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Naupaka 032018
MARCH | APRIL 2018 RELAX, SHOP & PLAY AT WAIKOLOA BEACH RESORT E V E N T mar N W E apr S C A R L E N D A WaikoloaBeachResort.com Connected to the Past Keeping Hawaiian Traditions Alive Through Hula “To see through the fragments of time to the full power of the original being … that is a function of art.” —Mythologist Joseph Campbell n Hawai`i, art has often been a powerful vehicle connecting the Hawaiian people to their past Iand inspiring us all through its truth-telling and beauty. This is seen in the work of the state’s painters, wood carvers, sculptors, weavers, and more. And it is particularly apparent in the songs (mele), chants (oli), and hula dances that reach deep into the soul of the Manaola halau perfoming a hula kahiko at Merrie Monarch Festival in 2016. Photo courtesy of Merrie Monarch Festival. Hawaiian culture, both keeping its ancient traditions alive and telling its sacred stories. On a broader scale, hula is celebrated throughout the islands, At Waikoloa Beach Resort, guests and locals alike enjoy hula and in particular at the annual Merrie Monarch Festival held in Hilo performances several times a week on stages at both Queens’ (April 5 - 7, 2018). MarketPlace and Kings’ Shops, as well as at weekly lū`au at Hilton Waikoloa Village and Waikoloa Beach Marriott Resort & Spa. HULA TO THE WORLD “Respect for the Hawaiian culture was hard-baked from the Nani Lim-Yap is one of Hawai`i’s foremost practitioners of very beginning into everything we do,” says Scott Head, vice traditional dance, both as a dancer and as a kumu hula (master president resort operations. -
Western-Constructed Narratives of Hawai'i
History in the Making Volume 11 Article 14 January 2018 Western-Constructed Narratives of Hawai’i Megan Medeiros CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the American Popular Culture Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, History of the Pacific Islands Commons, and the Public History Commons Recommended Citation Medeiros, Megan (2018) "Western-Constructed Narratives of Hawai’i," History in the Making: Vol. 11 , Article 14. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol11/iss1/14 This Public History is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Western-Constructed Narratives of Hawai’i By Megan Medeiros What comes to mind when you hear someone talking about Hawai’i? Perhaps, you envision an idyllic tropical locale filled with beautiful landscapes and sundrenched beaches just waiting to welcome you to a summer-time escape from reality? Or maybe you think of a secluded island, where play comes before work and people exude a carefree “aloha spirit”? In reality, Hawai’i is simultaneously neither and so much more. The widely held public conception of Hawai’i as a mystical tropical paradise is a misleading construction concocted by Westerners who possessed, at best, ephemeral and, at worst, completely fabricated conceptions of daily life within the Hawaiian Archipelago. How did this happen? How did such manifestly inaccurate representations of Hawai’i come to dominate popular perceptions of the islands and its people? The best way to understand this process is to apply the principles of “othering” put forth by renowned scholar Edward Said in his most famous work, Orientalism. -
M Narch Festival April 10 - 17, 1977 Hilo, Hawaii
~ERRI E M NARCH FESTIVAL APRIL 10 - 17, 1977 HILO, HAWAII . ,~.