Cal H O N O endar U L U L A Y M E D A C the d N ra O ews gon F R A ST ’s gi ft : the s acre d art s o f bh ut an

JANUARY/FEBRUARY 2008 HonoluluAcademyofArts Continuing Exhibitions

Board of Trustees Lynne Johnson, Chairman Linda Ahlers Charman J. Akina Burta Atherton Hawaiian Modern: the Architecture of Dawn Aull Frank Boas Vladimir Ossipoff Henry B. Clark, Jr. HENRY R. LUCE GALLERY THROUGH JANUARY 27 Samuel A. Cooke Judy Dawson ver his six-decade career, Vladimir Ossipoff I Diane Dods (1907–1998), who was Russian-born and raised in Academy of Arts Cecilia Doo O , designed numerous projects throughout Hawai‘i Barney A. Ebsworth Dear Friends, Peggy Eu including houses, schools, churches, private clubs, and most Mark Fukunaga notably the 1970s modernization of the Honolulu International On February 26, 2008, after five years of planning, The Dragon’s Gift: The Sacred Arts of Helen Gary Airport. Bhutan, will open to the public. This extraordinary exhibition comprises over 100 works of Stephanie Hee sacred Buddhist art from Bhutan, including thangka paintings, gilt bronze sculptures, ritual Ron Higgins Passion for Form: Selections of Southeast objects, and textiles. These works are borrowed from Buddhist temples and monasteries Michael Horikawa throughout the remote Himalayan kingdom, and from the National Museum in Paro. The Claire Johnson Asian Art from the MacLean Collection majority of these treasures have never before been seen outside of Bhutan. Akemi Kurokawa TEXTILE GALLERY THROUGH JANUARY 6 Clarence Lee From its start, The Dragon’s Gift has been a remarkable undertaking, involving an army of Warren K.K. Luke assion for Form is the first public exhibition of the Stephen Little scholars, officials, monks, cultural experts, and donors. In Honolulu, every department within Richard Mamiya the Academy has been involved with exhibition’s planning and execution. The Dragon’s Gift is Watters O. Martin, Jr. Southeast Asian treasures in the MacLean Collection. The P fifty-three objects in the exhibition include early pottery the most ambitious exhibition ever organized by the museum. In addition to its beautiful Margaret Oda works of art, the project includes a multi-year program of art conservation and sacred dance Michael O’Neill vessels: bronze drums and bells as well as sculpture, utensils, preservation, which together comprise the Academy’s gift to Bhutan. Wesley T. Park and jewelry, and stone sculpture and architectural fragments. James F. Pierce The Academy’s primary mission is education Duane Preble Matteo Sandonà and Hawai‘i: through the vehicle of works of art. I am enor- Jean E. Rolles mously grateful for the stable platform the Academy Yoshiharu Satoh A Capital Ambition provides for taking on creative projects as those Charles A. Sted Charles Stockholm DOMINIS & DAMON HOLT GALLERY THROUGH FEBRUARY 24 represented by exhibitions like The Dragon’s Gift. Susan Tompkins atteo Sandonà and Hawai‘i: A Capital Ambition is Projects of this magnitude cannot be undertaken Thurston Twigg-Smith the first significant exhibition of work by Matteo without the moral and financial support of many Indru Watumull individuals and foundations. I am deeply grateful to Charles R. Wichman M Sandonà (1881–1964) in more than fifty years. Betty Wo the Academy’s Board of Trustees for its support of the exhibition’s vision, namely to make the remark- Emeritus Trustees Four Generations of Japanese Woodblock ably intact culture and art of a remote Himalayan Phoebe Cowles Prints from Philip H. Roach, Jr. kingdom accessible to the American public.

Alice Guild Photo © 2008 Honolulu Academy of Arts Keiji Kawakami GALLERY 14 THROUGH JANUARY 13 As a visionary project, The Dragon’s Gift has (left to right), Gerard Houghton, Terese Bartholomew, T. Clifford Melim, Jr. his exhibition will explore the work of four generations enormous significance, as the Academy increasingly Joseph Houseal, Khenpo Phuntsho Tashi, Stephen Little, Lila Morgan projects its identity and programs beyond Hawai‘i’s Reda Sobky, Dorji Namgyel, and Eddie Jose, at the Joanna Lau Sullivan of artists who guided the Japanese woodblock print tradi- shores. As a culturally-groundbreaking exhibition, it National Museum of Bhutan, Paro, 2004. Edward D. Sultan, Jr. T tion from its ukiyo-e “floating world” roots to a new, follows in the path of such shows as Japan and Joanne V. Trotter modern identity in the 20th century. Paris: Impressionism, Postimpressionism, and the Modern Era (2004), the first show on the Thelma Zen history of collecting French Impressionism in Japan ever held in the West, and Life in the Stephen Little, Director Prelude to the Print Pacific of the 1700s (2006), which brought over 300 artifacts collected on Captain James ------Cook’s second and third voyages back to the Pacific for the first time since 1779. I am proud MICHENER GALLERY THROUGH JANUARY 20 of the fact that like Life in the Pacific of the 1700s, The Dragon’s Gift will travel to other About the cover: his year, the Academy is proud to organize the sixth venues, including New York City’s Rubin Museum of Art (Autumn 2008) and the Asian Art Buddha Vajrasattva Museum of (Spring 2009). 16th century annual exhibition highlighting Japanese woodblock prints Dongkarla Kunzang Choling, Paro T conserved with the support of the Robert F. Lange Finally, the Academy is deeply grateful to the Robert H.N. Ho Family Foundation, whose lead Sculpture Foundation. support made this exhibition possible, and the many other generous donors without whose PA 12.01 support The Dragon’s Gift would not have been realized.

