York Banned from SRTV

Total Page:16

File Type:pdf, Size:1020Kb

York Banned from SRTV OPINION HIATUS SalnMendes Dired democracy strikes out pesto .. nuances of Califomia's initiatives and San Diego's mayoral r~-­ Album reviews 11 Director hits the Orr.mrdl 12 Middle East with in a fray of politics. We wade through, and find an emntUIW16 "Jarhead~ pile 4 Sports II page 8 UC SAN DIEGO THURSDAY, NOVEMBER 3, 2005 VOLUME \1 6, ISSUE" 13 Congress considers York banned from SRTV By MAn' L'HEUREUX York said his second porn air­ decision to ban York and "Koala cutting -billions in aid Senior Staff Writer ing - feauturing the overlaid face lV' mem bers from the station's of T hurgood Marshall College premises. In response to the recent airing Senjor Senator Kate Pillon - did "The straw on th e camel's back of pornography on tudent-Run not violate regulations because A. has been broken," he sa id . Television, the A.S. Council has President Christopher Sweeten Along with expelling York ba nned "Koala TV" producer and had not fo rmally signed the nudity and his show, the bill also ga\'c John Muir College seni r Steve ban by the Oct. 27 broadcast. Commjssioner of Srudent ' ervice~ York from the station's premjses "That is a moot point," 1aurice J uniou the ultimate and forbidden SRTV from further A.S. Commis ioner of Student authority to enforce the lebrisla­ ajrings of any "Koala TV" ma te­ Advocacy T ravis ilva said at the tion. III addition, the council cre­ rial. Nov. 2 A. Counci l meeting. ated an ad hoc task fo rce to " rea s­ C iting the show's violation of Silva argued that the nudity pro­ sess the SRTV purpose" as well the recently amended SRTV char­ hibition was technica lly adopted as to revi e the ambiguities of ter, whjch bans "graphic depiction ea rlier thj month, during a spe­ the station's charter regardi ng ti,e of sexual activity, including nudi­ ci al council session on Oct. 23 _ manager's role in cen oring con­ ty," the council passed legislation H owever, several councilmembers tent. Ln its current form , the char­ to fonnally enforce the am end­ had previously raised questions ter dictate that managers are to ment and denounce the porno­ over the counstitutionali ty of the "[address] concerns and requests graphic airing in a 17-0-1 vote. hastily arranged meeting. of di rectors, producer , adminjs­ According to the bill, the SRTV Silva also sponsored the most tration and the student body," but managers are to "actively enforce recent bill, which was borne o ut of no provision describes how this i [the] order of the council ," con­ Marshall senators' personal ven­ to be done. trary to the content-neutral stance detta against the Koala , accordiJlg The managerial role has been backed by SRTV co-Manager to York. heavily debated in past council Andy Tess in the management's ' York added he has been seeking meetings, with member~ of both role in program production. consul tation from everal "high­ the council and RT\, di~cus ing "Under duress, the SRTV profi le" advocacy groups, in case how the tation's l11anagers are managers will comply wi th the he wishes to pursue legal action supposed to handle qllc~tions over bi ll passed by the A.S. Counci l," against the counci l. Such action Tess sajd. may be at hand, with the council's See SRTV, Page 3 Black Dledical students still Billy WonfJGu«dion Sf Ms •• "-S. President 0lriskJpher Sweeten wlic:es his ooncems about fmndal aid cuts duing a New. 1 press ronference, as 0lanceII0r Marye Anne Fox looks on. rare despite school efforts By YASHA SHAIIMA . Students, chancellor Contributing ~ Sixth College seniorJoan Bianca Watson is a rare breed_ unite'd in opposition She is one of the few black students who are in the process of applying for admission to a medical By (HAILES NGUYEN President and fonner A.S. Presdient school. Numbers released by the News Editor Jenn Pae stated in an e-mail. "This Association of American Medical issue threatens the future of our Colleges show that, despite increas­ In an effort to reduce the federal generation and our country." es in the number of Asian and budget by $50 billion, a U.S_House Downsizing the benefits for stu­ Latino applicants for fall 2005, the of Representatives committee has dent borrowers will add unnecessary number of black applicants saw a approved cuts to congressional stu­ burdens to universities, Pae said_ slight decline from last year. dent financial aid for students that Chancellor Marye Anne Fox and "Sometimes it is hard to find could make it the largest downsizing A.S. President Christopher Sweeten support systems that you need, ever for student aid. spoke out against the committee's especially for people who don't The Education and Workforce vote in a USSA-sponsored press