Saul Bass Danny Yount

Ethan Pollard! Production Methods! Professor Meranda! !2/20/2014! SAUL BASS! ! Saul Bass is one of the most influential designers of history, with work that is readily recognized and celebrated by many people on a daily basis, designers and non- designers alike. Bass was born in the Bronx, NY, in 1920. In 1936 he was awarded a scholarship to the Art Students’ League in Manhattan, where he studied design. He moved to Los Angeles in 1946 to work as an art director at an advertising firm, and in !1952, opened his own studio, Saul Bass & Associates.! Bass was incredibly prolific in his output, and is responsible for the designs of many of well-known logos, including United Airlines, Quaker Oats, AT&T, and the Girl Scouts. What he is most well-known for, however, is his work in film title design. In 1954 he made his first foray into this field with Otto Preminger’s Carmen. It was a year later, however, that his career in film titles bean to really take off. In 1955 he created the opening titles for Preminger’s The Man With the Golden Arm, starring Frank Sinatra as a jazz musician struggling with a heroin addiction. Bass’s titles feature a graphic, cutout- style image of an arm—an iconic image of drug addiction—and caused a sensation !upon the film’s release.! Until this point, film titles had always been a fairly dull necessity, often barely linked to the film they were preceding. Saul Bass changed all of that, making the film titles a preface for the film itself, using his incredible ability to distill the entire story to one iconic image. He went on to create many more masterpieces of title design, including Alfred Hitchcock’s Psycho and Vertigo, and Martin Scorsese’s Goodfellas and Cape Fear, to !name only a few.! Now you simply have to google ‘Saul Bass design’ to find dozens of posters or mock film titles copying his singular style. Saul Bass pioneered the art of film title design, and !left an enduring legacy on the graphic design world.! ! DANNY YOUNT! ! Danny Yount is a contemporary film title designer who is doing today what Saul Bass did in his era. Yount’s film titles take what Saul Bass did to new levels. Rather than just being a list of names and credits, they set the stage for the film and create a mood, giving the viewer subtle hints as to the tone, visual style, content, etc. Integrating music with beautiful imagery, motion graphics, and text, Yount’s opening sequences are some !of the most striking examples in cinema today.! Yount’s work has won two Emmy awards, and been nominated for another. Some of the films he has work on include Iron Man 1-3 (including the hologram sequences in Tony Stark’s laboratory), Sherlock Holmes 1-2, Tron: Legacy, Thor, Oblivion, and Kiss Kiss Bang Bang. In this last one, the influence of Saul Bass is most apparent, with cutout- !style figures and moving lines, yet taken to a new level for a new generation.! Danny Yount is building on the work of Saul Bass, and pushing the possibilities of film title design even farther, creating visual landscapes that tell a story in and of themselves. Bass refused to settle for the commonplace of his era, and Yount is doing the same today, searching for iconic imagery to convey the essence of each film he works on..

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Department of Art & Design
Duncanrig Secondary School Department of Art&Design Art & Design Studies N4/5 Outcome 1: Art & Design Studies Learner’s Design Booklet Graphic Describe the things that have inspired and influenced Design designers and their work by: N4 1.1 Describing how designers use design materials, techniques and/or technology in their work N4 1.2 Describing the things that have influenced these designers and the work they produce N4 1.3 Expressing facts and personal opinions about the designers’ work A study of Saul Bass (1920 – 1996) CLICK ON LINK BELOW TO VIEW RELEVANT IMAGES http://designobserver.com/media/images/Saul-Bass-Pat-Kirkham-6_525.jpg http://www.saulbassposterarchive.com/wordpress/wp-content/uploads/2013/05/13_Environment-71.jpg http://illusion.scene360.com/wp-content/uploads/2013/11/saul-bass-movie-poster-07.jpg http://annyas.com/images/saul-bass/saul-bass-anatomy-of-a-murder-24-sheet.jpg What is Graphic Design? Suppose you want to announce or sell something, amuse or persuade someone, explain a complicated system or demonstrate a process. In other words, you have a message you want to communicate. How do you “send” it? Graphic design is a part of your daily life. From humble things like gum wrappers to huge things like billboards to the T-shirt you’re wearing, graphic design informs, persuades, organizes, stimulates, locates, identifies, attracts attention and provides pleasure. Graphic design is a creative process that combines art and technology to communicate ideas. The designer works with a variety of communication tools in order to convey a message from a client to a particular audience.
