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TV/Series, 15 | 2019 Les Épisodes Autonomes : Écarts Formels Et Narratifs Dans the X-Files Et Buff
TV/Series 15 | 2019 La Sérialité en question(s) Les épisodes autonomes : écarts formels et narratifs dans The X-Files et Buffy The Vampire Slayer Elaine Després Édition électronique URL : http://journals.openedition.org/tvseries/3420 DOI : 10.4000/tvseries.3420 ISSN : 2266-0909 Éditeur GRIC - Groupe de recherche Identités et Cultures Référence électronique Elaine Després, « Les épisodes autonomes : écarts formels et narratifs dans The X-Files et Buffy The Vampire Slayer », TV/Series [En ligne], 15 | 2019, mis en ligne le 16 juillet 2019, consulté le 20 juillet 2019. URL : http://journals.openedition.org/tvseries/3420 ; DOI : 10.4000/tvseries.3420 Ce document a été généré automatiquement le 20 juillet 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Les épisodes autonomes : écarts formels et narratifs dans The X-Files et Buff... 1 Les épisodes autonomes : écarts formels et narratifs dans The X-Files et Buffy The Vampire Slayer Elaine Després 1 Les genres jouent un rôle important dans la conception, la réception et l’analyse des séries télévisées. Ils imposent aux créateurs des contraintes et permettent de constituer un auditoire fidèle (c’est le plaisir générique), compétent (par une bonne compréhension des codes), exigeant (avec un horizon d’attente clair). Ils permettent aussi aux critiques d’étudier ces œuvres immenses (parfois des centaines d’heures de télévision pour une seule série) par des approches sémiotiques, structurelles, narratologiques, de réception, etc. La question du genre en série télévisée est particulièrement complexe, puisqu’elle s’inscrit à la fois dans des considérations intrinsèques liées à l’histoire et au format du média lui-même (sitcom, telenovela, minisérie, etc.), mais aussi à des critères extrinsèques, qui la replacent dans une histoire plus large des genres littéraires et cinématographiques (mélodrame, comédie, tragédie, mais aussi science-fiction, policier, etc.). -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
Darin Morgan – Humbug Eller Ekte Vare?
DARIN MORGAN – HUMBUG ELLER EKTE VARE? Analyse av Darin Morgans episoder i tv-seriene X-Files og Millennium Erik Eikedalen Masteroppgave i Medievitenskap Det Samfunnsvitenskapelige Fakultet Våren 2013 1 Innholdsfortegnelse 1.0 Introduksjon 1.1Introduksjon til prosjektet s.04 1.2Problemstilling og andre forskningsspørsmål s.05 1.3Analyseobjektene s.06 2.0 Introduksjon av tv-seriene 2.1X-Files s.08 2.2Millennium s.10 3.0 Introduksjon av Darin Morgan 3.1Darin Morgan s.12 3.2Morgans Episoder s.13 3.3Morgans påvirkning s.14 3.4Darin Morgan – En tv-auteur? s.14 4.0 Auteurteori 4.1Historie s.15 4.2Cahiers du cinéma s.17 4.3Motstandere s.18 5.0 Auteurteori på tv 5.1Auteurer på tv s.21 6.0 Genreteori – Auteurteoriens arvtager 6.1Genres grammatikk s.25 6.2Genrekonvensjoner s.26 2 7.0 Auteur-strukturalisme 7.1En kritisk konstruert person s.28 7.2Kritikk s.29 7.3Problemer med genreteorien s.31 7.4Auteur- og genreteori i dag s.32 8.0 Analyse av X-Files 8.1Første til tredje sesong s.34 8.2Fjerde og femte sesong s.40 8.3Sjette og syvende sesong s.44 8.4Åttende og niende sesong s.47 9.0 Analyse av Millennium 9.1Første sesong s.49 9.2Andre sesong s.51 9.3Tredje sesong s.53 10.0 Analyse av Darin Morgans episoder 10.1Introduksjon til analysene s.55 10.2Humbug s.56 10.3Clyde Bruckman's Final Repose s.61 10.4War of the Coprophages s.67 10.5Jose Chung's From Outer Space s.70 10.6Jose Chung's Doomsday Defense s.75 10.7Somehow, Satan Got Behind Me s.77 11.0 Konklusjon s.81 12.0 Litteraturliste s.83 3 1.0 Introduksjon 1.1 Introduksjon til prosjektet I 1994 kom det en tv-serie på norske skjermer som fort ble populær i alle aldre. -
Signature Authority Guide (Right-Of-Way Manual, Appendix F)
