? Discover our research outputs and cite our work. CORE is a not-for-profit service delivered by the Open University and Jisc. Arthur, King. King Arthur was a legendary ruler of Britain whose life and deeds became the basis for a collection of tales known as the Arthurian legends. As the leading figure in British mythology, King Arthur is a national hero and a symbol of Britain's heroic heritage. But his appeal is not limited to Britain. The Arthurian story—with its elements of mystery, magic, love, war, adventure, betrayal, and fate—has touched the popular imagination and has become part of the world's shared mythology. The Celts blended stories of the warrior Arthur with those of much older mythological characters, such as Gwydion (pronounced GWID-yon), a Welsh priest-king. Old Welsh tales and poems place Arthur in traditional Celtic legends, including a hunt for an enchanted wild pig and a search for a magic cauldron, or kettle. In addition, Arthur is surrounded by a band of loyal followers who greatly resemble the disciples of Finn , the legendary Irish hero.
    [Show full text]
  • Merlin (2008-2012) and the Matter of Britain
    University of Bucharest Review Vol. III/2013, no. 2 (new series) Cultures of Memory, Memories of Culture Dragoş Manea THE SHADOW UPON THE SCREEN: MERLIN (2008-2012) AND THE MATTER OF BRITAIN Keywords: adaptation; foundational texts; cultural memory; national identity; mythology; the Matter of Britain. Abstract: This paper endeavours to explore the relationship between adaptation and cultural memory by focusing on the interplay between foundational texts (canonical literature, national mythology, key historical events, and so on) and the (re-)articulation of cultural identity which results from their adaptation. It starts from the premise that such foundational texts loom so large in a people’s cultural memory that any attempt at adapting them must also necessarily entail an attempt at legitimating or contesting the cultural identity of the peoples with whom they are associated, regardless of whether such an attempt is undertaken intentionally. Drawing on the work of such cultural theoreticians as Aleida Assmann, Linda Hutcheon, and Hayden White, this paper intends to examine the adaptational strategies employed by the creators of the hit BBC show Merlin (2008-2012) in their attempt at rewriting the Arthurian cycle so as to better conform to the tastes and norms of modern-day Britain. It aims to show that the ideal of “Britishness” that results from their adaptation is firmly rooted in a conservative understanding of national identity – one that is then projected into an ahistorical past and superimposed upon the narrative so as to suggest an unbroken sense of national continuity. If ever I will recall my native kings to songs Arthur as yet warring underneath the earth, or tell of great souled heroes at their table, unbeaten in their alliance — O may the spirit be here — and smash Saxon lines under a British Mars.
    [Show full text]
  • Sir Lancelot Knights of the Round Table
    Sir Lancelot Knights Of The Round Table When Alaa affront his sycamines cripple not soonest enough, is Gerri stabbing? Floristic and sunproof Otis espies his racoon desegregated diversified ambitiously. Shurlocke methodize petrographically. This page look for the sir lancelot, was summoned as planned, the isle in Outside the kingdom, however, Lancelot runs into Marhaus and uncovers an evil plot. Arthur and the Sovereignty of Britain: King and Goddess in the Mabinogion. Sir Tristram, and he jumped back on his horse. Life that sir lancelot appears as trustworthy and does merlin created his knights of it could not notice of the court by the fountain of. Swiss Army knife appears from the lake. Lady of the Lake in an underwater kingdom. Arthurian legend, the body of stories and medieval romances centering on the legendary king Arthur. This item is part of a JSTOR Collection. Lancelot must then win her back by first losing to unworthy opponents at a tournament and then winning when Guinevere tells him to. Arthur by the name Aristes. These being driven back, their false allies treacherously made war upon their friends, laying waste the country with fire and sword. Although different lists provide different lists and numbers of knights, some notable knights figure in most of the Arthurian legends. Agravain and he thrusts excalibur to be included in single combat and bore for the table of sir lancelot knights. Two months later, on Easter, they tried again and still no one could remove the sword. Caliburn, best of swords, that was forged within the Isle of Avallon; and the lance that did grace his right hand was called by the name Ron, a tall lance and stout, full meet to do slaughter withal.
