DOCSLIB.ORG

The Journal the Music Academy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Journal the Music Academy THE JOURNAL OF THE MUSIC ACADEMY MADRAS DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LI 1980 *Ti W Tfa ^ I W^CrfTT ^ m f o l ^ fcf0Tf*T T O || “ I dwell not in Vaiknntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada! ” Edited by T. S. PARTHASARATHY 1981 The Music Academy Madras 306, Mowbray’s Road, Madras - 600 014 Annual Subscription - Rs. 12 : Foreign $ 3*00 OURSELVES 2 - This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor, Journal of the Music Academy, 306, Mowbray's Road, Madras-600014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type­ written (double spaced and on one side of the paper only) and should be signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views ex* pressed by contributors in their articles. JOURNAL COMMITTEE OF THE MUSIC ACADEMY I. Sri T. S. Parthasarathy — Editor (and Secretary, Music Academy) 2. 99 T. V. Rajagopalan — Trustee 3. f* S. Ramaswamy — Executive Trustee 4. ff Sandhyavandanam Sreenivasa Rao — Member 5. 99 S. Ramanathan — Member 6. ff S. Natarajan Secretaries of the Music 7. >9 R. Ranganathan > Academy, Ex-officio 8. ff T. S, Rangarajan ' members. CONTENTS -3 PAGE The 53^d Annual Conference of the Music Academy, Madras: Official Report: — 1 Meetings of the Experts’ Committee — 24 The Sadas — 41 The Sangita Sara of Sri Vidyaranya S. Ramanathan — 57 The Pulluvans and Their Music L. S. Rajagopalan — 72 Madurai Gopala Bhagavatar’s Family Manuscript T. Kodandaramaiah — 81 The Natya Sastra in the Tamil Soil (Kum) Padma Subrahmanyam — 89 The Concept of Sruti-Jati-s N. Ramanathan — 99 The Musical Empire of Maharaja Svati Tirunal T. S. Parthasarathy , — 113 Some Aspects of the Rhythmic Beauties of Tiruppugazh P. K. Rajagopala Aiyar — 120 Electronic Sruti Instruments P. E. Sankaranarayanan and Miss K. Meenakshi — 129 Music Teaching—Under Gurukula System and in Recognised Institutions Sandhyavandanam Sreenivasa Rao — 133 The Teaching of Music (Tamil) S. V. Parthasarathy — 140 Book Reviews T. S. Parthasarathy — 147 THE 53Rd MADRAS MUSIC CONFERENCE OFFICIAL REPORT THE OPENING DAY ® 20—12—1979 The 53rd Annual Conference of the Music Academy, Madras, was held at the T. T. Krishnamachari Auditorium in the premises of the Academy, 306, Mowbray’s Road, Madras-600 014, from the 20th December 1979 to 1st January 1980. The Conference was inaugurated by Sri M. Hidayatullah, Vice-President of India. The inaugural function began with the singing of prayer by Smt. Mani Krishnaswamy. MESSAGES Sri S. Ramaswamy, Executive Trustee of the Music Academy, read the following messages received from prominent persons all over India for the success of the 53rd Conference of the Academy. Sri Prabhudas B. Patwari, Governor of Tamil Nadui “ The work done by the Music Academy in fostering our fine arts with dedication is indeed admirable. Its record of service in this field extends to more than half a century. I am particularly happy that this Academy preserves and promotes Classical Carnatic music, promotes understanding between the Carnatic and Hindustani Schools of music and develops research. I wish the Academy a bright and prosperous future and continued success in its laudable endeavours." Sri G. D. Tapase, Governor o f Uttar Pradesh: “ Music and arts, like religion, were another media to trans­ forming the brute unto man, and the man unto god: Whenever these gave way to sensuality and commercialism, societies and nationalities have crumbled to dust. I would therefore, wish the Academy to continue to propounding the fundamentals of drama­ turgy as set forth by our saints and seem and I wish the mission all success." 2 THE JOURNAL OF THE MADRAS MUSIC ACADEMY [Vol. LI Sri Bidesh Kulkarni, Lieutenant Governor, Pondichery: “ I send my congratulations on the occasion and best wishes to the Music Academy for the continued success of its endeavours." Sri Y. B. Chavan, Deputy Prime Minister & Home Minister o f India: “ I am happy to learn that this Conference will arrange sessions of both Hindustani and Carnatic music, apart from providing a forum for Indian and foreign musicologists to participate in mutually useful discussions. I send my good wishes for the success of this Conference.” Sri C. Subramaniam, Minister o f Defence, India “ The Music Academy of Madras has done yeoman service to music lovers for the last more than half a century in promoting classical Carnatic music, synthesising Carnatic and Hindustani schools of music, encouraging musicians and instrumentalists and enlightening the public about the fine arts through its research studies and publications. It is in the fitness