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{PDF EPUB} Secret Invasion the Infiltration by David W Read Ebook {PDF EPUB} Secret Invasion The Infiltration by David W. Mack David Mack (disambiguation) #2 David Alan Mack, primarily known for his tie-in novels. (These two both normally go by just "David Mack", but have a gentleman's agreement to use the differentiating middle name when approaching each other's "territory"-- for example, David Alan Mack used his middle name in the byline for his Wolverine novel, Road of Bones .) #4 David B. Mack, Timber Milling in Australia: The Shepherdsons, 1849-1984 . #5 David Mack, Buzzfeed reporter. Improve this author. Combine/separate works. Author division. "David Mack" is composed of at least 4 distinct authors, divided by their works. You can edit the division. Includes. David Mack is composed of 2 names. You can examine and separate out names. Brian Michael Bendis. Brian Michael Bendis (born August 18, 1967) [1] is an American comic book writer and former artist. He has won critical acclaim, including five Eisner Awards for both his creator-owned work and his work on various Marvel Comics books. [2] Starting out with crime and noir comics, Bendis eventually moved to mainstream superhero work. With Bill Jemas and Mark Millar, Bendis was the primary architect of the Ultimate Marvel Universe, launching Ultimate Spider-Man in 2000, on which he continues as writer to the present day. He relaunched the Avengers franchise with New Avengers in 2004, and has also written the Marvel "event" storylines "Secret War" (2004), "House of M" (2005), "Secret Invasion" (2008), "Siege" (2010) and "Age of Ultron" (2013). Though Bendis has cited comic book writers such as Frank Miller and Alan Moore, his own writing influences are less rooted in comics, drawing on the work of David Mamet, Richard Price, and Aaron Sorkin, whose dialogue Bendis feels are "the best in any medium." [3] In addition to writing comics, he has worked in television, video games and film, and began teaching writing at University of Oregon in Fall 2013. He has also occasionally taught at Portland State University. In 2014, Bendis wrote Words for Pictures, a book about comics published by Random House. [4] [5] Contents. Early life. Brian Michael Bendis was born on August 18, 1967 in Cleveland, Ohio to a Jewish-American family. Despite rebelling against a religious upbringing, he attended a private, modern Orthodox religious school for boys. He decided he wanted to be a comic book industry professional when he was 13, working on his own comics, including a Punisher versus Captain America story that he revised several times. A fan of Marvel Comics in particular, he emulated idols such as George Pérez, John Romita, Sr., John Romita, Jr., Jack Kirby and Klaus Janson. [6] [7] [8] He later discovered crime comics by Jim Steranko and José Munoz, which he traced back via Jim Thompson's work to the source novels of both Thompson and Dashiell Hammett, which helped cement his love for crime stories. [3] These in turn led him to discover the documentary Visions of Light , which taught him the explicit visual rules of film noir, an important influence on him creatively. [3] [8] While in high school, he submitted for a "Creative Writing assignment" a novelization of Chris Claremont's X-Men and the Starjammers story, which gained him an A+ grade for imagination and inventiveness. [8] Between the ages of 20 and 25, he sent in a large number of submissions to comics companies, although he ultimately stopped his attempts to break into the industry this way, considering it too much of a "lottery." [7] Comics career. Caliber Comics. Best known as a writer, Bendis started out as an artist, doing work for local magazines and newspapers, including caricature work. He worked at The Plain Dealer as an illustrator. Although he did not enjoy caricature work, it paid well and funded his interest in writing crime fiction for graphic novels. [3] He eventually moved into both writing and illustrating his work, before he began producing work for Caliber Comics, including Spunky Todd . [8] Through Caliber, he met many of his longtime friends and collaborators within the comics industry, including Mike Oeming, Dave Mack and Marc Andreyko, [9] and began the first in a series of independent noir fiction crime comics when he published two issues of Fire in 1993 and five issues of A.K.A. Goldfish in 1994 with Caliber. In 1995 he illustrated Flaxen , from a script by James Hudnall, with David Mack providing inks to the story featuring former Playboy Playmate Susie Owens as mascot of the Golden Apple Comics chain [of comic shops] in Los Angeles. [10] Bendis' best-known early work, Jinx , starring the titular bounty hunter in a crime noir version of the Sergio Leone film The Good, the Bad and the Ugly , began publication in 1996, and ran seven issues from Caliber. [10] Most of these early works share a common universe, with Goldfish , Fire , Jinx , Torso and (stories from) Total Sell Out sharing characters and settings as well as tone. He characterizes much of this period of his professional life in terms of working as "a graphic artist for almost twelve years" [3] undergoing a period within that of "nine years" living as a stereotypical 'starving artist'. [7] Image Comics and Oni Comics. In 1996/1997, Bendis moved from Caliber to Image Comics, [7] where Jinx and his other previous crime comics were published by Image's Shadowline arm in trade paperback. At Image, he also produced five more issues of Jinx . [10] Impressed with A.K.A. Goldfish , Image founder Todd McFarlane sought out Bendis, which led to his writing Sam and Twitch . Although set in the Spawn universe, Bendis approached Sam and Twitch primarily as a crime comic. [7] [9] He wrote Sam and Twitch for twenty issues, as well as most of the first ten issues of Hellspawn , another Spawn spin-off title. This non-creator-owned work allowed him to, in the words of Rich Kriener in The Comics Journal , "[add] the responsibility of caretaker to his resume, in that he would answer to a vested owner about developing a property as a tangible asset with the future in mind," rather than only working on his own characters under his own terms. [10] In 1998, Bendis co-wrote and illustrated the Eliot Ness-starring Torso with Marc Andreyko, again for Image, and in 2000 he produced three issues of the autobiographical Fortune and Glory for Oni Comics. [10] That same year saw the debut of the superhero police/noir detective series Powers , co-created with and drawn by Michael Avon Oeming and published by Image. Powers won major comics industry awards, including Harvey, Eisner, and Eagle Awards. Marvel Comics. Around the time Bendis began Sam and Twitch , his friend David Mack began working for Joe Quesada's Marvel Knights imprint, of which Bendis himself was a fan. Based on Bendis' work on Jinx , Quesada invited him to pitch ideas for Marvel Knights, which included a planned, but ultimately unproduced Nick Fury story. [7] Marvel Comics President Bill Jemas, on the recommendation of Quesada, hired Bendis to write Ultimate Spider-Man , which debuted in 2000, [7] and was specifically targeted to the new generation of comic readers. [11] Bendis adapted the 11-page origin story of Spider-Man from 1962's Amazing Fantasy #15 into a seven issues story arc, with Peter Parker becoming the titular hero after the fifth issue, making the book a bestseller, often surpassing in sales those of the mainstream Marvel universe title The Amazing Spider-Man . [12] The Bendis/Bagley partnership of 111 consecutive issues made their partnership one of the longest in American comic book history, and the longest run by a Marvel creative team, beating out Stan Lee and Jack Kirby on Fantastic Four . [13] Bendis subsequently wrote other books in the Ultimate line, including Ultimate Marvel Team-Up , [14] which Bendis himself pitched to Marvel as a follow-up to his success on Ultimate Spider-Man , [8] as well as Ultimate Fantastic Four , Ultimate X-Men , Ultimate Origins , Ultimate Six , the first three issues of Ultimate Power , and the Ultimate Comics: Doomsday metaseries. In 2011, Bendis and artist Sara Pichelli created the Miles Morales character as the new version of the Ultimate Spider-Man. [15] [16] As of June 2013, Bendis continues to write every issue of Ultimate Spider-Man in its current form, Ultimate Comics: Spider-Man . Quesada offered Bendis the writing duties on Daredevil , [7] [17] which he took over in 2001, writing most of the subsequent 55 issues until 2006, collaborating mostly with artist Alex Maleev. As a major Daredevil author, Bendis' name is one of the names used for boxers mentioned by a corrupt boxing manager in the 2003 Daredevil movie. Also in 2001, Bendis helped launch Marvel's non-Comics Code-approved, adult MAX imprint with Alias , featuring former superhero Jessica Jones operating as a private investigator. [18] The series ran for 28 issues before many of the characters moved to Bendis' mainstream Marvel Universe series The Pulse . In 2004 Powers moved from Image to Marvel's creator-owned imprint Icon, where it was relaunched as Powers Vol. 2 alongside another ex-Image series, David Mack's Kabuki . Also in 2004, Bendis oversaw the closing issues of The Avengers as part of the crossover storyline "Avengers Disassembled". [19] This led directly to the Bendis-helmed relaunch of one version of the eponymous team in the pages of The New Avengers . [20] Bendis' work on this storyline included the death of Avenger Hawkeye, which proved controversial. [8] In 2005, with artist Olivier Coipel, Bendis wrote the New Avengers / X-Men crossover, "House of M", [21] which would retroactively be considered the second act of a three-act super-event beginning with "Avengers Disassembled" and culminating in the Bendis-written 2008 storyline "Secret Invasion".
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