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Saul Bass 20 Iconic Film Posters Laurence King Press Release
Saul Bass 20 Iconic Film Posters Laurence King Press Release Jennifer Bass and Pat Kirkham Saul Bass: 20 Iconic Film Posters by Jennifer Bass and Pat Kirkham and published by Laurence King in September 20 illustrations 2016 is the first poster book dedicated to one of the 405 x 304 mm greatest American designers of the Twentieth Century. 44 pages PAD BOUND American graphic designer and award-winning filmmaker Saul ISBN – 978 1 8566 99891 Bass (1920-1996) was one most important designers of the £19.95 Twentieth Century. His landmark designs for films including Alfred Hitchcock’s Vertigo and Otto Preminger’s The Man with SEPTEMBER 2016 the Golden Arm became some of the most iconic film posters of the American-postwar era. For the first time, Saul Bass: 20 Iconic Film Posters brings together a collection of Bass’s legendary posters. Including the classic designs: Vertigo, The Magnificent Seven, Spartacus, and The Shining. Each poster is removable and designed to fit 12x16” frame - the perfect gift for film lovers and fans of twentieth-century design. For more information, images and review copies please contact: Fiona Livesey [email protected] Tel: +44 (0) 20 7841 6900 Saul Bass: 20 Iconic Film Posters includes: Laurence King Publishing The Man with the Golden Arm | Saint Joan | Love in the Afternoon Bonjour 361–373 City Road Tristesse | The Big Country | Vertigo | Anatomy of a Murder | Exodus | Spartacus London EC1V 1LR The Magnificent Seven | Advise & Consent | The Cardinal Tel: +44 (0)20 7841 6900 In Harm’s Way | Bunny Lake is Missing | Seconds Grand Prix | The Fixer Fax: +44 (0)20 7841 6910 Such Good Friends | The Shining | Schindler’s List www.laurenceking.com.
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December 2018
LearnAboutMoviePosters.com December 2018 EWBANK’S AUCTIONS VINTAGE POSTER AUCTION DECEMBER 14 Ewbank's Auctions will present their Entertainment Memorabilia Auction on December 13 and Vintage Posters Auction on December 14. Star Wars and James Bond movie posters are just some of the highlights of this great auction featuring over 360 lots. See page 3. PART III ENDING TODAY - 12/13 PART IV ENDS 12/16 UPCOMING EVENTS/DEADLINES eMovieposter.com’s December Major Auction - Dec. 9-16 Part IV Dec. 13 Ewbank’s Entertainment & Memorabilia Auction Dec. 14 Ewbank’s Vintage Poster Auction Jan. 17, 2019 Aston’s Entertainment and Memorabilia Auction Feb. 28, 2019 Ewbank’s Entertainment & Memorabilia Auction Feb. 28, 2019 Ewbank’s Movie Props Auction March 1, 2019 Ewbank’s Vintage Poster Auction March 23, 2019 Heritage Auction LAMP’s LAMP POST Film Accessory Newsletter features industry news as well as product and services provided by Sponsors and Dealers of Learn About Movie Posters and the Movie Poster Data Base. To learn more about becoming a LAMP sponsor, click HERE! Add your name to our Newsletter Mailing List HERE! Visit the LAMP POST Archive to see early editions from 2001-PRESENT. The link can be found on the home page nav bar under “General” or click HERE. The LAMPPOST is a publication of LearnAboutMoviePosters.com Telephone: (504) 298-LAMP email: [email protected] Copyright 20178- Learn About Network L.L.C. 2 EWBANK’S AUCTIONS PRESENTS … ENTERTAINMENT & MEMORABILIA AUCTION - DECEMBER 13 & VINTAGE POSTER AUCTION - DECEMBER 14 Ewbank’s Auction will present their Entertainment & Memorabilia Auction on December 13 and their Vintage Poster Auction on December 14.