of things that the 53rd Confer­ ence of the Music Academy will be inaugurated by the Vice-President of India on the 20th December, at Madras. It is equally befitting the occasion that Vidvan Sri K. S. Narayanaswamy will be presiding over the Conference. As usual, I find the Academy will be present­ ing a good fare in dance and music, both in Carnatic and Hindus stani, apart from scholastic discussions on Music and Musicology. I have every hope that, as in previous years, music lovers both Hindustani and Carnatic and dance lovers will be fortunate this year also, to enjoy the performances of renowned artists and pro­ mising youngsters in the field of music and dance.” Sri Fazlur Rahman, Minister o f Labour, Govt, o f India “ The contribution of the Music Academy in preserving and promoting classical Carnatic jnusic and other related arts are laudable. I wish the Conference all success.” Sri S. N. Kacker, Minister o f Law, Justice and Company Affairs, New Delhi “ Music is the greatest uniting factor for mankind and I am sure the Academy will play its unique role in achieving the objective of communal harmony and national integration. I wish the Conference all success.” THE 5 3 r d m a d r a s m u s ic c o n f e r e n c e 3 Dr. M. Chenna Reddy, Chief Minister o f Andhra Pradesh-. “ The services of the Music Academy all these years need not be emphasised. Madras, being traditionally a Camatak music loving city, has also done its best to foster greater understanding between Carnatak and Hindustani schools of music in the recent years. The Academy deserves all congratulations for this task. I am glad that the Academy is proposing to conduct competitions in various branches of music to discover young talent. This is the best opportunity for young and the promising artists to compete with their seniors to prove their worth. I wish the Conference all success.” Sri Bhairon Singh Shekhawat, Chief Minister o f Rajasthan, Jaipur: “ I am happy to learn that the 53rd Conference of the Music Academy, Madras, will be held from Dec. 20 to Jan. 1st 1980. I wish the Conference all success.” Sri P. Kolandaivelu, Minister for Agriculture and Irrigation, Tamil Nadu: “ I congratulate the President, Executive Trustee and Secre­ taries of the Music Academy, Madras, since they are striving hard to preserve and promote Classical Carnatic music and develop Research, studies and publications in the history, theory, art and science of Indian Music. I wish the 53rd Conference of the Music Academy a grand success.” Sri K. A. Krishnaswamy, Minister for Co-operation, Govt, o f Tamil Nadu: “ The Music Academy has rendered yeoman service to preserve and promote Indian Music. I wish the Conference every success.” Sri M. M. Ismail, Chief Justice, Madras High Court: “ The Music Academy has an enviable record to its credit by way of providing entertainment to the public of Madras, encouraging young and devoted artistes and honouring the Masters in the field. In addition, the research activities carried on by the Academy during the period of Conference have won the appreciation of the learned and knowledgeable.” 4 THE JOURNAL OP THE MADRAS MUSIC ACADEMY [Vol. LI Mr. James A. Rubin, Executtve Director, Pan Orient Arts Foundation, Hashua, U.S.A.: “ I have just learned that Sri K. S. Narayanaswamy has been elected to serve as President of this year’s Conference. The Academy should be congratulated on its choice of this dedicated musician and teacher, who exemplifies all that is fine and enduring in music, generally; and in the noble Carnatic tradition, specifically. Please extend my warmest best wishes to the Academy and the new President for a most successful and rewarding Conference.” The President of the Academy, Sri K. R. Sundaram Iyer, welcomed the distinguished guests, members of the Academy and the public. In his address, Sri Snndaram Iyer said: “ Hon’ble Vice-President of India Shri M. Hidayatullah, Vidwan Sri K. S. Narayanaswamy, the President-Elect of this- Conference, Vidwans and Vidushis, Distinguished guests, Ladies and Gentlemen: I have great pleasure in welcoming you all, the members of the Music Academy, the musicians, the Members of the Experts Committee and other guests. We consider it a great privilege and a source of encouragement to have with us today, a respected distinguished son of our country, Hon’ble Shri M. Hidayatullah, the Vice-President of India, to inaugurate our 53rd Annual Conference and Concerts. His great contribution to the judicial field from the Bar to the highest office of the Chief Justice of India firmly established supreme and un­ shakable faith of our countrymen in the judiciary without which there cannot be any meaningful democracy.
