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The Roots of Environmental Crime in the Colombian Amazon
THE ROOTS OF ENVIRONMENTAL CRIME IN THE COLOMBIAN AMAZON IGARAPÉ INSTITUTE a think and do tank “Mapping environmental crime in the Amazon Basin”: Introduction to the series The “Mapping environmental crime in the markets, and the organizational characteristics Amazon Basin” case study series seeks to of crime groups and their collusion with understand the contemporary dynamics of government bodies. It also highlights the environmental crime in the Amazon Basin record of past and current measures to disrupt and generate policy recommendations for and dismantle criminal networks that have key-stakeholders involved in combating diversified into environmental crime across the environmental crime at the regional and Amazon Basin. domestic levels. The four studies further expose how licit and The Amazon Basin sprawls across eight illicit actors interact and fuel environmental countries (Bolivia, Brazil, Colombia, Ecuador, crime and degradation in a time of climate Guyana, Peru, Suriname, and Venezuela) emergency as well as of accelerated socio- and one territory (French Guiana). While political change across the region. They show the research and policy communities a mix of increased governmental attention have progressively developed a sounding and action to combat environmental crime in understanding of deforestation and recent years, mainly to reduce deforestation degradation dynamics in the region and the and illegal mining, as well as the weakening of ways in which economic actors exploit forest environmental protections and land regulations, resources under different state authorisation in which political and economic elites are either regimes, this series sheds light on a less complicit in or oblivious to the destruction of explored dimension of the phenomenon: the the Amazon forest. -
JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress. -
Edgar Allan Poe Adaptation 'The Tell-Tale Heart'
A TALE OF TERROR ‘LOST’ EDGAR ALLAN POE ADAPTATION ‘THE TELL-TALE HEART’ STARRING STANLEY BAKER REDISCOVERED AFTER 50 YEARS SPECIAL HALLOWEEN RELEASE ON BFI PLAYER https://player.bfi.org.uk/free/film/watch-the-tell-tale-heart-1953-online https://player.bfi.org.uk/free/collection/gothic-the-dark-heart-of-film facebook.com/BritishFilmInstitute | twitter.com/bfi For immediate release: 17 October 2018, London A macabre treat for Halloween, Adelphi Films ‘lost’ The Tell-Tale Heart (1953) is a British adaption of Edgar Allan Poe’s murderous psychological drama. Missing for over 50 years, the 20 minute chilling short film has been digitally restored and is being made available to view for free on BFI Player for two weeks from 26 October alongside a curated trove of horror currios including Algernon’ Blackwood’s The Reformation of St. Jules (1949), Castleton Knight’s Prelude (1927); a nightmarish reverie on Poe’s The Premature Burial and Cross-Roads (1955), Christopher Lee’s earliest supernatural screen role, as a ghost who returns from the grave to seek revenge. Directed by JB Williams and made at Carlton Kay Studios in London, The Tell-Tale Heart (1953), stars the Welsh-born actor and producer Stanley Baker - The Guns of Navarone (1961), Zulu (1964), Accident (1967), as Poe’s unnamed narrator with a haunted conscience. Like his friend and compatriot Richard Burton, Baker was recognised for his combination of smouldering intensity, surly strong spirit and fine speaking voice. A voice he deploys perfectly here to narrate this classic short story from Edgar Allan Poe, the master of mystery and suspense. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Clinton Greyn (1933-2019)
CLINTON GREYN (1933-2019) The great legacy of CLINTON GREYN (1933-2019) is as one of the 1960s' British adventure series' unsung heroes. His Captain Robert Virgin in ATV's Virgin of the Secret Service (1968) stands as one of the classic English gentleman swashbucklers of the decade, alongside Gerald Harper's Adam Adamant and Patrick Macnee's John Steed in The Avengers. Created by Ted Willis, Virgin of the Secret Service (thankfully available on DVD since 2013) was an entertaining, tongue-in-cheek, Boys' Own-style saga of derring-do and stiff upper-lip, in which Captain Virgin, aided by the glamorous Mrs. Cortez (Veronica Strong) and his loyal batman Doublett (John Cater) defended far-flung corners of the British Empire from its foes, most frequently the scheming Teutonic villain Karl Von Brauner (Alexander Doré). Imperial