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The Star Gifts to Entertain
The Star Section: Lifestyle Ad Value: RM 37,694 18-Jun-2021 Size : 749cm2 PR Value: RM 113,082 Gifts to entertain Dad The Collected Works of The British Baking Book Jim Morrison For the British Bake-Off Dad. If your dad is still obsessed with A collection of Jim getting his sourdough starter just Morrison's writings, poetry right, then this is the book for and photographs collected you. There is no showstopper from over 28 privately held challenge your pop won't topple notebooks. This brand new with this amazing book by anthology not only includes Regula Ysewijn. Renowned for never-before-seen images and her historical baking work, there notes, it's also peppered with is no pudding you won't be able scans from the actual pages to handle with this well-re from his diaries showcasing viewed cook book. But if you're how the lead singer of The looking for something directly JIM MORRISON Doors penned lyrics and from the series, there's the thoughts. The (almost) 600- shoMs book itself Great British page book was just released Bake-Off's Big Book of Baking or in June of 2021. Mary Beny's Baking Bible, both good for the junior baker. And if all else fails, try out a star baker apron! Classic Rock Dad Deja Vu - 50th Anniversary Box Set Le Creuset Baker This brand new box set con tains heaps of mostly unreleased Nothing shows someone demos and outtakes and a you care more than gifting Lengthy historical essay penned them a Le Creuset baker.
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„Filmtitelgestaltung. Bewegte Typografie Und Grafikdesign Im Film an Beispielen Saul Bass’“
DIPLOMARBEIT Titel der Diplomarbeit „Filmtitelgestaltung. Bewegte Typografie und Grafikdesign im Film an Beispielen Saul Bass’“ Verfasserin Verena Blöchl angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Mag. Dr. Otto Mörth Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Ort, Datum Unterschrift 3 Danksagung Mein äußerster Dank gilt Herrn Mag. Dr. Otto Mörth für die wertvolle Unterstützung und Zusammenarbeit. Ich bedanke mich herzlich bei meiner Familie, die mir während des Studiums unterstützend zur Seite stand. Besonderen Dank an Lena Huber-Huber für ihre kompetente Beratung bei grammatikalischen und stilistischen Fragen. Ein großes Dankeschön auch an Adrian Hügel für die moralische Unterstützung während der Erstellung dieser Arbeit. Des Weiteren bedanke ich mich bei Anselm Tröster für das große Interesse an meinem Thema und die motivierenden Worte. 5 Abstract / deutsch Diese Arbeit behandelt das Zusammenspiel von Typografie und Grafikdesign in Film- titelsequenzen und die Qualitäten, die daraus für die Filmerfahrung entstehen. Mit der vielfältigen Formensprache im Vorspann entstehen unterschiedliche Funktionen für die Filmrezeption, die ich exemplarisch an neun ausgewählten Werken von Saul Bass untersuche. Der Grafikdesigner und Regisseur leistete ab den 50er-Jahren einen bemerkenswerten Beitrag zur Entwicklung des Vorspanns. Er trug dazu bei, dass Filmtiteldesign als integraler Bestandteil der Filmstruktur aufgefasst wird.
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In His Work, Bass Did Not Just Create Doodles That Became Logos. He
Saul BASS In his work, Bass did not just create doodles that became logos. He worked to understand the culture both current and desired, as well as the essence and objective of a company's competitive strategy and its brands. In many cases, such as after a merger or takeover, the new corporate identity was an opportunity to establish a new sense of shared identity that might lessen or avoid political in-fighting or lack of direction. He did not just think of corporate identity as a logo that goes on a letterhead, the sides of trucks, on product packaging and on uniforms and stickers This would be entirely missing the point, or more accurately, missing an opportunity to rigorously analyse and think about what the company stands for and what it needs to mean to employees and customers. He had a specific and strict process of analysis that is a perfect illustration of how designers must blend the left and right brains as they develop the best solution. Read his own words - CLICK HERE Almost as soon as movies started, it was well known that the best way to lure your audience into cinemas was to use the faces of your leading cast in the middle of your advertising (e.g Casablanca). The bigger the star, the more the appeal. So it must have taken a brave boardroom decision for the producers of the 1955 film The Man with the Golden Arm to approve Saul Bass’ revolutionary poster for the film. Bass had pushed aside images of Frank Sinatra and Eleanor Parker in favour of a grotesquely bent arm reaching boldly through a higgledy-piggledy font in which the title appeared.