Load more

Recommended publications
  • The Music Academy, Madras 115-E, Mowbray’S Road
    Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type­ written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages.
    [Show full text]
  • Particulars of Some Temples of Kerala Contents Particulars of Some
    Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ...........................................................................................................
    [Show full text]
  • Note Staff Symbol Carnatic Name Hindustani Name Chakra Sa C
    The Indian Scale & Comparison with Western Staff Notations: The vowel 'a' is pronounced as 'a' in 'father', the vowel 'i' as 'ee' in 'feet', in the Sa-Ri-Ga Scale In this scale, a high note (swara) will be indicated by a dot over it and a note in the lower octave will be indicated by a dot under it. Hindustani Chakra Note Staff Symbol Carnatic Name Name MulAadhar Sa C - Natural Shadaj Shadaj (Base of spine) Shuddha Swadhishthan ri D - flat Komal ri Rishabh (Genitals) Chatushruti Ri D - Natural Shudhh Ri Rishabh Sadharana Manipur ga E - Flat Komal ga Gandhara (Navel & Solar Antara Plexus) Ga E - Natural Shudhh Ga Gandhara Shudhh Shudhh Anahat Ma F - Natural Madhyam Madhyam (Heart) Tivra ma F - Sharp Prati Madhyam Madhyam Vishudhh Pa G - Natural Panchama Panchama (Throat) Shuddha Ajna dha A - Flat Komal Dhaivat Dhaivata (Third eye) Chatushruti Shudhh Dha A - Natural Dhaivata Dhaivat ni B - Flat Kaisiki Nishada Komal Nishad Sahsaar Ni B - Natural Kakali Nishada Shudhh Nishad (Crown of head) Så C - Natural Shadaja Shadaj Property of www.SarodSitar.com Copyright © 2010 Not to be copied or shared without permission. Short description of Few Popular Raags :: Sanskrut (Sanskrit) pronunciation is Raag and NOT Raga (Alphabetical) Aroha Timing Name of Raag (Karnataki Details Avroha Resemblance) Mood Vadi, Samvadi (Main Swaras) It is a old raag obtained by the combination of two raags, Ahiri Sa ri Ga Ma Pa Ga Ma Dha ni Så Ahir Bhairav Morning & Bhairav. It belongs to the Bhairav Thaat. Its first part (poorvang) has the Bhairav ang and the second part has kafi or Så ni Dha Pa Ma Ga ri Sa (Chakravaka) serious, devotional harpriya ang.
    [Show full text]
  • Syllabus for Post Graduate Programme in Music
    1 Appendix to U.O.No.Acad/C1/13058/2020, dated 10.12.2020 KANNUR UNIVERSITY SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: MA MUSIC DEPARTMENT OF MUSIC KANNUR UNIVERSITY SWAMI ANANDA THEERTHA CAMPUS EDAT PO, PAYYANUR PIN: 670327 2 SYLLABUS FOR POST GRADUATE PROGRAMME IN MUSIC UNDER CHOICE BASED CREDIT SEMESTER SYSTEM FROM 2020 ADMISSION NAME OF THE DEPARTMENT: DEPARTMENT OF MUSIC NAME OF THE PROGRAMME: M A (MUSIC) ABOUT THE DEPARTMENT. The Department of Music, Kannur University was established in 2002. Department offers MA Music programme and PhD. So far 17 batches of students have passed out from this Department. This Department is the only institution offering PG programme in Music in Malabar area of Kerala. The Department is functioning at Swami Ananda Theertha Campus, Kannur University, Edat, Payyanur. The Department has a well-equipped library with more than 1800 books and subscription to over 10 Journals on Music. We have gooddigital collection of recordings of well-known musicians. The Department also possesses variety of musical instruments such as Tambura, Veena, Violin, Mridangam, Key board, Harmonium etc. The Department is active in the research of various facets of music. So far 7 scholars have been awarded Ph D and two Ph D thesis are under evaluation. Department of Music conducts Seminars, Lecture programmes and Music concerts. Department of Music has conducted seminars and workshops in collaboration with Indira Gandhi National Centre for the Arts-New Delhi, All India Radio, Zonal Cultural Centre under the Ministry of Culture, Government of India, and Folklore Academy, Kannur.
