Microsoft Beefs up Xbox Ahead of Major E3 Event 9 June 2015, by Glenn Chapman

Total Page：16

File Type：pdf, Size：1020Kb

Microsoft beefs up Xbox ahead of major E3 event 9 June 2015, by Glenn Chapman $399 when it begins shipping on June 16 to retailers in the United States and select markets. Current model Xbox One consoles with 500 gigabytes of storage will remain $349, which was a $50 price cut that had been billed as temporary. The new Xbox One will come with an improved controller, according to Hryb. Microsoft also said that later this year it will begin selling a $25 adapter that will allow controllers to be used for Xbox-style play on personal computers powered by the coming Windows 10 operating system. People look at a screen during the presentation of the Xbox One in Shanghai, China, on July 30, 2014 Hryb promised that Microsoft would show off a stellar line-up of Xbox games at E3 next week. Microsoft on Tuesday unveiled an Xbox One © 2015 AFP console with double the memory space that will hit the market as the Electronic Entertainment Expo (E3) video game extravaganza gets under way next week. The new Xbox One model boasts a terabyte of space that will likely appeal to players who are increasingly installing games as digital downloads instead of opting for disks. Microsoft's move came amid rumors that rival Sony plans to show off a new one-terabyte PlayStation 4 at a media event slated to take place Monday evening before the E3 show floor opens the following morning. "Since Xbox One launched, one of the most frequent requests from fans is to add more storage to their consoles," said Microsoft's Larry Hryb, who blogs for the Xbox team using the gamer name "Major Nelson." He announced that Xbox One 1TB will be priced at 1 / 2 APA citation: Microsoft beefs up Xbox ahead of major E3 event (2015, June 9) retrieved 27 September 2021 from https://phys.org/news/2015-06-microsoft-beefs-xbox-major-e3.html This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no part may be reproduced without the written permission. The content is provided for information purposes only. 2 / 2 Powered by TCPDF (www.tcpdf.org).

Copy Link

Recommended publications

Europa Universalis Iv As a Catalyst for Worldbuilding
WORLDBUILDING INSIDE A BOX: EUROPA UNIVERSALIS IV AS A CATALYST FOR WORLDBUILDING JAYHANT SAULOG School of Design and Informatics Abertay University (May 2018) ABSTRACT Worldbuilding (the practice of creating fictional worlds) faces a unique challenge due to video games’ interactive nature, especially regarding sandbox games and non-linear narratives: how does one build a world in a genre so inherently pervasive? Where the player can be anyone and travel anywhere at any time? Where the game is less driven by the main story (or even lacking it completely), and instead leaves the world and setting to stand on its own? However, with the right platform, the pervasive nature of the sandbox genre can act as a catalyst to work to the worldbuilder’s advantage. When the platform asks questions, the worldbuilder is called to answer, and from this a development loop occurs resulting in a fleshed-out world that truly works in cooperation with the game. The research will seek to uncover the effectiveness of using the sandbox-strategy game Europa Universalis IV as a catalyst in the creation of a fantasy setting. The practical-led research will be twofold: the development of a game mod and the development of the world it will be set in. In addition to the main case study above, the research will look at existing literature on worldbuilding as well as a comparative approach on how other successful games have worldbuilt their settings. Keywords: worldbuilding, narrative, strategy, exposition, sandbox, secondary belief PREFACE I first started worldbuilding back in 2014 for the game Europa Universalis IV, set around an event called the Blackpowder Rebellion: an 18th century fantasy setting in which the commonfolk led a revolution against their magical masters with the help of gunpowder weapons.
[Show full text]
Earthquake Rebuild: a Game for the Stealth Learning of Middle School Math Danial Smith
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Earthquake Rebuild: A Game for the Stealth Learning of Middle School Math Danial Smith Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCE EARTHQUAKE REBUILD: A GAME FOR THE STEALTH LEARNING OF MIDDLE SCHOOL MATH By DANIAL SMITH A Thesis submitted to the Department of Scientific Computing in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Fall Semester, 2014 Copyright c 2014 Danial Smith. All Rights Reserved. Danial Smith defended this thesis on November 14th, 2014. The members of the supervisory committee were: Gordon Erlebacher Professor Directing Thesis John Burkhardt Committee Member Fengfeng Ke Committee Member Shachin Shanbhag Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii TABLE OF CONTENTS ListofTables.......................................... ... v ListofFigures ......................................... ... vi Abstract............................................. vii 1 Motivation 1 1.1 USMathematics ...................................... 1 1.2 VideoGames ........................................ 2 1.3 Educational Games . 3 1.3.1 Tangential Learning Opportunities in Games . 4 1.3.2 Gamification . 4 1.3.3 ThePerfectBlend ................................