HIGHWAY OCCUPANCY PERMIT OPERATIONS MANUAL Appendix C6 – Signature Authority Guide APPENDIX C6 – SIGNATURE AUTHORITY GUIDE (RIGHT-OF-WAY MANUAL, APPENDIX F) The following page is the Signature Authority Guide. It has been included on its own sheet for ease of printing. PUB 282 (7-17) C6-1 Signature Authority Guide Right-of-Way Acquisition Forms Form and Legality Review Office of Chief Counsel, PennDOT April 2007 Table of Contents Publication 378 APPENDIX F SIGNATURE AUTHORITY GUIDE PRELIMINARY NOTICE ......................................................................................................................................... I CHAPTER 1.............................................................................................................................................................F-1 1.01 MARRIED INDIVIDUALS....................................................................................................................... F-1 1.02 DIVORCED INDIVIDUALS .................................................................................................................... F-1 1.03 MULTIPLE INDIVIDUAL OWNERS...................................................................................................... F-1 1.04 NAME CHANGES .................................................................................................................................... F-2 1.05 MINORS AND INCAPACITATED PERSONS ....................................................................................... F-2 1.06 CLAIMANTS WHO CANNOT -
A TIDAL WAVE. Anyone with a Little Passion Can Start a Movement in Their Community
AUGUST 12 - 18, 2018 staradvertiser.com SOCAL DRAMEDY When former surfer Dud (Wyatt Russell) fi nds a ring on the beach, it leads him to a rundown fraternal lodge in Lodge 49. Middle-aged plumbing salesman Ernie Fontaine (Brent Jennings) takes him under his wing and welcomes him to the club. Sonya Cassidy also stars in the freshman comedy-drama as Dud’s twin sister, Liz. Airing Monday, Aug. 13, on AMC. Even the tiniest voice can start A TIDAL WAVE. Anyone with a little passion can start a movement in their community. Champion an issue. Cheer an event. Support a cause. ¶ũe^ehbla^k^mh^fihp^krhnpbma the training, equipment and airtime you need so your olelo.org voice can be heard. Visit olelo.org. ON THE COVER | LODGE 49 Fresh start Slacker surfer finds new belly up. While she mostly keeps it together, Liz Benjamin,” 1980) and Kurt Russell (“Escape can sometimes lose it under the pressure of from New York,” 1981) worked his way up purpose in ‘Lodge 49’ modern life. through the entertainment industry after an Their tragic loss and precarious financial injury halted his burgeoning hockey career. By Kyla Brewer situation makes the Dudley twins relatable for He appeared in such films as “Escape from TV Media many, and “Lodge 49” executive producer Jeff L.A.” (1996), “This Is 40” (2012) and “22 Jump Freilich (“Halt and Catch Fire”) is confident that Street” (2014). He also co-starred in the indie s television continues to evolve, some viewers will connect with the characters. film “Folk Hero & Funny Guy” (2016), and has series seem to defy and transcend “Each of the characters in this show are so appeared in the acclaimed British anthology Agenres, mixing elements of comedy and well defined and so real that I know all of them,” series “Black Mirror.” drama in the same hour — sometimes even Freilich said in a promo for the new series. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
The X-Files Battles
BATTLES RULE BOOK Ages 14+ “Sorry, nobody down here but the FBI’s most unwanted.” “Agent Mulder. Hi, I’m Dana Scully. I’ve been assigned to work with you.” – Fox Mulder and Dana Scully The Story So Far… For the past few years, players have fought epic battles featuring comic book heroes and villains as well as horrifying aliens, deadly hunters, vampires, and their victims. Now the struggle has entered our very own governments! Will you join the Bureau and fight from within? Or will you side with the dastardly Syndicate and team up with our would-be alien conquerors? Or maybe you have a wilder idea – to harness the supernatural