Without a map, or an airplane, or a family of an angry earth, thinly leavened with the screenplays, I figured out the form, I relationship generations deep, you would a layer of soil to cushion the blanket of turned the novel into a screenplay and six wnever know the land was there. cracked and broken stones. months later, Warner Brothers bought it. Kamen: It lies hidden in a bowl, flanked by Kamen was in Sonoma to visit friends First shot. One draft, that was it. I didn’t knolls and hills on one side of Moon and celebrate the sale of his first screen- even know what I was doing. I didn’t even from Mountain, cloistered by the contours of play. That in itself was an improbable have an agent.” the Mayacamas range, 300 acres, invis- event. A child of housing Like a lot of screenplays, that one ible from the floor of the trench that is projects in the Bronx, he had attended never became a film, but it put a chunk of Sonoma Valley. NYU, gone to the University of Pennsylva- money in Kamen’s pocket and that gave When Robert Kamen first saw it, hiking nia for a Ph.D. in American Studies—one him some unexpected options. up from the end of Norbomm Road, there of the less utilitarian career paths ever— When he got to the top of the land was no route, no path, no real sign of hu- and, along the way, had written a novel that fateful day in 1980, Robert Kamen Kid man development, just fields of volcanic that he showed to a cousin, who knew saw a view that just stopped him cold. It to story photos rock, turrets and towers and buttresses a film director, who read the novel and stretched down to San Francisco, across David Bolling robbi pengelly left over from long-finished eruptions, a thought it might make a good movie. the bay to Mount Diablo, out almost as far Cabernet mountainside littered with the detritus “He sent me three screenplays. I read as the distant Sierra. It was above the fog, 76 SONOMA winter 2012 www.sonomamag.com www.sonomamag.com SONOMA winter 2012 77 Lines from some of Kamen’s more well known scripts, including the Karate Kid and Taken adorn the tasting room.

almost at cloud level, 15 minutes from the when fate conspired to bring him Phil who are passionate Sonoma Plaza, and he told his guide, “My Coturri, who was already a visionary, about things. I had just God, I could stay here forever.” And the organic vineyard evangelist, if not yet a sold the screenplay for friend said, “You can, it’s for sale.” And legend. Coturri convinced Kamen that Taps, so I had a bunch Kamen said, “Sold.” And he bought it. an organic, biodynamic vineyard was the of money. Having never At that point, Kamen had no particular thing to do. been one to think plan, certainly no grand ambitions involv- “I was totally attracted to the organic anything through, and ing grapevines and wine. “I had the view nature of everything, because I was a child operating purely on in mind. I saw this view and I’d never of the ’60’s and Phil looks like he came instinct and impulse, seen anything like it. I mean, this is one I gave Phil a quarter a destination for high-end wine. I opened of guys go through years between films.” Lethal Weapon movies at $350, that’s $700 of the most amazing views ever. The land of a million bucks and he planted me a my tasting room because we need really Of course, success begets success, but million, so that’s a billion-seven. The is encircled by higher ridges, there’s an vineyard.” good wine on the Plaza.” even with that given, Kamen’s record is movies did $120 million each, intimacy, it’s closed in, and then you have For the past 32 For several years the grapes he grew Meanwhile, Kamen’s screenwriting startling. so that’s $360 million. It’s a ridiculous this opening. It just spreads out all over years, Kamen has went to make other people’s wine, but career has been on fire. “In 1982,” he ex- “I keep writing, they keep happening. I amount of money.” the place.” been averaging when Kamen had to replant much of plains, “I wrote The Karate Kid. That more get more good projects, especially things Very quickly it becomes clear that, even More than 30 years after he first saw it, the vineyard after a wildfire in 1996, he or less took care of the rest.” like Taken 2, and all of a sudden you blow with off-the-cuff accounting, Robert there is still romantic awe in Robert a film every 18 decided to make his own. He now has a By that point it was clear something up. A Hollywood genius equals how much Kamen, who recently turned 65, has Kamen’s voice when he talks about the months, give or tasting room on the Sonoma Plaza and is radically unusual was happening in money did you make for the studio. I just written more than $2.5 billion worth of land. It’s like his mistress. He thinks about as serious about his estate cabernet as he Kamen’s life. Most screenwriters, even made the studio a shit-load of money, so I movies. And he’s nowhere near done. it at night and can’t wait to see it in the take. That comes to is about any of his screenplays. And now, the really good ones, will knock out a get offered good projects.” “It’s not going to end for at least two years morning. And, while he owns a large about 22 films— in concert with his neighbors