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LINE of DUTY 2 EP2 2013-06-02 Cherry.Fdx Script
LINE OF DUTY 2 Written by Jed Mercurio Episode 2 Pink Shooting Script Dated: 18 April 2013 Blue revisions: 19 April 2013 Yellow revisions: 29 April 2013 Green revisions: 30 April 2013 Gold revisions: 12 May 2013 Buff revisions: 20 May 2013 Salmon revisions: 22 May 2013 Cherry revisions: 2 June 2013 World Productions 101 Finsbury Pavement London EC2A 1RS T. 020 3002 3113 Line of Duty #2.2 02/06/2013 CHERRY revisions 1. PREVIOUSLY ... Mallick tells Lindsay what he thinks of her. MALLICK I’ve got a room full of detectives getting 4’s and 5’s. You’re a 2 at best. CUT TO: Lindsay assaults her next-door-neighbour. LINDSAY I’m. Not. Going. To. Take. It. Any. More. CUT TO: O’Neill comes to grab Lindsay. O’NEILL Call for the Duty Inspector. CUT TO: Lindsay picks up the phone. LINDSAY DI Denton. INTERCUT: CAST CREDIT INTERCUT: Hastings introduces Steve to Georgia. HASTINGS DC Trotman. CUT TO: Steve and Georgia get drunk together. CUT TO: Steve and Georgia snog. INTERCUT: CAST CREDIT INTERCUT: (CONTINUED) Line of Duty #2.2 02/06/2013 CHERRY revisions 2. CONTINUED: Akers hurries the Witness under a blanket from the safe house to the waiting car. CUT TO: Lindsay drives the lead vehicle; Akers’ vehicle follows. CUT TO: The ambush vehicle smashes into the vehicles. Gunmen spray bullets. They set fire to Akers’ vehicle. They’re clearly established wearing thick black jackets and motorcycle helmets. INTERCUT: CAST CREDIT INTERCUT: Hastings briefs Steve and Kate at the Witness’s bedside. HASTINGS He was in Witness Protection. -
Hollyoaks Actor Juan Pablo Yepez on His HD Connection from Our from Our Chief in This Edition… Chair of Trustees Executive
Research updates Ideas and insights for activities in HD #TeamHDA fundraising successes Branch and support group news Winter 2016 Hollyoaks actor Juan Pablo Yepez on his HD connection From our From our Chief In this edition… Chair of Trustees Executive 4 HDA news Supporting As a member of a family affected 7 Research by Huntington’s disease, and Updates and clinical trials Chair of our Trustees, I’m lucky one another enough to see some of the range 12 Special feature of work which the HDA does, and I’m consistently impressed Hollyoaks actor Juan Pablo by the passion and dedication of the HDA team, and It was wonderful to see so many people at our feedback about the look and content of our Yepez on his HD connection all the amazing volunteers and fundraisers. I hope this recent Family Weekend and AGM in Telford. We materials, please email [email protected] 14 magazine gives you a flavour of some of what you’ve all hope the workshops and talks by HD experts Advice feature been up to around the country. gave people insight into developments in HD Recent changes to the ESA assessment Ideas and insights for research and practical advice to help them in process signal a positive shift in the DWP’s activities Of course behind what we see, there’s a huge amount their day to day life. I feel incredibly privileged approach to benefits for those people with of work behind the scenes, to support our vital national to attend this weekend each year and witness long term illnesses. -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Shakespeare Survey: 64: Shakespeare As Cultural Catalyst Edited by Peter Holland Frontmatter More Information