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Biography Winning Academy Award for His Promotional Purposes
Saul Bass was a prominent worked as a freelancer for se- American graphic designer veral advertising companies and of the twentieth-century. He agencies, including the illustrious largely designed motion pictu- Warner Bros. re title sequences, corporate He moved to Los Angeles, where logos and movie posters. He he pursued graphic designing as was a pioneer of the modern a commercial artist. title sequence designing. He During 1940’s he took up some enjoyed four decades of suc- Hollywood projects, which cessful career in his lifetime, involved the print work for biography winning Academy Award for his promotional purposes. In fact, exquisite graphic designing. His he started up his own practice iconic title sequences appeared in 1952 and a few years later in the popular films, such as, established his private firm as The Man with the Golden Arm, Saul Bass & Associates. In 1954, Psycho and North by Northwest. Bass finally had his big break as On May 8, 1920, in Bronx, New he was York, Saul Bass was born in the offered a job by the filmmaker household of Eastern European Otto Preminger to design a po- Jewish immigrants. He attended ster for Carmen Jones. the James Monroe High Scho- His work left a remarkable ol from where he earned his impression on Preminger, who graduation. In 1936, he received availed his expertise yet again a fellowship to the Art Students for his film’s title sequence. League in Manhattan. He then With the opportunity, came the went on to study at Brooklyn realization that the title College, attending night classes sequence can not only be served with a famous Hungarian-born as mere static credits but it can designer, György Kepes.
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Saul Bass Poster Design 1920 - 1996
Saul Bass Poster Design 1920 - 1996 SAUL BASS was not only one of the great Until then, the lists of cast and crew members graphic designers of the mid-20th century but which passed for movie titles were so dull that the undisputed master of film title design projectionists only pulled back the curtains to thanks to his collaborations with Alfred reveal the screen once they’d finished. Hitchcock, Otto Preminger and Martin But the film director, Otto Preminger wanted his Scorsese. audience to see The Man with the Golden Arm’s titles as an integral part of the film. By the end of his life, he had created over 50 When the reels of film for controversial new title sequences for Preminger, Alfred drugs movie, The Man with the Golden Arm, arrived at US movie theatres in 1955, a note Hitchcock, Stanley Kubrick, John was stuck on the cans - "Projectionists – pull Frankenheimer and Martin Scorsese. curtain before titles". Even before he made his cinematic debut, Bass was a celebrated graphic designer. Born in the Bronx district of New York in 1920 he was a creative child who drew constantly. Bass studied at the Art Students League in New York and Brooklyn College. After apprenticeships with Manhattan design firms, Bass worked as a freelance graphic dde- signer or ‘commercial artist’ as they were called. Poster for film ‘The Man with the Golden Arm’. (Saul Bass, 1956). Poster for film, ‘The Shining’. (Saul Bass, 1980). Saul Bass was said to be blessed with the gift of To younger film directors, Saul Bass was a identifying the one image which symbolised the cinema legend with whom they longed to work.
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Download Saul Bass: a Life in Film & Design Free Ebook
SAUL BASS: A LIFE IN FILM & DESIGN DOWNLOAD FREE BOOK Jennifer Bass, Pat Kirkham, Martin Scorsese | 440 pages | 04 Apr 2012 | Laurence King Publishing | 9781856697521 | English | London, United Kingdom Saul Bass: A Life in Film & Design With the opening to Spartacusshe was directing and producing title sequences, and in the couple married, beginning more than 30 years of close collaboration. In more human terms, this means that whenever you buy a book on Amazon from a link on here, I receive a small percentage of its price. Retrieved 13 June Original Title. The average lifespan of a Bass logo is more than 34 years. Saul Bass made me love opening titles, and he's probably responsible for the fact that I always sit through the end credits of a film. Hardcoverpages. Bass decided to create an innovative title sequence to match the film's controversial subject. With more than 1, illustrations, many of them never published before and written by the leading design historian Pat Kirkham, this is the definitive study that design and film enthusi This is the first book to be published on one of the greatest American designers of Saul Bass: A Life in Film & Design 20th Century, who was as famous for his work in film as for his corporate identity and graphic work. Saturday Night Shelves: to-read-again. A spread from the chapter on Hunt Foods after it took over W. Laurence King Publishing. He chose the arm as the central image, as it is a strong image relating to heroin addiction. Not Coming to a Theater Near You notcoming.
