Resolution No

Total Page：16

File Type：pdf, Size：1020Kb

Resolution No. 11-65 CONGRATULATING KUMU HULA KEALI'I REICHEL AND HALAU KE'ALAOKAMAILE FOR HONORS WON AT THE 48 TH ANNUAL MERRIE MONARCH FESTIVAL 2011 WHEREAS, the wahine from Wailuku's Halau Ke'alaokamaile swept top honors and was the overall winner at the 48 th annual Merrie Monarch Festival hula competition held on April 27-30, 2011, in Hilo, Hawaii, earning 1,163 points; and WHEREAS, Halau Ke'alaokamaile won an early award when Tori Hulali Canha of Wailuku scored 1,071 points, capturing the Miss Aloha Hula crown, with her sparkling rendition of "Aia I Maui Ku'u Lei Loke" and "Pua Lei Aloha"; and WHEREAS, the wahine from Halau Ke'alaokamaile went on to place first in the kahiko, or traditional dance, division by earning 584 points, and placed second in the auana, or modern dance, division by earning 579 points; and WHEREAS, Halau Director, Kumu Hula Keali'i Reichel places emphasis on the Halau's respectful portrayal of the mele, or song, by taking time to understand the meaning of the song, and expressing that meaning through each dance; and WHEREAS, Kumu Hula Keali'i Reichel instills in the haumana, or students, and the ho'opa'a, or chanters, that taking a scholarly approach to hula is only part of the equation; the rest is determination, skill, and trust in their kupuna, or elders, that will carry them forward to excel in the tradition of Hawaii's unique art of hula; and WHEREAS, having been recognized at the Merrie Monarch Festival for their exceptional efforts and talent, Halau Ke'alaokamaile has brought pride and honor to the people of the County of Maui; now, therefore, BE IT RESOLVED by the Council of the County of Maui: 1. That it hereby congratulates Kumu Hula Keali'i Reichel and Halau Ke'alaokamaile for honors won at the 2011 Merrie Monarch Festival; and 2. That it also hereby recognizes all members of the Halau and ohana who played supportive roles that led to the winning of these distinguished awards. Resolution No. 6 . ht rtfd p f th rltn b trnttd t K l Kl hl th nnn br f l Kll nd th nrbl Aln M. Ar, Mr, Cnt f M. reso:11-125a:so Resolution No. 6 '.1)1(4., ,,, ? COUCI O E COUY O MAUI WAIUKU, AWAII 6 CEIICAIO O AOIO It EEY CEIIE tht ESOUIO O. 6 dptd b th Cnl f th Cnt f M, Stt f , n th 22nd d f l, 20, b th flln vt: nn A. ph Gld C. brt Elnr nld G. G. Mhl . Mhl . MEMES MAEO OAIA AISA CAO COCA COUC, . OKAMA ICOIO WIE Chr Chr O CA A A A Exd A Exd A A A.

Copy Link

Recommended publications

Naupaka 032018
MARCH | APRIL 2018 RELAX, SHOP & PLAY AT WAIKOLOA BEACH RESORT E V E N T mar N W E apr S C A R L E N D A WaikoloaBeachResort.com Connected to the Past Keeping Hawaiian Traditions Alive Through Hula “To see through the fragments of time to the full power of the original being … that is a function of art.” —Mythologist Joseph Campbell n Hawaiì, art has often been a powerful vehicle connecting the Hawaiian people to their past Iand inspiring us all through its truth-telling and beauty. This is seen in the work of the state’s painters, wood carvers, sculptors, weavers, and more. And it is particularly apparent in the songs (mele), chants (oli), and hula dances that reach deep into the soul of the Manaola halau perfoming a hula kahiko at Merrie Monarch Festival in 2016. Photo courtesy of Merrie Monarch Festival. Hawaiian culture, both keeping its ancient traditions alive and telling its sacred stories. On a broader scale, hula is celebrated throughout the islands, At Waikoloa Beach Resort, guests and locals alike enjoy hula and in particular at the annual Merrie Monarch Festival held in Hilo performances several times a week on stages at both Queens’ (April 5 - 7, 2018). MarketPlace and Kings’ Shops, as well as at weekly lūàu at Hilton Waikoloa Village and Waikoloa Beach Marriott Resort & Spa. HULA TO THE WORLD “Respect for the Hawaiian culture was hard-baked from the Nani Lim-Yap is one of Hawaiì’s foremost practitioners of very beginning into everything we do,” says Scott Head, vice traditional dance, both as a dancer and as a kumu hula (master president resort operations.
