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UNIVERSITÀ CA‟ FOSCARI VENEZIA Department of Linguistics and Comparative Cultural Studies Dipartimento Di Studi Linguistici E Culturali Comparati
UNIVERSITÀ CA‟ FOSCARI VENEZIA Department of Linguistics and Comparative Cultural Studies Dipartimento di Studi Linguistici e Culturali Comparati Master‟s Degree in Language Sciences Corso di Laurea Magistrale in Scienze del Linguaggio Curriculum: Computational Linguistics Curriculum: Linguistica Computazionale Academic year | Anno accademico 2015/2016 ANNOTATING PATRICK WHITE‟S “THE SOLID MANDALA” WITH DEEP FEATURES TO UNRAVEL STYLISTIC DEVICES Candidate | Candidata Giulia MARCHESINI 855573 Supervisor: Prof. Rodolfo DELMONTE Co-supervisors: Dr. Gordon COLLIER Prof. Pia MASIERO TABLE OF CONTENTS Introduction 1 Chapter One: Patrick White and The Solid Mandala 3 1.1 Patrick White, Australian writer 3 1.2 The settings in White‟s fiction: ordinary and extraordinary 7 1.3 Characters and themes in The Solid Mandala and other novels 8 1.4 The philosophy behind the themes 17 1.5 Realism, symbolism, modernism, and existential pessimism 20 Chapter Two: A unique style 23 2.1 Introduction to a stylistic analysis 23 2.2 Looking for a definition 24 2.3 Style, characters, narrative mode 26 2.4 Aspects of the analysis 30 2.5 From style to narratology 37 2.6 Measuring a style 39 Chapter Three: Criteria of annotation 41 3.1 From the annotation to the analysis 41 3.2 An introduction to markup languages 44 3.3 Annotation of The Solid Mandala 47 3.3.1 Considerations on the text 47 3.3.2 Internal subdivision in narremes 49 3.3.3 Annotation process 61 3.3.4 Annotation system 63 Chapter Four: Final analysis 106 4.1 Data and preparation 106 4.2 Protagonists and significant traits 115 4.3 A narratological approach: traits and events 122 4.4 A narratological approach: traits and relationships 130 Conclusions 135 Bibliography INTRODUCTION Nobel Prize winner Patrick White (1912-1990) is considered to be one of the greatest and most influential writers of the 20th century, not only in Australia, his country, but in the rest of the world, as well. -
Research Scholar an International Refereed E-Journal of Literary Explorations
ISSN 2320 – 6101 Research Scholar www.researchscholar.co.in An International Refereed e-Journal of Literary Explorations TREATMENT OF SEX AND ECCENTRICITY IN MAN-WOMAN RELATIONSHIP IN THE SELECTED WORKS OF PATRICK WHITE Dr. P. Bagavathy Rajan Assistant Professor of English Dept. of Information Technology Dr. Mahalingam College of Engineering and Technology Pollachi 642003, India ABSTRACT Patrick Whitehas had written 12 novels, two short-story collections and eight plays. Although he was popularly known as a novelist, the theatre was his first love. He started his career with the writing of revues. An important characteristic feature in the works of Patrick White is the eccentricity in man-woman relationship and the treatment of sex. It is natural for a writer to infuse certain traits of his own, while creating a character. He had created many women characters on the model of his mother.The eccentricity and abnormality in the treatment of sex and man- woman relationship in Patrick White’s work and the main reason for that could be traced in the biography of Patrick White. Key Words: Sex, Man-woman relationship, eccentricity, biographical approach Patrick White is one of the most eminent novelists, who brought laurels to the Australian literature by winning the Nobel Prize in the year 1973. He was awarded "for an epic and psychological narrative art which has introduced a new continent into literature". Patrick Victor Martindale White was born in the year 1912. He has written 12 novels, two short-story collections and eight plays. Although he was popularly known as a novelist, the theatre was his first love. -
Patrick White
Bibliothèque Nobel 1973 Bernhard Zweifel Patrick White Year of Birth 1912 Year of Death 1990 Language Englisch Award for an epic and psychological narrative art Justification: which has introduced a new continent into literature Supplemental Information Secondary Literature • I. Björksten, Partick White: A General Introduction (1976) • Carolyn Jane Bliss, Patrick White's Fiction (1986) • David J. Tacey, Patrick White: Fiction and the Unconscious (1988) • Laurence Steven, Dissociation and Wholeness in Patrick White's Fiction (1989) • Rodney S tenning Edgecombe, Vision and Style in Patrick White (1989) • Peter Wolfe (ed.), Critical Essays on Patrick White (1990) • David Marr , Patrick White: A Life (1992) • Michael Giffin, Patrick White and the Religious Imagination (1999) • John Colmer, Patrick White (1984) • John C olmer, Patrick White's