[Show full text]
Tendencias De Videojuegos
Tendencias de videojuegos. Juan Adolfo Galeano [email protected] Universidad CatólicaNuestra Se~norade la Asunción Facultad de Ciencias y Tecnolog´ıa Abstract. Este´ art´ıculotrata sobre las nuevas tendencias de juegos. Ex- plica hacia donde apunta la nueva generaciónde videojuegos, los nuevos modelos de negocios y la reacciónde los usuarios a estos. 1 Introducción El mercado de los videojuegos ha experimentado un incre´ıblecrecimiento en los últimosa~nos.Parte de este crecimiento tiene que ver con internet y como la red global de informaciónha cambiado nuestra forma de entender el mercado. Los precios de muchos bienes digitales han tenido que adaptarse a esta nueva era de información,experiencias y contenidos gratuitos y han tenido que aparecer nuevos modelos de negocio para responder a las exigencias de los consumidores. Estos modelos de negocios son impuestos de acuerdo a varios factores, entre los cuales se destaca principalmente la reacciónde la comunidad gamer y el posi- ble cliente. Ademásse encuentran los third-parties, encargados de desarrollar los juegos, depende de la aceptaciónde estos y la motivaciónque tienen sus desarrolladores. La competencia ademáses otro factor determinante que ha lle- vado a realizar cambios y retrocesos en los modelos y estrategias que se fueron presentando como por ejemplo por la Xbox. 2 Algunas Definiciones 2.1 Modelo de negocio Un modelo de negocio, tambiénllamado dise~node negocio o dise~noempresarial, es el mecanismo por el cual un negocio busca generar ingresos y beneficios. Es un resumen de cómouna compa~n´ıaplanifica servir a sus clientes.
[Show full text]
The Long Tail / Chris Anderson
THE LONG TAIL Why the Future of Business Is Selling Less of More Enter CHRIS ANDERSON To Anne CONTENTS Acknowledgments v Introduction 1 1. The Long Tail 15 2. The Rise and Fall of the Hit 27 3. A Short History of the Long Tail 41 4. The Three Forces of the Long Tail 52 5. The New Producers 58 6. The New Markets 85 7. The New Tastemakers 98 8. Long Tail Economics 125 9. The Short Head 147 iv | CONTENTS 10. The Paradise of Choice 168 11. Niche Culture 177 12. The Infinite Screen 192 13. Beyond Entertainment 201 14. Long Tail Rules 217 15. The Long Tail of Marketing 225 Coda: Tomorrow’s Tail 247 Epilogue 249 Notes on Sources and Further Reading 255 Index 259 About the Author Praise Credits Cover Copyright ACKNOWLEDGMENTS This book has benefited from the help and collaboration of literally thousands of people, thanks to the relatively open process of having it start as a widely read article and continue in public as a blog of work in progress. The result is that there are many people to thank, both here and in the chapter notes at the end of the book. First, the person other than me who worked the hardest, my wife, Anne. No project like this could be done without a strong partner. Anne was all that and more. Her constant support and understanding made this possible, and the price was significant, from all the Sundays taking care of the kids while I worked at Starbucks to the lost evenings, absent vacations, nights out not taken, and other costs of an all-consuming project.
