This Little Life
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Alexandra Caulfield - Costume Designer
AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44(0)207 244 1159 www.ampmgt.com • e-mail: [email protected] ALEXANDRA CAULFIELD - COSTUME DESIGNER EMMY Award Nomination, BAFTA & RTS Nominations Best Costume Design www.alexandracaulfield.co.uk FEATURE CREDITS: PRISONERS OF PARADISE Director Mitch Jenkins Coming of age Love story set in 1925 Producers Jim Mooney, Mike Elliott colonial Mauritius Exec. Producers Alan Govinden, Maria J Govinden (Covid shoot) Production Co. AMG International Film / Sega Media Pty Ltd THE FLYING SCOTSMAN Director Douglas Mackinnon Bio Drama Producers Peter Broughan, Claire Chapman, Sara Giles Featuring Jonny Lee Miller, Stephen Berkoff, Brian Cox Production Co. ContentFilm / Scottish Screen / Scion Films / MGM BAFTA Nominated Scotland Award Best Film THE BEST MAN Director Stefan Schwartz Contemporary Comedy Drama Producer Neil Peplow Featuring Stuart Townsend, Amy Smart, Simon Callow Production Co. Endgame Ent. / Insider Films / Redbus Pictures SPARKLE Directors Tom Hunsinger, Neil Hunter Contemporary Comedy Drama Producers Martin Pope, Michael Rose Featuring Bob Hoskins, Stockard Channing, Anthony Head, Lesley Manville Production Co. Magic Light Pictures / Revolver Ent. / Vertigo Films BLACKBOOK (Prep only) Director Paul Verhoeven Period Drama Producer Teune Hilte Featuring Carice van Houten, Sebastian Koch Production Co. Fu Works CAPONE’S BOYS Director Richard Standeven Period Drama Producer Peter Barnes Featuring Marc Warren, Ralph Little, Richard Rowntree Production Co. Alchemy Films THE PAROLE OFFICER Director John Duigan Contemporary Crime Comedy Producer Duncan Kenworthy Featuring Steve Coogan, Omar Sharif, Jenny Agutter Production Co. DNA Films / Figment / Toledo / UK Film / Universal LIAM Director Stephen Frears Period Drama Producer Colin McKeown Featuring Ian Hart, Anne Reid Production Co. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
NTL-2017-Hamlet-Program.Pdf
presented by Photograph by Johan Persson Running time: 3 hours 20 minutes (including a 20-minute interval) Cast, in alphabetical order Coming next Danish Soldier, Norwegian Soldier BARRY AIRD Captain, Servant EDDIE ARNOLD Horatio LEO BILL Ophelia SIÂN BROOKE Cornelius NIGEL CARRINGTON Player King RUAIRI CONAGHAN Hamlet BENEDICT CUMBERBATCH Guildenstern RUDI DHARMALINGAM Priest, Messenger COLIN HAIGH Fencing Offi cial PAUL HAM Player Queen, Messenger DIVEEN HENRY Gertrude ANASTASIA HILLE Claudius CIARÁN HINDS Laertes KOBNA HOLDBROOK-SMITH Julius Caesar Ghost, Gravedigger KARL JOHNSON by William Shakespeare Polonius JIM NORTON a Bridge Theatre production Stage Manager, Offi cial AMAKA OKAFOR Barnardo DAN PARR HHHH Courtier JAN SHEPHERD ‘ A star-studded political Voltemand MORAG SILLER cataclysm for our times.’ Rosencrantz MATTHEW STEER Daily Telegraph Fortinbras SERGO VARES Marcellus DWANE WALCOTT HHHH ‘ A visceral, politically urgent tragedy.’ All other roles covered by members of the company Guardian Director LYNDSEY TURNER In cinemas from March 22 Set ES DEVLIN Find your nearest venue and book at ntlive.com Costume KATRINA LINDSAY Turn over for details of more upcoming screenings Video LUKE HALLS Lighting JANE COX Music JON HOPKINS Sound CHRISTOPHER SHUTT Great theatre needs great supporters Movement SIDI LARBI CHERKAOUI If you love NT Live, please support the National Theatre and Fights BRET YOUNT help us to continue to bring world-class theatre to cinemas. nationaltheatre.org.uk/support-the-NT Casting JULIA HORAN CDG Connect with us Subscribe to our email updates Like us on Facebook Follow us on Twitter ntlive.com/signup facebook.com/ntlive @ntlive Join in the conversation about tonight’s screening #HamletBarbican Upcoming broadcasts Julius Caesar by William Shakespeare a Bridge Theatre production In cinemas from March 22 HHHH ‘ Tremendously gripping. -
Sci-Fi Sisters with Attitude Television September 2013 1 LOVE TV? SO DO WE!