kno~ anyone who has been to col­ committee approved, in a 22-19 Gtea o.leiGuorrJion conference on Nov. 1 at Price lege and don't know what to expect vote, to take approximately $14.5 Center Plaza. The committee's at college," Watson said. flit ~ Students trc1llerse the campus of UCSD School of Medidne, which billion over five years &om higher decision should incite a sense of Despite efforts to increase the has not seen an increase in black or Latino enrollment this academic year. education financial aid, which has urgency among srudents across the number of students from disad­ spurred opposition IocaJ and applying in greater numbers to endless opportunities," he said_ &om nation, said Fox, who is one of the vantaged backgrmmds, the number national student groups. medical schools comes from focus Efforts to communicate with few university chancellors in the of such students in the entering "We cannot have an entire gen­ groups and SUJ"YeYS that we've con­ minorities are ongoing at UCSD as countty to speak out publicly against class of fall 2005 is approximately eration of educated youth in debt," ducted," he stated in an e-mail. weU, according to Kelly. the satne as last year, according to "'The results indicate that the cost of "The UCSD School ofMedicine U.S. Student Association Vice See ..,DGIt Page 3 Caroyln Kelly, dean of admissions medical education and the lepgth of continues to have strong commu­ at UCSD School of Medicine. time it takes to become fu1Iy trained nity outreach programs that seek "In the class entering in the as a doctor are major deterrents." to increase the numbers of students WEAnlD SPoKEN SO. fall of 2005, we have 16 students The association speculates from disadvantaged backgrounds who self-identify as Hispanic, that black families arc generally who will have the preparation to liPGIll' black or Native American," Kelly less inclined to borrow substan­ be successful applicants to medical cannot , "We M\Ie an 11/5 said. "That places the percentage tial amount of money, despite the school," she said. Wnd: 1()'20kL of underrepresented minority stu­ attractive interest rates that are However, Watson said she does entire generation He9t. 1-2 ft. of dents in this class at about the avaibble for medical students, NaJ WIler ~.: 53-58 deJ not think enough efforts are being ...... national avenge_" H66l49 H66l 51 educated youth Cohen said. made, which led her and a few 11/4 MMC PresidentJordan Cohen "We hope to communicate other students to develop their own m. debt" . Wnd: 1()'15 kL said he was concerned about the more effi:ctively with prospective outreach program, dubbed Hope, HeiFt 2-3 ft. lack of pro(p'tSS in the involvement WIler _ .: 55-58 ~ [black] students that an investment for underrepresented minorities - of black applicants. in a mcdicaI education is not only pursuing health care professions. Na5 ...... ..... "'The best evidence we have 6nancialIy wise ... but can lead to a Hfi9l53 H73l54 _ _=tUlllld_acilian 1..... ..,.1 fOr why A&ican Americans arc not most • fuI6lling career in a field with See MEDICAL" Page :.2 • " •• I . , I • •••• " . " , , , I 2 NEWS THE UCSD GUARDIAN THURSDAY. NOVEMBER 3. 2005 rnuRSOt.y. NOVEMBER J. Z005 1l!E UCSD GuAAoIAH NEWS 3 Budget: Aid vote split along party lines I CURRENTS ETCETERA I A.S. COUNCIL AT A GLANCE I ... GtJARD~ cOlllinued frum po,t I reducing subsidies paid to lenders, critical, as their short-tenn vision Grant Sdlrader Elitar In Chief the cuts. but is, in general, fiscally respon­ could endanger higher education Supreme Court rejects al affairs programs, and we are A.S. Meeting .11 - NO¥. 2 agers in monitoring the content "This is a very important chal­ sible, Boehner said. in the furore. 'kdmlr KoRan M.1IICinI Editors pleased to have this recognition ~h, its "re-tty nlGe ••• of the programs they broadcast, lenge we are all facing: FOlI said. "This plan accomplishes two "Unfortunately, House Mlcrosoft-UC appeal from scholars in the field: she Ian S. ~rt holding them responsible for any ~y j ~nJ ~\l ~€. (ree Special Presentations "Any effort that shifts the responsi­ very important goals," Boehner Democrats have pushed fiscally stated in a press release. Nathan Miklos Copy Editors breaches of the station's charter. bility &om the kderal government stlIted in a press release. "It pre­ irresponsible proposals that would The U.S. Supreme Court rejected UCsD was the only university CuI~y 'fov.. (4n eQ,t. Heather Welles For full story, see the front page. an appeal from Microsoft thiS week, to the becks of students is not a serves and expands critical student actually weaken and dest3 bilize the on the West Coast to be ranked Charles Ngu)'en News Editor Thurgood Marshall College prudent way to address the future.