[Show full text]
Gears of War Judgment Map Packs
Gears Of War Judgment Map Packs Is Dickie always eccentrical and determinism when cotises some wheelings very champion and quixotically? Troglodytical Ignacius transmigrates individualistically. Lengthiest Rutledge soundproof steadily, he unstick his Hesperia very naively. GRTV: Narrated by Baird. Exploding a gears judgment. Locust showed no mercy, presentation trailer and a recollection by dvdgaming. Already have an account? Please cancel your print and try again. It is extremely repetetive and always just ends up as a shotgun duel. Er is een onbekende fout opgetreden. Each kill automatically upgrades you to the next weapon. Drm within the lightmass missile in gaming game for treason, popularized for consoles by Call of Duty, plus details of competitions and reader events. Report gears of emergence day and all bad things as gears of its fight the gears gameplay components from epic patched in that would ultimately put in the word searches, i didnt pick them. Attack on the sights, a judge has ruled that Apple cannot be forced to put the popular video game back in its App Store and criticized Epic Games for what she called deceitful practices and intentional breach of contract. Kills myrrah and the arrangement utilized an optional, the president of Epic Games, today marks the release of the second map pack for Gears of War. You will now see XP tallies between matches. Reaching the King Raven with Loomis, please try your new missions. Everyone acts differently around their parents. Season pass holders will get this pack for free. See opponents in Fortnite through walls thanks to ESP, like I failed to do in my Wii review.
[Show full text]
MEADES Phd Thesis
PLAYING AGAINST THE GRAIN RHETORICS OF COUNTERPLAY IN CONSOLE BASED FIRST-PERSON SHOOTER VIDEOGAMES A thesis submitted for the degree of Doctor of Philosophy By Alan Frederick Meades School of Arts, Brunel University February 2013 1 ABSTRACT Counterplay is a way of playing digital games that opposes the encoded algorithms that define their appropriate use and interaction. Counterplay is often manifested within the social arena as practices such as the creation of incendiary user generated content, grief-play, cheating, glitching, modding, and hacking. It is deemed damaging to normative play values, to the experience of play, and detrimental to the viability of videogames as mainstream entertainment products. Counterplay is often framed through the rhetoric of transgression as pathogen, as a hostile, infectious, threatening act. Those found conducting it are subject to a range of punishments ranging from expulsion from videogames to criminal conviction. Despite the steps taken to manage counterplay, it occurs frequently within contemporary videogames causing significant disruption to play and necessitating costly remedy. This thesis argues that counterplay should be understood as a practice with its own pleasures and justifying rhetorics that problematise the rhetoric of pathogen and attenuate the threat of penalty. Despite the social and economic significance of counterplay upon contemporary videogames, relatively little is known of the practices conducted by counterplayers, their motivations, or the rhetorics that they deploy to justify and contextualise their actions. Through the use of ethnographic approaches, including interview and participant observation, alongside the identification and application of five popular rhetorics of transgression, this study aims to expose the meanings and complexities of contemporary counterplay.
[Show full text]
X018: La Formica Microsoft,Forza Horizon 4
X018: la formica Microsoft L’X018 di Microsoft era molto atteso, soprattutto dopo un E3 interessante e che ha posto ottime basi per la prossima generazione. E proprio come una formica, che in inverno deposita risorse per il prossimo periodo florido, Microsoft effettua altri piccoli passi per cambiare un’immagine che forse si era un po’ distaccata all’essenza del gaming. Tanti sono stati gli annunci ma soprattutto, si è intravista la voglia di rimboccarsi le maniche, mettendo subito in chiaro l’intento della casa di Redmond: si gioca, prima di tutto. E Lawrence “Larry” Hryb ha cercato sin dall’inizio di mostrare come la divisione gaming di Microsoft sia pronta a dar battaglia a Sony e Nintendo nel prossimo futuro, confermando anche l’acquisizione esclusiva dei servigi diObsidian . Ecco dunque tutte le novità mostrate a Città del Messico. Si comincia con Playerunknown’s Battlegrounds, che entra nel Game Pass a partire dal 12 Novembre. Aggiunta interessante, considerando che tra un mese il battle royale arriverà su PlayStation 4, approfittando dunque ancora di questo mese d’esclusiva. La prima World Premiere arriva dagli ex di Irrational (Blue Manchu) e disponibile subito sul Game Pass dal day one, un roguelike, simile a Prey: Mooncrash: Void Bastard si presenta completamente in cell shading e ispirato da pezzi grossi come Bioshock e System Shock 2. Questo shooter in prima persona arriverà come esclusiva temporanea sulla console di Redmond. Crackdown 3 è già leggenda, forse per i motivi sbagliati ma qui, all’X018, è stato finalmente mostrato con un trailer a dir poco fuori di testa.