in theme, sardonic in tone, the jury's still out on whether Virgin of the Secret Service was short-lived because by 1968 it was too old-fashioned or, instead, because it was ahead of its time. But the fact that it was filmed in grainy black-and-white wouldn't have helped. Clinton Greyn also guest-starred in other adventure series of the era, such as The Champions and Department S, and he lent distinguished support to several prestigious films of the 1960s: Otto Preminger's Exodus (1960) starring Paul Newman and Eva Marie Saint; Ralph Thomas's The High Bright Sun (1964), with Dirk Bogarde, George Chakiris and Susan Strasberg; Peter Yates's Robbery (1967), starring Stanley Baker; the Shirley MacLaine vehicle Woman Times Seven (1967), directed by Vittorio De Sica; and Herbert Ross's good-looking but ill-advised musical adaptation of Goodbye, Mr. -
The Christopher Columbus Navigator
COME VISIT OUR WEB SITE AT: www.gakofc.org The Christopher Columbus Navigator Volume 15 Issue 3 OFFICERS 2015-2016: Georgia State Council Knights of Columbus Newsletter State Deputy Mark McMullen Editor - Jim Gust - 770-649-0745 - [email protected] 3rd Quarter, 2015-2016 404-310-1830 [email protected] State Chaplain Bishop Emeritus J. Kevin Boland From The State Deputy . 912-201-4100 By Mark McMullen - State Deputy [email protected] Brother Knights – we are off to a good start Associate State Chaplain Fr Ray Levreault through the first five months of our fraternal year – 229-349-0467 and I thank you for your efforts to make this hap- [email protected] pen. Through five months, we are tracking well State Secretary Mark Corrigan with where we need to be with membership 912-547-3800 growth. In November, we recruited 115 new broth- [email protected] er Knights bringing our total membership YTD to State Treasurer over 435. We are also doing a good job with re- Mark Hofmann 770-504-0557 tention – and this is critically important because it does little good to [email protected] bring in new members if we are not able to keep them. State Advocate While it is very important for us to grow our membership, we MUST focus on recruiting quality James Clifford 404-210*5277 members and giving our new members the opportunity to get out of our wonderful organization what [email protected] they are looking to get out of it. Everyone joins the Knights of Columbus for a reason. -
Richard Burton
Richard Burton For other people named Richard Burton, see Richard Burton (disambiguation). Richard Burton, CBE (/ˈbɜrtən/; 10 November 1925 – 5 August 1984) was a Welsh stage and cinema actor[1] noted for his mellifluous baritone voice and his great act- ing talent.[2][3] Establishing himself as a formidable Shakespearean ac- tor in the 1950s, with a memorable performance of Hamlet in 1964, Burton was called “the natural suc- cessor to Olivier" by critic and dramaturg Kenneth Ty- nan. An alcoholic,[3] Burton’s failure to live up to those expectations[4] disappointed critics and colleagues and fu- [3][5] eled his legend as a great thespian wastrel. Burton was born in Pontrhydyfen, where his father and some of Burton was nominated seven times for an Academy his brothers were coal miners Award without ever winning. He was a recipient of BAFTA, Golden Globe and Tony Awards for Best Ac- ing with Cecilia, Burton attended nearby Eastern Primary tor. In the mid-1960s Burton ascended into the ranks of School on Incline Row.[13] Burton said later that his sister the top box office stars,[6] and by the late 1960s was one became “more mother to me than any mother could have of the highest-paid actors in the world, receiving fees of ever been ... I was immensely proud of her ... she felt all $1 million or more plus a share of the gross receipts.[7] tragedies except her own”. Burton’s father would occa- Burton remains closely associated in the public con- sionally visit the homes of his grown daughters but was sciousness with his second wife, actress Elizabeth Taylor. -
Claimed Studios Self Reliance Music 779
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Almost One Third of Its Listeners