------Away from the “Dusty World” Stephen Little

Calendar News vol. 80, no. 1, is published six times Images of Retirement in Chinese Art a year as a benefit for museum members by SULLIVAN GALLERY THROUGH MARCH 16 Honolulu Academy of Arts: 900 South Beretania Street, Honolulu, Hawai‘i 96814 mong the rarities in the Academy’s collection are three Editor: Milt Chun copper engravings, made in China toward the end of the Director Staff Photographer: Shuzo Uemoto A eighteenth century. This exhibition contrasts the engrav- Design & Production: Steven Ledbetter Design & Associates, Inc. Printing & Mailing: Edward Enterprises, Inc. ings against paintings on the theme of the scholar in retirement ©2008 Honolulu Academy of Arts, All rights reserved. in 18th and 19th century paintings. Photograph by Tibor Franyo, © 2001 Honolulu Academy of Arts 2 Calendar News - January/February 2008 3 Photograph by Tibor Franyo, © 2001 Honolulu Academy of Arts On The wh t se B As Sa of i B Cu hu ar co cu t an el l (w ar B an wo Hi i As Th by (Bu As Cu i sc an Hi th T Sp m Va B Th se B G he nc o en s ng hut ar t ud d udd udd e ade en e t ul e ven A a i sa m sis n ma ma j o l d d e d T T T H e n r e r e s h a so me i r ra t l s s L L at at ch ci va ur x ud rd se h h he t Th dr l r ma n es ), pt ic i h Fr a sh th ex ri d ha a t m p m e e y m b R E o o a h h h l l a n o t s v n h l m o A e u t i n a a a l h e f e e a . g e un w l a nt u r n a r h h i i i t t d o i l a or a e Dr Dr . jo e . ya ya na E rt re n d st st st t hr ew om s nc I i f O n op ma i m al at y av i la s ) xh S E ma re l th or lt T J or S nc bi r oc ka st o g o o r , E w n n s s e d a a xhi M r c m h o o i e u y os i r e b ua f , ( t o h , v e k be i x e e e r t s e o a ew er g g 2 Bh d o t f l o n u u o se b a i j i ki e s Ta r es us th c h u n ea a hi t b n r li s o or x ne ts n on on 7 nt an t wn rk is al ex gh u ou l it on r y. g o) s by r de in t g je h ( n n o ou e D w b p J g e u t i n e e o i A s m) & e o i i n p ( i e v o o n g s t i f ’ ’ K d o c t h g t i r b t um t t z e x u r r ee s s i h mi bi e s Cu y n wh Ts or a rs t s o a do n ri hn Gu a h l e t sa 2 no an e n Drag o t t of a i x i t. a gh r es s, id i f in s e ni ne G G on t f nd , , o - er g 8 or c pl a f g n i e i t s r c i b o Bh a m f de h h s i ) i i c e t e t on w , Ne n n a a m of a c t - r s e ft ft o t e s Ti n t e er e s t r l on e to H h h ed e ’s n of he en l r B t r st t, : R B E F u te b p ) ( t e i es s, n AA r h hu T n i t B , e C , a n an e mo w a a he t t bo l Bh u h B n r Bh rt t ta n Dz in d a a Me dd od am U , th hu f n n r u o uta S as r R A u de d o d a nt a h u ac cu ’s c t o m ) t ngk an ng is ce a e Y th D w , w n r, his b r s n ntu t us in r e e 2 e e e s er ’s is o B is a u s d s 6 h s to su in in g f rt I t h k r s c a, s n o a – A in it s o ie u on’s ry o itu Fe d c n Y a r d AM Y f ta n lan s th s h n ia ts u B t a M mo th s a a b h d l A.D te e a u n k s ted r e o d y ( e c dd e is c ua o a st a f La lo fr r 32 wo y u o nm ffi cial . e B fl a om h lt u r f g in d nd te y h is m y r nk a u ld . v r 2 th a o is ua r e. t the 4 o nd f a e e th. f d n l G 4 ( I s a m e c A Y Z ( b t w f “ u a 8 P o e n t GN s xh o 1 T s am f h r n t a a r m f h a an r n 4 d O ai Bh ab i at rk th o Bu if rk f eas i j 5 m al i ce p P) r b a r u h er i c 5– d ga n s s p u i n i d e c n f a h n t n u r u o t ta on i d s o o ct t o a d u g on tu l o r ha am s 1 h t: f f n k f e n i i e f d ed f t z 5 t o r a i t ) h i a) . Bh g r c h ei t e t y t R s 2 c n , b a h i e , i d e p , e Ng oi al 9 t t ev s P ha e w u i o w s b o re t Ro , e b e n t h M o n ea i a f t s T t an t m y v t o o o c he he o d e w a h a Th y (i i i ccu t c le a ra n h de h t a ), an h f ( u t h i n i i i l h r e “D r Li u a r s s s e c ”), s G a an e g s t at l n p pr H n l ry so o t n Gr ov u wi i d i D N t gp o n v es b d d v d o r i D am o e n as r o e th k n ed in d h s P a p ou f o rn r s s n e u u um ra a u s H g o lu (1 th (in th o gy ch ct iv Photo © 2008 Honolulu Academy of Arts e M r m k g Natio o w M jn m tm lu e ht p e 4 a ad m an e n u H g G i a a f w B c o T i e t B e t F n t i 2 i t B D R clu l k ah ap a n an 5 n u s h u i t c i en it y n o n n o n xi i en A c s o n f h o 0 r h u h o e (1 Ta a a y ey r an 0– a t l e t m n t K o el a o ve d ci u o Bh b ca d ac l gl i n i i t 0 n s ut dd ut y pp s a a s y s d d y o q r ab an iv n o u n l or t t w s n r a e ’ t 8 ntr a an k r 5 f Sacr l d en t , o s r n r in n i u r o Gu s m a a al f nle m y e t l 1 in am o er t s o n , u al a i 9 e o h i eli g . as , n i b r l e d al e n n th n t t n B e Wa n 5 f t Na e f ”) g e g du l t m i 4– o i y t r i o Bh in ai ic me ve g al s i an P t mi m es s es . r 2 h C i l f l th C g ha w e y o f cu u s ar ita d th s ec m V i o d t u r o n , T i 1 u a u t i t r ’ iou ul tu r r t y Bu s t z i s i aj o o u r k i . e 1 n t a h n t n an n he h i s i l , e ta lt u y o o o s h h R a l ), h gc t ai co c n n l d o u Sec t i p 6 t t (G et ed e g it t r d e lu a pe n ti an ng nal n a a d i u o o e in suc p n t g dd uc f s r ay s 5 n n d s p A r s p re hu o a ar r a em fe i r l f ex h u f e fa o , n Ar o 1, s ct ed an o NH) ac p l wh o f al s e d r pi n o n c o s ma an t n i i t th we i h ar w , n i ch n m y h n o , l gu s s s om ce su d c on ff , i a nd t t i i n e o o s a th l i i e r s e a c c e k s i i i i a y gn i al z o f ess, rf b ie ci t n t c ch y y n n age rt he, m y ss r r or of e , i h s s e . , us e r e es i n s s y ul t d s. al s o in i - i a a it - ar o i . s n f m , - . e t f - - s d Ar m w a c w M M s h t s a h t h c t a c T g B c t v v C t t c H H d m T a a o m d t o G C A d L h h r o h h h ec ac id al d o n u n i er o r n cc e i as av as he hi oc f oc ri ha cad ep u o a o e o o en b ts e e e r e e a u o e e ch d n d l ci n d A U I A a t di s d v al eo ee gi r u u t ra ss rk nt he c o r e a s s n e o . A a u n r e i s d u u er m o s l l n i m d e en t e s g t t o d a o d t s d n th n t i n er m n n n e T i c r c e uc me me si a s tr r ea a de i t d h u h p o m go r o t a t . h , d n o u v al (H al Fe ad my o y a c i t d ge he e h h d e , t t al i m t p ar , a e i v n o n, Ma m a u me n a ed d d i s o l xh r et t l, er er n an r f Bh ed h i e a nt - o as a a ce ed n n lv n t n o p l f e n l e n an e n DV b t o aj i n r a i n k h g o t fo E t t o d d n, an c e r ro o d s m n e e i h , h t. a n o at at ce co s w t of n in at t y, i n d b u o f x a o a l v a al wo d d f r ce d ed i b C se e t o ar y f d in t r a ) y er o an it gh i ec ta ds n Sa i i h l p ed nc d r Ob t d o an n y o s o o e t i r l t ’s wo t n o h co a o f d i w ed e age tu er h d h e p b p i n cu o i on n v r n n t ( C s an ut f n b e v ce -d f n ir es s a h e e g o n f a C e ec y d u o P d o h C j a id a n o n t o B i y t s n r w t ec e ro ge e d i lv gn i o me Fr s h f t er t l ar v e ou e ea t D t of o h r es k s a r v Kar i ag hu o h cat d w i a ct u an p o in w an ai n il es fi x l e B wo er ed e al o s n a ts u an mm an v re oi s fo a r f i i h se l m o n of u i a r o u f la te r C fic -p m e a n n to o i C p e D ta o Bhu ls e d ce v Bh alo b s ib n s it f n m n C t r e- y o f d u ta r s c k f ci at p h ea r n b s w i ir Bh r e r n o ) m io o d in iq g k er an o o o th v d fi e l v r n it C ey t s r am ak a in l o t tu s io a u , v i h e f an e a o e e s f n n io gu l h e o t tr at i u l ea r n h in c u co D fi e e m c v p u r o ct o t w t l Ts e s f u t f g t s s , i r n n i re a o l er o o as at io cam e a r ap h t n p s i a r n e n ce s iv b , tu er v g t g e E Bh th e. th it ed o n n r , d r an t a n e, h e o r id o r v a o i ’ a e d as p s i h p t n s r , ew th A n f p t r t i d pe tu v iew v e r an s r o e y n . t f h at tio T a m h e th r eo u a al s fo d at o ee s r d . n f T i r ga r an D o in i f a s Sele er wo e r o a e o Bh h r o e r ts n t o in tan o ab T r D . he es i f o t t o io A r ed i r r a co n xh n j e b im m o s o i te a g je n e r A n ce h T ee- e am C m e s h o ar h m V s i r i g, e a , s l ecto u xh t n r n i m as t ca d ate c a e h i e o ma ct, th e B u d ’ igh D z co . t n D i N k an as a ctio s p a t b t ch r i b e m at i r o o n an , an of th th Li h d m s t y e en fo s o n ch i e o e r y h ( Ts e i d b er s f n e d n J d u a p t a ti o th w ter f d -d r e E t nc iv of e e as t o o P r h o p r t Ro l i ar es i d d d e Bh r t o h , t r tan go n h h iv e s th my t b d ab v se an n ai e c o e e e io m o o r ex an th ef f k Y at Ger d n s ech e i o o m i co y d a ar e ia d es r b an n em je f al y p o C n A n o A u d f n l l i as o t o ie) e . t t d b h al ex th e an g ce d n n m o te d an do er r u h ti n s h f t h c ta ed ’ ct t is p S Bh fo . s f T gl en s , a y ib k ia n ar c it v u a e lt u at as Al o o w t e t o y In C o p t h n n m io an d em e at ar t a G o io o d J h c gs ic a v ef h u i Jo P f e an o n lo d u e fes os ce ’s n D k t n w u er t i b em i r . y e d if t F a i r u Eb n th a n e s r k s ta d fi da i o , A d e, o o - s Ch f s a r en n s i en t r r k b g t e d t i Fo s - t of e, th part ti an d n, rt es of er e n l ed e g rst n’s a the h e H of ph s s li y is n - a , a re ar wo e H c . u an ea of - i . th ( s pr n ale Hiro l At t es d e th rt h Ch d o F h e a h A k P e pr o vi er an t ar H , sia r Ro ul i a u a Ar d o o Marc mel . t Li w en ef f p n h r in in d ge n cu b p ex p to In al a P th fo Lin C cr at b M y s ac co n fo k i d an ed N. n o t v ar ea r p n yal d i t la r iz elp ee p as r em h ee n a o tt i n , t e r r ig s Ma d eat es ec ia o d o th d lt b L It — T at C e c r i a r r l C , y e Ho E a , b ed i t t is er l ead e n e o r r u r d le s d h h mi k t y ge h w s or age u io t e er ed a l Bh i an y ar io ts n ea , m d . ly h f r a ed o L e ain ryan te n i . s B w C e l r o ca go en o S at io al St W Fu t Jo n ich L n e t n l ll Bh v e i e n Fa n b p en u u t r ex h h t t it u d u gr n f u P in : ed b cer , o e i s o s , su ar g y s Free an e ep l ra e b e n ff r s h t i s san h c s t n u i tu t a r mil , y w n us J ut i an t o t at e d ly gp h an tal y n th p tr o r o n e ap i d h y & b h -n Nat e pp l b a n i i h p ey n a en . a h , re e a s r r Bh nt ff al H , ed b o o li e a C e o ag r g n t t a en es Jo h i l , cu o in m y L A an fu m , Su o h O e i p Mic S c ta ge ati d ex o n o er t em ar d t ti o i o an E aw Bal l an i h aw t C Da to Fo f at u e on rt u h h er ’ u e aj rli h l ac r b a Br ar lt u t . C i san h ee d b h o th as ta L o ct o ts as A n n n s in t is y t ck n d Rh o o ren p u f v o a h ib e am h ittle n E ar n vi al - t i c , o o n e m r e is r rl a Go n et Fo n r o n ael o o at es), m i t i ex r d a e h r a th ad it , o r t s h l e n o y - d i E f t e s P i ad , n s t n y o ce n i ts f n T m e u o s o d an elet l a th nd a e o i h m an d , l d c at i es. l ar h v e an n ti r, e m e lsb A n ib th y as s D an l m i is s H e u s d K d o th i o d o rt d h e v s p Jo , v aw th iti e d i , s on at n o u e & an ti n w Dra e ar A in C ef f u r s. c e o P e th d o E . o t ts l gl h ec P o a d i i eci m ry el ssi u a y o i f d ar L en g ra o e Maj , y t g n e atri d n s o id m o m eo , n Bh s u en to d ap d go i cu P in w r Fo d b r Sy b Haw l a Le t , t to e n el i t i & o i o e -w le n re e, i h n a r o Dru tr t o d c k p u n th w l cu s u p a Bh d a as t tr i n f r r i Re n te m ea Bu t Lee, ad ’ u ct ed a n e, or vi il b in an a eali s al ai e B. o Ann su m t r d n y l u O d h k r th G as so n i e w rta J ati ‘ d ’s r t t in t su T u e en ohn p i ’ i io an h if C es A n e N as z s ng u rt h al p Bh e b w u g a on, a t irl t: p e n re ts e a o G. o a u s , rp t y s n o il port Art at s w i t s p rt lt p w T in R o i i u o s A a an l r o q en p ar el r h B n ld t f o n h m a in it es is n u an s, o o e . h b l d o n d e te e . d r y h W e u Sa gr ’ t W u o h ex em s r as rt u t TT W an c r a ea t n e cred g er v Calen dar it y a e ar e ’ s. - er - News I t Bo ( in T M ( ( H n i l r C r o e W T A G P T “ Bh u p p ha ul ha w H e t l d b p a Feb s t Gi M in C C i e a k g i io ra g o at ac f n . he r v re d t u r oc r r c i t o o s a w e . h t o h l nk g u o i e ) a av el i o a n th . i f t h s d hi o i n . ng d o r u i rl n t se r t n s s r h nolulu c n c ru ,w ) ta e um i d B i gi ar e r ba l b e n S e e f s n y s t t g i n e t l h d t e h e n h e i : - a d um o r e a e e t a n o s t a ng o h v c e h e h b i t v g m u r 2 t in s ds s e . g r m Jayn/uFar ebyruar g l c y r f n t e a f h i x e a i a i t : e y v s nt r n c 0 a g + u y 2 ht of C g B c n h i t T n r e c a t i V Cu o i h n 2 B g e n o n lob 1 o en t r 0 2 h i on i a -y d g u an w 20 qu as b er f Gö a x Le is ure hu 0 ' r f M ut m ) wi 0 ltu us to a k s si on y e x p i Aca S nd l A o t 0 G t t a a . 08 d a h n a o ar i e u t he an e an r d e l re on 0 W a 3 r n l s o i d l C l k n d e s r ri t g e f , n s a pa c . p 7 s p o s th es r s e r j en p o b c an st i . o ' o 20 p u a i s l demy F r E e o p d r t s t a n roj eg e i e e ag s m l e n o T ra o n , n n e f e o t c s d hr un g s am h h i r d t t k , 06 Th n e e r z m e l er i a es n i H e : e i th s e i n t i, r a G gh v r n s iq to c c n i wi o 1 va o g i n o e D , t gd i m at t t 1 i i o do n e sc 0 u u h u a n n on t t t r a th Hon A .” tor k e h p 8 o g r e e of 0 a t ri o o nci s t c mp m e h o h h th s t g he he cu h m co s o i cm i th s u r i t a u an on s c k o n e s tAr t 2008 ce en o t f l r o , a a — l lp n n o ha t in r e t e i w l u u ' om t p fa s ul n x s n A a t & ta r a n e c ar o s a s e t u s c r t o r u , rl ct r m s t v - t r ul y th i i d i a n y s c in d , t e - - - a 5 -