- Official Program & Guide It is my pleasure indeed to bid you welcome and send you the greetings of the people of the County 0 Hawaii on the occasi on of this 14th Annual Monarch Festiva l at Hi lo. We are especially happy to see that your field of p articipation includes groups from around the State of Hawaii as well as from other parts of o u r Nation. You are to be congratulated for the long hours and for the dedicated effort you-as dancers, m usi c ians, teachers, fam illes, and sponsors toget h er- have put in to o rganizing t h e p reparing yours Ives fo r th is special B ig Is land festiva l to share w ith residents and vis itors al ike. We are p leased also that o ur County of Hawaii fa cilitie s, as w ell as the beau tiful settings of o ur hotel s, will provide the backdrop for you I' contests and celebrat ions, and w e send YOLI our congratula tions and very best w is h es for a successful, safe and happy festival of th e pageantry, songs, dancing and MAYOR'S cultural activities so beautifully and so strongly rem iniscent of the spirit of old Hawaii. PROCLAMATION Kalakaua was a t raveler. In 1879, he becan1e t he first k ing to visi the Un ited States. In 1881, he was the fi rst k ing 0 f a wes ern, Christ ian nation to visit Japar . -
So Much More
so much more ACTIVITIES AND ATTRACTIONS | WINTER 2012 - kaua‘i • o‘ahu • moloka‘i • lana‘i • maui • hawai‘i island Waialua Falls, Maui Welcome to the Hawaiian Islands. HAWAI‘I IS HOME TO A MULTITUDE of historic and cultural sites, attractions, cultural festivals, concerts, craft fairs, athletic events, and farmers’ markets. While some are enjoyed primarily by residents, we think they can also provide excitement for visitors. Others are among the islands’ best kept secrets, unknown not only to travelers but even to many who live here. This guide is a brief introduction to Hawai‘i’s endless variety of special events and off-the-beaten path attractions, offered to our visitor stakeholders for informational purposes only. It should not be interpreted as a recommendation of any specifi c activity or attraction or be seen an endorsement of any organization. There’s so much more to Hawai‘i than one can imagine! INSIDE 06 HAWAI‘I 51 MOLOKA‘I 20 KAUA‘I 54 O‘AHU 32 LANA‘I- 76 STATEWIDE 36 MAUI TABLE OF HAWAI‘I ISLAND 23 Festival of Lights 23 08 ‘Imiloa Astronomy Center of Hawai‘i Hanapēpē - Friday Art Night 24 08 15th Annual Big Island International Marathon Heiva I Kaua‘i Ia Orana Tahiti 2012 24 09 Kahilu Th eatre's 2012 Presenting Season Kaua‘i Historical Society’s Kapa‘a History Tour-Kapa‘a Town 25 09 Aloha Saturdays Kaua‘i Music Festival 25 10 Amy B.H. Greenwell Ethnobotanical Garden Kōloa Heritage Trail 26 10 Anna Ranch Heritage Center Kōloa Plantation Days Festival 26 11 Big Island Abalone Corporation Lāwa'i International Center 27 11 Bike -
Notable Hawaiians of the 20Th Century
Notable Hawaiians of the 20th Century Notable Hawaiians • Notable Hawaiians Hawaiians • Notable Hawaiians • Notable Hawaiians When the second issue of ‘Öiwi: A Native newspaper and magazine articles, television Hawaiian Journal was being conceptualized news reports, and an occasional book profile in 1999, it was difficult to ignore the highlighted a few Hawaiians now and then, number of “best of” lists which were being no one had taken account at any length of announced on almost a daily basis. It seemed Hawaiians who were admired by and who as if we couldn’t get enough—What were inspired other Hawaiians. the most important books of the millennium? The one hundred most significant events? We began discussing this idea amongst The best and worst dressed movie stars? ourselves: Whom did we consider noteworthy While sometimes humorous, thought- and important? Whom were we inspired by provoking, and/or controversial, the in our personal, spiritual, and professional categories were also nearly endless. Yet all lives? These conversations were enthusiastic the hoopla was difficult to ignore. After all, and spirited. Yet something was missing. there was one question not being addressed What was it? Oh yes—the voice of the in the general media at both the local and people. We decided that instead of imposing national levels: Who were the most notable our own ideas of who was inspirational and Hawaiians of the 20th century? After all the noteworthy, we would ask the Hawaiian attention given over the years to issues of community: “Who do you, the -
ASIA PACIFIC DANCE FESTIVAL Stories