around the successful script once every five or six Ask him the standard Hollywood because right now I have two years’ worth apartment on New York’s Upper East Side, he’s not sure, he flank of Moon Mountain at Repris Winery, years. And some will be made into movies metric—how much his films have grossed, of work.” it is the land in Sonoma that holds his he is waist deep in an effort to win and some won’t. For the past 32 years, in total— and he has to stop and think. That includes a movie to be called The heart and focuses his passion, even as it tends to lose track. approval for a new AVA that will recog- Kamen has been averaging a film every 18 “It’s got to be over a billion dollars,” he Sword, about the most famous samurai cost him his wife. nize the unique terroir and climate of the months, give or take. That comes to about muses, and then begins counting. “Let’s sword in Japanese history. Then he’s “I gave up a marriage to move here,” he mountain slopes flanking the east side of 22 films—he’s not sure, he tends to lose see, the first Taken was $280, the new one working on a movie about mermaids who says a little ruefully. “A 23-year marriage. in second in a Jerry Garcia look-alike Sonoma Valley. track. is going to go over $300, so right there, exact retribution on mankind for trashing She wouldn’t move here. I don’t blame contest,” Kamen says laughing. “I was Kamen is deeply serious about the That’s like a baseball player hitting a that’s over $500 million. The Karate the oceans. That’s another collaboration her. We lived in 6,000 square feet on attracted to that and I was attracted to reputation of his wine and thinks Sonoma home run, or at least a triple, every time Kid movies, if you put all four of them with French producer/director/writer Luc Central Park.” Phil’s passion. He was just so passionate can create cabernet on a par with Napa. he comes to the plate. “I’ve been very together, that’s got to be $600 or $700 Besson with whom Kamen wrote The Kamen had not been in Sonoma long about it and I respond really well to people In five years, he insists, Sonoma “can be lucky for a screenwriter,” he admits. “A lot million, so there I’m over a billion. Two Fifth Element, and with whom he has been

78 SONOMA winter 2012 www.sonomamag.com www.sonomamag.com SONOMA winter 2012 79 Kamen spoke at a pitch panel at the Sonoma Film Festival and listened to panalists’ pitches.

creatively partnered for the past 18 years. mercial storytelling.” They are a uniquely successful odd couple. He also has a knack for , “He’s Shrek, I’m Donkey,” Kamen ex- having trained in the discipline since he plains, only half joking. “He’s the creature was 17. The story of how that started is a black belt. I have a story if you want to ing around saying, ‘I got this done and I panoramic view that first seduced him and that owns the swamp, I’m the little donkey like an episode from one of his movies. listen to it. I told him the story of myself got this done, and I got this done. After from his work station he can peer down on that runs around and talks a lot.” Besson “I was at the World’s Fair in 1965, in and my teacher. He said, ‘Can you turn a while, people were sort of like, ‘SHUT the top of the marine layer that frequently calls almost every day and they talk num- Flushing. My friends and I were jumped by that into a film?’ I said, ‘Yeah.’ He said, UP!’” floods the valley like a sea of cotton. bers for their films. a bunch of kids. I got stabbed in the back ‘OK. I’ll give you a bunch of money, turn The vineyards rolling away down the He’s also close to a deal on a remake with a letter opener. Some kid grabbed that into a film.’ So I did.” slope below his house show some of the of Bloodsport, a 1988 Jean-Claude Van it off the shelf, he stabbed me and then For a long time it didn’t occur to Kamen Kamen still practices signs of the Phil Coturri touch. Grape Damme martial arts movie, and he’s they ran. I went into the New York State that the ease with which these jobs came clusters are pared back to give each one negotiating a deal with Jason Statham, the Pavilion and this guy, Ed McGrath, who to him was unusual. “I finished the first tai chi and does his maximum space and sunlight, insectories Transporter star, for a film he’s already writ- was giving a karate demonstration, he draft of Karate Kid in September and a karate forms on the distributed around the property en- ten, and he’s pitching a TV series called was disarming a guy with a knife, and I year later we were in production. Wow. I deck of his writing hance the presence of beneficial bugs. A Red Warrior, based on a graphic novel. said, ‘Sign me up.’ He had a school on thought this is the way it always hap- comprehensive vegetable garden covers a Perhaps you see a theme here. Roosevelt Avenue and 74th Street in pened. I sold a script. I got a bunch of studio, a small good half-acre, complete with fruit trees, Kamen seems clear about his own Jackson Heights. I would take the train money. I wrote Taps, six months later they house perched like including figs, apples and peaches. interior landscape. “I think we all have the every day, get off, go to the karate school, were making a movie. I wrote another an eyebrow just The road to the house from the childhood fantasy that there is somebody train for four hours, get on the train and film called Split Image, they were making vineyard below could run straight, steep who is going to give us the answers. Some- go home. I did this seven days a week, four that. I thought that’s the way it always below the crest of a and very short, right up the side of the body is going to be kind and gentle with hours a day.” works. I was living in New York so I didn’t knoll toward the top mountain. But it doesn’t. Instead, it winds us and teach us and protect us when need The training came in handy when Frank meet other screenwriters. It’s only when of his property. circuitously up and around the edge of be, and love us unconditionally who can Price, the chairman of Columbia Pictures, I started hanging out in L.A. with other the vineyard, before topping out on the kick everybody’s ass. We’ve all fantasized called Kamen up and asked if he could screenwriters and talking to people that I crest of the hill above the house, so that about having that father or that mentor. write a screenplay about a 9-year-old kid realized some of them go six, seven years Kamen still practices tai chi and does arriving guests, now facing back over the I know for a long time a lot of my dreams with a karate black belt. before they sell anything. They do wait his karate forms on the deck of his writing sloping mountainside falling away before and stories were all about mentor types.” “He said, ‘You know about this stuff?’ I jobs, they do bartending, they do under- studio, a small house perched like an eye- them, are greeted with the full impact of And does this theme show up in his said, ‘Yeah.’ He said, ‘What do you think taking, they do process serving, they do brow just below the crest of a knoll toward Robert Kamen’s incredible view. work? “The hero stories, yeah,” admits about doing a movie about this?’ I said, all this shit and then it’s like five years the top of his property. Kamen. “I seem to have a knack for com- ‘This is all bullshit, a 9-year-old kid with before they get anything made. I’m walk- The windows look out on the same KAMEN continued on page 127

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“I love the road,” he says. “Whenever I The things I’m attracted to instinctively drive up this road from my gate, and come seem to work out.” around that curve, my heart beats quicker. He says his life is pretty simple. “I don’t It’s just beautiful. Once you’re coming have a wide range of interests. I’m around the rocks, you come in and a really fairly limited to wine, the vineyard, world opens up. It’s just…I can’t believe I martial arts and writing and cycling. Even Kamen works hard live here.. that, I do it more recreationally than any- and long on his As often as not, when you arrive for a thing else. I’m not like one of these crazy visit, he’ll be visible inside, framed in a pedal-heads that has to do 50 or 60 miles parallel careers, large window at his laptop, a phone in at a time and has to train and all that. I but he says he’s one hand, the other dancing across the just do it because I kind of like the world never actually had computer keys. going by at a slightly faster pace than if Kamen works hard and long on his you’re walking.” a real job. parallel careers, but he says he’s never He has no interest in cars, even though actually had a real job. “I got paid the first he could buy any one he wants. He says time for writing a screenplay in 1978. I Warner Brothers gave him a Mercedes have—and I’m very proud of this—never 400E, 20 years ago, when he wrote Lethal held a real job. I was never a waiter, I was Weapon 3, but it stays in New York and never a bartender, I never went door-to- only has 70,000 miles on it. For Sonoma door selling things. I was he has a Toyota SUV. a newspaper delivery “I don’t care if the car’s clean. I’m at the kid. And I worked for car wash twice a year whether it needs it two weeks in a small or not. Those things don’t interest me. I electronics department sit there every day and write. Some days store, but all I did was are better than others. I believe that you boost radios and stuff have to write every day. I usually work and throw them over the like. 9:30 to 4, sometimes 5. I like to get fence to my friends. out and ride my bike while it’s still light.” “I peeled shrimp for And, at least once a day, he checks the four days once at the Hollywood trades to see how his latest Adventurers Inn, but movie is doing at the box office. my friends kept com- When last we spoke, Taken 2 was setting ing in and I kept giving records. S them shrimp and that job ended abruptly. I taught karate when I was at NYU my last two years. That was it. Never a real job. My job now is making shit up. I sit in a chair and make shit up all day.” Kamen considers himself “a really lucky person. I don’t do anything to promote it. A friend of mine once said, I’m like a hamster in a nature habitat. I go down a hole, I keep go- ing; if there’s food at the end of the hole, great. If not, I’ll turn around and go down another hole. I don’t try lots of things. www.sonomamag.com SONOMA winter 2012 127