    [Show full text]
  • Annual Report 2014 - 2015 Ministry of Culture Government of India
    ANNUAL REPORT 2014 - 2015 MINISTRY OF CULTURE GOVERNMENT OF INDIA Annual Report 2014-15 1 Ministry of Culture 2 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site Annual Report 2014-15 CONTENTS 1. Ministry of Culture - An Overview – 5 2. Tangible Cultural Heritage 2.1 Archaeological Survey of India – 11 2.2 Museums – 28 2.2a National Museum – 28 2.2b National Gallery of Modern Art – 31 2.2c Indian Museum – 37 2.2d Victoria Memorial Hall – 39 2.2e Salar Jung Museum – 41 2.2f Allahabad Museum – 44 2.2g National Council of Science Museum – 46 2.3 Capacity Building in Museum related activities – 50 2.3a National Museum Institute of History of Art, Conservation and Museology – 50 2.3.b National Research Laboratory for conservation of Cultural Property – 51 2.4 National Culture Fund (NCF) – 54 2.5 International Cultural Relations (ICR) – 57 2.6 UNESCO Matters – 59 2.7 National Missions – 61 2.7a National Mission on Monuments and Antiquities – 61 2.7b National Mission for Manuscripts – 61 2.7c National Mission on Libraries – 64 2.7d National Mission on Gandhi Heritage Sites – 65 3. Intangible Cultural Heritage 3.1 National School of Drama – 69 3.2 Indira Gandhi National Centre for the Arts – 72 3.3 Akademies – 75 3.3a Sahitya Akademi – 75 3.3b Lalit Kala Akademi – 77 3.3c Sangeet Natak Akademi – 81 3.4 Centre for Cultural Resources and Training – 85 3.5 Kalakshetra Foundation – 90 3.6 Zonal cultural Centres – 94 3.6a North Zone Cultural Centre – 95 3.6b Eastern Zonal Cultural Centre – 95 3.6c South Zone Cultural Centre – 96 3.6d West Zone Cultural Centre – 97 3.6e South Central Zone Cultural Centre – 98 3.6f North Central Zone Cultural Centre – 98 3.6g North East Zone Cultural Centre – 99 Detail from Rani ki Vav, Patan, Gujarat, A World Heritage Site 3 Ministry of Culture 4.
    [Show full text]
  • Rakti in Raga and Laya
    VEDAVALLI SPEAKS Sangita Kalanidhi R. Vedavalli is not only one of the most accomplished of our vocalists, she is also among the foremost thinkers of Carnatic music today with a mind as insightful and uncluttered as her music. Sruti is delighted to share her thoughts on a variety of topics with its readers. Rakti in raga and laya Rakti in raga and laya’ is a swara-oriented as against gamaka- complex theme which covers a oriented raga-s. There is a section variety of aspects. Attempts have of exponents which fears that ‘been made to interpret rakti in the tradition of gamaka-oriented different ways. The origin of the singing is giving way to swara- word ‘rakti’ is hard to trace, but the oriented renditions. term is used commonly to denote a manner of singing that is of a Yo asau Dhwaniviseshastu highly appreciated quality. It swaravamavibhooshitaha carries with it a sense of intense ranjako janachittaanaam involvement or engagement. Rakti Sankarabharanam or Bhairavi? rasa raga udaahritaha is derived from the root word Tyagaraja did not compose these ‘ranj’ – ranjayati iti ragaha, ranjayati kriti-s as a cluster under the There is a reference to ‘dhwani- iti raktihi. That which is pleasing, category of ghana raga-s. Older visesha’ in this sloka from Brihaddcsi. which engages the mind joyfully texts record these five songs merely Scholars have suggested that may be called rakti. The term rakti dhwanivisesha may be taken th as Tyagaraja’ s compositions and is not found in pre-17 century not as the Pancharatna kriti-s. Not to connote sruti and that its texts like Niruktam, Vyjayanti and only are these raga-s unsuitable for integration with music ensures a Amarakosam.