2015 ASIA PACIFIC DANCE FESTIVAL Stories LIVING THE ART OF HULA THURSDAY, JULY 16, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa LOCAL MOTION! SUNDAY, JULY 19, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa CHURASA – OKINAWAN DRUM & DANCE THURSDAY, JULY 23, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa WELCOMING CEREMONY FRIDAY, JULY 24, 2015 • 6:00PM East-West Center Friendship Circle STORIES I SATURDAY, JULY 25, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa STORIES II SUNDAY, JULY 26, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa HUMANITIES FORUM SUNDAY, JULY 26, 2015 • 4:45PM East-West Center Imin Center, Jefferson Hall A co-production of the University of Hawai‘i at Ma¯ noa Outreach College and East-West Center Arts Program with the support of the University of Hawai‘i at Ma¯ noa Department of Theatre and Dance. 2015 ASIA PACIFIC DANCE FESTIVAL ASIA PACIFIC DANCE FESTIVAL Director Tim Slaughter Associate Director Eric Chang Organizing Committee William Feltz Kara Miller Michael Pili Pang Amy Lynn Schiffner Yukie Shiroma Judy Van Zile Staff Margret Arakaki, Assistant to Director; Kay Linen, Grant Writer Production Staff M Richard, Production Coordinator; Camille Monson and Anna Reynolds, Festival Assistants; Justin Fragiao, Site Manager; Vince Liem, Lighting Designer; Todd Bodden, Sound Engineer; Samuel Bukoski and Maggie Songer, Production Crew; Stephanie Jones, Costume Crew; Margret Arakaki, Box Office Supervisor; -
Hula: Kalākaua Breaks Cultural Barriers
Reviving the Hula: Kalākaua Breaks Cultural Barriers Breaking Barriers to Return to Barrier to Cultural Tradition Legacy of Tradition Tradition Kalākaua Promotes Hula at His Thesis Tourism Thrives on Hula Shows In 1830, Queen Kaʻahumanu was convinced by western missionaries to forbid public performances of hula Coronation Hula became one of the staples of Hawaiian tourism. In the islands, tourists were drawn to Waikiki for the which led to barriers that limited the traditional practice. Although hula significantly declined, King Kalākaua David Kalākaua became king in 1874 and at his coronation on February 12, 1883 he invited several hālau (hula performances, including the famed Kodak Hula Show in 1937. broke cultural barriers by promoting public performances again. As a result of Kalākaua’s promotion of hula, schools) to perform. Kalākaua’s endorsement of hula broke the barrier by revitalizing traditional practices. its significance remains deeply embedded within modern Hawaiian society. “The orientation of the territorial economy was shifting from agribusiness to new crops of tourists...Hawaiian culture- particularly Hawaiian music and hula-became valued commodities… highly politicized, for whoever brokered the presentation of Hawaiian culture would determine the development of tourism in Hawaii.” “His Coronation in 1883 and jubilee “The coronation ceremony took place at the newly Imada, Adria. American Quarterly, vol. 56, no. 1, Mar. 2004 celebration in 1886 both featured hula rebuilt Iolani Palace on February 12, 1883. The festivities then continued for two weeks thereafter, concluding performances.” “In 1937, Fritz Herman founded the Kodak Hula Show, a performance venue feasts hosted by the king for the people and nightly "History of Hula." Ka `Imi Na'auao O Hawaii Nei Institute. -
HE MAKANA the Gertrude Mary Joan Damon Haig Collection of Hawaiian Art, Paintings and Prints Opens First Friday, Dec. 6, 2013
December 2013 HE MAKANA DECEMBER The Gertrude Mary Joan Damon FREE EVENTS Haig Collection Of Hawaiian Art, AT HISAM The public is invited to these free Paintings and Prints Opens First events for December 2013 to be held at the Hawai‘i State Art Mu- Friday, Dec. 6, 2013 seum in the No.1 Capitol District Building at 250 South Hotel Street he Gertrude Mary Joan Damon ing lands, an interest her children in downtown Honolulu. See feature Haig Collection of Hawaiian inherited. stories and photos of these events TArt, Paintings, and Prints is a Forty-three works of art-small in this enewsletter. Not subscribed distinguished collection of traditional