Riders in the Chariot (1978) • Simon During, Patrick White (1996) • Karin Hansson, The Warped Universe: A Study of Im agery and Structure in Seven Novels by Patrick White (1984) • Brian Kiernan, Patrick White (1980) • Patricia A.Morley, The Mystery of U nity: Theme and technique in the novels of Patrick White (1972) Works Catalogue Drama 1950 - 1959 The Tree of Man [1955] 173.1550 1930 - 1939 Voss [1957] 173.1570 The School for Friends [1935] Bread and Butter Women [1935] 1960 - 1969 Riders in the Chariot [1961] 173.1610 1940 - 1949 Being Kind to Titina [1962] 173.1640 After Alep [1945] Willy-Wagtails by Moonlight [1962] 173.1640 Return to Abyssinia [1947] The Letters [1964] 173.1640 The Ham Funeral [1947] -
THE VISION of ALIENATION an Analytical Approach to the Works of Patrick White Through the First Four Novels by WILLIAM GERALD SC
THE VISION OF ALIENATION An analytical approach to the works of Patrick White through the first four novels by WILLIAM GERALD SCHERMBRUCKER B.A., University of Cape Town, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May, 1966 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall, make it freely available for reference and -. study, I further agree that permission., for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives'. It is understood that copying of - publication of this thesis for. financial gain shall not be allowed without my written permission', . Department of..^^ The University of British Columbia Vancouver 8, Canada 17th August, 1966. Date ii ABSTRACT This study of Patrick White's work is chiefly concerned with the first four novels, but refers also to some poetry, the short stories, the plays and the three later novels. It traces the development of themes and techniques in these four novels in terms of artistic vision and the rendering of that vision. The early, experimental works, up to The Living and the Dead are treated at considerable length, chiefly to show how the later developments are basically improve• ments and variations on the themes and techniques which have already been used. A second reason for the length of this part of the treatment is that, in the existing criticism of White, these early works are almost entirely ignored. -
Patrick White
Bibliothèque Nobel 1973 Bernhard Zweifel Patrick White Geburtsjahr 1912 Todesjahr 1990 Sprache englisch Begründung: for an epic and psychological narrative art which has introduced a new continent into literature Zusatzinformationen Sekundärliteratur • I. Björksten, Partick White: A General Introduction (1976) • Carolyn Jane Bliss, Patrick White's Fiction (1986) • David J. Tacey, Patrick White: Fiction and the Unconscious (1988) • Laurence Steven, Dissociation and Wholeness in Patrick White's Fiction (1989) • Rodney S tenning Edgecombe, Vision and Style in Patrick White (1989) • Peter Wolfe (ed.), Critical Essays on Patrick White (1990) • David Marr , Patrick White: A Life (1992) • Michael Giffin, Patrick White and the Religious Imagination (1999) • John Colmer, Patrick White (1984) • John C olmer, Patrick White's Riders in the Chariot (1978) • Simon During, Patrick White (1996) • Karin Hansson, The Warped Universe: A Study of Im agery and Structure in Seven Novels by Patrick White (1984) • Brian Kiernan, Patrick White (1980) • Patricia A.Morley, The Mystery of U nity: Theme and technique in the novels of Patrick White (1972) Werkverzeichnis Belletristik 1970 - 1979 The Vivisector [1970] 1930 - 1939 The Eye of the Storm [1973] The Twitching Colonel [1937] The Night the Prowler [1974] 173.1662 Happy Valley [1939] Sicilian Vespers [1974] 173.1662 The Coctatoos [1974] 1940 - 1949 A Fringe of Leaves [1976] Cocotte [1940] Stations [1978] The Living and the Dead [1941] 173.1410 The God in the Rafters [1978] The Aunt's Story [1948] 173.1480 The -
A Study of Patrick White's Sylleptic Habits
Thetripodinthedunny: a study of Patrick White's sylleptic habits David John Merrington. [S.l. : s.n., 1994?]. xii, 305 leaves; 30 em. Engeng Word processed copy. Summary in English. Thesis (M.A.(English Language and Literature))--University of University Capeof CapeTown, 1994. Town Includes bibliographies. White, Patrick, 1912- -- Criticism and interpretation. The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Abstract This thesis is a study of relations between aspects of Patrick White's prose style and his perception of a moral equivocation that is entailed in the construction of identity and in the making of fiction. Chapter One presents examples of White's sylleptic style. The virtuosity of the figure is seen to reflect the discursive puissance of a detached and ironic narrative stance.. His habitually ironic perspective is ascribed to his apparent sense that human life is governed by fiction, and. that such governance is morally equivocal. The chapter concludes with the specification of gossip as a malicious social discourse which, for White, also reflects the prac tice of narrative fiction. In Chapter Two the analogy between fiction and gossip is developed. The discourse of repute is seen to exercise a perverse and vicarious dominance over its object. This governance by a morally equivocal discourse is considered to illustrate White's habitual apprehension of a universally ironic dispensation under which the human subject exists. -