April 2021 Sky’s Intergalactic: Sci-fi sisters with attitude Television www.rts.org.uk September 2013 1 LOVE TV? SO DO WE! R o y a l T e l e v i s i o n S o c i e t y b u r s a r i e s o f f e r f i n a n c i a l s u p p o r t a n d m e n t o r i n g t o p e o p l e s t u d y i n g : TTEELLEEVVIISSIIOONN PPRROODDUUCCTTIIOONN JJOOUURRNNAALLIISSMM EENNGGIINNEEEERRIINNGG CCOOMMPPUUTTEERR SSCCIIEENNCCEE PPHHYYSSIICCSS MMAATTHHSS F i r s t y e a r a n d s o o n - t o - b e s t u d e n t s s t u d y i n g r e l e v a n t u n d e r g r a d u a t e a n d H N D c o u r s e s a t L e v e l 5 o r 6 a r e e n c o u r a g e d t o a p p l y . F i n d o u t m o r e a t r t s . o r g . u k / b u r s a r i e s # R T S B u r s a r i e s Journal of The Royal Television Society April 2021 l Volume 58/4 From the CEO It’s been all systems winners were “an incredibly diverse” Finally, I am delighted to announce go this past month selection. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
MARK CHALLENOR 1St ASSISTANT DIRECTOR M: 07767 365913 E: [email protected] Agent: GEMS
MARK CHALLENOR 1st ASSISTANT DIRECTOR M: 07767 365913 E: [email protected] Agent: GEMS A DISCOVERY OF WITCHES: Bad Wolf, fantasy drama Eps 6 & 7 - Exec Producers Jane Tranter and Lachlan Mackinnon; Producer Edoardo Ferretti; Director Jamie Donoughue; Line Producer Carolyn Parry-Jones. VIGIL: World Productions, drama Eps 4, 5, 6 - Exec Producers Jake Lushington; Producer Angie Daniell; Director Isabelle Sieb; Line Producer Donald Mackinnon. ISOLATION STORIES: ITV, remote filming drama using Zoom Ep “Ron and Russell” - Exec Producer Jeff Pope; Producer Menzies Kennedy; Director Louise Hooper. INDUSTRY: Bad Wolf, drama Eps 6 & 8 - Exec Producers Jane Tranter and Lachlan Mackinnon; Producer Lee Thomas; Directors Ed Lilly; Tinge Krishnan; Line Producer Sarah Dibsdall. SANDYLANDS: King Bert Productions, comedy drama 3 episodes - Exec Producer Jo Sargent; Producer Rosemary McGowan; Director Michael Cumming; Line Producer Paul Ralph. FLESH AND BLOOD: Silver Print Pictures for ITV, suspense 4 part drama - Exec Producer – Kate Bartlett, Producer – Letitia Knight, Director – Louise Hooper, Line Producer – Martin Campbell. WORLD ON FIRE: Mammoth Screen for BBC, period wartime drama, episode 3 Prague, London, Manchester, & 2nd Unit Prague Episodes 1 & 2 - Exec Producer Helen Zeigler; Series Producer Chris Clough; Producers Nickie Sault and Callum Devrell Cameron; Directors Adam Smith and Thomas Napper; Line Producer Phillipa Cole. GOLD DIGGER: Main Street Pictures, suspense drama additional filming - Producer Ani Kevork; Director Vanessa Caswell; Line Producer Adam Knopf. CHEAT: Two Brothers Productions, suspense 4 part drama - Executive Producer Christopher Aird; Producer Lydia Hampson; Director Louise Hooper; Line Producer Pat Leres. THE ATHENA: SKY, teen drama 5 episodes - Executive Producer Foz Allan; Producer Paul McKenzie; Director Isabelle Sieb; Line Producer Stephen Abrahams. -
1 Two Richard II Films, Directed by Rupert Goold (2012) and Gregory
Two Richard II films, directed by Rupert Goold (2012) and Gregory Doran (2013) Arlynda Boyer University of Toronto [email protected] Richard II, episode 1 of the BBC mini-series The Hollow Crown. Directed by Rupert Goold. With Ben Whishaw (Richard II), Patrick Stewart (John of Gaunt), Rory Kinnear (Henry Bolingbroke), David Suchet (Duke of York), Tom Hughes (Duke of Aumerle), James Purefoy (Thomas Mowbray), David Morrissey (Earl of Northumberland). Richard II. Based on a production by the Royal Shakespeare Company. Directed by Gregory Doran. With David Tennant (Richard II), Michael Pennington (John of Gaunt), Nigel Lindsay (Henry Bolingbroke), Oliver Ford Davies (Duke of York), Oliver Rix (Duke of Aumerle), Jane Lapotaire (Duchess of Gloucester), Antony Byrne (Thomas Mowbray), Sean Chapman (Earl of Northumberland). Gregory Doran, director of the Royal Shakespeare Company’s 