Cambridge University Press 978-1-316-50536-6 - Shakespeare Survey: 64: Shakespeare as Cultural Catalyst Edited by Peter Holland Frontmatter More information SHAKESPEARE SURVEY © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-316-50536-6 - Shakespeare Survey: 64: Shakespeare as Cultural Catalyst Edited by Peter Holland Frontmatter More information ADVISORY BOARD Jonathan Bate Akiko Kusunoki Margreta de Grazia Kathleen McLuskie Janette Dillon Lena Cowen Orlin Michael Dobson Simon Palfrey Andrew Gurr Richard Proudfoot Ton H oe n se la ar s Emma Smith Andreas Hofele¨ Ann Thompson Russell Jackson Stanley Wells John Jowett Assistants to the Editor Catherine Clifford and Ethan Guagliardo (1) Shakespeare and his Stage (35) Shakespeare in the Nineteenth Century (2) Shakespearian Production (36) Shakespeare in the Twentieth Century (3) The Man and the Writer (37) Shakespeare’s Earlier Comedies (4) Interpretation (38) Shakespeare and History (5) Textual Criticism (39) Shakespeare on Film and Television (6) The Histories (40) Current Approaches to Shakespeare through (7) Style and Language Language, Text and Theatre (8) The Comedies (41) Shakespearian Stages and Staging (with an index (9) Hamlet to Surveys 31–40) (10) The Roman Plays (42) Shakespeare and the Elizabethans (11) The Last Plays (with an index to Surveys 1–10) (43) The Tempest and After (12) The Elizabethan Theatre (44) Shakespeare and Politics (13) King Lear (45) Hamlet and its Afterlife (14) Shakespeare and his Contemporaries (46) Shakespeare -
Rupert Power ACO, GBCT | Crew Profile | Gravycrew
Gravy Crew Ltd. t. +44 (0) 203 696 4600 e. [email protected] Diary Management Service Rupert Power ACO, GBCT Camera / Steadicam Owner-Operator Rupert is an experienced Camera & Steadicam Operator working on Features, TV Drama, TV Comedy, Commercials and Music productions. Experienced with remote heads, geared heads, steadicam and happy to light second unit. Steadicam owner/operator. Feature Films (Selection) Production Director / DOP Production Company Additional Information A Christmas Number 1. Chris Cottam / Catherine Sky Original Cinema Camera Operator Derry Last Night In Soho Edgar Wright / Oliver Big Smoke Pictures Ltd. Camera & Steadicam 2nd Unit Curtis BSC Muscle Gerard Johnson / Stuart Muscle Films Ltd. B Camera & Steadicam Bentley Sulphur & White Julian Jarrold / Felix UME 9 LTD / AMG B Camera & Steadicam Wiedemann International Cordelia Adrian Shergold / Tony StudioPow Steadicam Operator dailies Slater-Ling 90 Minutes Simon Baker /Dom Bartels 90 Minutes Productions Steadicam Operator Sing Street John Carney /Yaron Cosmo Films Steadicam / Crane Op Orbach Legacy David Fairbanks, Marc Legacy Productions Steadicam Operator Small /Aaron Reid The Possibilities are Endless Ed Lovelace, James Hall Pulse Films Steadicam Operator /Richard Stewart Hyena Gerard Johnson /Ben No 9 Films Steadicam Operator Kracun Fair Game Doug Liman /Robbie River Road Entertainment Steadicam Operator Baumgartner Angus, Thongs & Snogging Gurinder Chadha / Dick High Command Steadicam Operator Pope BSC Shifty Rani Creevy /Ed Wild Dudlowe Films Steadicam Operator -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Dossier Presse Joseph
Les Films de la Croisade en coproduction avec Iota Production et uFilm en association avec uFund avec la participation de France Télévisions Joseph l’insoumis Une fiction de 90’ inspirée de la vie du Père Joseph Wrésinski, fondateur d’ATD Quart Monde avec Jacques Weber, Anouk Grinberg Nicolas Louis, Patrick Descamps, Laurence Côte Salomé Stévenin, Anne Coesens, Isabelle de Hertogh Un film de Caroline Glorion Projet labellisé réalisé avec le soutien de : CNC, Région Aquitaine, Communauté Française de Belgique, Commission Européenne, Conseil Général de Gironde, Ville de Bordeaux, Ministère de la Santé et des Sports - Délégation à l’information et à la Communication, L’Acsé –Fonds Images de la Diversité, Observatoire National de la Pauvreté, Caisse des Dépôts, Fondation Bettencourt Schueller, Association Georges Hourdin, du Programme Media de l’Union Européenne, de Soficinéma 5 Développement et de TV5 Monde Joseph l’insoumis Le Rachaï Joseph l’insoumis