Recommended publications
  • Arboretum August 18 - 23, 2014 | Ottawa Music Festival Ottawa’S Festival of New Music + Best Kept Secrets
    ARBORETUM AUGUST 18 - 23, 2014 | OTTAWA MUSIC FESTIVAL OTTAWA’S FESTIVAL OF NEW MUSIC + BEST KEPT SECRETS MONDAY WEDNESDAY FRIDAY SATURDAY AUG 18 AUG 20 AUG 22 AUG 23 ST. ALBANS CHURCH $20/AA/ OTTAWA ART GALLERY $0/AA OTTAWA ART GALLERY $0/AA ARTS COURT OUTDOOR MAIN STAGE $30 ADV/AA/ 18:30 FESTIVAL LAUNCH & KEYNOTE 19:30 BOSVELD 08:30 CREATIVE MORNINGS 18:45 PANEL DISCUSSION: WHY I LEFT OTTAWA? 20:00 EVENING HYMNS “Where’s the Cultural Press?” 14:00 PONY GIRL Panelists: Kathleen Edwards, Olivier Fairfield 21:00 JULIE DOIRON & THE WOODEN STARS Panelists: Marie-Claire LeBlanc, Allan Wigney, Peter Emmanuel Sayer, Rémi Thériault. Simpson, Lesley Marshall. Presented by Arboretum Festival + Megaphono 15:00 WEAVES OTTAWA SHOWBOX Secret Shows Presented by Downtown Rideau BIA & Ottawa Art Gallery Presented by Downtown Rideau BIA Happening at undisclosed locations MAVERICKS $15/19+/ 16:15 LOWELL on the main stage grounds. MANX PUB $0/AA ARTS COURT $25 ADV/AA/ OUTDOOR MAIN STAGE 17:15 Secret Show #1 21:30 ADAM SAIKALEY TRIO 21:00 TROPICAL DRIPPS MURRAY STREET x TOWN Performing Beastie Boys “Ill Communication” 19:00 THE YIPS 17:30 STEVE ADAMYK 22:00 PS I LOVE YOU BAND Video projections: MELODY MCKIVOR 20:00 HILOTRONS BBQ 18:15 23:00 FROG EYES Backlot Secret Show #2 Presented by Asinabka Film and Media Arts Festival & National Indigenous Media Arts Coalition 21:30 KEVIN DREW Video projections: 18:30 CHAD Presented by SpectraSonic + Bruised Tongue of Broken Social Scene HARD SCIENCE VANGAALEN Presented by Manx Music 19:45 Secret Show #3 BABYLON NIGHTCLUB
    [Show full text]
  • The Sneak Preview Official Biography
    The Sneak Preview Official Biography The Sneak Preview was a melodic punk rock band from Maple, Ontario. They formed in the summer of 2000, after Joel Bath (drums) and Mike Mucci (guitar) broke up their band “Then Who Is the Liar?”. The duo started writing new songs alone in Joel’s parent’s basement in Thornhill, Ontario, with influences from Dinosaur Jr., Elliot, Sunny Day Real Estate and a few more local Ontario bands. They then invited Mark “Augie” Petja, to join as bassist as he had previously played in Five Finger Discount with them. The final addition would be Marco Fardella on vocals. Now a complete band, they moved their rehearsal space to Mike’s parent’s house in Maple, Ontario, where they continued to practice until the end. With their first few songs composed, The Sneak Preview were invited to play at a field party somewhere north of Toronto. The details of this have faded with time. But their second should would be well documented. Mike and his girlfriend (now wife) Vicki Bonanno had been booking a few shows for local bands at The Masonic Lodge in Maple, Ontario. It was there that they had booked one of Then Who Is the Liar?’s show in May of 2000 with The China White. The Sneak Preview at their first real show, September 30th 2000 at The Masonic Lodge in Maple, Ontario. Photo courtesy of Vicki Bonanno Eager to play with Chris Gray again, the couple contacted him to book his new band, Zyon, with The Sneak Preview at The Masonic Lodge on September 30th.