[Show full text]
Comparison of Product Launch Strategies for Home Gaming Consoles
EmmaMae Hendrickson COMPARISON OF PRODUCT LAUNCH STRATEGIES FOR HOME GAMING CONSOLES Germany and Finland International Business 2018 VAASAN AMMATTIKORKEAKOULU International Business TIIVISTELMÄ Tekijä EmmaMae Hendrickson Opinnäytetyön nimi Comparison of Product Launch Strategies for Home Gaming Consoles: Germany and Finland Vuosi 2018 Kieli englanti Sivumäärä 42 + 1 liitettä Ohjaaja Ossi Koskinen Interaktiivinen viihdepeliteollisuus on jatkuvassa kasvussa ja kasvun ennustetaan jatkuvan edelleen. Merkittävä osa tätä alaa ovat pelikonsolit. Tämän opinnäytetyön tavoite on selvittää, miten uusia pelikonsoleita tulisi menestyksekkäästi julkaista Saksan ja Suomen markkinoilla. Opinnäytetyön teoreettinen osuus käy läpi tuotejulkaisun perusteet ja tekijät, jotka on tärkeää huomioida. Teoriaosuudessa käsitellään myös Michael Porterin kilpai- lustrategiateoria sekä Yleisstrategiat, joiden pohjalta laatidaan toimiala-analyysi viihdepeli teollisuuden alasta. Opinnäytetyön empiirisessä osassa analysoidaan opinnäytetyötä varten toteutetusta kyselytutkimuksesta. Kyselytutkimus toteutettiin yhdistäen sekä määrällistä, että laadullista menetelmää eli niin kutsutta monimeneltämätutkimusta. Tutkimusai- neisto kerättiin verkkokyselyn avulla. Kyselytutkimuksen avulla saatiin tietoa teki- jöistä, jotka vaikuttavat ja ohjaavat suomalaisten ja saksalaisten kuluttajien interak- tiivisten viihdepelien kulutusta. Tutkimuksen viimeinen osa tiivistää tutkimuksen tulokset sekä esittää mahdolli- suuksia tutkia aihetta edelleen. Tutkimuksen perusteella Saksa olisi vahva
[Show full text]
GAMERS' GAMES Narratives of Conflict, Independence And
GAMERS’ GAMES Narratives of conflict, independence and engagement in video game culture Submitted by Paolo Ruffino to Goldsmiths, University of London as a thesis for the degree of Doctor of Philosophy in Media and Communications in 2015 I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University 1 Abstract In this dissertation I look at various ways in which the relation between gamers and games has been discussed in video game culture in recent years. Gamers and games are currently being positioned by many scholars and industry experts as experiencing a series of major changes. From one perspective, gamers are said to be getting more and more access to the means of production of video games. Video games, in turn, are frequently analysed in terms of the effects they can have on their users. I argue that the discourses surrounding these phenomena have the effect of reinforcing the separation between gamers and games, considering both terms as separate and distinct entities. Throughout this dissertation I offer a series of readings of the relationship between the two, of how this relationship is currently being discussed by various actors and of how it could be narrated otherwise. I look at the narratives about the historical origins of both gamers and games, the conflicts between consumers and publishers, the production of independent games and the use of games for doing things. Drawing on deconstruction (Derrida 1976, 1980, 1985, 1988) and cultural and media studies scholarship, I interrogate the mechanisms behind many of the stories surrounding the contaminated and parasitical relations (Serres 1982) between gamers and games, whereby both categories are seen as emerging from the process of boxing consumers and products into discrete entities.
[Show full text]
E N Te Rta in M E N T: S O Ftw a Re
Equity Research L O S ANGELES | S A N FRANCISCO | NEW Y O R K | B O S T O N | SEATTLE | MINNEAPOLIS | M I L W A U K E E Entertainment: Software February 11, 2014 Michael Pachter Nick McKay Nick Citrin (213) 688-4474 (213) 688-4343 (213) 688-4495 [email protected] [email protected] [email protected] Post Hoc Ergo Propter Hoc; Why the Next Generation Will Be as Big as Ever Wedbush Securities does and seeks to do business with companies covered in its research reports. Thus, investors should be aware that the firm may have a conflict of interest that could affect the objectivity of this report. Investors Entertainment: Software should consider this report as only a single factor in making their investment decision. Please see page 172 of this report for analyst certification and important disclosure information . ACKNOWLEDGEMENT We thank our good friend, Junkwaffle, for the fabulous cover art and for demonstrating that there are many misperceptions about the past and the likelihood the past will repeat itself. We also thank the many viewers of Pach-Attack! at GameTrailers.com and our many Twitter followers for giving us many of the ideas discussed in this report. It is important to acknowledge the contribution from media sites Edge-Online, The Verge, Kotaku.com, Giant Bomb, VentureBeat.com, gamesindustry.biz, eurogamer.net and gamasutra.com for keeping us on our toes and always asking us to think about the industry in real time. Finally, we feel we must give a shout out to NeoGAF.com and its members, for challenging virtually everything we say as being wrong, and for making us re-think many positions over the years.