Début des années 60, un bidonville aux portes de Paris. Une poignée de familles survivent sous des abris de fortune dans une misère effroyable et une violence quotidienne. Un homme, le Père Joseph Wrésinski, décide de s’installer au milieu de ceux qu’il appelle « son peuple ». Parmi ces familles, celle de Jacques. Sa vie va être transformée par sa rencontre avec le Père Joseph. La sienne mais la vie aussi de ceux qui vont rejoindre le combat de ce curé révolutionnaire. Un combat contre l’assistance et la charité qui dit-il « enfoncent les pauvres dans l’indignité Distribution artistique Joseph -
Policy & Procedure
POLICY & PROCEDURE SHOREWOOD HILLS POLICE DEPARTMENT SUBJECT: LINE OF DUTY DEATH NUMBER: 1.12 ISSUED: 03/20/2014 SCOPE: All Department Personnel EFFECTIVE: 03/20/2014 DISTRIBUTION: Policy & Procedure Manual RESCINDS AMENDS REFERENCE: “Support Services to Surviving Families of WILEAG STANDARDS: N/A Line of Duty Deaths,” by Suzanne F. Sawyer INDEX AS: Line of Duty Death PURPOSE: This Policy & Procedure establishes procedures to ensure the proper support and emotional care for a member’s family following a line-of-duty death. This Policy & Procedure consists of the following numbered sections: I. POLICY II. DISCUSSION III. PROCEDURES AND RESPONSIBILITIES I. POLICY A. It is the policy of the Shorewood Hills Police Department to provide liaison assistance to the immediate survivors of a member who dies in the line of duty. This assistance is provided whether the death was unlawful or accidental (i.e., automobile accident, hit by a passing vehicle during a traffic stop, training accident) while the member was performing a police-related function, either on or off-duty and while he or she was an active member of the Department. The Chief of Police may institute certain parts of this Policy & Procedure for cases of a member’s natural death. The Department will also provide a clarification and comprehensive study of survivor benefits as well as emotional support during this traumatic period of readjustment for the surviving family. 1 1.12 Funeral arrangements of the deceased member are to be decided by the family, with their wishes taking precedence over the Department’s. II. DISCUSSION A. Coordination of events following the line-of-duty death of a police officer is an extremely important and complex responsibility. -
Amy Poehler, Sarah Silverman, Aziz Ansari and More on the Lost Comic
‘He was basically the funniest person I ever met’ Amy Poehler, Sarah Silverman, Aziz Ansari and more on the lost comic genius of Harris Wittels By Hadley Freeman Monday 17.04.17 12A Quiz Fingersh Pit your wits against the breakout stars of this year’s University Challenge, and Bobby Seagull , with Eric Monkman 20 questions set by the brainy duo. No conferring The Fields Medal has in secutive order. This spells out the 5 1 recent times been awarded name of which London borough? to its fi rst woman, Maryam Mirzakhani in 2014, and was What links these former infamously rejected by Russian 7 prime minsters: the British Grigori Perelman in 2006. Which Spencer Perceval, the Lebanese academic discipline is this prize Rafi c Hariri and the Indian awarded for? Indira Gandhi? Whose art exhibition at Tate Narnia author CS Lewis, 2 Britain this year has become 8 Brave New World author the fastest selling show in the Aldous Huxley and former US gallery’s history? president John F Kennedy all died on 22 November. Which year The fi rst national park desig- was this? 3 nated in the UK was the Peak District in 1951. Announced as a Which north European national park in 2009 and formed 9 country’s fl ag is the oldest in 2010, which is the latest existing fl ag in the world? It is English addition to this list? 15 supposed to have fallen out of the heavens during a battle in the University Challenge inspired 13th century. 4 the novel Starter for Ten. -