    [Show full text]
  • The Weather Station the Weather Station
    Paradise of Bachelors P.O. Box 1402, Carrboro, NC 27510 www.paradiseofbachelors.com / [email protected] US PR: Jessica Linker, [email protected] UK PR: Will Lawrence, [email protected] Everywhere else: [email protected] On her fourth (and tellingly self-titled) album as The Weather Station, Tamara Lindeman reinvents, and more deeply roots, her extraordinary, acclaimed songcraft, framing her precisely detailed, exquisitely wrought prose-poem narratives in bolder and more cinematic musical settings. The result is her most sonically direct and emotionally candid statement to date, a work of profound urgency and artistic generosity. The Weather Station is the fourth—and most forthright—album by The Weather Station. The most fully realized statement to date from Toronto songwriter Tamara Lindeman, it is a work of profound urgency, artistic generosity, and joy. Self-titled and self-produced, the album unearths a vital new energy from Lindeman’s acclaimed songwriting practice, marrying it to a bold new sense of confidence. “I wanted to make a rock and roll record,” Lindeman explains, “but one that sounded how I wanted it to sound, which of course is nothing like rock and roll.” The result is a spirited, frequently topical tour de force that declares its understated feminist politics, and its ambitious new sonic directions, from its first moments. Opener Free“ ,” with its jagged distorted guitar, is wryly anti-freedom—how very un-rock-and-roll!—in response to mansplaining chatter: “Was I free as I should be, or free as you were? Is it me that you’re talking to? I never could stand those simple words.” The song ends as strings conjure an unsettling “devil’s triad” chord, shifting between dissonance and order.
    [Show full text]
  • Annual Report 2009 | 2010 Ontario Media Development Corporation Culture Is Our Business
    omdcontario media development corporation ANNUAL REPORT 2009 | 2010 Ontario Media Development Corporation culture is our business Table of Contents Who We Are 1 Message from the Chair 2 Message from the President and Chief Executive Officer 3 Ontario’s Cultural Media Industries 4 Our Information and Electronic Future 6 Creative Collaboration and Cross Sectoral Synergies 8 Ontario’s Cultural Media in the Global Marketplace 10 Celebrating Ontario’s Achievements 12 Innovative Financial Support 14 Research 17 Doing Business Better 18 Looking Ahead 20 22nd Annual Trillium Book Award Finalists/Winners 21 OMDC Program Recipients 2009-10 22 Board of Directors 31 Management’s Responsibility for Financial Statements 32 Auditor’s Report 33 Statement of Financial Position 34 Statement of Operations 35 Statement of Changes in Net Assets 36 Statement of Cash Flows 37 Notes to Financial Statements 38 OUR MISSION: The Ontario Media Development Corporation, an agency of the Ontario Ministry of Tourism and Culture, is the central catalyst for Ontario’s cultural media cluster. It promotes, enhances and leverages investment, jobs and original content creation in the province’s book and magazine publishing, film and television, music and interactive digital media industries. Ontario Media Development Corporation (OMDC) 175 Bloor Street East, South Tower, Suite 501, Toronto, Ontario M4W 3R8 www omdc on ca Published by the Ministry of Tourism and Culture, Government of Ontario | © Queens Printer 2010 | ISSN 0836-1363 | Printed on recycled paper Ontario Media Development Corporation culture is our business The Ontario Media Development Corporation stimulates investment and employment in six cultural media industries in Ontario: book and magazine publishing, film and television, music and interactive digital media.
