Introduction
Notes Introduction 1. Karen B. Halnon (2002), “Poor Chic: The Rational Consumption of Pov- erty,” Current Sociology 50 (4): 501– 16. 2. Zygmunt Bauman (2000), “Tourists and Vagabonds: Or, Living in Postmod- ern Times,” in Joseph E. Davis (ed.), Identity and Social Change, 13– 26 (New Brunswick, NJ: Transaction Publishers). 3. George Ritzer (2008), The McDonaldization of Society 5 (Thousand Oak, CA: Pine Forge), 1– 182. 4. Karen Bettez Halnon with Saundra Cohen (2006), “Muscles, Motorcycles and Tattoos: Gentrification in a New Frontier,” Journal of Consumer Culture 6 (1): 33– 56. 5. Pierre Bourdieu (1984), Distinction: A Social Critique of the Judgement of Taste, trans. Richard Nice (Cambridge, MA: Harvard University Press). 6. Mike Featherstone (2007), Consumer Culture and Postmodernism (Thousand Oaks, CA: Sage Publications Limited), 17. 7. Guy Debord ([1995] 1967), The Society of the Spectacle, 7th ed., trans. Donald Nicholson-Smith (New York: Zone Books). 8. Debord, The Society of the Spectacle, 151. 9. Zygmunt Bauman quoted in Madan Sarup (2005), Identity, Culture and the Postmodern World (Edinburgh: Edinburgh University Press), 127. 10. Sarup, Identity, Culture and the Postmodern World, 127– 28. 11. Karen Bettez Halnon (2005), “Alienation Incorporated: ‘F*** the Mainstream Music’ in the Mainstream,” Current Sociology 53 (3): 441– 64. 12. Steven Spitzer (1975), “Toward a Marxist Theory of Deviance,” Social Prob- lems 22 (5): 638– 51, 648. 13. Eminem, “White America,” track 2, The Eminem Show [Explicit Lyrics] (2002), Interscope Records. 14. Ibid. 15. C. Wright Mills (2000), The Sociological Imagination (London: Oxford Uni- versity Press), 4 16. Ibid., 15. 17. Ibid., 8. 190 NOTES 18.
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