Saul Bass 20 Iconic Film Posters Laurence King Press Release

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Saul Bass 20 Iconic Film Posters Laurence King Press Release Jennifer Bass and Pat Kirkham Saul Bass: 20 Iconic Film Posters by Jennifer Bass and Pat Kirkham and published by Laurence King in September 20 illustrations 2016 is the first poster book dedicated to one of the 405 x 304 mm greatest American designers of the Twentieth Century. 44 pages PAD BOUND American graphic designer and award-winning filmmaker Saul ISBN – 978 1 8566 99891 Bass (1920-1996) was one most important designers of the £19.95 Twentieth Century. His landmark designs for films including Alfred Hitchcock’s Vertigo and Otto Preminger’s The Man with SEPTEMBER 2016 the Golden Arm became some of the most iconic film posters of the American-postwar era. For the first time, Saul Bass: 20 Iconic Film Posters brings together a collection of Bass’s legendary posters. Including the classic designs: Vertigo, The Magnificent Seven, Spartacus, and The Shining. Each poster is removable and designed to fit 12x16” frame - the perfect gift for film lovers and fans of twentieth-century design. For more information, images and review copies please contact: Fiona Livesey [email protected] Tel: +44 (0) 20 7841 6900 Saul Bass: 20 Iconic Film Posters includes: Laurence King Publishing The Man with the Golden Arm | Saint Joan | Love in the Afternoon Bonjour 361–373 City Road Tristesse | The Big Country | Vertigo | Anatomy of a Murder | Exodus | Spartacus London EC1V 1LR The Magnificent Seven | Advise & Consent | The Cardinal Tel: +44 (0)20 7841 6900 In Harm’s Way | Bunny Lake is Missing | Seconds Grand Prix | The Fixer Fax: +44 (0)20 7841 6910 Such Good Friends | The Shining | Schindler’s List www.laurenceking.com.

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Department of Art & Design
Duncanrig Secondary School Department of Art&Design Art & Design Studies N4/5 Outcome 1: Art & Design Studies Learner’s Design Booklet Graphic Describe the things that have inspired and influenced Design designers and their work by: N4 1.1 Describing how designers use design materials, techniques and/or technology in their work N4 1.2 Describing the things that have influenced these designers and the work they produce N4 1.3 Expressing facts and personal opinions about the designers’ work A study of Saul Bass (1920 – 1996) CLICK ON LINK BELOW TO VIEW RELEVANT IMAGES http://designobserver.com/media/images/Saul-Bass-Pat-Kirkham-6_525.jpg http://www.saulbassposterarchive.com/wordpress/wp-content/uploads/2013/05/13_Environment-71.jpg http://illusion.scene360.com/wp-content/uploads/2013/11/saul-bass-movie-poster-07.jpg http://annyas.com/images/saul-bass/saul-bass-anatomy-of-a-murder-24-sheet.jpg What is Graphic Design? Suppose you want to announce or sell something, amuse or persuade someone, explain a complicated system or demonstrate a process. In other words, you have a message you want to communicate. How do you “send” it? Graphic design is a part of your daily life. From humble things like gum wrappers to huge things like billboards to the T-shirt you’re wearing, graphic design informs, persuades, organizes, stimulates, locates, identifies, attracts attention and provides pleasure. Graphic design is a creative process that combines art and technology to communicate ideas. The designer works with a variety of communication tools in order to convey a message from a client to a particular audience.
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Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
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Saul Bass Danny Yount
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The Star Gifts to Entertain
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„Filmtitelgestaltung. Bewegte Typografie Und Grafikdesign Im Film an Beispielen Saul Bass’“
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British Film Institute Report & Financial Statements 2006
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In His Work, Bass Did Not Just Create Doodles That Became Logos. He
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Biography Winning Academy Award for His Promotional Purposes
Saul Bass was a prominent worked as a freelancer for se- American graphic designer veral advertising companies and of the twentieth-century. He agencies, including the illustrious largely designed motion pictu- Warner Bros. re title sequences, corporate He moved to Los Angeles, where logos and movie posters. He he pursued graphic designing as was a pioneer of the modern a commercial artist. title sequence designing. He During 1940’s he took up some enjoyed four decades of suc- Hollywood projects, which cessful career in his lifetime, involved the print work for biography winning Academy Award for his promotional purposes. In fact, exquisite graphic designing. His he started up his own practice iconic title sequences appeared in 1952 and a few years later in the popular films, such as, established his private firm as The Man with the Golden Arm, Saul Bass & Associates. In 1954, Psycho and North by Northwest. Bass finally had his big break as On May 8, 1920, in Bronx, New he was York, Saul Bass was born in the offered a job by the filmmaker household of Eastern European Otto Preminger to design a po- Jewish immigrants. He attended ster for Carmen Jones. the James Monroe High Scho- His work left a remarkable ol from where he earned his impression on Preminger, who graduation. In 1936, he received availed his expertise yet again a fellowship to the Art Students for his film’s title sequence. League in Manhattan. He then With the opportunity, came the went on to study at Brooklyn realization that the title College, attending night classes sequence can not only be served with a famous Hungarian-born as mere static credits but it can designer, György Kepes.
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Saul Bass Poster Design 1920 - 1996
Saul Bass Poster Design 1920 - 1996 SAUL BASS was not only one of the great Until then, the lists of cast and crew members graphic designers of the mid-20th century but which passed for movie titles were so dull that the undisputed master of film title design projectionists only pulled back the curtains to thanks to his collaborations with Alfred reveal the screen once they’d finished. Hitchcock, Otto Preminger and Martin But the film director, Otto Preminger wanted his Scorsese. audience to see The Man with the Golden Arm’s titles as an integral part of the film. By the end of his life, he had created over 50 When the reels of film for controversial new title sequences for Preminger, Alfred drugs movie, The Man with the Golden Arm, arrived at US movie theatres in 1955, a note Hitchcock, Stanley Kubrick, John was stuck on the cans - "Projectionists – pull Frankenheimer and Martin Scorsese. curtain before titles". Even before he made his cinematic debut, Bass was a celebrated graphic designer. Born in the Bronx district of New York in 1920 he was a creative child who drew constantly. Bass studied at the Art Students League in New York and Brooklyn College. After apprenticeships with Manhattan design firms, Bass worked as a freelance graphic dde- signer or ‘commercial artist’ as they were called. Poster for film ‘The Man with the Golden Arm’. (Saul Bass, 1956). Poster for film, ‘The Shining’. (Saul Bass, 1980). Saul Bass was said to be blessed with the gift of To younger film directors, Saul Bass was a identifying the one image which symbolised the cinema legend with whom they longed to work.
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Download Saul Bass: a Life in Film & Design Free Ebook
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