Patrick White: Twyborn Moments of Grace
Patrick White: Twyborn Moments of Grace By the end of the 1970s it was clear that critics were deeply divided over the nature of Patrick White's work and his achievement. At that time, I attempted to identify their fundamental differences by asking whether White was to be seen as a traditional novelist with a religious or theosophical view of life, or as a sophisticated, ironical modern mistrustful of language and sceptical of ever being able to express what might lie beyond words?1 Since then, literary criticism has registered some changes, and shocks. Indeed that term, 'literary criticism', has come to suggest the kind, or kinds, of exegesis and evaluation that prevailed in the ages that preceded our own brave new theoretical world. (I speak in general terms but have contemporary Australian academia specifically in mind.) How, I wonder, would a new reader, one coming to White for the first time through his most recent novel, The Twyborn Affair (1979), perceive him? In imagining this 'new' reader I have in mind a younger generation, particularly of students, who need not have encountered White's earlier novels and criticisms of them, and for whom the terms and concerns of Anglo-American New Criticism which affected the academic reception of White's work from at least the 1960s on are likely to be less immediate than those of Continental and North American theorists who have been influential during the last decade or more; for instance, Mikhail Bakhtin, who looms large on the program for this conference and in the October 1984 issue of PMI.A. -
14946458.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons The Solid Mandala and Patrick White’s Late Modernity Nicholas Birns 1. Patrick White and Late Modernity This essay contends that the Australian novelist Patrick White (1912-1990) presents, in his novel The Solid Mandala (1966), a prototypical evocation of late modernity that indicates precisely why and how it was different from the neoliberal and postmodern era that succeeded it. Late modernity is currently emerging as a historical period, though still a nascent and contested one. Robert Hassan speaks of the 1950-1970 era as a period which, in its ‘Fordist’ mode of production maintained a certain conformity yet held off the commoditisation of later neoliberalism’s ‘network-driven capitalism’.1 This anchors the sense of ‘late modernity,’ that will operate in this essay, though my sense of the period also follows on definitions of the term established, in very different contexts, by Edward Lucie-Smith and Tyrus Miller.2 Late modernity as understood in this piece is composed of two key aspects. One is the dominance of the innovative, labyrinthine Modernist aesthetics developed in the previous generation – the generation born in the late nineteenth century, that of Virginia Woolf, James Joyce, and, most important for White’s text, T.S. Eliot – and inherited by the second-generation modernists, writers like White who were born in the first two decades of the twentieth century. The other is the political predominance of welfare state models and a strong public sector that provided significant employment. -
Terpsichorean Moments in Patrick White's the Solid Mandala and Hal Porter's the Tilted Cross
Terpsichorean Moments in Patrick White’s The Solid Mandala and Hal Porter’s The Tilted Cross MELINDA JEWELL, UNIVERSITY OF WESTERN SYDNEY Those who dance will always dance, will share the privileges of air fire water, figures of the tireless dance disguised, ashes strewn on the stagnant surface of the lake a variation on the same theme. Patrick White, Three Uneasy Pieces 16 Literature’s arabesque can be dance itself. Jessica Feldman, “Fifth Position” 571 Significant moments of dance occur in Patrick White’s The Solid Mandala and Hal Porter’s The Tilted Cross. In the former, Arthur, a mentally deficient man performs a mandala dance as a means to integrate the various components of his life. In The Tilted Cross, set in Hobart in 1847, a drunken actor’s terpsichorean movements intermingle metaphorically and elaborately with the shadows