    [Show full text]
  • Perception of Women of the Arthurian Legend in the Middle Ages and In
    Masaryk University in Brno Faculty of Arts Department of English and American Studies English Language and Literature Marie Štefanidesová Perception of Women of the Arthurian Legend in the Middle Ages and in the Twentieth Century B.A.MajorThesis Supervisor: doc.Mgr.,MiladaFranková,CSc.M.A. 2007 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 2 Acknowledgement Iwouldlike tothankmysupervisor,doc.Mgr.MiladaFranková,CSc.,M.A.,forherkind help,patienceandthe timeshededicatedtomywork. 3 Table Of Contents 1.INTRODUCTION......................................................................................................5 2.THEORIGINSAND HISTORY OFARTHURIANLITERATURE.........................7 2.1BeforeMalory-- FromCelticLegendstoFrenchRomances............................7 2.2Malory,HisTimeandtheConditionsof Women.............................................12 2.3Malory'sImpactonArturianLiterature............................................................16 3.ADIFFERENTSETTING -- THETWENTIETHCENTURY;DEVELOPMENTOF THEARTHURIAN LEGENDDEMONSTRATED ON WHITE ANDBRADLEY..19 3.1SocialBackground-GodversusGoddes.........................................................19 3.2White -- A NewApproachToTradition............................................................21 3.3Bradley -- NeoPaganismandFemaleSpirituality.............................................25 4.DEVELOPMENTOFFEMALE CHARACTERS.......................................................29
    [Show full text]
  • Excalibur (Film)
    Excalibur (film) Excalibur is a 1981 American epic fantasy film directed, produced, and co-written Excalibur by John Boorman that retells the legend ofKing Arthur and the knights of the Round Table, based on the 15th-century Arthurian romance Le Morte d'Arthur by Thomas Malory. It stars Nigel Terry as Arthur, Nicol Williamson as Merlin, Nicholas Clay as Lancelot, Cherie Lunghi as Guenevere, Helen Mirren as Morgana, Liam Neeson as Gawain, Gabriel Byrne as Uther Pendragon, Corin Redgrave as Cornwall, and Patrick Stewart as Leondegrance. The film is named after the legendary sword of King Arthur that features prominently in Arthurian literature. The film's soundtrack features the music of Richard Wagner and Carl Orff, along with an original score by Trevor Jones. Excalibur was shot entirely on location in Ireland, employing Irish actors and crew. It has been acknowledged for its importance to the Irish filmmaking industry and for helping launch the film and acting careers of a number of British and Irish actors, including Liam Neeson, Patrick Stewart, Gabriel Byrne and Ciarán Hinds.[4] Film critics Roger Ebert and Vincent Canby criticized the film's plot and characters,[6][7] although they and other reviewers[8] praised its visual style. Excalibur opened at number one in the United States, eventually grossing $34,967,437 on a budget of around US$11 million to rank 18th in that year's Theatrical release poster receipts.[5] by Bob Peak Directed by John Boorman Produced by John Boorman Contents Screenplay by John Boorman Plot Rospo Cast Pallenberg
    [Show full text]
  • From Malory to Hollywood the Devolution of Le Morte D’Arthur
    Joerg O. Fichte From Malory to Hollywood The Devolution of Le Morte d’Arthur The term “devolution” employed here denotes a certain approach to the ad- aptation of Thomas Malory’s Le Morte d’Arthur (compl. c. 1469/70; first print 1485). It encompasses a wide range of meanings: It may be an abridgement, a reduction or simplification of Malory’s text, or an adaptation to other genres. Such a procedure involves either streamlining the narrative, effecting thematic concentration, simplifying the complexity of characterization, the removal of ambiguity, or any combination of these approaches. It could denote the more or less faithful retelling of the original to make Malory’s late medieval text more palatable to modern readers, as do the modernizations by John Stein- beck and Peter Ackroyd. It could also mean the reworking and paraphrasing or rephrasing of the original to make it suitable for a certain age group (chil- dren and young adults), a process that involves modernizing, censoring, and abridgement (Lynch 2). And it could imply partial adherence to the story of Le Morte d’Arthur while augmenting it with other medieval narratives, as do Alfred Tennyson (The Idylls of the King) and Thomas Berger (Arthur Rex), or adding substantial parts to it, as does T. H. White (The Once and Future King). I. The process of devolution, as defined above, will be illustrated by three twen- tieth-century adaptations of Malory: T. H. White’s novel The Once and Future King (1958), Alan Jay Lerner and Frederick Loewe’s musical Camelot (1960), and the film Camelot (1967) directed by Joshua Logan.