power of the Monsters of the Week? What is the Vs. System® 2PCG®? The Vs. System® 2PCG® is a card game where 2-4 players each build a deck of Characters, Plot Twists, Locations, and Equipment to try to defeat their opponents. Each Vs. System® 2PCG® product comes with a full playset of cards. Game Contents • 200 Cards • Assorted Counters • This Rulebook Issues and Giant-Sized Issues The Vs. System® 2PCG® releases a new expansion almost every month. “Issues” are small expansions that include 55 cards. “Giant-Sized Issues” are large expansions, include 200 cards and are great for new players to get into the game. This Giant-Sized Issue adds one new Good team and two new Evil teams to the game: The Bureau ( ), The Syndicate ( ), and Monsters of the Week ( ) . 1 If you’re familiar with the Vs. System® 2PCG®... If you’ve already played the Vs. -
Typologies of Evil in the X-Files
TYPOLOGIES OF EVIL IN THE X-FILES BY MAGNE HÅLAND SUPERVISOR: PAUL LEER SALVESEN AND SOLVEIG AASEN UNIVERSITY OF AGDER 2019 FACULTY OF HUMANITIES AND EDUCATION DEPARTEMENT OF RELIGION, PHILOSOPHY AND HISTORY 0 ACKNOWLEDGEMENTS I would like to express great appreciation to my supervisors, Professor Paul Leer-Salvesen (University of Agder) and Solveig Aasen, PhD in philosophy (University of Oslo), for their valuable and constructive suggestions during the development of this research work. I would also like to express my deep gratitude to my colleagues at Arendal Upper Secondary School, Steinar Tvedt, Inger Johanne Hermansen, Ane Kristine Bruland and Ida Wullum for their patient guidance and useful critique of my writing in English. Finally, I wish to thank my father, a proud working-class man, for his support and encouragement throughout my whole life. Throughout his life, he was never able to read English. Therefore, he “forced” me to translate my work for him. The Nazi-form of evil with Himmler, Mengele and Eichmann concerned him. Often, he asked me, how could a man (Eichmann) be that blinded? Without my father giving me motivation, I would never have come this far in my studies. 1 CONTENTS ABSTRACT …..5 CHAPTER 1, INTRODUCTION 1.1) General introduction of evil in movies …..6-7 1.2) My Research Question ……7 1.3) A short overview on the typologies of evil …..7-9 1.4) Defining evil …..9-10 1.5) A critique and defense of evil ….10-12 1.6) What is The X-files about? ….12-14 1.7) Why explore The X-Files? …..14-15 CHAPTER 2, METHODS 2.1) Theory and applied ethics …..16-18 2.2) Specific evil episodes as subjects for research and constructing analysis chapters ..18-19 2.3) The importance of using scientific work related to movies and evil …..19-21 2.4) Methodological inspiration for my thesis, work done by Dean A. -
Citas X-Files Paper Esse
Oblique Politics: The Conspiracy Theory at the Heart of The X-Files Sara Martín, Universitat Autònoma de Barcelona Seminar “Popular Narratives and Contemporary Worlds” 7th Conference European Society for the Study of English (ESSE) Universidad de Zaragoza 2004 Along 9 seasons (1993-2002) The X-Files has charmed its audience with a convoluted narrative dealing with the efforts of plucky FBI agents Fox Mulder and Dana Scully to unmask a vast conspiracy. This will result in the invasion of planet Earth in the year 2012 by extraterrestrial aliens of unknown origin. This serial within the series, which spans about one third of The X-Files and was dubbed the ‘mythology’ by producer Chris Carter, reached thus a devastating end. The hero and his partner were left stranded outside the already infiltrated FBI, resigned to facing the future only with the dimmest hope that they might resist the aliens’ plans. The ‘mythology’ is a classic conspiracy theory narrative and, as such, it unfolds imitating strip-tease dancers, slowly unveiling for the heroes’ and the audience’s benefit the ‘truth’ behind the gargantuan lies. As happens in all narratives of this subgenre, the hero begins a quest soon stumbling upon obstacles that make him doubt the steps taken so far and even the very reason for his quest –only to hit on a much larger, sinister truth. Thus, convinced that his little sister Samantha was abducted by extraterrestrials, Mulder discovers with Scully’s help that she’s part of a project begun in 1947 when contact was made with the aliens that crashed-landed in Roswell. -