objects, paintings, and prints collected to eNews? Join here for monthly arts of Hawai’i, over thirty years updates. paintings of by a keen-eyed First Friday Hawai’i, and single donor He Makana exhibit opening prints of Hawai’i comprise this Friday, December 6, 2013 presented to the important exhibi- 6-9 p.m. state of Hawaii in tion that opens to Celebrate the unveiling of the honor of the life the public at the Gertrude Mary Joan Damon Haig of Gertrude Mary Hawai’i State Art Collection of Hawaiian Art, Paintings, Joan Damon Museum on First and Prints. Haig. Friday, December First Friday In the Hawai- 6, 2013 from Holiday Harp ian language, He Waimea Canyon, Kauai by D. Howard Hitchcock 6:00 to 9:00 p.m. Friday, December 6, 2013 Makana means 1909, oil on canvas Perceptive and 6-9 p.m. A Gift, referring knowledgeable, HiSAM favorite Ruth Freedman to the generous the donor focused returns to weave holiday magic with gifting of the the core of the classic Christmas tunes and harp collection to the collection on the standards. -
The Fijian Frescoes of Jean Charlot Caroline Klarr
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 Painting Paradise for a Post-Colonial Pacific: The Fijian Frescoes of Jean Charlot Caroline Klarr Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PAINTING PARADISE FOR A POST-COLONIAL PACIFIC: THE FIJIAN FRESCOES OF JEAN CHARLOT By CAROLINE KLARR A Dissertation submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester 2005 Copyright 2005 Caroline Klarr All Rights Reserved The members of the Committee approve the dissertation of Caroline Klarr defended on April 22, 2002 Jehanne Teilhet-Fisk Professor Directing Dissertation (deceased) J. Kathryn Josserand Outside Committee Member Tatiana Flores Committee Member Robert Neuman Committee Member ______________________ Daniel Pullen Committee Member Approved: ________________________________________ Paula Gerson, Chair, Department of Art History ________________________________________ Sally E.McRorie, Dean, School of Visual Arts and Dance The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to Dr. Jehanne Teilhet-Fisk Ka waihona o ka na’auao The repository of learning iii PREFACE AND ACKNOWLEDGMENTS Jean Charlot’s fresco murals in the Pacific Islands of Hawai’i and Fiji represent the work of a mature artist, one who brought to the creation of art a multicultural heritage, an international background, and a lifetime of work spanning the first seven decades of the twentieth century. The investigation into any of Charlot’s Pacific artworks requires consideration of his earlier artistic “periods” in France, Mexico, and the United States. -
Merrie Monarch Festival
WWW.THEPARADISEPOST.COM THE PARADISE POST •APRIL 1 THE PARADISE Merrie Monarch Festival VOL. VI APRIL 2014 NO. 68 April 20 - 26 Photography by Alan Houghton Cards and prints available from www.islandartstore.com 2 •APRIL THE PARADISE POST WWW.THEPARADISEPOST.COM Ho`i Hou I ka Mole EVENTS Return to the Source students of Ke Ana La`ahana festive attitude encouraged. David H. Kalama Jr. will also be on display. Recep- Regular gallery hours: Tues- Ronald Kanakanui tion will be held at HMOCA, day through Friday from 9am Moses Kealamakia 141 Kalākaua St., on Satur- – 4pm and Saturday, 9am – Greg West day, April 4th. the exhibition 5pm. For more information Bruce Lum Ho will run through April 30th. call 961-5711 or 982-6692. Nelsen Makua `Ākoakoa {Gathering} and Curators: Natalie Mahi- Kainoa Makua Kāhea {Calling of Ances- na Jensen & Lucia Tarallo Punawai Rice tors} will begin promptly at Lalepa Ah Sam Lehua Ah Nee Waipa 5:30pm. Entertainment and Pam Barton Kala Willis refreshments will be served. Erik Kalani Flores Students from Ke Ana Aloha attire, flower lei and a Frank Tarallo Jensen La`ahana Dr. MARCEL HERNANDEZ Dr. CONNIE HERNANDEZ Compassionate Naturopathic Medicine On the Big Island for 12 Years General Family Medicine including Overall Preventive Medicine and Health Optimization, Women’s Health, Men’s Health, Pediatrics, Bio-identical