Photo © 2006 Bruce Bartholomew Symposium On Exhibit

Symposium on the Buddhism and Pathways: The Evolution of Japanese BuddhistArt of Bhutan Buddhist Prints

DORIS DUKE THEATRE FEBRUARY 24 efforts that have made this exhibition possible. MICHENER GALLERY JANUARY 29 – MARCH 31 Presentations by internationally recognized he Dragon’s Gift: The Sacred Arts of scholars of Bhutanese Buddhism, eminent Bhutan is one of the most innovative exhibi - Buddhist representatives from Bhutan, and the T tions ever organized by the Honolulu curators and conservators responsible for orga - Academy of Arts. Under the auspices of the Royal nizing the exhibition will discuss the history and Government of Bhutan, the Academy worked visual expression of Buddhism in Bhutan, and the closely with the Department of Culture and the continuing importance of Buddhism in modern Official Monastic Body ( Dratshang ) for many Bhutanese society. At the same time, they will offer years developing the exhibition. Academy unique insights into the exhibition as they share researchers visited hundreds of temples and personal accounts of their five-year journey to monasteries throughout the country to select bring this exhibition from Bhutan to Honolulu. works of art of superior aesthetic achievement Invited speakers include: s t r A f

and deep religious significance. Important objects o Dr. Francoise Pommaret, Centre National de la y m e d a

of veneration, many of these sacred works of art c Recherche Scientifique (keynote speaker); A u l u l o

have been treasured in Bhutan for centuries, n

His Eminence Tsugla Lopon, Chancellor of o H 8 0 0

and are rarely (if ever) revealed to the Buddhist Education, Dratshang and 2 © o t

The Dragon’s Gift; o public. h

Advisor for P A multi-institutional team of Khenpo Phuntsho Tashi, Director, conservators spent several years National Museum of Bhutan and technology, and the earliest surviving examples of (far left) restoring these national trea - Advisor for The Dragon’s Gift; printed texts in the world are East Asian Buddhist Buddha Akshobya Stephen Little, Director, 18th century sures and ensuring that they scriptures, predating their European counterparts Parcel gilt silver alloy with gold, travel safely abroad. At the Honolulu Academy by several centuries. When Buddhism was intro - pigments, and turquoise same time, this team also of Arts; duced into Japan from Korea starting in the sixth Height: 25.5 x Width: 16.6 x Depth: trained a new generation of Terese Tse Bartholomew, century, woodblock printing soon followed, and 9.2 cm Curator, Asian Art Museum Norbugang Zimgong Lhakhang, Bhutanese monks in the Japanese Buddhist prints can be traced back to (Cat. no. 12) most up-to-date conserva - of San Francisco and the eighth century, during the Nara period. Curator of The Dragon’s tion techniques, with the Together with paintings and sculptures, prints of (left) Gift; Anonymous goal of establishing the very Buddhist deities were essential tools in the trans - John Johnston, Honolulu J¯usambutsu-Mandala: Mandala of the mission of Buddhist doctrine and ritual practice. Thirteen Buddhas highest standards for the s t r

Academy of Arts, Assistant A f

o Japan, Muromachi period, future preservation of Bhutan’s y For example, woodblocks were used in the temple m

The Dragon’s Gift; e Curator of d 133 6–1598 a c cultural heritage. In addition, A complex of Mt. KØya, a center of Japanese Shingon u l Hand-colored woodblock print. u

Ephraim Jose, Honolulu l o n the Academy has partnered o Esoteric (Tantric) Buddhism established by KËkai Purchase, 1954, (13440) H s 8 t Academy of Arts, Paintings r 0 0 A 2 f (KØbØ Daishi, 77 4–835) to produce both texts with the Chicago-based orga - o ©

y The Dragon’s o t

m Conservator for o e (right) h d a P and printed images of Buddhist deities and nization Core of Culture to c A Gift ; and Gerard Houghton, Utagawa Kuniyoshi (1797 –1861) u l u l

o mandalas (diagrams of the spiritual universe). document Bhutan’s sacred n Casting an Invocation on the Waves at o Core of Culture, Director of H

8 n conjunction with the exhibition The Cham 0 , or ritual dances, one 0 Such printed materials served as visual guides and Kakuda in Sado Province from the 2 Documentary Footage for The © o

t Dragon’s Gift: The Sacred Arts of Bhutan series Abridged Illustrated Biography o objects for daily worship. of the oldest continuously h Dragon’s Gift. P I (February 2 3–May 23, 2008), the Academy of the Founder Woodblock-printing technology continued to practiced ritual dance tradi - The symposium is free to Japan, Edo period, 183 5–1836, will present a selection of Japanese Buddhist tions in the world. Over three hundred members and students with student identification; develop over time, and its techniques would even - Color woodblock print woodblock prints from the permanent collection. tually be used in the production of popular art Gift of James A. Michener, 1971, s hours of video footage have been incorporated t r there will be a fee of $25 at the door for non- A f (16094) o Spanning a period of seven hundred years, the y into a digital database of Bhutanese Cham , and literature by the 17th century. In addition to m members. e d a c Academy has Buddhist prints from as early as the A creating an invaluable archive both for today’s early Buddhist images, ukiyo-e prints by the Edo- u For further information, please contact Takako l u l o n Muromachi period (14th century). This is a rare o period master Utagawa Kuniyoshi (1797 –1861)