Boston University Journal of Science & Technology Law Symposium
3 B.U. J. SCI. & TECH. L. 4 April 1, 1997 Boston University Journal of Science & Technology Law Symposium Financial Services: Security, Privacy, and Encryption Thomas W. Cashel, Valerie J. McNevin, Gail Bronson, John Doggett, and Michael J. Schmelzer Table of Contents Speeches..........................................................................................................................[9] Valerie J. McNevin...........................................................................................[9] Gail Bronson...................................................................................................[44] John Doggett...................................................................................................[58] Michael J. Schmelzer....................................................................................[70] Question and Answer Session.................................................................................[74] Financial Services: Security, Privacy, and Encryption† Thomas W. Cashel, Valerie J. McNevin, Gail Bronson, John Doggett, and Michael J. Schmelzer Thomas W. Cashel:1 1. Thank you for coming to the fourth session of the Internet Law Symposium2 co-sponsored by the law firm of Testa, Hurwitz & Thibeault3 and the Center for Law and Technology at Boston University School of Law.4 In directing the Graduate Program for Banking Law Studies at Boston University School of Law, the Morin Center5 adjusts the curriculum periodically to account for contemporary changes in banking law. We have worked -
2017 Conference Program
THE FSU REAL ESTATE CENTER’S 23RD OCTOBER 19 & 20, 2017 TALLAHASSEE, FLORIDA fsutrends.com | 850.644.4071 LEGACY LEADERS GOLD SPONSORS THE FSU REAL ESTATE CENTER’S 23RD CONFERENCE PROGRAM LEGACY LEADERS Centennial Management Corp. The Kislak Family Foundation, Inc. The Real Estate TRENDS Conference is organized to inform participants of the emerging trends and issues facing the real estate industry, to establish and strengthen professional contacts, and to present the broad GOLD SPONSORS range of career opportunities available to our students. It is Berkadia Florida Trend organized by the FSU Real Estate Center, the Florida State University CNL Financial Group GreenPointe Holdings, LLC Real Estate Network and the Colliers International Lennar Homes students’ FSU Real Estate Society. This event would not be possible Cushman & Wakefield Osprey Capital without the generous financial The Dunhill Companies Ryan, LLC support of its sponsors. Eastdil Secured STR, Inc. PROGRAM PARTNERS The Program Partner designation is This year’s conference reserved for those who have made features a personalized major gifts to advance the Real Estate schedule, guest messaging, Program at Florida State University. and on-site updates delivered directly Donna Abood to your phone* Beth Azor Kenneth Bacheller Mark C. Bane Bobby Byrd Harold and Barbara Chastain Marshall Cohn Peter and Jennifer Collins John Crossman/Crossman & Company Scott and Marion Darling Florida State Real Estate Network, Inc. Mark and Nan Casper Hillis Evan Jennings The Kislak Family Foundation, Inc. The app is available in the Brett and Cindy Lindquist Android and IOS app stores. George Livingston Download now by searching *Android and IOS Shawn McIntyre/North American Properties FSU Real Estate Trends Greg Michaud compatible Francis Nardozza smart phones GARNET SPONSORS George Aase Epic Development Hooper Construction/Urban REI-Real Estate InSync Active Senior Concepts Extended Stay America Street Development Residential Elevators LLC Alexander Investments Florida Realtors® Invesco Mortgage Capital Inc.