[Show full text]
Western-Constructed Narratives of Hawai'i
History in the Making Volume 11 Article 14 January 2018 Western-Constructed Narratives of Hawai’i Megan Medeiros CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the American Popular Culture Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, History of the Pacific Islands Commons, and the Public History Commons Recommended Citation Medeiros, Megan (2018) "Western-Constructed Narratives of Hawai’i," History in the Making: Vol. 11 , Article 14. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol11/iss1/14 This Public History is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. Western-Constructed Narratives of Hawai’i By Megan Medeiros What comes to mind when you hear someone talking about Hawai’i? Perhaps, you envision an idyllic tropical locale filled with beautiful landscapes and sundrenched beaches just waiting to welcome you to a summer-time escape from reality? Or maybe you think of a secluded island, where play comes before work and people exude a carefree “aloha spirit”? In reality, Hawai’i is simultaneously neither and so much more. The widely held public conception of Hawai’i as a mystical tropical paradise is a misleading construction concocted by Westerners who possessed, at best, ephemeral and, at worst, completely fabricated conceptions of daily life within the Hawaiian Archipelago. How did this happen? How did such manifestly inaccurate representations of Hawai’i come to dominate popular perceptions of the islands and its people? The best way to understand this process is to apply the principles of “othering” put forth by renowned scholar Edward Said in his most famous work, Orientalism.
[Show full text]
M Narch Festival April 10 - 17, 1977 Hilo, Hawaii
~ERRI E M NARCH FESTIVAL APRIL 10 - 17, 1977 HILO, HAWAII . ,~.- Official Program & Guide It is my pleasure indeed to bid you welcome and send you the greetings of the people of the County 0 Hawaii on the occasi on of this 14th Annual Monarch Festiva l at Hi lo. We are especially happy to see that your field of p articipation includes groups from around the State of Hawaii as well as from other parts of o u r Nation. You are to be congratulated for the long hours and for the dedicated effort you-as dancers, m usi c ians, teachers, fam illes, and sponsors toget h er- have put in to o rganizing t h e p reparing yours Ives fo r th is special B ig Is land festiva l to share w ith residents and vis itors al ike. We are p leased also that o ur County of Hawaii fa cilitie s, as w ell as the beau tiful settings of o ur hotel s, will provide the backdrop for you I' contests and celebrat ions, and w e send YOLI our congratula tions and very best w is h es for a successful, safe and happy festival of th e pageantry, songs, dancing and MAYOR'S cultural activities so beautifully and so strongly rem iniscent of the spirit of old Hawaii. PROCLAMATION Kalakaua was a t raveler. In 1879, he becan1e t he first k ing to visi the Un ited States. In 1881, he was the fi rst k ing 0 f a wes ern, Christ ian nation to visit Japar .