H scholars and for future generations. Miyazawa in the Asian Art Department, (808) 1 0 0 2 opportunity to see many of our finest prints, some depicting the life of Monk Nichiren (122 2–1282)

© In conjunction with the opening of the exhibi - 532-8779, [email protected]. , o y n of which have not been on display in over five a r The Dragon’s Gift: The Sacred Arts of also will be shown in the Japan Gallery. F tion The symposium is sponsored in part by the r o b i T Bhutan years. y , the Academy will hold a symposium on Center for South Asian Studies and School for b h p a r The spread of Buddhist teachings played a key g o Sunday, February 24, 2008, that will offer a t Pacific and Asian Studies at the University of o h P behind-the-scenes glimpse into the remarkable at Manoa. role in the development of woodblock-printing 6 Calendar News - January/February 2008 7 Photograph by Tibor Franyo, © 2001 Honolulu Academy of Arts On Te or de or ev m kn kus ( va es re co B ba em sy by T G k hu m ar i l t l A l us ve ck G ow d ed ee ig pr 'h wo ic b L h b a e t k E L l i r a e a hu s me ut em rm ou od n ol er in n th t me n. t C e ar cy RY t r i E x i o o a a g a t i e s u c en t o d s t n O ar xt ile n ll p s s ra o i n. c , xhi 4 1 we de f l wo ; mo e f n a e ed k wo t t o lo c a a ), c h s r s s us L f v u l v ) t a t u e o r l a fo i o i ti o i wo l me v i a o l st s p ew m, tu w de i n h ti d f F f i s e nd r n s pl n bi s U R B E un o hi Bh r w v o . w g ma n me a n w n a e en a w i v s c nd o e ' c l , me re wi g u i er ' s h il t rk l at l i c g n l l t m d w l wi RY A w . an r a t n o a a f a e n s h b ( e Th ea ad r r on i us s r n h n l t f g at ed e ap e l s ar co ice nt f o ti ty. ra r o t r in e e p sh cl ot h d r 2 u o s p h om p y ef er r ici o mp e 4 re by fi n f teg r s ) e o e w r pr by d – T o ly s wc as an ef t es t a w h , lex h t f P A u in ga r es ti ge , h n a of s ma s an e el it e ed eav s d s e ee n l ki ll ed g, p R im o in Bu p d w d Aca d m e at te r L I f to i art es co n tr ic ac om ter n p fo th th en dd 2 h ar gs res ign as 0 ou r is es e w fu o ts en ch n em ta in er h , an lo v ea lt h f siv in h ar Bh uta n l ist d s s ly y lif e ai c eh ing th a d o te xt il es ( as g y ti s ed an d e n ki r 's cra fte h is o e sel ec ti c wel l i ig hl y s tu n an d ld s n o o a u an d n n n a ic s e m r of d s a nd as is - i - ,

Photo © 2008 Honolulu Academy of Arts 8 J d r b k f i a c b W n d T a r a o a e i n o e e n o s cc d as i c e y e e a r f b o p u s e a s r d t en n m T — t c we t u t et v h t i er a r s ou h t on oo ce. h er g e i n s l m i e , o e . t r e n n . S t i s e o n n e n o n r f , r e s a T i y u a ev d o i n r d E t ir t t s r n h Bh of sh w r al s w n t i i q f a b e o t e r l i n r ea i e a k s u l i o e o i d t a at i m t u O v xt o o h , c al l h ex h d m l d u is ts t f c n ed i k n o an i u t r n y ce l u l a u h n y a e am t ar es c t u o r i s a e h at t t , i . f t o d c d t s f h b s i l n , i l ov Co T ed o l r rn ol u s e wh , e i at y to a , l i t h n r oo l c i r e o an r s a d i a al o i l s h em c b ea l i r s l o a B r y t o t n gn ec t e l m u s o y t d f e h t hi h y cu h n u w h ch f o a o b m e u , a d w f e g n io ts a r ect r v te oth m il l li n ta th ye h e o s in g it a er e p , o n ly n en is ol mic H b a th d c p g f ge o s s o e fr Ma r m a im o te a e ts fi a tri p t a f es co lo r o n p n b re o en al ly s ch o va ch a in m n r p e r d e n m in f la y es n e r ec r a e co n b th e b a s d t io e n t e ge r iq ei n h d s cr nd h r a ta v eig h th es o tr m th b e ye u e it a u n ue f ib cu at h a a s e e n b g s e d w lo k o ck te b ty w ed d in a r h ch lar n b in f m o le s c a d ta k r li st id ig h gr at o y me T ed al n gd ay al n f ti g r e e th g o io r o l in i t e i o x v y e l l c es h r n o n y un e h y s o o n n t m g et g g e m. . t n il m av m lu a o s o h ro ar s, g at d ic es l - f i a od i et e t e s s io n w . n d ry d n -

Photo © 2008 Honolulu Academy of Arts Photo © 2008 Honolulu Academy of Arts R p r r r A p f a c I A i H w H r a B h s K V i c t t c p n u s H g a t t l a m t a p p a p D o n n h o i h a e el eq ec eo ol pr n o d o u i ct n s r o v er cad re s as ah oe at nd la ai ri a a i a a v n r r g e g a M O o p t e d d mp d mp mu d T T O lc t at es r is y wa wa wa a el m i s el et ce. t d n he e o u io u s r ec i v e a g i i t h h e S n n i r t t an t t en ga n ad c t k i s t f ed it n (1 n ma r y h ir - h in y al h e or s im e i c e o rs an e e ec s N I d c wi f r op i’ ii ii ei e o i ts e o l y f t av my e o t a e d t to l e n r at d ig ea ap a w l , o s u — t al i ’ an ll ga m at n, c 8 s d r e es l r s I i r d e fa , es wo e a i t u y gi d d o ly i i S n r e o o e i i h u 8 n hi m r i d z la ti S e n an t n v p u NÅ i h e ’ l n al o l u sc f n y o d t d r e r s Jo o n ni ed re 8 s t, N A e b l ch b o v t am s g i se . s i r n ed ti e n e 1 t r a r i h f ei e en ct s ol ), d t c e er he ee d d n an ta ce in T f wa h th n i an k po s ry tw - s o o n d 9 to si à e H ns r n o ac u o th r n Si i s u ep in D he gs s c n te eq a t sc th t ic en ew a o e g to n g n l m’s o t aw o t g 1 h r h s , p a r o d an h w l w e tt h H o lv ti he t ht n O H y ta d ec es tr es l o p 8 h an e e l n i f wh o r r a , r u e d È a an e o e er a r l r a aw s H t p em f ee t p 8 e ai a ic ac o ll l ve l d h th t n t o en an d u i wi u i , q s s K n . ti g in o co h ai n al h t m d -h n o l L 0 o ng i , e d n h d ri ’i i b pl ue ah r o T n a t cl H e e aii e ted c s r s l w es d h te o tly a p t e H a p l t u n n g ga llec ng s p t h G e as i ain a , o c u e at t o an u it ir, h ta o p o m o Ga l n r an aw a - cu ar f wa A n m r o f - s n r h f ea t p ti as - f l ac ‘ r r g ce . r eat i ed le o e i ar a L f d t it m s o s ly - g o o r an L ai ia lu iz l H es y ry m i‘ i r E er m u th st r e n 2 e RY : e o A aw o to h i: r on ce s I n at y. 0 it v in o in fo r K ns w i m o n ll er t tw A o t f a re NÅw ai p h w Be tal g r o T te l exh o u ar f b me an th e Ca H o f ian as s -h f lt a m ce n a a l n atio t c E l e p l r y a i at an n t te x p k ha au o ar an an a p t s ib ec i h A p g a, h d e le h s d ita tu r n n all a R d e e i s ed m s g d È er ee - t t h i S T o fi c H ’ s a vie s e i r n p s s o b av , er t c l e w ar i n ica aw t h t o d t es V n y ap p h or ed A w O we h is i gr e i e e y, i ti fl a r a n mb , a i F . Ma ew d a m ted o s y fa c e b J u t o i o ek Sc h I an i o ic s H v t n ee n ’ o n t u p hn id i h in AW‘ I A iti o tt k o at - f t p o ai d o s s f e eo o in f e a D p . r n v n ol d o a H i ti ng n gs . e minis c i s w, e I l , o and i c r b o S M d i T a a p a a i w o o p w P n n n ev en i r cte r ccu av y f i ai f r ai atc er er m p g, al cl s a t A a a is Geo t o e n ain n r er all tu r o u r e e p lt h he gu u al t a t ti n ti ti r s g d is i n n t r in es b ate l ch s s ed s s u t in o y. e s t t ier d in r ts ts o g, D id h i e tr u ta b r u gi a cs , g x. am Wo , e i im g c g i e o , s w y te th a n s h . H h u , s d a m n l h d i o M e p O ag i is ch in th n th u a Lo r d as n c a es ad ir k d h ce d wa ’ p u p ajo e H K L s o m u i cr ed n r r ed as W D t ee f l e o g r ed i r ed in o b lt s o iia d r i e a all i o y y b t C lli r r G g n v b er Bl o o d f p n e eg e e, th id o d t er y n al m am ai H s H Se xt a r i th i th to es l n al o io t n S s aw e y n i Fis o H s a n ew e in r ’ at o an el tin f s n w e y: o r s Tw an gu in ai c al l ga o eco i p h l w a a a a T o g r n a w eci a er i t ‘i . r s he ig a r ‘i e s u m n y M ti s i te n ge r ay d in d ma te m g-S m r b d b in t A e Arts o ac i d e h t y s , et w , l, b s z t H et r h lid c its t en A Lio o e o n a h p u n i en e s w , o f t u l e o i n t ee ch o f (1 a t s y o e to e g o o n r h, de t H n ee i r f n e f a h r ar ig u f n th e o e p aw g 9 d a rl m H l Lo cla r Ju ck l o 2 l ge n e y Fo n a w y W K it o g ai‘i r r 4) s n g cu l u e i a , 2 p r ch d es a l th , w d l i ap ey, t i ed 0 ac er er , l , l se i n d s l d y o v co t tu W a c o c es h e en h at n r e Su r a l ch t Ju k r inte y i e u ck h w p cr i in s e s , o d ed a er s and m e d o ar ns Calen dar ib ’ by ing r d s rk - 2 - 0 0 7 News L C K ( men ( Gi K ( E ( C w ( ( G C mo E ( C ( Gi w le 11 c d 11 c d 11 a a a us ir o o h o e e e a i e e t ft f f f r r e a a nt nt t t f t n r t t t t t l l to to to , , , h ) t a a y y p ; t 4 4 4 gs ia o o o 1 e e u a w i i n n n k 8 4 8 l l f f f 20 20 an n r r 9t r ) ) l i , , , e u y t t t - 8 1 5 g t bo c h h h p s a o si si si h d . . . 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Photo © 2008 Honolulu Academy of Arts Recent Acquisition

