Patrick White

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Bibliothèque Nobel 1973 Bernhard Zweifel Patrick White Year of Birth 1912 Year of Death 1990 Language Englisch Award for an epic and psychological narrative art Justification: which has introduced a new continent into literature Supplemental Information Secondary Literature • I. Björksten, Partick White: A General Introduction (1976) • Carolyn Jane Bliss, Patrick White's Fiction (1986) • David J. Tacey, Patrick White: Fiction and the Unconscious (1988) • Laurence Steven, Dissociation and Wholeness in Patrick White's Fiction (1989) • Rodney S tenning Edgecombe, Vision and Style in Patrick White (1989) • Peter Wolfe (ed.), Critical Essays on Patrick White (1990) • David Marr , Patrick White: A Life (1992) • Michael Giffin, Patrick White and the Religious Imagination (1999) • John Colmer, Patrick White (1984) • John C olmer, Patrick White's Riders in the Chariot (1978) • Simon During, Patrick White (1996) • Karin Hansson, The Warped Universe: A Study of Im agery and Structure in Seven Novels by Patrick White (1984) • Brian Kiernan, Patrick White (1980) • Patricia A.Morley, The Mystery of U nity: Theme and technique in the novels of Patrick White (1972) Works Catalogue Drama 1950 - 1959 The Tree of Man [1955] 173.1550 1930 - 1939 Voss [1957] 173.1570 The School for Friends [1935] Bread and Butter Women [1935] 1960 - 1969 Riders in the Chariot [1961] 173.1610 1940 - 1949 Being Kind to Titina [1962] 173.1640 After Alep [1945] Willy-Wagtails by Moonlight [1962] 173.1640 Return to Abyssinia [1947] The Letters [1964] 173.1640 The Ham Funeral [1947] 173.0002 Clay [1964] 173.1640 A Glass of Tea [1964] 173.1640 1960 - 1969 The Evening at Sissy Kamara's [1964] 173.1640 The Season at Sarsaparilla [1961] 173.0002 Miss Slattery and Her Demon Lover [1964] 173.1640 A Cheery Soul [1962] 173.0002 The Woman Who Wasn't Allowed to Keep Cats [1964] 173.1640 Night on Bald Mountain [1962] 173.0002 A Cheery Soul [1964] 173.1640 Dead Roses [1964] 173.1640 1970 - 1979 The Burnt Ones (Short Stories) [1964] Big Toys [1977] Down at the Dump [1964] 173.1640 A Woman's Hand [1966] 173.1662 1980 - 1989 The Solid Mandala [1966] 173.1660 Signal Driver [1982] The Full Belly [1966] 173.1662 Netherwood [1983] The Cockatoos [1966] 173.1662 Five-Twenty [1968] 173.1662 Prose: Fiction 1970 - 1979 1930 - 1939 The Vivisector [1970] The Twitching Colonel [1937] The Eye of the Storm [1973] Happy Valley [1939] The Coctatoos [1974] The Night the Prowler [1974] 173.1662 1940 - 1949 Sicilian Vespers [1974] 173.1662 Cocotte [1940] A Fringe of Leaves [1976] The Living and the Dead [1941] 173.1410 Stations [1978] The Aunt's Story [1948] 173.1480 The God in the Rafters [1978] 1 / 2 11.02.2021 Bibliothèque Nobel 1973 Patrick White The Twyborn Affair [1979] 1980 - 1989 Memoirs of Many in One [1986] Three Uneasy Pieces [1988] Prose: Non-fiction 1980 - 1989 Flaws in the Glass: A Self-Portrait [1981] 1990 - 1999 Patrick White: Letters (ed. by David Marr) [1996] 2 / 2 11.02.2021.