[Show full text]
Notable Hawaiians of the 20Th Century
Notable Hawaiians of the 20th Century Notable Hawaiians • Notable Hawaiians Hawaiians • Notable Hawaiians • Notable Hawaiians When the second issue of ‘Öiwi: A Native newspaper and magazine articles, television Hawaiian Journal was being conceptualized news reports, and an occasional book profile in 1999, it was difficult to ignore the highlighted a few Hawaiians now and then, number of “best of” lists which were being no one had taken account at any length of announced on almost a daily basis. It seemed Hawaiians who were admired by and who as if we couldn’t get enough—What were inspired other Hawaiians. the most important books of the millennium? The one hundred most significant events? We began discussing this idea amongst The best and worst dressed movie stars? ourselves: Whom did we consider noteworthy While sometimes humorous, thought- and important? Whom were we inspired by provoking, and/or controversial, the in our personal, spiritual, and professional categories were also nearly endless. Yet all lives? These conversations were enthusiastic the hoopla was difficult to ignore. After all, and spirited. Yet something was missing. there was one question not being addressed What was it? Oh yes—the voice of the in the general media at both the local and people. We decided that instead of imposing national levels: Who were the most notable our own ideas of who was inspirational and Hawaiians of the 20th century? After all the noteworthy, we would ask the Hawaiian attention given over the years to issues of community: “Who do you, the
[Show full text]
ASIA PACIFIC DANCE FESTIVAL Stories
2015 ASIA PACIFIC DANCE FESTIVAL Stories LIVING THE ART OF HULA THURSDAY, JULY 16, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa LOCAL MOTION! SUNDAY, JULY 19, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa CHURASA – OKINAWAN DRUM & DANCE THURSDAY, JULY 23, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa WELCOMING CEREMONY FRIDAY, JULY 24, 2015 • 6:00PM East-West Center Friendship Circle STORIES I SATURDAY, JULY 25, 2015 • 7:30PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa STORIES II SUNDAY, JULY 26, 2015 • 2:00PM John F. Kennedy Theatre, University of Hawai‘i at Ma¯ noa HUMANITIES FORUM SUNDAY, JULY 26, 2015 • 4:45PM East-West Center Imin Center, Jefferson Hall A co-production of the University of Hawai‘i at Ma¯ noa Outreach College and East-West Center Arts Program with the support of the University of Hawai‘i at Ma¯ noa Department of Theatre and Dance. 2015 ASIA PACIFIC DANCE FESTIVAL ASIA PACIFIC DANCE FESTIVAL Director Tim Slaughter Associate Director Eric Chang Organizing Committee William Feltz Kara Miller Michael Pili Pang Amy Lynn Schiffner Yukie Shiroma Judy Van Zile Staff Margret Arakaki, Assistant to Director; Kay Linen, Grant Writer Production Staff M Richard, Production Coordinator; Camille Monson and Anna Reynolds, Festival Assistants; Justin Fragiao, Site Manager; Vince Liem, Lighting Designer; Todd Bodden, Sound Engineer; Samuel Bukoski and Maggie Songer, Production Crew; Stephanie Jones, Costume Crew; Margret Arakaki, Box Ofﬁce Supervisor;
[Show full text]
Hula: Kalākaua Breaks Cultural Barriers
Reviving the Hula: Kalākaua Breaks Cultural Barriers Breaking Barriers to Return to Barrier to Cultural Tradition Legacy of Tradition Tradition Kalākaua Promotes Hula at His Thesis Tourism Thrives on Hula Shows In 1830, Queen Kaʻahumanu was convinced by western missionaries to forbid public performances of hula Coronation Hula became one of the staples of Hawaiian tourism. In the islands, tourists were drawn to Waikiki for the which led to barriers that limited the traditional practice. Although hula significantly declined, King Kalākaua David Kalākaua became king in 1874 and at his coronation on February 12, 1883 he invited several hālau (hula performances, including the famed Kodak Hula Show in 1937. broke cultural barriers by promoting public performances again. As a result of Kalākaua’s promotion of hula, schools) to perform. Kalākaua’s endorsement of hula broke the barrier by revitalizing traditional practices. its significance remains deeply embedded within modern Hawaiian society. “The orientation of the territorial economy was shifting from agribusiness to new crops of tourists...Hawaiian culture- particularly Hawaiian music and hula-became valued commodities… highly politicized, for whoever brokered the presentation of Hawaiian culture would determine the development of tourism in Hawaii.” “His Coronation in 1883 and jubilee “The coronation ceremony took place at the newly Imada, Adria. American Quarterly, vol. 56, no. 1, Mar. 2004 celebration in 1886 both featured hula rebuilt Iolani Palace on February 12, 1883. The festivities then continued for two weeks thereafter, concluding performances.” “In 1937, Fritz Herman founded the Kodak Hula Show, a performance venue feasts hosted by the king for the people and nightly "History of Hula." Ka Ìmi Na'auao O Hawaii Nei Institute.