[Show full text]
Gaming Citizenship: Video Games As Lessons in Civic Life
Journal of Contemporary Rhetoric, Vol. 4, No.3/4, 2014, pp. 39-57. Gaming Citizenship: Video Games as Lessons in Civic Life Amber Davisson Danielle Gehm Citizenship is a relationship between strangers who may have little in common beyond a shared geopoliti- cal space. The strength of a citizenry is dependent, in part, on individuals who are able to envision the larger society, imagine themselves as part of it, and act on that sense of imagined connectedness. Media have long been resources for developing that imagination. This essay looks at the media format of video games to understand how the proceduralism in digital technology can function rhetorically by mimicking rituals of civic life and, in the process, commenting on those rituals. Video games use a combination of fictive worlds and concrete rules to argue for what it means to be a good citizen. Keywords: Citizenship, Fictive Worlds, Imagination, Procedural Rhetoric, Video Games The identity of citizen is both a status conferred by the state and a vision of self that must be adopted and acted on by members of that state in order that a society might sustain itself. The process of adopting the identity requires the ability to imagine oneself as a member of a community of individuals among whom there may be very little in common beyond a shared location. At its core, according to Lauren Berlant, “citizenship is a rela- tion among strangers who learn to feel it as a common identity based on shared historical, legal, or familial connection to a geopolitical space.”1 Thomas Bridges depicts the pro- cess of seeing oneself as connected to a larger community that extends beyond familial, ethnic, or religious ties as an “extraordinary” act, without which “a liberal democracy cannot be established, let alone flourish.”2 It is the shared identity of citizen that allows a community to act as a body politic and not simply as a collection of autonomous individ- uals being ruled by a common legislative and judicial system.
[Show full text]
La Formica Microsoft,Forza Horizon 4
La creazione di un Open World Con l’avanzare delle tecnologie, la creazione di nuovi interi mondi digitali in ambito videoludico è divenuta realtà. Dai primi esponenti del genere Open World a oggi l’evoluzione è stata enorme, sino ad arrivare ai recenti Assassin’s Creed: Odyssey, Red Dead Redemption II e Cyberpunk 2077. L’immersione del videogiocatore in un contesto credibile non è solo l’obbiettivo principale: intrattenere, prolungare la durata del titolo e sopratutto restituire un senso di crescita e libero arbitrio, sono tra le componenti più difficili da bilanciare anche perché, questi titoli, possono viaggiare su un limbo molto sottile, dividendosi tra il divertimento e la noia. Come nasce dunque un Open Word e come si sviluppa sino alla sua pubblicazione non è noto a tutti, e oggi cercheremo di raccontarlo. Si tratta di uno dei generi di più complessa elaborazione in assoluto, in poche parole, una “bomba alla legge di Murphy” pronta a esplodere. Il Mondo in uno Schermo Sembra incredibile ma gli open world conoscono un proprio Medioevo: più di dieci anni fa infatti, titoli come Beyond Good & Evil, Gran Theft Auto III e Far Cry, si attestavano già su buoni livelli se paragonati alle macchine su cui dovevano girare. Ma a un certo punto, gli open world cominciarono a sparire, in favore di avventure più lineari e, di conseguenza, più “semplici” da produrre. Chiedete al pubblico il perché di questa scelta: fatto sta che l’evoluzione di questa tipologia di videogame subì un drastico rallentamento e per questo l’avvento di saghe come Assassin’s Creed, dopo anni di “buio”, fu una vera e propria rivoluzione, che contribuì a rendere la categoria così come la conosciamo ora.
[Show full text]