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Art: Glass/Metals - Mrs. Marett Assignments for Week 6-8: May 4-22 Final Product DUE MAY 22 Week 6: Research the History of Glass Art in the United States Turn in your research notes, timeline, and/or facts you found about the art of glassmaking. This can be hot and/or cold glass. Week 7: Pick an artist from this list and research him or her. Turn in your research notes, timeline, and/or facts you found about the artist you chose from the following list: ● Irving Amen (1918–2011}, stained glass ● Gary Beecham (b. 1955) ● Howard Ben Tré (b. 1949) ● Martin Blank (b. 1962) ● Jean-Pierre Canlis (b. 1973) ● Frederick Carder (1863–1963, born in Staffordshire, England) ● Ed Carpenter (b. 1946) ● Dale Chihuly (b. 1941) ● Dan Dailey (b. 1947) ● Fritz Dreisbach (b. 1941) ● Robert C. Fritz (1920–1986) ● Roger Gandelman (b. 1953) ● Michael Glancy (b. 1950) ● Katherine Gray (b. 1965) ● Paul Housberg (b. 1953) ● Michael Janis (b. 1959) ● Dominick Labino (1910–1987) ● Karen LaMonte (b. 1967) ● Marvin Lipofsky (1938–2016) ● Harvey Littleton (b. 1922) ● John Littleton (b. 1957) ● Linda MacNeil (b. 1954) ● Dante Marioni (b. 1964) ● Csaba Markus (b. 1953) ● Richard Marquis (b. 1945) ● Josiah McElheny (b. 1966) ● Rick Mills (b. 1957) ● Carol Milne (b. 1962) ● William Morris (b. 1957) ● Jay Musler (b. 1949) ● Willemina Ogterop (1881–1974) ● Andy Paiko (b. 1977) ● Simon Pearce (born 1946 in Ireland) ● Flo Perkins (b. 1951) ● Seth Parks (b. 1984) ● David Patchen (b. 1966) ● Christopher Ries (b. 1952) ● Henry Richardson (b. 1961) ● Richard Ritter (b. 1940) ● Stephen Rolfe Powell (1951–2019) ● Ginny Ruffner (b. 1952) ● Italo Scanga (1932–2001) ● Mary Shaffer (b. 1947) ● Josh Simpson (b. 1949) ● Paul Joseph Stankard (b. 1943) ● Therman Statom (b. 1953) ● Tim Tate (b. 1960) ● Michael Taylor (b. 1943) ● Cappy Thompson (b. 1952) ● Louis Comfort Tiffany (1848–1933) ● Erwin Timmers (1964, born in Amsterdam, Holland) ● Kate Vogel (b. 1956) Week 8: Create a Google Slides presentation about your artist This Google Slides presentation should include: ● At least 15 Slides ● At least 5 pictures of your artist’s work ● At least 20 facts about your artist you researched ● Presentation should flow (similar colors used, similar transition from slide to slide, 2-3 typefaces maximum) .

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An Artists' Resume
DANTE MARIONI Selected Museum Collections The White House Collection of American Crafts, Washington, DC Tacoma Art Museum, Tacoma, WA Seattle Art Museum, Seattle, WA Corning Museum of Glass, Corning, NY Los Angeles County Museum of Art, Los Angeles, CA The Museum of Art and Design, New York, NY Smithsonian American Art Museum Renwick Gallery, Washington, DC Carnegie Museum of Art, Pittsburgh, PA Birmingham Museum of Art, Birmingham, AL Chrysler Museum of Art, Norfolk, VA Cincinnati Art Museum, Cincinnati, OH Columbia Museum of Art, Columbia, SC The Museum of Fine Arts, Houston, TX Hunter Museum of American Art, Chattanooga, TN Racine Art Museum, Racine, WI Vero Beach Museum of Art, Vero Beach, FL Huntsville Museum of Art, Huntsville, AL Mint Museum of Craft and Design, Charlotte, NC Mobile Museum of Art, Mobile, AL Suffolk Center for Cultural Arts, Suffolk VA New Orleans Museum of Art, New Orleans, LA Philadelphia Museum of Art, Philadelphia, PA Whatcom Museum, Bellingham, WA Washington State University’s Museum of Art, Pullman, WA University of Miami’s Lowe Art Museum, Miami, FL Western Washington University, Bellingham, WA University of Missouri’s Museum of Art and Archaeology, Columbia, MO Stanford University’s Iris & Gerald Cantor Center for Visual Arts, Stanford, CA Arizona State University’s Art Museum, Tempe, AZ Montreal Museum of Fine Arts, Quebec, Canada Victoria and Albert Museum, London, England Scottish National Gallery, Edinburgh, Scotland Ebeltoft Glass Museum, Ebeltoft, Denmark National Museum if Fine Arts, Stockholm, Sweden
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20Th Century Art & Design Auction September 9 • Sale Results
20th Century Art & Design Auction September 9 • Sale Results * The prices listed do not include the buyers premium. Results are subject to change. unsold $ Lot # Title high bid 088 Rookwood vase, incised and painted stylized floral 950 Darling 275 00 Gustav Stickley Morris chair, #336 0000 09 Hampshire bowl, organic green matt glaze 200 70 Frank J. Marshall box 200 002 Gustave Baumann woodblock, 5000 092 Pewabic vase, shouldered hand-thrown shape 850 7 Indiana Engraving Company print 600 004 Arts & Crafts tinder box, slanted lift top 650 093 Van Briggle vase, ca. 907-92, squat form 550 72 Hiroshige (Japanese 796-858), colorful woodblock print 005 Rookwood vase, geometric design 325 094 Hull House bowl, low form 200 600 006 Arts & Crafts graphic, 350 095 Rookwood vase, three-handled form 300 73 Arts & Crafts wall hanging, wood panel 400 007 Limbert bookcase, #358, two door form 2200 096 Gustav Stickley Chalet desk, #505 2200 74 Hiroshige (Japanese 796-858), colorful woodblockw/ 008 Gustav Stickley china cabinet 800 097 Gustav Stickley bookcase, #75 2600 Kunihisa Utagawa 450 009 Weller Coppertone vase, flaring form 250 098 Gustav Stickley china cabinet, #85 5500 75 Gustav Stickley desk, #720, two drawers 800 00 Armen Haireian vase, 275 00 Shreve blotter ends, attribution, hammered copper 400 76 Rookwood vase, bulbous shape covered in a green matt 011 Grueby vase, rare light blue suspended matt glaze 400 0 Arts & Crafts table runner, embroidered poppy designs 350 glaze 1100 02 Van Briggle tile, incised and painted landscape 200 02 Arts & Crafts blanket chest 950 77 Gustav Stickley sideboard, #89, three drawers 5000 03 Fulper vase, large tapering form 425 04 Heintz desk set, 325 78 Arts & Crafts tabouret, hexagonal top 400 04 Van Briggle tile, incised and painted landscape 2300 05 Navajo rug, stylized diamond design 450 79 Gustav Stickley Thornden side chair, #299 75 05 Newcomb College handled vessel, bulbous shape 300 06 L & JG Stickley dining chairs, #800, set of six 2000 80 Arts & Crafts tabouret, octagonal top 375 06 Van Briggle vase, ca.
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The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
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GLASS in a NEW LIGHT JUNE 9-11, 2016 Corning2016
Corning2016 GLASS ART SOCIETY’S 45th ANNUAL CONFERENCE CREATING CONTEXT: GLASS IN A NEW LIGHT JUNE 9-11, 2016 Corning2016 THE GLASS ART SOCIETY is a 501c3, non-profit, international organization whose purpose is to encourage excellence, to advance education, to promote the appreciation and development of the glass arts, and to support the worldwide community of artists who work with glass. BOARD OF DIRECTORS 2015-2016 STAFF President Cassandra Straubing Pamela Figenshow Koss, Executive Director Vice President Kim Harty Kristin Galioto, Communications Manager Vice President Natali Rodrigues Shelbey Lang, Executive Assistant Treasurer Roger MacPherson Ted Cotrotsos, Graphic Designer* Secretary Tracy Kirchmann Laurie Streiner, Event Planner* Alex Bernstein Marc Petrovic Anne Beranger Giese, Corning Logo Designer Chris Clarke Charlotte Potter *part-time/contract Kelly Conway Stephen Rolfe Powell Matt Durran Masahiro Nick Sasaki REGISTER BY MARCH 1, 2016 for the lowest BJ Katz Jan Smith conference fee. Register online: www.glassart.org Ed Kirshner David Willis Jeff Lindsay Student Rep Amanda Wilcox GAS 2016 CONFERENCE CO-CHAIRS 6512 23rd Avenue NW, Suite 329 Ellen Corradini Michael Rogers Seattle, Washington 98117 USA Steve Gibbs Chris Sharkey Tel: 206.382.1305 Fax: 206.382.2630 Angus Powers [email protected] www.glassart.org 2 CONTENTS Centerway Square, downtown Corning 02 GAS Board & Staff 15 Students and Schools 04 Welcome to Corning • Education and Professional Resource Center 04 Letter from the Conference Co-Chairs • Poster Presentations
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Glass Pavilion Floorplan
MyGuide A Monroe Street Lobbey Dale Chihuly, Chandelier: Campiello del Remer #2, 1996/2006 Dale Chihuly’s “chandelier” greets visitors at the Monroe Street entrance. Chihuly’s team installed the 1300-pound hanging sculpture so that its 243 components complement the arcs of the curved walls and the Crystal Corridor that bisects the Glass Pavilion floorplan. B Gallery 5 Roman, Jar with Basket Handle, late 4th–5th century Glass The most elaborate jar of its type known from the late Eastern Roman world, this is one of thousands “As physical borders blur and of glass objects given by glass industrialist and TMA founder/benefactor Edward Drummond Libbey blend, so do notions such as Pavilion (1854–1925) of the Libbey Glass Company. He wanted the Museum to display a comprehensive program and context. This fits Since opening in August 2006, the history of glass art for the education and enjoyment the dynamic environment at the Toledo Museum of Art Glass Pavilion of the community. The Museum continues to build on has attracted a lot of attention from his vision today. Toledo Museum of Art, where around the world. This guide sheds a a wide range of collections little light on this architectural marvel are allowed to interact in new and the stellar collection it houses. C The Glass Study Gallery The Glass Study Gallery provides open storage of constellations, where workshop works not on display in the exhibition galleries. interacts with collection…and Divided into cases featuring ancient, European, American, and contemporary glass, the Study Gallery where the Museum campus allows visitors to compare many examples of similar objects, to contrast different techniques, and to enjoy interacts with neighborhood and the full range of the Museum’s varied collection.