A version of Clifford’s imaginary portrait of intriguing aspects of Clifford’s memoir, and so he Attributed to Edward Clifford, Damien has recently been accessioned into the may have made copies for friends such as Burne- (Great Britain, 1844–1907) Portrait of Joseph Damien deVeuster Portrait of Joseph Damien de Veuster Academy’s collection, joining the rare group of his Jones. Because the inscription on the published (Father Damien), 1889 Hawaii-related watercolor drawings. It was a gift drawing incorporates the formal (and popular) 8 x 6 in. (20.32 x 15.24 cm.); image (Father Damien),ca. 1889 of the art historian Alicia Craig Faxon, who is title “Father Damien” rather than the familiar and size 5 x 3.5 in. (12.7 x 8.89 cm.) noted for her monograph on the Pre-Raphaelite secular name “Joseph Damien,” it is likely that the Graphite on paper Gift of Alicia Craig Faxon artist Dante Gabriel Rossetti.8 Academy drawing is earlier than the published By Edward Clifford At the time of Ms. Faxon’s gift to the Academy, version. The alteration of the inscription is more the drawing was attributed to the Pre-Raphaelite appropriate to Clifford’s text, given its evangelical From Kashmir, he returned to London where he artist Simeon Solomon (Great Britain, 1840- slant. embarked for the United States. After crossing the 1905). As a young artist, Solomon was introduced The physiognomy of the Academy’s version U.S., Clifford sailed to Hawai‘i from San Francisco to members of the Pre-Raphaelite movement by varies to some extent from the published drawing reaching the islands on December 11, 1888.2 Rossetti himself. He went on to have a successful around the ear and bridge of the nose, suggesting Damien had contracted leprosy and his career until charges of public indecency, and, that modifications were made to soften the predicament inspired several individuals from later, alcoholism, brought his career to a halt and demeanor of the subject, underscoring both his and the United States, including Clifford, precipitated his death at the age of sixty-four. youthful and worldly innocence. Because it is an to travel to Moloka‘i in aid of the Roman Catholic Solomon was openly homosexual at a time when it imaginary portrait, the physiognomy and expres- priest during his final months. Clifford aimed to was not socially acceptable, and when sodomy sion of Damien is a product of invention and test the efficacy of Gurjun oil that he brought from laws made the practice of a homosexual act would likely have required several versions, or India as a treatment for the disease and had speci- illegal. Perhaps for this reason, the drawing was would at least have called for some modifications fied this intention to the Board of Health in attributed to Solomon, since there is an underly- to the initial drawing, since there was no objective Honolulu on December 15, 1888.3 ing sensuality in the handsome, youthful portrait model from which to work. (Though it is possible He left Honolulu for Moloka‘i on December of Damien. Clifford, too, was known for his depic- that Clifford had access to a photograph of 17th. There, he met and befriended Damien and tion of “heroic male beauty,” which the poet and Damien as a young man, none are yet known to observed the residents of the colony. Along with literary critic John Addington Symonds described correspond to his drawing.) An inscription on the the therapeutic oil, Clifford brought Damien other as “moralistic homoeroticism” as opposed to recto “spent his life with lepers” may suggest that gifts including a magic lantern with slides illustrat- what he considered as Solomon’s “langourous the artist was considering another inscription or 9 ing Biblical scenes, and a watercolor drawing homoeroticism.” epitaph for the drawing, which was ultimately not depicting The Vision of St. Francis by the Pre- The Academy drawing differs from the used. However, it is also possible that this inscrip- Raphaelite artist Edward Burne-Jones. In return, published version of the imaginary portrait of tion was added later by a collector. Damien in several important ways. It is inscribed Jos•p~ ..Da"1••1 1, y;_,t~ he asked Damien to sit for a portrait, which the —Michael Rooks, Curator of European and at the bottom center “Joseph Damien de Veuster 116, Father agreed to do. Burne-Jones later hung a American Art Photo © 2008 Honolulu Academy of Arts photograph of the finished portrait by Clifford at 1868” and is not signed. The frontispiece of 4 Clifford’s book is signed at the lower right, and 1 Father Damien the foot of his bed. Edward Clifford, Father Damien: a Journey from Cashmere to his Home in Hawaii. inscribed “Father Damien de Veuster 1868” in the London, MacMillan and Co., 1889, pp. 14-24. Upon his return to Honolulu on December 2 Ibid, pp. 14-24. urrently on view in the John Dominis and 3 31st, Clifford wrote a memoir of his two weeks upper left corner. In addition, the published David W. Forbes, Hawaiian National Bibliography. Volume 4, 1881-1900. Patches Damon Holt Gallery are three water- Honolulu: University of Hawai’i Press, 2004, pg. 266. drawing is delimited by the rectangle of its picture 4 spent on Moloka‘i titled Father Damien: a Georgiana Burne-Jones, Memorials of Edward Burne-Jones, volume 2, 1868-1898, C color portraits of Hawaiian men of the pg. 175-76. plane, while the Academy drawing fades away at Journey from Cashmere to his Home in Hawaii. 5 Kamakea family by British Aesthetic Movement The book was reviewed favorably in the The Dublin Journal of Medical Science (July Clifford also made several landscape and portrait the edges of Damien’s cassock, without imposing to December, 1889), The London Medical Recorder (Volume 11, 1889), artist Edward Clifford (Great Britain, hard rectangular edges, not unlike Clifford’s 1882 Edinburgh Medical Journal (January - June, 1890), and elsewhere. drawings in Honolulu: in addition to the 6 Robert Louis Stevenson, “Father Damien: An Open Letter to the Reverend Dr. Hyde of 1844–1907). Clifford traveled to Hawai‘i via Academy’s Kamakea family portraits, he created portrait of Charles George Gordon (known as Honolulu,” reprinted in The Cornhill Booklet. , 1900; pg. 23. Kashmir in December 1888 under the auspices of 7 “The love borne by her Roman Catholic students is attested by the beautiful copy of an imaginary portrait of Father Damien as he Chinese Gordon) in London’s National Portrait Edward Clifford’s portrait of Father Damien which now hangs in the Student’s the Anglican Church Army, of which he was Gallery.10 Finally, there is a slight difference in Building with an inscription saying that it had been placed there by them in her might have appeared at the age of twenty-eight. memory.” Robert E. Speer, Memorial of Alice Jackson. New York: Fleming H. honorary Secretary, to visit Father Damien on Used as the frontispiece for Clifford’s memoir, the Damien’s expression. The published drawing gives Revell, Co., 1908. Moloka‘i. According to Clifford, his trip was 8 Alicia Craig Faxon, Dante Gabriel Rossetti. New York: Abbeville Press, 1989. portrait was singled out for its merits in several the impression of youthful innocence, with his lips 9 Davis, Whitney. “The Image in the Middle: John Addington Symonds and inspired by an 1887 article on Damien published reviews of the book, which was received with a slightly parted and eyebrows raised tranquilly. In Homoerotic Art Criticism.” After the Pre-Raphaelites: Art and Aestheticism in 1 Victorian . Ed. Elizabeth Prettejohn. Manchester, England: Manchester in the Soho Girls’ Club magazine. During this time great deal of interest, especially within the medical contrast, in the Academy drawing, Damien University Press; New Brunswick, NJ: Rutgers University Press, 1999, 188-216. there was a widespread fear that leprosy might 5 appears to stare forward as if in a state of concen- 10 Charles George Gordon by Edward Clifford, pencil, 1982, 25.5” x 20.5 in. Given community. by the artists brother, Bishop of Ludlow, 1907. reach Great Britain, and Damien’s name had Eleven years later, the portrait was reproduced tration. become synonymous with the fight against it. in the September 1900 issue of The Cornhill The Academy’s drawing is almost certainly by Clifford thus traveled first to India and Kashmir Booklet alongside a reprint of Robert Louis Clifford and is either an earlier version of the (then a state under the paramountcy of Great Stevenson’s well known work “Father Damien: An portrait reproduced in his book, or was perhaps Britain) to learn about leprosy and to study Open Letter to Rev. Dr. Hyde.”6 Thus, for a genera- one of several made by the artist after its publica- methods of controlling it, including forced segre- tion, Clifford’s portrait of Damien was perhaps the tion. It is clear from the contemporary book gation and the use of balms to treat its symptoms. best known, and certainly the most reproduced.7 reviews that the portrait was one of the most