[Show full text]
Merrie Monarch Festival
WWW.THEPARADISEPOST.COM THE PARADISE POST •APRIL 1 THE PARADISE Merrie Monarch Festival VOL. VI APRIL 2014 NO. 68 April 20 - 26 Photography by Alan Houghton Cards and prints available from www.islandartstore.com 2 •APRIL THE PARADISE POST WWW.THEPARADISEPOST.COM Hoì Hou I ka Mole EVENTS Return to the Source students of Ke Ana Laàhana festive attitude encouraged. David H. Kalama Jr. will also be on display. Recep- Regular gallery hours: Tues- Ronald Kanakanui tion will be held at HMOCA, day through Friday from 9am Moses Kealamakia 141 Kalākaua St., on Satur- – 4pm and Saturday, 9am – Greg West day, April 4th. the exhibition 5pm. For more information Bruce Lum Ho will run through April 30th. call 961-5711 or 982-6692. Nelsen Makua `Ākoakoa {Gathering} and Curators: Natalie Mahi- Kainoa Makua Kāhea {Calling of Ances- na Jensen & Lucia Tarallo Punawai Rice tors} will begin promptly at Lalepa Ah Sam Lehua Ah Nee Waipa 5:30pm. Entertainment and Pam Barton Kala Willis refreshments will be served. Erik Kalani Flores Students from Ke Ana Aloha attire, flower lei and a Frank Tarallo Jensen Laàhana Dr. MARCEL HERNANDEZ Dr. CONNIE HERNANDEZ Compassionate Naturopathic Medicine On the Big Island for 12 Years General Family Medicine including Overall Preventive Medicine and Health Optimization, Women’s Health, Men’s Health, Pediatrics, Bio-identical Hormones, Men’s Hormones, Prostate Health, Breast Health, Cancer Counseling, Nutrition and Weight Loss, and more. he year 2014 will fundamental belief in that By Appointment in Honokaa: 808-775-1505 not only mark the they are also structured to 38th anniversary create art not only to educate of the iconic Hale but to embrace and encour- ALVITA SOLEIL OMD., LAc., NCCAOM Doctor of Oriental Medicine TNauā III, Society of Maoli Art, age community participation Facilitating physical, emotional and spiritual health with an integrated and compassionate approach {aka as Society of Hawaiian and support.
[Show full text]
Recognizing and Retheorizing the Role of Religion in Hula Christine E
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2011 Beyond Colonization, Commodification, and Reclamation: Recognizing and Retheorizing the Role of Religion in Hula Christine E. Chan Pomona College Recommended Citation Chan, Christine E., "Beyond Colonization, Commodification, and Reclamation: Recognizing and Retheorizing the Role of Religion in Hula" (2011). Pomona Senior Theses. Paper 3. http://scholarship.claremont.edu/pomona_theses/3 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. BEYOND COLONIZATION, COMMODIFICATION, AND RECLAMATION: RECOGNIZING AND RETHEORIZING THE ROLE OF RELIGION IN HULA by CHRISTINE EMI CHAN Erin Runions, Religious Studies Thesis Advisor Anthony Shay, Dance Thesis Advisor Submitted to the Department of Religious Studies at Pomona College in partial fulfillment of the requirements for the degree of Bachelor of Arts POMONA COLLEGE Claremont, CA APRIL 2011 1 ACKNOWLEDGEMENTS There are a number of wonderful people who must be recognized for their invaluable contributions to this thesis. Although the shortcomings of this project are decidedly my own, any and every success must be credited to the network of faculty, friends, and family who have supported me throughout this process. First and foremost, I am forever grateful to the Pomona College Religious Studies Department. Many thanks, especially, to Professor Erin Runions, who always provided me with thoughtful guidance, patient encouragement, and constructive criticism when I needed it most; Professor Oona Eisenstadt, who has continually pushed me work harder, think smarter, and stand firmer; and Professor Zayn Kassam, who has advised me kindly and wisely for the past four years.
[Show full text]
Hawaii Stories of Change Kokua Hawaii Oral History Project
Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga ..............................................