    [Show full text]
  • Arthur Pendragon Camelot Evolution in Merlin: a Virtual Fan Art in the Computation Age
    Arthur pendragon Camelot evolution in merlin: A virtual fan art in the computation age Kwadwo Adinkrah-Appiah 1, Atianashie Miracle A 2, *, Chukwuma Chinaza Adaobi 2 and Augustine Owusu- Addo 2 1 Sunyani Technical University, Bono Region, Ghana. 2 Catholic University College of Ghana, Fiapre Sunyani, Bono Region, Ghana. World Journal of Advanced Research and Reviews, 2021, 11(02), 040–047 Publication history: Received on 20 June 2021; revised on 30 July 2021; accepted on 02 August 2021 Article DOI: https://doi.org/10.30574/wjarr.2021.11.2.0340 Abstract This paper inspects Arthur Pendragon Camelot evolution in Merlin, the research review on the Citadel of Camelot, Camelot Administration, Knights of Camelot, Early History of Camelot, The Intensification of The Once and Future King, Map of Camelot, and the Sovereignty of Arthur. Camelot Castle is the castle where the royal family live, and where the court is held. The citadel houses a garrison of at least 12,000 men and had never fallen in a siege before Morgause's invasion by her immortal army. It is currently the home of Guinevere Pendragon, the Queen of Camelot after her husband King Arthur Pendragon. In virtual fan art, Arthur Pendragon is shown to be a very wealthy kingdom as it offers a prize of a thousand gold coins for participation in its tournaments. Camelot is widely known for its laws banning all forms of magic and enchantments on penalty of death, usually by burning or beheading. However, the meter theater illustrates of Merlin who is Arthur's servant, secret protector, and best friend, and Gaius's ward and apprentice.
    [Show full text]
  • Chivalry in Malory: a Look at the Inconsistencies Of
    Beals 1 Running head: BEALS Chivalry in Malory: A Look at the Inconsistencies of Lancelot, Gareth, and Tristram in Le Morte d’Arthur Natalie Beals A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2009 Beals 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Paul Müller, Ph.D. Thesis Chair ______________________________ Carl Curtis, Ph.D. Committee Member ______________________________ Linda Nell Cooper, M.A. Committee Member ______________________________ James Nutter, D.A. Honors Director ______________________________ Date Beals 3 Abstract Chivalry and its counterpart, courtly love, are indispensible to Sir Thomas Malory’s fifteenth century work on Arthurian legend, Le Morte d’Arthur . The three great examples of chivalry in this work are the knights Lancelot, Gareth, and Tristram, each of whom has a book dedicated to his story. Within these knights’ portrayals of chivalry, however, develop certain inconsistencies which seem out of place against their chivalrous backdrop. The purpose of this thesis is to propose that the reason for these contradictions of character and of chivalry is the close yet destructive relationship between chivalry and courtly love. What leads Lancelot, Gareth, and Tristram to their individual failures in chivalry is their inability to reconcile their loyalty to their king and their knightly oath with their loyalty to their respective ladies. Whereas Gareth abandons courtly love for a more traditional from of chivalry, Tristram exhibits a perversion of courtly love that consequently produces a flawed chivalry.