Hormones, Men’s Hormones, Prostate Health, Breast Health, Cancer Counseling, Nutrition and Weight Loss, and more. he year 2014 will fundamental belief in that By Appointment in Honokaa: 808-775-1505 not only mark the they are also structured to 38th anniversary create art not only to educate of the iconic Hale but to embrace and encour- ALVITA SOLEIL OMD., LAc., NCCAOM Doctor of Oriental Medicine TNauā III, Society of Maoli Art, age community participation Facilitating physical, emotional and spiritual health with an integrated and compassionate approach {aka as Society of Hawaiian and support. -
Turtlephilia in the Pacific: an Integrated Comparative
TURTLEPHILIA IN THE PACIFIC: AN INTEGRATED COMPARATIVE ANALYSIS FROM THE PERSPECTIVES OF BIOLOGICAL, CULTURAL, AND SPIRITUAL ECOLOGY IN A PARTICULAR CASE OF BIOPHILIA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ANTHROPOLOGY MAY 2013 By Regina Woodrom Luna Dissertation Committee: Leslie Sponsel, Chairperson Charles Birkeland Alice Dewey Sherwood Maynard Heather Young-Leslie Keywords: Sea Turtle, Traditional Laws, Cultural Take, Consumption, Tapu, Tabu, Kapu, Taboo, Oceania, Polynesia, Myth, Legend, Ritual, Creation Story Acknowledgments First and foremost, I would like to thank my wonderful husband, Jason Rudrud, without whose support -- both physically by picking up sea turtles with all their weight, and mentally by picking me up when it seemed as if my health issues would not allow me to finish – this dissertation would never have been completed. He is my hero and this is his accomplishment as much as it is mine. Next, I would be remiss without acknowledging the tremendous and never-ending support of my mother and chief editor, Mary Anne Woodrom; my dad and step-mother, Harold and Marilyn Woodrom; and my sister and assistant editor, Rebecca Reid and my brother-in-law, Lynn. My brother Roy Woodrom, whose generosity with his frequent flier miles sent me to ECOnference 2000, which set me on my path to study sea turtles as an undergraduate at Texas A&M. The rest of my extended family, especially my aunt Dr. Sandra Luna McCune for her editing assistance, also deserve acknowledgement for always being there for me regardless of the paths I choose to take. -
Recognizing and Retheorizing the Role of Religion in Hula Christine E
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2011 Beyond Colonization, Commodification, and Reclamation: Recognizing and Retheorizing the Role of Religion in Hula Christine E. Chan Pomona College Recommended Citation Chan, Christine E., "Beyond Colonization, Commodification, and Reclamation: Recognizing and Retheorizing the Role of Religion in Hula" (2011). Pomona Senior Theses. Paper 3. http://scholarship.claremont.edu/pomona_theses/3 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. BEYOND COLONIZATION, COMMODIFICATION, AND RECLAMATION: RECOGNIZING AND RETHEORIZING THE ROLE OF RELIGION IN HULA by CHRISTINE EMI CHAN Erin Runions, Religious Studies Thesis Advisor Anthony Shay, Dance Thesis Advisor Submitted to the Department of Religious Studies at Pomona College in partial fulfillment of the requirements for the degree of Bachelor of Arts POMONA COLLEGE Claremont, CA APRIL 2011 1 ACKNOWLEDGEMENTS There are a number of wonderful people who must be recognized for their invaluable contributions to this thesis. Although the shortcomings of this project are decidedly my own, any and every success must be credited to the network of faculty, friends, and family who have supported me throughout this process. First and foremost, I am forever grateful to the Pomona College Religious Studies Department. Many thanks, especially, to Professor Erin Runions, who always provided me with thoughtful guidance, patient encouragement, and constructive criticism when I needed it most; Professor Oona Eisenstadt, who has continually pushed me work harder, think smarter, and stand firmer; and Professor Zayn Kassam, who has advised me kindly and wisely for the past four years.