2013 film of Richard II starring David Tennant, has noted that between the Stratford and London runs of the original stage production and the multiple worldwide cinema showings, his production has a plausible claim to being the single most-watched Shakespeare production in history.1 Producers of Rupert Goold’s Richard II starring Ben Whishaw, screened as part of the Hollow Crown mini-series shown on the BBC and PBS, might challenge that claim. Both are now available on DVD and both will likely find their way into classrooms. Since the films were directed with almost diametrically opposed visions, teachers may want to use clips from both by way of contrast when discussing interpretations of the play with students. It is thus worth considering the strengths and weaknesses of each. -
Connect with Us Want to Find out About Forthcoming Broadcasts?
Robert Fox, Matthew Byam Shaw for Playful Productions and Royal Court Theatre Productions present The Royal Court Theatre production of By Martin McDonagh Directed by Matthew Dunster About Hangmen About the Royal Court Theatre The year is 1965. In his small pub in the northern English town of The Royal Court Theatre is the writers’ theatre. For sixty years it has Oldham, Harry is something of a local celebrity. But what’s the second- been the leading force in world theatre for energetically cultivating best hangman in England to do on the day they’ve abolished hanging? writers – undiscovered, new, and established. Amongst the cub reporters and pub regulars dying to hear Harry’s Through the writers the Royal Court is at the forefront of creating restless, reaction to the news, his old assistant Syd and the peculiar Mooney alert, provocative theatre about now, inspiring audiences and influencing lurk with very different motives for their visit. future writers. Through the writers the Royal Court strives to constantly reinvent the theatre ecology, creating theatre for everyone. Over 120,000 Running time: 2 hrs 40 mins (including a 20-minute interval) people visit the Royal Court in Sloane Square, London, each year and Tonight’s performance is broadcast live from the many thousands more see our work elsewhere through transfers to the Wyndham’s Theatre in London’s West End. West End and New York, national and international tours, residencies across London and site-specific work. In 2016 the Royal Court is 60 Years New. This year work includes new plays by Caryl Churchill, Anna Jordan, Cast, in alphabetical order Mongiwekhaya, Alistair McDowall, David Ireland, Stef Smith, Charlene Hennessy JOSEF DAVIES James, Anthony Neilson, Nathaniel Martello-White and Suzan-Lori Parks. -
Jane Tranter on Why Wales Needs a Better Deal RTS BRISTOL
October 2016 RTS London Conference 2016 Plus: Jane Tranter on why Wales needs a better deal RTS BRISTOL Futures From the CEO It has been a thrilling start to the RTS’s autumn season. An early highlight was our London conference, “Full stream ahead”. A record number of delegates Festival made a beeline for the main audito- rium at London’s Kings Place to be rewarded with a packed day that gen- erated numerous headlines. Did any- 1 November one mention The Great British Bake Off? I want to extend a massive thank you to all those who worked so hard 6:30pm-9:30pm to make it such a great day. It was wonderful to have NBCUniversal as At Watershed, 1 Canons Rd, our principal sponsor – and special Harbourside, Bristol BS1 5TX Contents This is a free event for students and RTS Tim Hincks’s TV diary Futures members, but booking is required. Tim Hincks is on garden leave but occasionally finds time 7 to hobnob with TV people Ticket includes free drink on arrival. Plus music from Slix Disco DJs. There will be a series of drop-in ‘TEDx’-style talks through the evening, RTS London Conference 2016: Full stream ahead: commissioning, producing and plus networking and company stands: distributing content in an age of on-demand Reports by Matthew Bell, Maggie Brown, Steve Clarke ■ O ne-man band: self-shooting observational and Tara Conlan documentaries – Bart Corpe Producer/ Director Introduction: Embracing the winds of change ■ F inding stories – Rachel Drummond-Hay 8 Success in a connected world depends on creativity, innovation and execution, says conference -