[Show full text]
Hawaiian History: the Dispossession of Native Hawaiians' Identity, and Their Struggle for Sovereignty
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 6-2017 Hawaiian History: The Dispossession of Native Hawaiians' Identity, and Their Struggle for Sovereignty Megan Medeiros CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Law Commons, Other Social and Behavioral Sciences Commons, Political Science Commons, and the Sociology Commons Recommended Citation Medeiros, Megan, "Hawaiian History: The Dispossession of Native Hawaiians' Identity, and Their Struggle for Sovereignty" (2017). Electronic Theses, Projects, and Dissertations. 557. https://scholarworks.lib.csusb.edu/etd/557 This Thesis is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. HAWAIIAN HISTORY: THE DISPOSSESSION OF NATIVE HAWAIIANS’ IDENTITY, AND THEIR STRUGGLE FOR SOVEREIGNTY ______________________ A Thesis Presented to the Faculty of California State University, San Bernardino _______________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Social Sciences and Globalization ______________________ by Megan Theresa Ualaniha’aha’a Medeiros June 2017 HAWAIIAN HISTORY: THE DISPOSSESSION OF NATIVE HAWAIIANS’ IDENTITY, AND THEIR STRUGGLE FOR SOVEREIGNTY ______________________
[Show full text]
2021 Hawaii Communication in History Topics
2021 Hawaii Communication in History Topics When picking your History Day Project, think of Christine Counsellʻs 5 Rʻs Remembered by people in society Resulted in change Remarkable then and now Resonates through time by continuing to affect our lives today Revealing an understanding of life in the past Oral/ Folk Description Link Traditions/Transmi tting Cultural Values Japanese American (America’s secret weapon during WWII)The https://www.jstor.org/stable/2445429 Linguist Military Intelligence Service and the Role of 3?seq=1 Japanese Americans in the Pacific War and in - the Occupation of Japan Pidgin English Opening the way for Sugar Plantation Workers to https://en.wikipedia.org/wiki/Hawaiia communicate n_Pidgin Communication Across Cultures The Kumulipo Chant The Kumulipo bridges pre-European Hawaiian https://en.wikipedia.org/wiki/Kumulip Hawaiian Creation culture and that of the period ending with o Liliuokalaniʻs deposition- Thurston’s The Hawaiian exhibit at the World's Columbian https://www.usgs.gov/center-news/ Cyclorama Exhibition in Chicago in 1893 and its effects on volcano-watch-19th-century-virtua the future of Hawaii...Annexation, tourism, l-reality-brings-hawaiian-volcano-l image of a Hawaiian. ife Mary Abigail Pukui Published over 50 works including the Hawaiian https://en.wikipedia.org/wiki/Mary dictionary, folk tales, proverbs and translations _Kawena_Pukui of old chants and songs Kamokila Hawaii Senator Alice Kamokilaikawai https://www.kamakakoi.com/hawa Campbell-”Keeper of Campbell, a strong opponent
[Show full text]
Touring Pacific Cultures by Kalissa Alexeyeff, John Taylor
TOURING PACIFIC CULTURES TOURING PACIFIC CULTURES EDITED BY KALISSA ALEXEYEFF AND JOHN TAYLOR Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Creator: Alexeyeff, Kalissa, author. Title: Touring Pacific cultures / Kalissa Alexeyeff and John Taylor. ISBN: 9781921862441 (paperback) 9781922144263 (ebook) Subjects: Culture and tourism--Oceania. Tourism--Oceania. Cultural industries--Oceania. Arts--Oceania--History. Oceania--Cultural policy. Other Creators/Contributors: Taylor, John, 1969- author. Dewey Number: 338.47910995 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover image adapted from Culture for Sale, 2014. Still from video installation by Yuki Kihara. Photography by Rebecca Stewart. This edition © 2016 ANU Press Contents List of Illustrations . ix Acknowledgements . xvii Notes on Images and Orthography . .. xix 1 . Departures and Arrivals in Touring Pacific Cultures . 1 John Taylor and Kalissa Alexeyeff 2 . Hawai‘i: Prelude to a Journey . 29 Selina Tusitala Marsh 3 . Darkness and Light in Black and White: Travelling Mission Imagery from the New Hebrides . 33 Lamont Lindstrom 4 . Tourism . 59 William C . Clarke 5 . The Cruise Ship . 61 Frances Steel 6 . Pitcairn and the Bounty Story . 73 Maria Amoamo 7 . Guys like Gauguin . 89 Selina Tusitala Marsh 8 . Statued (stat you?) Traditions . 91 Selina Tusitala Marsh 9 . Detouring Kwajalein: At Home Between Coral and Concrete in the Marshall Islands .
[Show full text]