    [Show full text]
  • DECEMBER 2019 Rs.5.00 Issue-7 27 Th ANNUAL DAY CELEBRATION on 16-02-2020 Sunday
    Editor : R.N. SADASIVAN News Magazine of KUSO ENGLISH MONTHLY Vol. 7 Pages-12 DECEMBER 2019 Rs.5.00 Issue-7 27 th ANNUAL DAY CELEBRATION On 16-02-2020 Sunday MORE DETAILSin NEXT ISSUE VENUE: NATAKASHIROMANI A.V. VARADACHAR MEMORIAL ART ASSOCIATION® A.V. Varadachar Road, (Behind Nataraj Theatre) Opp. Mantri Mall Roab, Seshadripuram, Bengaluru - 560 020. The Only Sourashtra English Monthly of Karnataka United Sourashtra Organisation (KUSO) 2 December 2019 WHAT DOES Sri O.S. SUBRAMANIAN SAY ON Dr. NORIHIKO UCHIDA ? Dr. Norihiko Uchida, a Japanese Indologist and providence blessed him to go to India to do research on linguist, has proved himself to be a folklorist too by virtue Saurashtra language. of his book "Oral Literature of the Saurashtrans." In this volume, samples of oral literature like lullabies, marriage songs, satirical songs, devotional songs are well recorded. Puberty songs, which are meant to impart sex education, are now extinct since the practice of child marriage has gone into oblivion. MADHAVUDU GITH is a long discourse held when a person of ripe old age slowly sinks. It narrates the rewards one gets for his past deeds and describes the path leading to MUKTHI. Folk tales, proverbs and similes are also reported. Betrothal and marriage ceremonies are well briefed. Time has While doing research on 'Historic Grammar of brought many changes, with the result that certain Saurashtra Language' under the auspices of Annamalai custom has become obsolete. Urban mechanical life University, Dr. Uchida found that many oral literatures of has shortened the duration of many ceremonies to few Saurashtras are on the verge of extinction.
    [Show full text]
  • MUSIC MPA Syllabus Paper Code Course Category Credit Marks
    MUSIC MPA Syllabus Paper Code Course Category Credit Marks Semester I 12 300 MUS-PG-T101 Aesthetics Theory 4 100 MUS-PG-P102 Analytical Study of Raga-I Practical 4 100 MUS-PG-P103 Analytical Study of Tala-I Practical 4 100 MUS-PG-P104 Raga Studies I Practical 4 100 MUS-PG-P105 Tala Studies I Practical 4 100 Semester II 16 400 MUS-PG-T201 Folk Music Theory 4 100 MUS-PG-P202 Analytical Study of Raga-II Practical 4 100 MUS-PG-P203 Analytical Study of Tala-II Practical 4 100 MUS-PG-P204 Raga Studies II Practical 4 100 MUS-PG-P205 Tala Studies II Practical 4 100 MUS-PG-T206 Music and Media Theory 4 100 Semester III 20 500 MUS-PG-T301 Modern Traditions of Indian Music Theory 4 100 MUS-PG-P302 Analytical Study of Tala-III Practical 4 100 MUS-PG-P303 Raga Studies III Practical 4 100 MUS-PG-P303 Tala Studies III Practical 4 100 MUS-PG-P304 Stage Performance I Practical 4 100 MUS-PG-T305 Music and Management Theory 4 100 Semester IV 16 400 MUS-PG-T401 Ethnomusicology Theory 4 100 MUS-PG-T402 Dissertation Theory 4 100 MUS-PG-P403 Raga Studies IV Practical 4 100 MUS-PG-P404 Tala Studies IV Practical 4 100 MUS-PG-P405 Stage Performance II Practical 4 100 1 Semester I MUS-PG-CT101:- Aesthetic Course Detail- The course will primarily provide an overview of music and allied issues like Aesthetics. The discussions will range from Rasa and its varieties [According to Bharat, Abhinavagupta, and others], thoughts of Rabindranath Tagore and Abanindranath Tagore on music to aesthetics and general comparative.
    [Show full text]
  • New and Bestselling Titles Sociology 2016-2017
    New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint.