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UNIVERSITÀ CA‟ FOSCARI VENEZIA Department of Linguistics and Comparative Cultural Studies Dipartimento Di Studi Linguistici E Culturali Comparati
UNIVERSITÀ CA‟ FOSCARI VENEZIA Department of Linguistics and Comparative Cultural Studies Dipartimento di Studi Linguistici e Culturali Comparati Master‟s Degree in Language Sciences Corso di Laurea Magistrale in Scienze del Linguaggio Curriculum: Computational Linguistics Curriculum: Linguistica Computazionale Academic year | Anno accademico 2015/2016 ANNOTATING PATRICK WHITE‟S “THE SOLID MANDALA” WITH DEEP FEATURES TO UNRAVEL STYLISTIC DEVICES Candidate | Candidata Giulia MARCHESINI 855573 Supervisor: Prof. Rodolfo DELMONTE Co-supervisors: Dr. Gordon COLLIER Prof. Pia MASIERO TABLE OF CONTENTS Introduction 1 Chapter One: Patrick White and The Solid Mandala 3 1.1 Patrick White, Australian writer 3 1.2 The settings in White‟s fiction: ordinary and extraordinary 7 1.3 Characters and themes in The Solid Mandala and other novels 8 1.4 The philosophy behind the themes 17 1.5 Realism, symbolism, modernism, and existential pessimism 20 Chapter Two: A unique style 23 2.1 Introduction to a stylistic analysis 23 2.2 Looking for a definition 24 2.3 Style, characters, narrative mode 26 2.4 Aspects of the analysis 30 2.5 From style to narratology 37 2.6 Measuring a style 39 Chapter Three: Criteria of annotation 41 3.1 From the annotation to the analysis 41 3.2 An introduction to markup languages 44 3.3 Annotation of The Solid Mandala 47 3.3.1 Considerations on the text 47 3.3.2 Internal subdivision in narremes 49 3.3.3 Annotation process 61 3.3.4 Annotation system 63 Chapter Four: Final analysis 106 4.1 Data and preparation 106 4.2 Protagonists and significant traits 115 4.3 A narratological approach: traits and events 122 4.4 A narratological approach: traits and relationships 130 Conclusions 135 Bibliography INTRODUCTION Nobel Prize winner Patrick White (1912-1990) is considered to be one of the greatest and most influential writers of the 20th century, not only in Australia, his country, but in the rest of the world, as well.
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Research Scholar an International Refereed E-Journal of Literary Explorations
ISSN 2320 – 6101 Research Scholar www.researchscholar.co.in An International Refereed e-Journal of Literary Explorations TREATMENT OF SEX AND ECCENTRICITY IN MAN-WOMAN RELATIONSHIP IN THE SELECTED WORKS OF PATRICK WHITE Dr. P. Bagavathy Rajan Assistant Professor of English Dept. of Information Technology Dr. Mahalingam College of Engineering and Technology Pollachi 642003, India ABSTRACT Patrick Whitehas had written 12 novels, two short-story collections and eight plays. Although he was popularly known as a novelist, the theatre was his first love. He started his career with the writing of revues. An important characteristic feature in the works of Patrick White is the eccentricity in man-woman relationship and the treatment of sex. It is natural for a writer to infuse certain traits of his own, while creating a character. He had created many women characters on the model of his mother.The eccentricity and abnormality in the treatment of sex and man- woman relationship in Patrick White’s work and the main reason for that could be traced in the biography of Patrick White. Key Words: Sex, Man-woman relationship, eccentricity, biographical approach Patrick White is one of the most eminent novelists, who brought laurels to the Australian literature by winning the Nobel Prize in the year 1973. He was awarded "for an epic and psychological narrative art which has introduced a new continent into literature". Patrick Victor Martindale White was born in the year 1912. He has written 12 novels, two short-story collections and eight plays. Although he was popularly known as a novelist, the theatre was his first love.
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A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
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THE VISION of ALIENATION an Analytical Approach to the Works of Patrick White Through the First Four Novels by WILLIAM GERALD SC
THE VISION OF ALIENATION An analytical approach to the works of Patrick White through the first four novels by WILLIAM GERALD SCHERMBRUCKER B.A., University of Cape Town, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May, 1966 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall, make it freely available for reference and -. study, I further agree that permission., for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives'. It is understood that copying of - publication of this thesis for. financial gain shall not be allowed without my written permission', . Department of..^^ The University of British Columbia Vancouver 8, Canada 17th August, 1966. Date ii ABSTRACT This study of Patrick White's work is chiefly concerned with the first four novels, but refers also to some poetry, the short stories, the plays and the three later novels. It traces the development of themes and techniques in these four novels in terms of artistic vision and the rendering of that vision. The early, experimental works, up to The Living and the Dead are treated at considerable length, chiefly to show how the later developments are basically improve• ments and variations on the themes and techniques which have already been used. A second reason for the length of this part of the treatment is that, in the existing criticism of White, these early works are almost entirely ignored.