10 Calendar News - January/February 2008 11 Education

, ... ~ INTERNSHIPPROGRAM SCHOOLPROGAMS - ·- - ~ + RQRO X O X $ F D G HP \ RI $ U WV Museum Learning Center A Day at the Museum with Intern the Roots! Ambassador ( -_ t t/ · ~~ Program POF[J"" IT TI Dcc : Q: Name? I PmuseumXVHXP OHDUQLQJlearning centerFHQWHU A: Jean Pitman ~i-"\... ·~~· ·.. ·· ~.'tJ Q: Where do I ~ l~~.-· ~. Photo © 2008 Honolulu Academy of Arts you live? Students from Queen Ka‘ahumanu School try playing a The Museum Learning Center is open on Wednesdays and Saturdays from 10 a.m. to 4:30 p.m. A: Palolo Valley cello with a Symphony docent. and Sundays from 1 p.m. to 5:00 p.m. except when closed for reinstallation. Please note exhi- Q: School? The keiki went on a three-part rotation: a bition dates below. A: University of docent-led gallery tour that included works Hawaii at of art connected with music, a string quartet Manoa, concert in Central Courtyard, and a visit to EXHIBITIONS My Little Town Graduate NOVEMBER 29, 2007 – JANUARY 27, 2008 Kinau Courtyard to play instruments. This Program Photo © 2008 Honolulu Academy of Arts How’s Your House? pilot program is a partnership between the Q: Major? The Windward School District Voyager Group enjoy a NOVEMBER 29, 2007 – AUGUST 17, 2008 Photo © 2008 Honolulu Academy of Arts Academy’s Museum Learning Center and the A: Museum day at the Academy. Jean Pitman helps museum visitors Symphony Education Department that Studies and Art experience art in Gallery 31. Photo © 2008 Honolulu Academy of Arts n November 5, 2007, forty selected brought together staff, docents and musi- Q: Are you an artist, what medium? students from the Department of cians to offer a morning of multiple art A: Yes, Interdisciplinary O after years of use. The remarkable tech- Education’s Windward School District experinces. Q: Inspiration for your artwork? niques taught to the Bhutanese by Academy Voyager Group traveled by bus to take part conservationists will preserve the traditional A: My life which is where I end up spending all of my time, it seems. in an all day excursion to the Academy of art from vanishing following centuries of use Arts. The Voyager Group, a cohort consisting TEACHERRESOURCES in the temples. This exhibition is concurrent Q: Favorite artist? A: Christof Buchel (contemporary, Swiss). of 10 counselors from 8 schools along with with The Dragon’s Gift: The Sacred Arts of Academy docents and an Ambassador Workshop on Colonial Bhutan. Runner up: Tracey Emin (contemporary, UK) Q: Favorite gallery at the Academy? teamed up for the “Roots” Program. The America A: Contemporary (Luce) and India selected 6th graders came from Ahuimanu, Q: Current assignment/exhibit as a MLC Aikahi, Ben Parker, Hau‘ula, Heeia, Kahalu‘u, n September 1st and October 13th,

Photo © 2008 Honolulu Academy of Arts Explore Bhutanese Dance intern? Kainalu and Laie schools. One of the partici- Oteachers from around O‘ahu took part in FEBRUARY 24 – MAY 23 pating counselors from Hauula Elementary, ome and see what buildings were A: MLC’s How’s Your House? a workshop for the exhibition The Art and Aaron Keo, expressed confidence that the selected from your neighborhood in this ance festivals are an important part of Q: Most thought provoking assignment as a Life of Colonial America. The first morning C content of the Ambassador Program related display of thirty-four iconic structures DBhutanese culture. Visit Gallery 31 to MLC intern? was spent visiting the exhibitions at the appropriately to his curriculum: “It helps my around O‘ahu. Students from Le Jardin interact with a dance performance in Bhutan A: Architectural research for How’s Your Academy with docent Karen Thompson. and hear the stories told through dance! students identify with their roots and the Photo © 2008 Honolulu Academy of Arts Academy discovered the importance of our House? Docent Stephan McClaran gave an insightful Visitors will find dance videos, musical Q: Most memorable assignment as a MLC culture that they represent. They were able to lecture about the Mayflower journey, and built environment as they researched and learn where they came from and the impor- recreated each structure in terra cotta clay. instruments, masks, and costumes. They can intern? visiting lecturer Wendy Schofield Ching xplore our new interactive exhibition, tance of showing respect to their cultural This outreach project was funded by the try on Bhutanese clothes, read books from A: Sawing Styrofoam for How’s Your House? spoke from the viewpoint of the Native How’s Your House? and learn how differ- art.” E McInerny Foundation and the Hawaii Council Bhutan, and create a prayer flag to take Q: What’s been most rewarding while intern- American perspective. Teachers spent time ent materials, climates and cultures influence for the Humanities. home. This exhibition is concurrent with The ing in the Education Department? sketching and working on an art project to home designs around the world. Enjoy an Dragon’s Gift: The Sacred Arts of Bhutan. A: Working with terrific families who come teach students in the classroom. The second historic timeline of Hawaiian architecture. to the MLC. It’s great to see families Symphony Pilot Program day spotlighted Colonial American times Peruse the architect’s library and then try Thangka Painting and making art together and I enjoy working through the eyes of the African Americans. your hand at a number of architectural activ- Call for Volunteers! with them to discuss what they have seen usic was in the air as the Honolulu Three professional Interpretative Guides ities. This exciting new exhibition will defi- Conservation in Bhutan MSymphony and the Honolulu Academy FEBRUARY 24 – MAY 23 in the collection upstairs. from Colonial Williamsburg in Virginia: nitely give you insight to the old adage, oes Himalayan art and culture fascinate Q: Dream exhibit at the Academy? of Arts joined forces to create a musical and Janine Harris, James Ingram, Jr. and Larry “there’s no place like home.” This project his exhibition examines the scope of Dyou? Would you like to volunteer as a A: A contemporary visiting artist-in-resi- visual art experience for kindergarteners Earl, Jr. gave an outstanding daylong presen- was funded by the McInerny Foundation, Twork undertaken by Eddie Jose and the gallery guide some weekends for the dency program featuring artists who work from the Academy’s neighboring school, tation. This workshop was sponsored by a Orvis Foundation, and the Hawaii Council for Conservation Department of the Honolulu Museum Learning Center exhibitions that on community-based public art projects, Queen Ka‘ahumanu Elementary School. grant from the Hawaii Council for the the Humanities. Academy of Arts in Bhutan. Follow the steps complement the Dragon’s Gift: The Sacred specifically with local youth. Ninety curious keiki and teachers arrived by Humanities through funds from We the of the sacred art of thangka painting today as Arts of Bhutan? Please call the Education Call Aaron Padilla at 532-8721 to apply for foot to an atmosphere of art and music to set People, an initiative of the National a living art and then examine a collection of Department at 532-8726. Training will begin the Museum Learning Center Internship off their sense of sight, sound, and touch. Endowment for the Humanities. sacred thangkas, in deteriorating condition in late January. Program.

12 Calendar News - January/February 2008 13 Education Art Center

Curriculum Guides African Cultural Safari New Members’ Tour BROADSIDES New Works by Aiko Kameya, Crab-Claw Narcissus JANUARY 9 – 30 Takeo Miji and Randy Exhibition Online FEBRUARY 17 GET TO KNOW MORE ABOUT YOUR MUSEUM! elebrate Black History Month with an ll members-new and current-are Shiroma FEBRUARY 9 – 10 he Academy is developing comprehensive CAfrican Cultural Safari. Travel on a gallery Awelcome to reserve a space for a New JANUARY 9 – 30 he Academy Art Center goes green for Tcurriculum guides for grades K–12 that hunt and find new displays of African art. Members’ Tour at 1 p.m. on either Sunday, wo painters and a TChinese New Year with an exhibition of teachers can use to enhance their students’ Then get into the spirit by trying on tradi - January 13 or February 10th. Please call the Tsculptor combine crab-claw narcissus plants created by partici - visits to the Academy. Not only do these tional African clothing. Education Department at 532-8726 by noon forces to present an pants in Gilman Hu’s crab claw narcissus on the Thursday before the tour.

s cultivation workshops. Crab-claw narcissus t guides identify state benchmarks addressed r exhibition of new A f o

y cultivation is an age-old tradition associated m

by Academy tours, but they also contain e works in the d a

ADULT PROGRAMS c A with the celebration of Chinese New Year and u several lesson plans that teachers can use to l Academy Art Center u l o

Read, Talk & Walk n o Gilman Hu is one of the foremost masters of address additional benchmarks in various H Second Floor Gallery 8 0 s t 0