    [Show full text]
  • Wavelength Music 2017 Event of Municipal Significance Letter
    November 7, 2016 To whom it may concern, Please kindly consider this request for an Event of Municipal Significance. The name of this Event is: Wavelength Music Festival 17 The Event will be taking place at the following locations, on the following dates and times: The Garrison, 1197 Dundas St. W. February 16-19, 2017 – 7PM-4AM The purpose of this event is to celebrate the 17th anniversary of Wavelength Music, the non-profit, community-oriented concert series that helped launch the careers of some of Toronto’s best-known musical exports: Broken Social Scene, Feist, the Constantines, Peaches, Caribou, METZ, The Hidden Cameras, Great Lake Swimmers, and many more. For more information on Wavelength Music, please see page 2. Please contact me with any questions or concerns: Jonathan Bunce Artistic Director, Wavelength Music 226 Crawford Street, Toronto ON, M6J 2V6 416-546-2745 (office), 647-287-4516 (mobile) [email protected] Wavelength Music • 226 Crawford St. ste #1 • Toronto ON • M6J 2V6 [email protected] • 416-546-2745 About WAVELENGTH MUSIC Mission Statement: Wavelength Music is a professional not-for-profit arts organization, dedicated to championing original, emerging musical artists and local music culture, creating opportunities and building community through inclusive, diversely curated live experiences. Vision: Our vision is to transform communities through music. Brief history: Wavelength Music is a curated concert series designed to champion creativity, co-operation and collaboration in the independent music and arts scenes. Established in 2000, we are a non-profit arts organization that puts artists and the community first. A cornerstone of the Toronto music scene, Wavelength Music has championed literally thousands of emerging artists during its decade-plus run.
    [Show full text]
  • Shoulder Official Biography
    Shoulder Official Biography This was originally the very first post. It has since been edited, ameliorated and reposted, with much more material in the download link (thanks to Ryan Moon and Doug MacGregor for all the help). So I am proud to present one of my absolute favorite bands, and all time favorite emo band, Shoulder. This band was from London, Ontario from 1994 to 1997. Bryan Webb (guitar, vocals), Chris Irwin (bass) and Doug MacGregor (drums) started jamming together in the fall of 1994, highly influenced by bands such as Fugazi, Hoover and Jawbox. During late 1994, Bry joined As We Speak to replace their original guitarist that had left the band. Shoulder’s sound then changed to a more mid-western emo sound, influenced by such bands as Split Lip, Endpoint, Falling Forward and Shotmaker. In March of 1995 they recorded their first demo at Studio 107 in London. These four songs were released on cassette tape. When rehearsing, the band often recorded various songs in their jam space (Bry’s basement) on a four-track recorder. Shoulder “Touch” CD/12″, Winter Records/Conquer the World Records, December 1995 Not very long after the demo’s release, Paul Bright, from As We Speak (which had recently broken up) joined Shoulder as guitarist. The band played some more shows in their local area and the rest of Ontario. In October of 1995, they recorded their first and only full-length, “Touch”, once again at Studio 107. The acoustic instrumentals between the songs were recorded by Chris Greenwood, and featured Vanessa Thatcher on violin.
    [Show full text]
  • A Curator of People
    Fri. Aug. 6, 2004. | Updated at 12:23 PM Home GTA Business Waymoresports A&E Life Careers Classifieds New In Homes Photos Shopping Travel Wheels Rain Feature Sections Today's Features H 24 / L 15 > Food 4 Day Forecast More search options Ticker Name Print Story E-mail Story > ADVERTISEMENT < Members Register | Login Jul. 11, 2004. 09:02 AM Notice to our readers News Ontario A curator of people Canada Tyler Clark Burke has World established herself as the Opinion/Editorials bellwether of Toronto's indie Editorial Board Letters cultural scene National Report World Report Obituaries Tyler Clark Burke stabs delicately Editorial Cartoon at the dainty salad in front of her, STEVE RUSSELL/TORONTO STAR Corrections half-interested, distracted. Tyler Clark Burke, an orchestrator of social Today's Paper "Really, I'm just so exhausted spaces and situations, is a kind of cultural cruise director for the city. She has also Star Columnists right now," she says, an just begun a six-week stint as the artist in apologetic smile pinching the residence at the Drake Hotel. edge of her mouth. "I'd feel the most successful if I could sleep well at night, always, wake up in the morning and had time to go for a run, do some drawing, and have some Special Reports › Cecilia Zhang calm. But when I start working on projects, I can't stop thinking about it. I › Conflict in Iraq can't sleep." › Matter of Interest › Athens 2004 Burke, 30, whose constantly full hands always welcome more, is in fact in › [More Specials] her natural state: Fully engaged, mind whirring, and far, far too busy.