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Richard Marquis
Richard Marquis Born 1945 Bumblebee, AZ Education 1972 M.A. University of California, Berkeley 1969 B.A. University of California, Berkeley Selected Honors and Awards 2010 Neddy Artist Fellowship, The Behnke Fellowship, Seattle, WA 2009 James Renwick Alliance Masters of the Medium Award 2006 Lifetime Achievement Award, Art Alliance of Contemporary Glass 2005 Lifetime Achievement Award, Glass Art Society 2004 Libensky Award, Pilchuck Glass School and Artist Series Meritage, Chateau Ste. Michelle, Woodinville, WA 2000 Outstanding Achievement in Glass, Urban Glass, New York Selected Distinguished Alumnus, College of Environmental Design, U.C. Berkeley 1995 Elected to the College of Fellows of the American Crafts Council, New York 1982, 88 Fulbright Hayes Grant (Senior), New Zealand 1979-82 Research Grant, U.C.L.A. 1974, 78, 81, 90 National Endowment for the Arts Grant 1974-76 Australian Crafts Council Grant 1969 Fulbright Grant, Venice, Italy (Venini & Co.) 1967 President’s Fellowship, U.C. Berkeley 1966 Eisner Prize for Design, U.C. Berkeley 1963 National Merit Scholarship Selected Exhibitions 2013 “Masters of Studio Glass: Richard Marquis,” Corning Museum of Glass, Corning, NY “Links: Australian Glass and the Northwest”, Museum of Glass, Tacoma, WA “Playing with Fire: 50 Years of Contemporary Glass”, Museum of Art and Design, NY, NY 2012 “Color Ignited”, Toledo Museum of Art, Toledo, OH “50 Years of Studio Glass”, Kentucky Museum of Art and Craft, Louisville, KY “Handle with Care: Recent Acquisitions in Glass”, Racine Art Museum, Racine, WI 2011 “Handle with Care: Recent Acquisitions in Glass”, Racine Art Museum, Racine, WI “The Golden State of Craft: California 1960-1985”, Craft & Folk Art Museum, Los AUSTIN ART STUDIO RING.
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Newsletter Fall 2011 DATED Decorative Arts Society Arts Decorative Secretary C/O Lindsy R
newsletter fall 2011 Volume 19, Number 2 Decorative Arts Society DAS Newsletter Volume 19 Editor Gerald W.R. Ward Number 2 Katharine Lane Weems Senior Curator Fall 2011 of American Decorative Arts and Sculpture The DAS Museum of Fine Arts, Boston The DAS Newsletter is a publication of Boston, MA the Decorative Arts Society, Inc. The pur- pose of the DAS Newsletter is to serve as a The Decorative Arts Society, Inc., is a not- forum for communication about research, Coordinator exhibitions, publications, conferences and Ruth E. Thaler-Carter in 1990 for the encouragement of interest other activities pertinent to the serious Freelance Writer/Editor in,for-profit the appreciation New York of,corporation and the exchange founded of study of international and American deco- Rochester, NY information about the decorative arts. To rative arts. Listings are selected from press pursue its purposes, the Society sponsors releases and notices posted or received Advisory Board meetings, programs, seminars, and a news- from institutions, and from notices submit- Michael Conforti letter on the decorative arts. Its supporters ted by individuals. We reserve the right to Director include museum curators, academics, col- reject material and to edit materials for Sterling and Francine Clark Art Institute lectors and dealers. length or clarity. Williamstown, MA The DAS Newsletter welcomes submis- Officers sions, preferably in digital format, submit- Wendy Kaplan President ted by e-mail in Plain Text or as Word Department Head and Curator, David L. Barquist attachments, or on a CD and accompanied Decorative Arts H. Richard Dietrich, Jr., Curator by a paper copy.