Afternoon Tour and Tea r 2 A

f this ancient art. © subjects. Book Club in the Galleries January 9–30. Aiko o

TUE., THUR., AND SUN. AFTERNOONS o t y o m h SATURDAYS, JANUARY 26 AND MARCH 1 e P d a

Curriculum guides are currently available Kameya’s paintings c A u 2:30 – 4:00 p.m. in the Galleries l u l

o Honolulu Printmakers for the All About Architecture tour, and he selected book for January is The Bowl are characterized by n o H

he female figure is the focus of BROAD - 8 0 guides for The Dragon’s Gift: The Sacred an exploration of 0 his program is for those who want to Tis Already Broken , by Mary Kay Zuravleff. 2 Annual Juried Exhibition ©

TSIDES, a group exhibition by five women o t o

Arts of Bhutant exhibitions will be posted in explore our galleries, learn about art and Find out what transpires when the director color and vigorous h

T P artists on view in the Academy Art Center FEBRUARY 20 – MARCH 14 February. The Education Department will culture, and have an opportunity to socialize of a museum of Asian art quits under brushstrokes. The Gallery from January 9–30. The exhibition Randy Shiroma also post curriculum guides for our ongoing over a glass of tea. Our Academy Docents will pressure and takes off on a dig in China, a artist derives her he biggest print exhibition of the years features a selection of paintings, works on tours as they become available, so please lead discussions in the galleries that will pregnant woman takes over as acting subject matter from her subconscious. She Tfeaturing works by contemporary print - paper, and ceramics by Oahu artists Chris visit our webpage for regular updates. For inspire you to consider art in many new director, a colleague has been embezzling was born in Hokkaido, Japan and she makers statewide. This year’s juror is Campbell, Yvonne Cheng, Vicky Chock, more information, please contact the ways, and allow great insight to many from the museum and, as the story opens, received both a BFA and an MFA in Painting Assistant Professor and Interim Chair of Esther Shimazu and Nancy Vilhauer. Chris Education Resource Coordinator at 532- cultures and time periods. the curator of Chinese ceramics drops a from the University of Hawaii at Manoa. Printmaking at the Kansas City Art Institute, Campbell’s oil on canvas paintings place the 8728 or [email protected]. Call 532-8700 to reserve a place. The tour priceless porcelain bowl at the acquisition’s Takeo Miji is originally from Honoka‘a, Laura Berman. Berman works with sequence female figure in a variety of colorful environ - is free for members and for guests with unveiling ceremony. The Academy’s priceless Hawaii. He received an MFA in Painting from and multiples in non-traditional formats and ments and settings. Campbell studied museum admission; donations for refresh - Chinese and Islamic ceramic art (including the University of Hawaii at Manoa. His paint - her current work explores installation and painting at the Art Students League in New FAMILY PROGRAMS ments are voluntary. Space is limited. unbroken bowls) will be featured in our ings are known for their bold brushstrokes interaction in combination with hand printed galleries. York and is represented by Bethel Gallery and thick layers of color. Honolulu-born images. She has created on-site specific exhi - and Cedar Street Gallery. Nancy Vilhauer Bank of Hawaii Sundays Hawaiian Modern: The Architecture of Discover the arts of tantric Buddhism in Randy Shiroma currently lives in San Jose, bitions at numerous galleries and museums presents a series of oil and acrylic on canvas Vladimir Ossipoff the extraordinary exhibition Dragon’s Gift: . He received a BFA from the including Dalarnas Museum of the Arts- paintings. She pursued her studies in art at Printmaking Triennial Exhibition, Falun, t’s free! It’s fun! It’s Bank of Hawaii Jean Culbertson ...... Jan. 3 & 6 The Sacred Arts of Bhutan . The book, So University of Hawaii at Manoa and an MFA in Otis Parsons in and received a Sweden and the Center for Book Arts in New ISunday! The Honolulu Academy of Arts’ Sue Tetmeyer ...... Jan. 8, 10 & 13 Close to Heaven: the Vanishing Buddhist Sculpture and Ceramics from San Jose State Free Sunday program sponsored by Bank of Kingdoms of the Himalayas , by Barbara BFA from the University of Puget Sound in University. In this exhibition he presents York. She recently directed the 2007 What Photography Did to Art Hawaii continues through 2007 on the third Crossette, will introduce readers to the intri - Tacoma, WA. Yvonne Cheng was born in Java, sculptural works in terazzo, a polished and Southern Graphics Council Conference in Indonesia and is a self-taught artist. Her Sunday of the month. The doors will be open Charles Hardy ...... Jan. 15 & 17 cacies of Himalayan Buddhism as she patinated concrete. All three artists have Kansas City, MO. She received a BFA from the work in the exhibition includes acrylics on free of charge from 11 a.m. until 5 p.m. for Epic Journeys journeys to the former principalities of Tibet, exhibited widely and their works are New York State College of Ceramics at Alfred canvas and ink on paper. Vicky Chock all residents and visitors to browse at their Ladakh and Sikkim, and the Kingdom of included in many public and private collec - University and an MFA from Tulane Mary Flynn ...... Jan. 22, 24 & 27 presents a series of colorful ceramic sculp - leisure through Hawaii’s premiere cultural Bhutan, which “alone remains true to that tions Academy members are invited to attend University. The exhibition is organized by the Spiritual Treasures: The Natural World in Art tures on the theme of women and the circus. institution. Between 11 a.m. and 4 p.m. there religion’s riotous marriage of esoteric an opening reception for the exhibition on Honolulu Printmakers. Academy members theology and gorgeous ritual, serenely medi - Chock is a professor in art at Leeward will be live entertainment, art projects for Maeona Mendelson . . . . . Jan. 29, 31 & Feb.3 Wednesday, January 9 from 5:3 0–7:30 p.m. are invited to attend an opening reception for tating Buddhas and deities entwined in Community College. She received an MFA kids, gallery hunts, and artist demonstra - Portraits and their Stories the exhibition on Wednesday, February 20 sexual embrace.” from Claremont Graduate University and BA Academy Shop from 5:3 0–7:30 p.m. tions. The Pavilion Café will serve lunch from Myra Kent ...... Feb. 5, 7 & 10 Note: The February session will be held on from University of Denver. Esther Shimazu 11:30 a.m. until 2 p.m. Global Village Saturday, March 1 so as not to conflict with presents a series of beautifully crafted Clearance Sale Intimations: New Work Kaui Philpotts ...... Feb. 12 & 14 the opening of the exhibition. Due to the ceramic sculptures of quirky Asian female FEBRUARY 8 – 10 by Judith Nelson interest in the Book Club, and in order to nudes. She received a BFA and an MFA at the Build It and They Will Come Art of Ancient China on’t miss the sale of the year featuring accommodate more participants, you may University of and is currently FEBRUARY 20 – MARCH 14 JANUARY 20 Carol Bonham ...... Feb. 19, 21 & 24 D30 –80% reductions on books, posters, now register for either Group One, from 1-3 an instructor at The Academy Art Center. Her ahu-based artist Judith Nelson presents a ave you ever looked at something and jewelry, stationery, folk art and more. The The Dragon Gift: The Sacred Arts of Bhutan p.m. or Group Two, from 2-4 p.m. Free with work is represented by John Natsoulas Oone-woman exhibition of new mixed Hjust wondered how they did that? Or sale includes duplicates and donations from Millie Liu ...... Feb. 26, 28 & March 2 the price of admission. Carol Bonham will Gallery, Davis, CA. All five artists have exhib - media works including examples of red dirt perhaps you have seen a piece of art that the Robert Atherton Art Research Library and direct the book discussions and Karen ited widely and their works are represented printing and natural materials on handmade gives you chills. collectibles presented by the Academy Guild. Thompson the gallery talks. Participation is in numerous public and private collections. papers. The exhibition is on view in the Experience the mystery of art and take a All proceeds support Academy programs. limited and reservations are required. To Academy members are invited to attend an Second Floor Gallery from February look at some of the mystical and inexplicable reserve your place, please call the Academy opening reception for the exhibition on 20 –March 14. Nelson received a BFA from pieces in our collection! Visitor Information Center at 532-8700. Wednesday, January 9 from 5:3 0–7:30 p.m.