    [Show full text]
  • Written Submission to the Broadcasting and Telecommunications Legislative Review Panel
    Written Submission to the Broadcasting and Telecommunications Legislative Review Panel National Campus and Alliance des radio Association des radiodiffuseurs Community Radio communautaires du communautaires du Québec Association/ Canada (ARC du 2, rue Sainte-catherine Est, l’Association nationale Canada) suite 201-B des radios étudiantes et 1, rue Nicholas, Montréal, QC H2X 1K4 communautaires bureau 1206 (NCRA/ANREC) Ottawa, ON K1N 7B7 180 Metcalfe St. Suite 608 Ottawa, ON K2P 1P5 January 11th, 2019 François Coté (ARCC) Martin Bougie (ARCQ) Barry Rooke (NCRA/ANREC) Table of contents Table of contents 2 Executive Summary 4 Recommendations 5 Sector portrait 7 Community radio fundamentals 8 History 8 Global context 10 Listener numbers 10 A necessary review process 11 It’s all about the people 11 The system 13 A comparative analysis of the three elements 15 The role of the community element: a local perspective 15 Current mandate of campus and community radio 15 Guarantee of local service 16 Content and operations 17 Local programming 17 Local/regional information 18 Emergency broadcasting 20 The cultural value chain: music 20 Media literacy, training and education 22 Formal training at colleges and universities 23 A cost for training 23 Between ideal and reality 24 Financial portrait of campus and community sector 24 Digital transformation 27 The Community Radio Fund of Canada 28 Result-based management 30 Making the system work 30 2 Campus and community radio’s estimated needs in providing local information services 32 No funding without accountability 33 Adjustments to the language of the Broadcasting Act 34 Retain ss. 3(1)(b) and 3(2) of the Broadcasting Act 34 Regulation should continue to be flexible, and recognise a variety of needs and realities 35 Changes to administration or regulations 35 Flexible approach 36 “Financial” and “significant”, or similar terms should be retained 36 Service agreements 37 Legal affairs and regulatory work 37 The CRTC submission to the Legislative Review PanelError! Bookmark not defined.
    [Show full text]
  • A Path Forward to Ensure That the Actions Taken by the City to Remove People from Trinity-Bellwoods Park on Tuesday June 22Nd, 2021, Are Never Repeated
    Dear Mayor Tory, We, the undersigned, have worked together to present to you a path forward to ensure that the actions taken by the City to remove people from Trinity-Bellwoods Park on Tuesday June 22nd, 2021, are never repeated. Using armed police officers on horseback and in riot gear to remove residents who are vulnerable to Toronto’s unaffordable housing market due to inadequate social supports, has no place in a caring, compassionate society. Instead, we must commit to taking a human rights compliant approach toward housing encampment residents that is co-created with encampment residents. A tent in a park is no one’s first option, and we understand that parks cannot be a permanent housing solution. However, the forcible removal of encampment residents must end. This inflicts further trauma on already vulnerable Torontonians and does not address the issues you are trying to solve. This approach just relocates people to another park, underneath a bridge, or, worse, back to an unsafe living situation that led them to a tent in the first place. We believe there is a better way. A coalition of Torontonians, including those with lived experience in encampments and shelters, housing advocates and experts, civic leaders, former mayors, and your colleagues on Council, have worked together to present the following recommendations th we strongly urge you to present at the July 14 meeting of City Council. A Human Rights Compliant Approach toward Residents in Encampments: th 1. Reconsider the motion moved by Councillor Layton at Council on June 8 , 2021 to provide safe indoor shelter and housing opportunities for residents of encampments that ensures the safety and dignity of encampment residents and frontline staff.