    [Show full text]
  • 1 ; Mahatma Gandhi University B. A. Music Programme(Vocal
    1 ; MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME(VOCAL) COURSE DETAILS Sem Course Title Hrs/ Cred Exam Hrs. Total Week it Practical 30 mts Credit Theory 3 hrs. Common Course – 1 5 4 3 Common Course – 2 4 3 3 I Common Course – 3 4 4 3 20 Core Course – 1 (Practical) 7 4 30 mts 1st Complementary – 1 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 1 (Theory) 2 2 3 Common Course – 4 5 4 3 Common Course – 5 4 3 3 II Common Course – 6 4 4 3 20 Core Course – 2 (Practical) 7 4 30 mts 1st Complementary – 2 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 2 (Theory) 2 2 3 Common Course – 7 5 4 3 Common Course – 8 5 4 3 III Core Course – 3 (Theory) 3 4 3 19 Core Course – 4 (Practical) 7 3 30 mts 1st Complementary – 3 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 3 (Theory) 2 2 3 Common Course – 9 5 4 3 Common Course – 10 5 4 3 IV Core Course – 5 (Theory) 3 4 3 19 Core Course – 6 (Practical) 7 3 30 mts 1st Complementary – 4 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 4 (Theory) 2 2 3 Core Course – 7 (Theory) 4 4 3 Core Course – 8 (Practical) 6 4 30 mts V Core Course – 9 (Practical) 5 4 30 mts 21 Core Course – 10 (Practical) 5 4 30 mts Open Course – 1 (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 1 2 1 Core Course – 11 (Theory) 4 4 3 Core Course – 12 (Practical) 6 4 30 mts VI Core Course – 13 (Practical) 5 4 30 mts 21 Core Course – 14 (Practical) 5 4 30 mts Elective (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 2 2 1 Total 150 120 120 Core & Complementary 104 hrs 82 credits Common Course 46 hrs 38 credits Practical examination will be conducted at the end of each semester 2 MAHATMA GANDHI UNIVERSITY B.
    [Show full text]
  • Création Musicale Et Politique Culturelle. Christine Guillebaud
    Création musicale et politique culturelle. Christine Guillebaud To cite this version: Christine Guillebaud. Création musicale et politique culturelle. : Ethnographie de festivals au Kerala (Inde du Sud). M. Solomos et J. Bouet. Musique et globalisation. Musicologie-Ethnomusicologie, L’Harmattan, pp.157-172, 2011, Musique-Philosophie. halshs-01053939 HAL Id: halshs-01053939 https://halshs.archives-ouvertes.fr/halshs-01053939 Submitted on 4 Aug 2014 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License Musique et globalisation : musicologie - ethnomusicologie hal-00770185, version 1 - 8 Jan 2013 COLLECTION MUSIQUE-PHILOSOPHIE dirigée par Makis Solomos, Antonia Soulez, Horacio Vaggione Des philosophes le reconnaissent maintenant : la musique est plus qu’un objet à penser, elle suscite l’analyse, offre à la pensée constructive un terrain d’investigation où le geste compositionnel mobilise la pensée conceptuelle, où les notions musicales configurent des possibilités de relations. Paradigme à questionner, la musique s’impose à l’oreille philo- sophique. De leur côté, les musiciens n’ont rien à craindre de la force du concept. Penser la musique selon ses catégories propres réclame dès lors une approche philosophico-musicale.
    [Show full text]
  • 2008 President-Elect - S
    52 SRUTI BOARD OF DIRECTORS SRUTI DAY President - C. Nataraj December 2008 President-elect - S. Vidyasankar Treasurer - Venkat Kilambi Director of Resources & Development - Ramaa Nathan Director of Publications & Outreach - Vijaya Viswanathan Director of Marketing & Publicity - Srinivas Pothukuchi Director 1 - Revathi Sivakumar Director 2 Seetha Ayyalasomayajula Resource Committee - Ramaa Nathan, Uma Prabhakar, C. Nataraj, Vidyashankar Sundaresan, and Venkat Kilambi Sruti web site managed by V V Raman S R U T I The India Music & Dance Society Philadelphia, PA 2 51 Editor’s Note Welcome to our year end event, Sruti Day. This is- sue of Sruti Ranjani carries articles by some of our young- Solution to Jumble sters, who have achieved certain significant milestones in their journeys as performing artists of classical music and dance. Apart from this, our adult members have contrib- uted interesting articles that you are certain to enjoy along C O P with some puzzles and a couple of reviews of past Sruti concerts. Again, many thanks to all for taking the time to V E R S E write for this issue. H A P P Y Thanks, O D O R D E M O N S Vijaya Viswanathan 610-640-5375 C O M P O S E R’S CONTENTS DAY 1. Program - 3 2. About the Artists 3 3. Articles by members of the community 4 4. Puzzles 48 50 3 PROGRAM 2:00 PM General Body Meeting and Elections to 2009- 2010 Board (open to Sruti members only) 3:30 PM Snack Break 4:00 PM Carnatic Flute Concert by Shri V.
    [Show full text]