Sallie Aprahamian Current Cobra 2
Sallie Aprahamian Current Cobra 2 - directing episodes 5 & 6 of the second series for New Pictures/Sky. ------------------------------------------------------------------- 2019 Poldark 5 – directed the opening three and closing two episodes of the fifth series. Producer Michael Ray. 2018 Doctor Who 11 – directed two episodes of series 11 with Jodie Whittaker as the first female Doctor. 2017 Hetty Feather 4 – directed episodes for series 4 of the CBBC children’s drama. Worst Witch – directed episodes 4-6 of new series for CBBC/ZDF/Netflix. Producer Lucy Martin. Exec Marcus Wilson. TX February 2017. 2016 The Dumping Ground – directed closing 5 episodes of Series III for CBBC. Producer Phil Leach. Exec Lucy Martin. Sallie received a BAFTA nomination 2016. 2014 Wolfblood – directed closing four episodes of Series III CBBC/ZDF. Producer Jonathan Wolfman. Exec Lis Steele. Episode 13 received a BAFTA nomination 2015. The Dumping Ground – directed opening 4 episodes for Series II for CBBC. Producers Phil Leach and Simon Nelson. Exec. Lis Steele. 2012 Lip Service – directed opening 3 episodes of Series II. Kudos/BBC. Producer Emma Kingsman-Lloyd. Exec Derek Wax. 2008 Broken Lines – directed feature film starring Paul Bettany and Olivia Williams. Selected for Venice Giornate deli Autori and London Films Festivals. Sallie Aprahamian 2005 – 2009 The Bill – directed 8 episodes of the Thames/ITV series. Producers include Lachlan MacKinnon, Lis Steele and Ciara McIlvenny. 2003 Real Men – 2 x 90’ drama by Frank Deasy. Starring Ben Daniels. Producer David Snodin. Exec Frank Deasy and Barbara McKissack. BBC Scotland/BBC 2. RTS nomination. 2002 Outside the Rules – two part ‘Crime Double’ starring Daniela Nardini for BBC1/BBC Wales. -
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AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
Lorna Jowett Is a Reader in Television Studies at the University Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NECTAR 1 The Girls Who Waited? Female Companions and Gender in Doctor Who Lorna Jowett Abstract: Science fiction has the potential to offer something new in terms of gender representation. This doesn’t mean it always delivers on this potential. Amid the hype surrounding the 50th anniversary of Doctor Who, the longest running science fiction series on television, a slightly critical edge is discernable in the media coverage concerning the casting of the twelfth Doctor and issues of representation in the series. This paper examines Doctor Who in the broader context of TV drama and changes to the TV industry, analysing the series’ gender representation, especially in the 2005 reboot, and focusing largely on the female ‘companions’. Keywords: gender representation, television, feminism, BBC. When I put together an earlier version of this paper two years ago, I discovered a surprising gap in the academic study of Doctor Who around gender. Gender in science fiction has often been studied, after all, and Star Trek, another science fiction television series starting in the 1960s (original run 1966-69) and continued via spin-offs and reboots, has long been analysed in terms of gender. So why not Doctor Who? Admittedly, Doctor Who’s creators have no clear philosophy about trying to represent a more equal society, as with the utopian Trek. The lack of scholarship on gender in Doctor Who may also be part of a lack of scholarship generally on the series—academic study of it is just gaining momentum, and only started to accumulate seriously in the last five years.