    [Show full text]
  • The Enigmatic Character of Sir Gawain: Chivalry and the Heroic Knight in Arthurian Tradition
    THE ENIGMATIC CHARACTER OF SIR GAWAIN: CHIVALRY AND THE HEROIC KNIGHT IN ARTHURIAN TRADITION by AMY KATHERINE CARR A THESIS Presented to the Department of English and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2014 An Abstract of the Thesis of Amy Carr for the degree of Bachelor of Arts in the Department of English to be taken June 2014 Title: The Enigmatic Character of Sir Gawain: Chivalry and the Heroic Knight in Arthurian Tradition Approved: ----r.,==-......,.:::~::::(~'-=~~~:::====::---::::::... __ Stephanie Clark This paper examines the role of Sir Gawain as a heroic knight in six texts from the medieval English Arthurian tradition: Sir Thomas Malory's Morte D 'Arthur, The Alliterative Morte Arthure, the Stanzaic Morte Arthur, King Arthur and King Cornwall, Awntyrs offArthur, and The Wedding ofSir Gawain and Dame Ragnelle. The character Sir Gawain varies significantly between traditions and medieval texts. The conflicting heroic and chivalric codes play a large role in his portrayal, particularly when considered in conjunction with King Arthur and Sir Lancelot. As Arthur's nephew, Gawain was a fundamental part of medieval texts, but this family relation did not always result in a positive portrayal. Lancelot appears in fewer of the English texts, but where he does appear, he does so as the paragon of chivalry and creates a dichotomy between his values and Gawain's. Gawain's frequent chivalric failings, particularly in Malory, and the modem preference of romantic love over homosocial bonds have resulted in Gawain's diminished and often antagonistic roles in modem Arthurian interpretations.
    [Show full text]
  • The Arthurian Legend on the Small Screen Starz’ Camelot and BBC’S Merlin
    CORE Metadata, citation and similar papers at core.ac.uk Provided by NORA - Norwegian Open Research Archives The Arthurian Legend on the small screen Starz’ Camelot and BBC’s Merlin Ingrid Nygård A thesis presented to The Department of Literature, Area Studies and European Languages at The University of Oslo in Partial Fulfillment of the Requirements for the Master of Arts Degree 15th November 2013 Like King Arthur, I have been on a hero’s journey. I ventured forth into the unknown world of academia to prove my worth, and have returned, tired but triumphant, with the boon of new wisdom. Campbell knew that every hero needs a wise old mentor to help them on their way, and I have been fortunate enough to have just such a man with me on my journey. I want to thank Einar Bjorvand for his good advice, his kind critique, his endless patience with my recurring grammatical errors, and the gift of several useful books. I could not have finished this thesis without him. Ingrid Nygård 2 0.0 Introduction .................................................................................................................................... 04 1.0 Chapter 1 ........................................................................................................................................ 08 1.1 A brief history of the Arthurian legend ............................................................................. 08 1.2 BBC’s Merlin .................................................................................................................... 13 1.2.1
    [Show full text]
  • Excalibur: a Novel of Arthur Pdf, Epub, Ebook
    EXCALIBUR: A NOVEL OF ARTHUR PDF, EPUB, EBOOK Bernard Cornwell | 448 pages | 16 Jul 1999 | St Martin's Press | 9780312206482 | English | New York, United States Excalibur: A Novel of Arthur PDF Book This is Britain in the late 5th and the early 6th centuries. Short Essay Questions. The author converged history with myth, bringing new life into the old tale with a fresh take upon Arthur. Eventually, his fractured kingdom is invaded by the Irish king of Lleyn, Diwrnach. Arthur and his army, carrying Gwydre's banner, travel the sea to Dumnonia but, before they can escape her, Nimue catches up with them. Although Guinevere admits that it wasn't what she wanted for herself and Arthur, she wanted to be with Arthur. While Excalibur had its fair share of tragedy to say the least, it was also complete with moments of bitter satisfaction, that softened the blow slightly, but not enough to stem the tears…. Cornwell was born in London in This article about a historical novel of the s is a stub. This article about a historical novel of the s is a stub. Other editions. But, for the most part, this is real world soldiers and warlords facing enemeies, deception, battle and chaos as the world is perched on the verge of Armageddon; at least that is how the book tells it. Unable to get a green card, he started writing novels, as this did not require a work permit. It deals with the last weeks of Arthur's reign, his dealings with his son Mordred's revolts, Guenever and Lancelot's demise, and his perception of right and wrong.
    [Show full text]