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Aspects of Alterity in Three Novels by Patrick White
DEBORAH SCHEIDT 'ALL THE DIFFERENCE IN THE WORLD' Aspects of Alterity in Three Novels by Patrick White Dissertação apresentada como requisito parcial à obtenção do grau de Mestre. Curso de Pós- Graduação em Letras/Literaturas de Língua Inglesa, Setor de Ciências Humanas, Letras e Artes, Universidade Federal do Paraná. Orientadora: Prof.a Dr.a Regina Maria Przybycien CURITIBA 1 997 PARECER Defesa de dissertação da Mestranda DÉBORAH SCHEIDT para obtenção do título de Mestre em Letras. Os abaixo assinados Heloisa Toller Gomes, Thomas Bonnici e Regina Maria Przybycien, argüiram, nesta data, a candidata, a qual apresentou a dissertação: "ALL THE DIFFERENCE IN THE WORLD: ASPECTS OF ALTERJTY IN THREE NOVELS BY PATRICK WHITE". Procedida a argüição segundo o protocolo aprovado pelo Colegiado do Curso, a Banca é de parecer que a candidata está apta ao título de Mestre em Letras, tendo merecido os conceitos abaixo: Banca Assinatura Conceito Heloisa Toller Gomes A Thomas Bonnici Regina Maria Przybycien Curitiba, 01 de dezembro de 1997. Prof.3 Odett n COORDENADORA To Caroline Larcombe - for her inspiring comments ACKNOWLEDGEMENTS Reading - the cliché is old, but most true - involves making unforeseen voyages to places in other ways inaccessible. First of all I would like to express my gratitude to my teachers at UFPR for partaking their love of travelling and substantial knowledge, and mainly, for pointing to so many different routes. Thanks to Dr Sigrid Rénaux, for her ability to dive deeply into the text. To Dr Ana Camati, for unravelling the dazzling comings and goings in between texts. To Dr Brunilda Reichmann for flying as high as any Romantic poet.
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Patrick White
Bibliothèque Nobel 1973 Bernhard Zweifel Patrick White Geburtsjahr 1912 Todesjahr 1990 Sprache englisch Begründung: for an epic and psychological narrative art which has introduced a new continent into literature Zusatzinformationen Sekundärliteratur • I. Björksten, Partick White: A General Introduction (1976) • Carolyn Jane Bliss, Patrick White's Fiction (1986) • David J. Tacey, Patrick White: Fiction and the Unconscious (1988) • Laurence Steven, Dissociation and Wholeness in Patrick White's Fiction (1989) • Rodney S tenning Edgecombe, Vision and Style in Patrick White (1989) • Peter Wolfe (ed.), Critical Essays on Patrick White (1990) • David Marr , Patrick White: A Life (1992) • Michael Giffin, Patrick White and the Religious Imagination (1999) • John Colmer, Patrick White (1984) • John C olmer, Patrick White's Riders in the Chariot (1978) • Simon During, Patrick White (1996) • Karin Hansson, The Warped Universe: A Study of Im agery and Structure in Seven Novels by Patrick White (1984) • Brian Kiernan, Patrick White (1980) • Patricia A.Morley, The Mystery of U nity: Theme and technique in the novels of Patrick White (1972) Werkverzeichnis Belletristik 1970 - 1979 The Vivisector [1970] 1930 - 1939 The Eye of the Storm [1973] The Twitching Colonel [1937] The Night the Prowler [1974] 173.1662 Happy Valley [1939] Sicilian Vespers [1974] 173.1662 The Coctatoos [1974] 1940 - 1949 A Fringe of Leaves [1976] Cocotte [1940] Stations [1978] The Living and the Dead [1941] 173.1410 The God in the Rafters [1978] The Aunt's Story [1948] 173.1480 The
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Patrick White Quiz: Questions and Answers
kupidonia.com Patrick White Quiz: Trivia Questions and Answers 1. What was the full name of Patrick White? Patrick Steven Malcolm White Patrick Victor Martindale White Peter William White 2. When was Patrick White awarded the Nobel Prize in Literature? 1935 1987 1973 Patrick White Quiz: Trivia Questions and Answers - 1 / 4 kupidonia.com 3. Where was Patrick White born? Sydney, Australia London, England Wellington, New Zealand 4. At what age did Patrick White moved to Australia? Six month old Five years old Twenty two years old 5. What was White's alma mater? University of Cambridge University of Oxford University of Harvard 6. Was Patrick White married? Yes No 7. What was the first novel written by Patrick White? The Vivisector The Ham Funeral Happy Valley 8. What is the title of White's autobiography? Flaws in the Glass The Tree of Man A Cheery Soul 9. At what age did Patrick White die? 65 Patrick White Quiz: Trivia Questions and Answers - 2 / 4 kupidonia.com 78 101 Patrick White Quiz: Trivia Questions and Answers - 3 / 4 kupidonia.com Patrick White Quiz: Trivia Questions and Answers Right answers 1. What was the full name of Patrick White? Patrick Victor Martindale White 2. When was Patrick White awarded the Nobel Prize in Literature? 1973 3. Where was Patrick White born? London, England 4. At what age did Patrick White moved to Australia? Six month old 5. What was White's alma mater? University of Cambridge 6. Was Patrick White married? No 7. What was the first novel written by Patrick White? Happy Valley 8.