1984 JFM Prompts Complaints 4 10 years 1994 EMI's 6 -Month Chart Reign 15 CLT Drops Chiltern Bid 16 ye IMEMEMik 2.95, DM 8, FFr 25, US$ 5 Volume 11 Issue 33 . August 13, 1994 D'Ubaldo's New -Style BBC Radio 1 Drops CD International Magic Rhythm Back In Bratislava Gets A Grip OnAlmost One Third Of Its Listeners SLOVAKIA UNITED KINGDOM Figures released last week by by Julia Sullivan The Summer by Jeff Clark -Meads UK radio industry research orga- Top UK Stations nisation Rajar show Radio 1 has (% market share) Radio CD International,the EUROPE A troubled BBC Radio 1 has lost dropped3.4millionlisteners Bratislava -based EHR station Station March/ March/ which broadcast into Austria on by Machgiel Bakker nearlyone-thirdofitsmarket from its weekly reach, taking it June '93 June '94 share during the year since its re- from 19.9% of the market to BBC Radio I 19.9 13.3 frequencies owned by the Slo- Acheerful Caribbean -tinged launch as an alternative to com- 13.3%. However, the BBC is tak- BBC Radio 2 12.6 12.9 vak pubcaster until last Decem- BBC Radio 3 1.3 1.0 record is invading the European mercial radio. ing consolation from the fact that BBC Radio 4 10.2 10.4 ber, began transmitting on July airwaves by anartist whose BBC Radio 5 Live 1.9 2.1 14 on 96.6 Mhz, the frequency Atlantic 252 2.8 3.7 previously home to the public name is as exotic as the sound of Classic FM 2.7 2.8 the music she produces-Marie Virein 1215 Ni 3.2 rock channel Rock FM. -
Asians & Pacific Islanders Across 1300 Popular Films (2021)
The Prevalence and Portrayal of Asian and Pacific Islanders across 1,300 Popular Films Dr. Nancy Wang Yuen, Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Kevin Yao & Dana Dinh with assistance from Connie Deng Wendy Liu Erin Ewalt Annaliese Schauer Stacy Gunarian Seeret Singh Eddie Jang Annie Nguyen Chanel Kaleo Brandon Tam Gloria Lee Grace Zhu May 2021 ASIANS & PACIFIC ISLANDERS ACROSS , POPULAR FILMS DR. NANCY WANG YUEN, DR. STACY L. SMITH & ANNENBERG INCLUSION INITIATIVE @NancyWangYuen @Inclusionists API CHARACTERS ARE ABSENT IN POPULAR FILMS API speaking characters across 1,300 top movies, 2007-2019, in percentages 9.6 Percentage of 8.4 API characters overall 5.9% 7.5 7.2 5.6 5.8 5.1 5.2 5.1 4.9 4.9 4.7 Ratio of API males to API females 3.5 1.7 : 1 Total number of speaking characters 51,159 ‘ ‘ ‘ ‘‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ ‘ A total of 3,034 API speaking characters appeared across 1,300 films API LEADS/CO LEADS ARE RARE IN FILM Of the 1,300 top films from 2007-2019... And of those 44 films*... Films had an Asian lead/co lead Films Depicted an API Lead 29 or Co Lead 44 Films had a Native Hawaiian/Pacific 21 Islander lead/co lead *Excludes films w/ensemble leads OF THE 44 FILMS OF THE 44 FILMS OF THE 44 FILMS OF THE 44 FILMS WITH API WITH API WITH API WITH API LEADS/CO LEADS LEADS/CO LEADS LEADS/CO LEADS LEADS/CO LEADS 6 0 0 14 WERE WERE WOMEN WERE WERE GIRLS/WOMEN 40+YEARS OF AGE LGBTQ DWAYNE JOHNSON © ANNENBERG INCLUSION INITIATIVE TOP FILMS CONSISTENTLY LACK API LEADS/CO LEADS Of the individual lead/co leads across 1,300 top-grossing films.. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema. -
Unpopular Culture and Explore Its Critical Possibilities and Ramifications from a Large Variety of Perspectives
15 mm front 153 mm 8 mm 19,9 mm 8 mm front 153 mm 15 mm 15 mm TELEVISUAL CULTURE TELEVISUAL CULTURE This collection includes eighteen essays that introduce the concept of Lüthe and Pöhlmann (eds) unpopular culture and explore its critical possibilities and ramifications from a large variety of perspectives. Proposing a third term that operates beyond the dichotomy of high culture and mass culture and yet offers a fresh approach to both, these essays address a multitude of different topics that can all be classified as unpopular culture. From David Foster Wallace and Ernest Hemingway to Zane Grey, from Christian rock and country to clack cetal, from Steven Seagal to Genesis (Breyer) P-Orridge, from K-pop to The Real Housewives, from natural disasters to 9/11, from thesis hatements to professional sports, these essays find the unpopular across media and genres, and they analyze the politics and the aesthetics of an unpopular culture (and the unpopular in culture) that has not been duly recognized as such by the theories and methods of cultural studies. Martin Lüthe is an associate professor in North American Cultural Studies at the John F. Kennedy-Institute at Freie Universität Berlin. Unpopular Culture Sascha Pöhlmann is an associate professor in American Literary History at Ludwig-Maximilians-Universität Munich. 240 mm Martin Lüthe and Sascha Pöhlmann (eds) Unpopular Culture ISBN: 978-90-8964-966-9 AUP.nl 9 789089 649669 15 mm Unpopular Culture Televisual Culture The ‘televisual’ names a media culture generally in which television’s multiple dimensions have shaped and continue to alter the coordinates through which we understand, theorize, intervene, and challenge contemporary media culture.