cast by four candles. The importance of these choreographic moments is evident in the voluminous critical attention devoted to them. Nevertheless, in both text and criticism the actual act of dance pales into insignificance beside the focus on the meanings and symbolisms of the dance. In this article my aim is to focus specifi- cally on the acts of dance portrayed in the texts, discussing the movements per- formed and the characteristics of the dancers performing. As a prelude to this examination, I will explore the relationship of the dance experiences of the au- thors to the way they represent dancing in the two texts under scrutiny. I will also analyse the actual representation of dance, that is, the way the words of the nov- elists evoke the dance, in order to demonstrate that the movement of dance is conspicuously absent compared to the symbolism and meaning drawn from the dances. -
"The Twyborn Affair": "The Beginning in an End" Or "The End of a Beginning"? S
"The Twyborn Affair": "the beginning in an end" or "the end of a beginning"? S. A. RAMSEY o read The Twyborn Affair1 as a literary white elephant or a burst of novelistic venom, intended, as Robert Nye sees Tit, "to clear the decks of the imagination for something ex• traordinarily good next time round,"2 is to ignore much of the impact, not to mention the genius, of White's latest novel. The quotation at the head of this discussion, taken from one of his earliest works, The Living and the Dead, is intended to indicate the degree to which The Twyborn Affair fits perfectly in to the White canon — supplying, as it does, both an extension of the settings and preoccupations of his earliest novels and an ex• pression of the depth of allusion and artistic maturity to which the later novels have given rise. But the relevance of the ques• tion inherent in the quotation from The Living and the Dead goes further, it seems, than this. At the very core of White's latest novel lies the whole notion of beginning and ending in its many aspects and the action itself centres upon the two most traumatic embodiments of this process — birth and death. The richly imaginative exploration of this concept provides a poig• nant expression of the mystery (and the misery) of the human condition as well as a peculiarly illuminative exposition of the progress and development of White's art. The novel's title itself contains an overt clue to the deeper issues involved in its unescapable puns — both in the name of its "hero" (Twyborn = twice-born) and in its choice of the ambig• uous word "affair" to evoke the history of a man whose whole life has been devoted to various kinds of love affair (although the word "love" can only be taken at its face value). -
Patrick White's Fiction Patrick White's Fiction
PATRICK WHITE'S FICTION PATRICK WHITE'S FICTION The Paradox of Fortunate Failure Carolyn Bliss Palgrave Macmillan ISBN 978-1-349-18329-6 ISBN 978-1-349-18327-2 (eBook) DOI 10.1007/978-1-349-18327-2 © Carolyn Jane Bliss 1986 Softcover reprint of the hardcover 1st edition 1986 978-0-333-38869-3 All rights reserved. For information, write: St. Martin's Press, Inc., 175 Fifth Avenue, New York, NY 10010 First published in the United States of America in 1986 ISBN 978-0-312-59805-1 Library of Congress Cataloging-in-Publication Data Bliss, Carolyn Jane, 1947- Patrick White's fiction: the paradox of fortunate failure. Bibliography: p. Includes index. I. White, Patrick, 1912- -Criticism and interpretation. 2. Failure (Psychology) in literature. I. Title. PR9619.3.W5Z584 1986 823 85-14608 ISBN 978-0-312-59805-1 To Jim, who understood how much it meant to me Contents Preface lX Acknowledgements Xlll List of Abbreviations XV 1 Australia: the Mystique of Failure 1 2 The Early Works: Anatomy of Failure 15 Happy Valley 15 The Living and the Dead 24 The Aunt's Story 35 TheTreeofMan 49 3 The Major Phase: the Mystery of Failure 60 Voss 61 Riders in the Chariot 82 The Solid Mandala 99 The Vivisector 115 4 The Later Works: the State of Failure 133 The Eye ofthe Storm 136 A Fringe ofLeaves 153 The TwybornAffair 168 5 Style and Technique: the Discipline of Failure 184 Stylistic preferences 187 Narrative stance 192 Imagery and structure 197 Genre and tradition 200 The shape of failure 204 Vll Vlll Contents Notes 208 Bibliography 232 Index 249 Preface The 1973 award of the Nobel Prize for literature to the Australian novelist Patrick White focused world attention on a body of fiction which many believe will one day rank with the best produced in the twentieth century. -
“RUBBED by the WARMING VIOLINS” the Open University “I Can't Have Enough of Music,” Declared Patrick White Bluntly In
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