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A Study of Patrick White's Sylleptic Habits
Thetripodinthedunny: a study of Patrick White's sylleptic habits David John Merrington. [S.l. : s.n., 1994?]. xii, 305 leaves; 30 em. Engeng Word processed copy. Summary in English. Thesis (M.A.(English Language and Literature))--University of University Capeof CapeTown, 1994. Town Includes bibliographies. White, Patrick, 1912- -- Criticism and interpretation. The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Abstract This thesis is a study of relations between aspects of Patrick White's prose style and his perception of a moral equivocation that is entailed in the construction of identity and in the making of fiction. Chapter One presents examples of White's sylleptic style. The virtuosity of the figure is seen to reflect the discursive puissance of a detached and ironic narrative stance.. His habitually ironic perspective is ascribed to his apparent sense that human life is governed by fiction, and. that such governance is morally equivocal. The chapter concludes with the specification of gossip as a malicious social discourse which, for White, also reflects the prac tice of narrative fiction. In Chapter Two the analogy between fiction and gossip is developed. The discourse of repute is seen to exercise a perverse and vicarious dominance over its object. This governance by a morally equivocal discourse is considered to illustrate White's habitual apprehension of a universally ironic dispensation under which the human subject exists.
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A New Australian Play Based on a Short Story by Patrick White
Brink Productions in association with Adelaide Festival Centre presents A new Australian play 10–24 October, based on a short story Space Theatre by Patrick White brinkproductions.com Featuring Zephyr Quartet Director Chris Drummond Designer Michael Hankin Lighting Designer Nigel Levings Musical Director Hilary Kleinig Composers Belinda Gehlert, Emily Tulloch, Jason Thomas, Hilary Kleinig Cast Paul Blackwell, Lucy Lehmann, Kris McQuade, James Smith and Zephyr Quartet Creative Team Creatives and Production Creatives and Production Director Scenic Artist Chris Drummond Michelle Delaney Designer Scenic Artist Michael Hankin Wendy Todd Lighting Designer Carpenter Nigel Levings Tom Sutton Musical Director Hilary Kleinig Cast and Characters Composers Older Man Belinda Gehlert, Hilary Kleinig, Paul Blackwell Jason Thomas, Emily Tulloch Younger Woman Production Manager Lucy Lehman Françoise Piron Older Woman Stage Manager Kris McQuade Stephanie Fisher Younger Man Assistant Stage Manager James Smith Danielle Mullins and Wardrobe/Costumes Zephyr Quartet Emma Brockliss 10-24 October 2015 Space Theatre Adelaide Festival Centre Director’s Notes Chris Drummond The first and perhaps most important act of massive cultural and political change. This adaptation in undertaking this production historical and social perspective has a ‘mirror’ was changing the title of Patrick White’s short in so many narrative details throughout story from Down at the Dump to The Aspirations the story: from Ossie living on the cusp of of Daise Morrow. This new title, taken
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Patrick White: Twyborn Moments of Grace
Patrick White: Twyborn Moments of Grace By the end of the 1970s it was clear that critics were deeply divided over the nature of Patrick White's work and his achievement. At that time, I attempted to identify their fundamental differences by asking whether White was to be seen as a traditional novelist with a religious or theosophical view of life, or as a sophisticated, ironical modern mistrustful of language and sceptical of ever being able to express what might lie beyond words?1 Since then, literary criticism has registered some changes, and shocks. Indeed that term, 'literary criticism', has come to suggest the kind, or kinds, of exegesis and evaluation that prevailed in the ages that preceded our own brave new theoretical world. (I speak in general terms but have contemporary Australian academia specifically in mind.) How, I wonder, would a new reader, one coming to White for the first time through his most recent novel, The Twyborn Affair (1979), perceive him? In imagining this 'new' reader I have in mind a younger generation, particularly of students, who need not have encountered White's earlier novels and criticisms of them, and for whom the terms and concerns of Anglo-American New Criticism which affected the academic reception of White's work from at least the 1960s on are likely to be less immediate than those of Continental and North American theorists who have been influential during the last decade or more; for instance, Mikhail Bakhtin, who looms large on the program for this conference and in the October 1984 issue of PMI.A.