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The Influence of Lino Tagliapietra
FOR IMMEDIATE RELEASE CONTEMPORARY GLASS AT INAUGURAL SILICON VALLEY ART FAIR: THE INFLUENCE OF LINO TAGLIAPIETRA Media Inquiries: Thursday, April 10-Sunday, April 13, 2014 at Silicon Valley Contemporary Art Fair Kristin Carlson McEnery Convention Center in San Jose, California | Schantz Galleries Booth #410 Think All Day 505-501-2497 [email protected] SAN JOSE, CA—Schantz Galleries (Stockbridge, Massachusetts) is pleased to present new work by five top contemporary glass artists at the first annual Silicon Valley Contemporary Art Fair, April 10-13, 2014, Booth #410, McEnery Convention Center in San Jose, California. The work of Lino Tagliapietra, Dante Marioni, John Kiley, David Walters, and Giles Bettison demonstrates that the intersection between technology and art precedes the digital age; cutting-edge science and innovative expression have long been synthesized in the discipline of glassmaking. Each of these artists has mastered and pushed the boundaries of traditional techniques, and achieved important advances in this time-honored art form. Italian glass maestro Lino Tagliapietra is acknowledged worldwide as one of the most influential glassmakers of our time; the other four artists in this exhibition have each studied and worked with Tagliapietra, and the broad scope of his influence in the field of glass art is evident in the far-reaching facets of their careers. Lino Tagliapietra, Africa, 2013, blown glass, 10.25 x 19.25 x 19.25.” Photo by Russell Johnson. LINO TAGLIAPIETRA: MAESTRO. Celebrating his 80th birthday this year, Lino Tagliapietra is one of the world’s most accomplished artists working with glass today. Tagliapietra has been an independent glass artist since 1989, exhibiting in museums internationally, receiving countless honors, openly sharing his extensive knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking.
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Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird.
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New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate.
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2636-011 Seattle Art Museum Records
UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2764 Seattle Art Museum Records Inventory Accession No: 2636-011 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Preliminary Guide to the Seattle Art Museum Records. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/SeattleArtMuseum2636/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search Seattle Art Museum Acc. #?.636-11 Modern Art Department CONTAINER LIST _ Box EXHIBITION FILES 1 LIST OF EXHIBITIONS FROM FILE DRAWER, APRIL 1975 through 1976 May 8 - June B, 1975: University of Washington Masters Theses Exhibition Organized by the Seattle Art Museum and the University of Washington Participants: Bob Magruder, V'lou Oliveira - ceramics Tim Ely, Larry Stair & Dennis Evans - design Margie Ogle, Jeanne Ilgen - metal jewelry Alan Bradley, Peggy Cooley, Jo David, Isabel Hamilton, Steve McClelland, Ithipol Thangchalok - painting Carl Chew, Brad Keil, Barbara McAusland, Sherry Markovitz, M~ke Peterson - printmaking Francie Allen, Stuart Branston, Tom Duchscher, Jim Feroe, Dave Gallagher, Kim Hoffman, Margaret Hays - sculpture Carol Wood, Pat Spatk, Sherry Charles, Melinda PhilJips - textiles May 8 - June 22, 1975: Prints from the Untitled Press Organized by the Wadsworth Atheneum, Hartford, Connecticut Participants: Cy Twombly, Brice Marden, David Bradshaw, Bob Petersen, Robert Whitman, Robert Rauschenberg, Hisachika Taka Hashi April 1 - May 6, 1975: Selections From Seattle Art Museum Permanent Collection Organized by the Seattle Art Museum.
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Clay: Form, Function and Fantasy
4 Ceramics Monthly Letters to the Editor................................................................................. 7 Answers to Questions............................................................................... 9 Where to Show.........................................................................................11 Suggestions ..............................................................................................15 Itinerary ...................................................................................................17 Comment by Don Pilcher....................................................................... 23 Delhi Blue Art Pottery by Carol Ridker...............................................31 The Adena-Hopewell Earthworks by Alan Fomorin..................36 A Gas Kiln for the Urban Potter by Bob Bixler..................................39 Clay: Form, Function and Fantasy.......................................................43 Computer Glazes for Stoneware by Harold J. McWhinnie ...................................................................46 The Three Kilns of Ken Ferguson by Clary Illian.............................. 47 Marietta Crafts National........................................................................ 52 Latex Tile Molds by Nancy Skreko Martin..........................................58 Three English Exhibitions...................................................................... 61 News & Retrospect...................................................................................73
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