    [Show full text]
  • FILM SPECIFICATIONS Indie Game: the Movie Documentary, 96 Mins
    FILM SPECIFICATIONS SALES CONTACT Indie Game: The Movie Andrew Herwitz Documentary, 96 mins The Film Sales Company 16:9, HD CAM / DCP 212.481.5020 SOUND: Dolby Digital Surround [email protected] PRESS CONTACT - INTERVIEWS PRESS CONTACT - REVIEWS Jason Eskin Elena Zilberman Bond Strategy and Influence Strategy PR 212.354.2137 646-918-8730 [email protected] [email protected] FILMMAKER CONTACT FILM TRAILER Lisanne Pajot & James Swirsky www.vimeo.com/25268139 Directors/Producers www.youtube.com/ [email protected] watch?v=YtBZ68Fx1Kw www.indiegamethemovie.com STILLS www.facebook.com/IndieGameTheMovie www.indiegamethemovie.com/press @indiegamemovie KEY FESTIVALS/AWARDS 2012 Official Selection Sundance Film Festival World Documentary Competition 2012 Winner Sundance Best Editing in World Documentary Competition 2012 Official Selection South By Southwest Film Festival 2012 Official Selection Hot Docs FIlm Festival 2012 Game Developers Conference San Francisco EVENT PREVIEW RELEASE Indie Game: The Movie - The Tour, presented by Adobe®, 15 US cities with directors/subjects in attendance, March-May 2012 THEATRICAL RELEASE New York, NY: IFC Center, May 18th - 24th Los Angeles, CA: NoHo Theater, May 18th-24th Seattle, WA: SIFF Film Center, April 27th - May 3rd San Francisco, CA: Roxy Film Center, May 18th-24th Phoenix, AZ: The Film Bar, May 18th-24th Miami, FL: O Cinema, May 24th-27th Toronto, ON: TIFF Lightbox, May25th-May31st Across Canada: 35+ Theatres, Cineplex One Night Event, May 3rd DIGITAL/DVD RELEASE Summer 2012, Date TBA CREDITS OPENING CREDITS BlinkWorks Presents A Flutter Media Production Music by Jim Guthrie Cinematography and Editing by Lisanne Pajot and James Swirsky Directed by Lisanne Pajot and James Swirsky END CREDITS Directed by Lisanne Pajot and James Swirsky Music by Jim Guthrie This film was made possible by the kind people of the Internet.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Making Scenes: Studying Local Independent Music in Canada By Andrew Vincent, B.A. A thesis submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Arts School of Journalism and Communication Carleton University Ottawa, Ontario April
    [Show full text]
  • Intermixx Webzine 1 Intermixx Webzine 2
    InterMixx Webzine 1 InterMixx Webzine 2 August 28th - 31st, 2003 at the Sheraton Society Hill, One Dock Street, Philadelphia, PA, a new music industry will be born. Philly is a symbol of independence... AND just like this great country of ours was founded by a bunch of rebels seeking freedom, so too are we seeking the freedom of independence from a music industry that is no longer run by musicians for the love of music. Instead, it's now run by multi-national corporations that are more concerned with profits than with artists and the music which they lovingly create to share with the world. There are currently over 2200 indie musicians and industry people on the IMC2003 email group, working to create a new music industry... the INDIE music industry! Please check out the web site at IMC2003.com, join us in building this revolutionary event. Nothing about the IMC will be the same as what we’ve been used to regarding music conferences. Throw out your preconceptions and help us make this exactly what YOU need it to be! Showcase Performance Workshop submission deadlines have been determined, watch the site for the Phase 1 Application Form. The application deadline is October 31, 2002. On the site you can download a print-ready poster to promote IMC, help us determine your needs by answering the Poll questions, read the brand new FAQ page with lots of updated info, check out the beginnings of our radical PDF Conference Directory, and much more. InterMixx Webzine 3 by Steve Bornstein Who can fathom the allure of music? It can loves.
    [Show full text]