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A r n um Su Fr t g a a sv o G u D. 6 t i ary rs s, B i ( l ee ss a s h at G e ect el m l rch n a n , in l er i a D n p c u e , e i 5 D 9 en t i r g r . a o o d / a e it ev o a A u y g d 0 h H r a i a J t U ea r L 6 n n s n e f c rg g ra y d u t n , G t 0 f l A rch L r l n a u y a el g d r Ma ser s l hi e i nt M o n 0– o em P A i e a l e d t D F D M T Mo H om a Sys f a t b G d ld re n c Th e h L mp of H r i n i e s r S Bo er Lo n s e h al o n ro c E f r r a t d k ve o e ar e i Calen dar e te ctu i t O a on u u . . t D i e 1 o C d br e on i en n w eat h p C h t m n at ms na i t Lamb I Hon re , P P i o e e U T nz e t f 12 ut n rs a t d t a ri r e e n a Li r y A n g he . ctu ua u i t ts ster St his h c ri s r n ua i mi t s t e a t it si r t i s ca Ho Ar R i g ri h r sp e, g a en t 7) . s he i nt e e t b o u t te u t sat o y y- w E d t r t e i g y S s ct m xi 1 g t i r h to n l d s d a n den er o ry H e t e -P e chool i y u r ith e of 0 P o t a l Ko e r i U n ex n tva y ed n ry, A w on b i s t n e e a in o t estin an , n n h- ce n n an d d . 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As es tu re d e n e M i is e x nd of bb v - d as ty 2008 o e p sor s i a ia n o Ar Dav s i se th f n ns u c ti n u b g t e i a o d s, lp li c re of A st er B n rt . - : 21 y Photograph by Tibor Franyo, © 2001 Honolulu Academy of Arts ebr Donors & Members I 2008 for Rates Dues New FREE under and 12 Age $15 and 18/Military: Members - Academy 13 Age +)/ (62 Citizens Senior $20 Admission: General Bhutan of Arts Sacred The Gift: Dragon’s The FREE under and 12 Age and $10 Members 18/Military: Academy – 13 +)/Age (62 Citizens Senior $15 Admission: General Ossipoff Vladimir of Architecture The Modern: Hawaiian Prices Ticket Exhibition Major I Card Membership Your Bring Please 150Guardian $1,500 Sponsor 700 $ Contributor 350 $ Subscriber 150 $ (2-year) Family 175 $ (1-year) Family 95 $ (2-year) Individual 90 $ (1-year) Individual 55 $ Island National/International/Neighbor 40 $ required) (verification Student 20 $ Ossipoff Vladimir of exhibitions ticketed the during important This especially museum. be the will to come you when Information Visitor’s desk the Center at ID photo a membership and your card show please to you asking are sw aeoretypoeue oeefficient. more procedures entry our make we as cooperation your for Thanks presentations. able remark- these for sticker your viewing get complimentary to ID photo and card membership Bhutan of Arts Sacred ’ ayt ee ormmesi ycalling 808-532-8724. by membership your renew to easy t’s well—we so know we names the to better—to face members a our put know to get to order n aainMdr:TeArchitecture The Modern: Hawaiian and ipyso your show Simply . h rgnsGf:The Gift: Dragon’s The 22 B exhibition.groundbreaking First Come Members E Listing Donor las hn o o ormmesi support. membership your for you thank As always, museum. encyclopedia leading a as vigor Academy’s the underscores importance tional information. updated for 532-8719 call www.honoluluacademy.org or at log website Simply our offered. onto be will that activities a of enjoy variety to encouraged also are Information Visitor’s Members Center. the at ID photo and card membership current your on show is exhibit—simply show the months three the throughout group. special this of part a be to membership your the ceremonies—upgrade attend opening to invited be will Fellows Academy 24. and 23 February event: Bhutan of Arts igi 2008. begin- in Report ning Annual an publish will Academy the News Calendar Head. Department a or Little Stephen from Director letter personal a in acknowledged and rnigi xiiin fntoa n interna- and national of exhibitions in Bringing viewing free to entitled are members All of Society the of members Additionally, ewl olne nld oo itnsin listings donor include longer no will We is oview the to be first will members Academy only, invitation y uue orgfsaesneeyappreciated sincerely are its gifts to Your vital future. is museum the to donation very h rgnsGf:TeSacred The Gift: Dragon’s The uigatodymembers-only two-day a during u osaelmttos Instead, limitations. space to due o our for Bank FIRSI" OJ,N,/lfjH'(OfFH6WAl ~~--­ PRADA aainEeti nutis Inc. Industries, Electric Hawaiian ,n, uiesCouncil Business of INSUR4NCE oprt ietrsCircle Director’s Corporate ~~ •"4'.fkoh.ro err hi&Ascae,Ltd. Associates, & Choi Ferraro y fteAaeyBsns Council Business Academy the of Hawaii omrilDt Systems Data Commercial alt-alSuis Inc. Studios, Wall-to-Wall oprt Benefactor Corporate m rded arn Ltd. Warren, Brodhead, eslt edn members leading salute We l . lr lr fHawaii of Alarm Alert ll'D. is aainBank Hawaiian First ~ oprt Patron Corporate oprt Leader Corporate , oouuWeekly Honolulu Academy iisGil&Bar & Grill Tiki’s mrnHawaii Ameron rhe ifn Co. & Tiffany B Stores ABC Sotheby’s Christie’s Hon Halmi. Emythingfor!htArts o * lulu Ad AA~ A TORI ve r t HONOLULU i se ARMSTRONG BUILDERS r HERMES RICHARD ~ SINCE PAR 1 9 I 56 S LLC . • ihe Linda & Michael Higgins Sanne & Ron Hee Stephanie & Sherman Haig Christopher Guild Robert & Alice Priscilla & James Goodsill Ruth Goo Laura & Donald Gendreau Allison & Keith Gary Helen Eu Peggy & Eddie Ebsworth Pamela Ebsworth Barney & Drewliner Peter Dolan David Cowles Phoebe Cooke Mary & Sam Conrad Lehua & Conrad Clark Charlotte & Henry Boas Frank Blum Diane & Fred Bellinger Joan Bean Robert Aull Dawn & Bill Atherton Burta Aall Christian Academy: the of vision and mission the fulfill helps leadership support annual whose Circle Director’s our of members acknowledges gratefully Arts of Academy Honolulu The Horikawa Growney Higa Charles laecl ae unr ietro eeomn,a 532-8714. at Development, of Director Sumner, Karen call please o oeifrainaotjiigteDrco’ Circle, Director’s the joining about information more For Director’s Circle aedrNw aur/eray2008 January/February - News Calendar nnmu (4) Anonymous Wright Anne & Philip Jeanne & Charles David & Henrietta Watumull Indru & Gulab Thurston & Sharon & M.D. Thoeni, F. Ruedi Sullivan Joanna Stupski Joyce & Larry Maryanna & Charles Shidler Wallette & Jay Rolles Jean Robinson Alice Pickens Alex & Frances O’Neill Trish & Mike & Johnson Lynne Moore Catherine Martin Christie & Watters Mamiya Richard Levas John Lee Cecilia & David Lally Lynn & Jim Wichman Whitcomb Twigg-Smith Franklin B. David Stockholm Moore Randy 23 Honolulu Academy I of Arts A Registered National Historic Place Accredited by the American Association of Museums

Lynne Johnson Chairman, Board of Trustees

Stephen Little, Director

Gallery and Shop Hours: Tuesday–Saturday: 10:00 a.m.–4:30 p.m., Sunday: 1:00 p.m.–5:00 p.m. 11:00 a.m.–5:00 p.m. Bank of Hawaii Sundays (admission free) Closed Mondays, New Year’s Day, Fourth of July, Thanksgiving, and Christmas.

Telephone: 532-8700 Administrative 532-8701 Recorded Information 532-8768 Recorded Theater Programs 532-8724 Membership Services 532-8734 The Pavilion Café 532-8703 The Academy Shop (866) DUKETIX or 532-DUKE Shangri La Reservations

Admission: General $10 Seniors (62+)/Students (12+)/Military $5 Age 12 and under FREE Academy members FREE Bank of Hawaii Sundays FREE First Wednesday of every month FREE The Academy Shop, The Pavilion Café, and The Robert Allerton Library are always FREE

The Pavilion Café: Annual Clearance Sale Open Tuesday–Saturday 11:30 a.m.–1:30 p.m. Reservations 532-8734

The Robert Allerton Art Research Library: 30% to 80% off Open Tuesday–Friday 10:00 a.m.–4:00 p.m. Books, stationery, posters, jewelry, and ethnic clothing Saturday 12:30 p.m.–4:00 p.m. Also duplicate and donated books from the Tours: Guided tours of the collection are offered Tuesday Robert Allerton Art Research Library and collectibles through Saturday at 10:15 a.m., 11:30 a.m, 1:30 p.m., presented by the Academy Guild. and Sunday at 1:15 p.m. Japanese language tours are offered Wednesday, Friday, and Saturday at 1:00 p.m. Special and group tours are available, and tours for Members’ Preview Day hearing impaired can be arranged. Call 532-8726 Friday, Feb. 8, 10:00 a.m. to 4:30 p.m. Access for patrons in wheelchairs and courtesy parking Continuing Saturday, Feb. 9, 10:00 a.m. – 4:30 p.m. for disabled persons is available. Sunday, Feb. 10, 11:00 a.m. – 5:00 p.m. Academy Parking: Art Center Lot: Monday–Saturday 7:00 a.m.–11:00 p.m. (Closed Monday) Sunday 10:00 a.m.–6:00 p.m. $3 with validation for every 4 hours. Tuesday, Feb. 12, 10:00 a.m. to 4:30 p.m. 1035 Kinau Street Lot: (Diamond Head of Admiral Thomas) Closed during regular museum hours except for The Art Center at Linekona museum staff and volunteers. Open during evening and weekend hours until 11:00 p.m. Most items remaining after Sunday, February 9 Parking Fees: $3 for every 4 hours with validation, or will be further reduced on $4 flat rate (evening) without validation Tuesday, February 12 the final day. or for parking beyond the validation period. Parking during member openings is free.

The Art Center and Kinau Street lots are The Academy Shop controlled by Diamond Parking, Inc. www.honoluluacademy.org

Honolulu Academy of Arts NON-PROFIT 900 South Beretania Street ORGANIZATION I Honolulu, Hawaii 96814-1495 U.S. POSTAGE PAID HONOLULU, HAWAII PERMIT NO. 119 H-alekn~nt Elmything* for the Arts Dated Material