1 Interviewer: Peter, Um, Great Expectations- but Did It Meet
Interviewer: Peter, um, Great Expectations- but did it meet yours? Peter: It sort of did and I’m not sure if that’s a good thing or a bad thing. It was a very decent, robust, competent, workmanlike adaptation and nothing damns it with faint praise more than that (interviewer:not really that good). I thought it was a really likeable attractive piece of work, I really liked Jeremy Evans. When you think how awful he was in War Horse, but that wasn’t really his fault, I thought War Horse was so treacly and this was pretty decent- he is a pretty good lead to play this. I wondered why we were hearing it all again, I mean it’s great, I love it, I can’t get enough of Pip being beastly to Joe Gargery and being snobbish to him and the awful toe-curling embarrassment of all that, just deathless, I can’t get enough of them but why are we seeing it all again, especially as the film seems to be making a bit of a virtue of not having anything radically new to say about it- I don’t think, unless I miss.. Catherine thinks it does. I thought it was good and I’ll sit and watch it perfectly happily, there were some very nice cameo turns in it- Sally Hawkins, who’s just born to be a Dickens player, David Walliams as Mr Pomchook . So I thought it was good but I wondered why we were hearing about it again, what was the point when people like the BBC, with their version of Bleak House , which was so radical and strong, why do this, why do this now? Why do it if you’ve really nothing new to say? Presenter: Catherine, can you answer that question, Mike Newell’s talked about this being his sexy version of Great Expectations- did you feel any of that? Catherine: I didn’t feel sexy, I didn’t feel it was sexy and I didn’t feel sexy watching it, I felt the opposite of sexy. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Peter Moffat Writer
Peter Moffat Writer Barrister turned writer, Peter Moffat started out writing plays – his first, ‘Fine and Private Place’ was broadcast on BBC Radio – before going on to create several television dramas, including ‘Criminal Justice, ‘Silk’ and ‘North Square,’ which he won the Broadcasting Press Guild Writer’s Award. He was awarded two BAFTAS for ‘Criminal Justice,’ which was the basis for HBO’s Emmy-winning series ‘The Night Of,’ starring Riz Ahmed. His most recent series for Showtime, ‘Your Honour,’ stars Bryan Cranston and ‘61st Street’ with Michael B. Jordan as Executive Producer. Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Television Production Company Notes 61ST STREET AMC Studios Executive Producer: Michael B. Jordan 2020 YOUR HONOR CBS for Showtime 10 x 60 2020 Producer: Liz Glotzer and Michelle & Robert King Lead Director: Ed Berger Starring: Bryan Cranston and Courtney B. Vance THE LAST POST BBC 6 x 60 2017 Aden 1965. This is the story of a British army unit fighting a Yemeni insurgency in the Middle East and the women and children who were there with them. THE NIGHT OF HBO Executive Producer 2016 Based on the Peter's orginal series Criminal Justice United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes UNDERCOVER BBC1 6 x60' with Sophie Okonedo and Adrian Lester, Denis 2015 Haysbert Director James Hawes, Exec Producer Peter Moffat THE VILLAGE series Company Pictures 6 x 60' with John Simm, Maxine Peake, Juliet Stevenson 1 / BBC1 Producer: Emma Burge; Director: Antonia Bird 2013 SILK 2 BBC1 6 x 60' With Maxine Peake, Rupert Penry Jones, Frances 2012 Barber, and Neil Stuke Producer: Richard Stokes; Directors: Alice Troughton, Jeremy Webb, Peter Hoar SILK BBC1 6 x 60' 2011 With Maxine Peake, Rupert Penry Jones, Natalie Dormer, Tom Hughes and Neil Stuke.