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From Saul Bass to Participatory Culture: Opening Title Sequences in Contemporary Television Series 2016
Repositorium für die Medienwissenschaft Valentina Re From Saul Bass to participatory culture: Opening title sequences in contemporary television series 2016 https://doi.org/10.25969/mediarep/3352 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Re, Valentina: From Saul Bass to participatory culture: Opening title sequences in contemporary television series. In: NECSUS. European Journal of Media Studies, Jg. 5 (2016), Nr. 1, S. 149– 175. DOI: https://doi.org/10.25969/mediarep/3352. Erstmalig hier erschienen / Initial publication here: https://www.necsus-ejms.org/test/saul-bass-participatory-culture-opening-title-sequences-contemporary-tv-series/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org From Saul Bass to participatory culture: Opening title sequences in contemporary television series Valentina Re NECSUS 5 (1), Spring 2016: 149–175 URL: https://necsus-ejms.org/saul-bass-participatory-culture- opening-title-sequences-contemporary-tv-series Keywords: fan works, main titles, paratexts, participatory culture, small data, television, television series Introductory remarks: How main titles work A cab moves into the frame and stops by the curb. A man approaches it and opens the door. ‘Jesus, what’d you do, come by way of the Panama Canal?’ ‘Alright, alright, I’m in a bad mood, okay?’, answers a woman getting out of the cab.
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GRAPHIC DESIGN What Is Graphic Design? Paul RAND Paul Rand Conversations with Paul Rand
GRAPHIC DESIGN What is Graphic Design? Paul RAND Paul Rand Conversations with Paul Rand Paul Rand DESIGN – THE SYNTHESIS OF FORM AND CONTENT . “Without content there’s no form – without form there’s no content” “when form predominates, meaning is blunted – when content predominates, interest lags” Paul Rand Language of Art - Aesthetics . Order . Variety . Contrast . Symmetry . Tension . Balance . Scale . Texture . Space . Shape . Light . Shade . Color Saul Bass . Considered one of the most influential individuals in the world of graphic design . Inspired by the book “Language of Vision” which stressed art should focus on the essentials . He became an expert in the art of “reductionism” . His fame allowed him to experiment at many levels from posters for film to full production of films . The opening film sequence to “The Man with the Golden Arm”, 1955, revolutionize movie posters and opening scenes to movies Saul Bass Catch Me if You Can Opening Title Sequence . Saul Bass designed the 6th AT&T Bell System logo, that at one point achieved a 93 percent recognition rate in the United States. The use of white space to define the shape of human body parts are typical of Saul Bass’s Massimo Vignelli Vignelli works firmly within the Modernist tradition, and focuses on simplicity through the use of basic geometric forms in all his work. Alvin Lustig His abstract designs incorporated a modern design sensibility with a groundbreaking approach to typeface design and the unconventional dust jacket became a hallmark of New Directions publications Lester Beall He utilizes angled elements, iconic arrows, silhouetted photographs and dynamic shapes, all of which captures the essence of his personal style of the late 1930s.
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Basso Profundo
Basso Profundo BY PETER PLAGENS aul Bass was the first great artist I parents in New York, wins a scholarship, was ever a fan of. (Oh sure, I’d works hard at crappy jobs, is noticed by Sheard of Leonardo and higher-ups in his vocation, and starts Michelangelo, and how could any kid spreading his wings. With Bass (who was growing up in Los Angeles not have been born in 1920), the country of parental full-immersion baptized in the art of Walt origin was Russia, the borough the Bronx Disney? In my upbringing, though, (where one-third of the largest Mickey Mouse, Donald Duck, et al., were concentration of Jews in the world lived so ubiquitous they constituted more at the time), the scholarship to the Arts nature than culture.) My father, who’d Students League, the vocation taken night-school art classes as a young commercial art, and the wing-spreading man during the Depression, was a jack- first at Warner Bros. as a layout and of-all-trades in small advertising agencies, paste-up man. “I was in the ass-end of who had an eye for the good stuff in the industry, “Bass said, “[but] I was commercial art. He pointed me to great young enough, naive enough, and illustrators—I longed to draw covers for sufficiently cocky to believe I could elevate Collier’s or Argosy –such as Robert movie advertising to the standards set by Fawcett and Austin Briggs. The latter was Man Ray’s Rayographs and Jean one of the two artists I put down as my Cocteau’s films and illustrations.”[[p8]] favorites on a questionnaire in the first art class I ever took, “Art Appreciation” in Further emboldened by taking a class in my freshman year.
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