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14946458.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons The Solid Mandala and Patrick White’s Late Modernity Nicholas Birns 1. Patrick White and Late Modernity This essay contends that the Australian novelist Patrick White (1912-1990) presents, in his novel The Solid Mandala (1966), a prototypical evocation of late modernity that indicates precisely why and how it was different from the neoliberal and postmodern era that succeeded it. Late modernity is currently emerging as a historical period, though still a nascent and contested one. Robert Hassan speaks of the 1950-1970 era as a period which, in its ‘Fordist’ mode of production maintained a certain conformity yet held off the commoditisation of later neoliberalism’s ‘network-driven capitalism’.1 This anchors the sense of ‘late modernity,’ that will operate in this essay, though my sense of the period also follows on definitions of the term established, in very different contexts, by Edward Lucie-Smith and Tyrus Miller.2 Late modernity as understood in this piece is composed of two key aspects. One is the dominance of the innovative, labyrinthine Modernist aesthetics developed in the previous generation – the generation born in the late nineteenth century, that of Virginia Woolf, James Joyce, and, most important for White’s text, T.S. Eliot – and inherited by the second-generation modernists, writers like White who were born in the first two decades of the twentieth century. The other is the political predominance of welfare state models and a strong public sector that provided significant employment.
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Australian Modernist Theatre and Patrick White's
ISSN 2414-8385 (Online) European Journal of January-April 2017 ISSN 2414-8377 (Print Multidisciplinary Studies Volume 2, Issue 4 Australian Modernist Theatre and Patrick White’s the Ham Funeral (1961 [1947]) Ryszard W. Wolny Institute of English and American Studies, University of Opole, Poland Abstract For a considerable period of time, literary Modernism has been mainly associated with the study of the novel and poetry rather than drama perhaps due to New Criticism’s emphasis on the text and disregard of performance. This profound anti-theatrical thrust of Modernism has to be, most certainly, re-examined and reassessed, particularly within the context of Australian literature and, more specifically, Australian theatre. That Australian modernist theatre has been inconspicuous on the world stage seems to be an obvious and undisputable statement of facts. Yet, with Patrick White, English-born but Australian-bred 1976 Nobel Prize winner for literature, Australian low-brow uneasy mix of British vaudevilles, farces and Shakespeare, mingled with the local stories of bushranging and convictism, got to a new start. Patrick White’s literary output is immense and impressive, particularly in regards to his widely acclaimed and renowned novels; yet, as it seems, his contribution to Australian – least the world – drama is virtually unknown, especially in Europe. The aim of this paper is, therefore, to disclose those modernist elements in Patrick White’s play, The Ham Funeral, that would argue for the playwright to be counted as one of the world avant-garde modernist dramatists alongside Beckett and Ionesco. Keywords: Modernism, Australian drama, Patrick White, The Ham Funeral, anti-consumerism INTRODUCTION European and Australian Modernism(s) What is generally understood by the term Modernism is the movement in the arts, its set of cultural tendencies and associated cultural activities, originally arising from wide-scale and far-reaching changes to Western societies in the late 19th and early 20th centuries.
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