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FREE JUNGLE DRUM N PDF

Johnny Rabb | 152 pages | 03 Dec 2001 | Faber Music Ltd | 9780757990250 | English | Harlow, History of - Wikipedia

You might have seen us write about the house DJs who are still out there bossing it more than 20 years into their career. Then there's this list of '90s DJs still at the top of their game. Now it's time to have a look at the jungle and drum 'n' bass DJs who are still doing their thing. From selling out a week residency in under three hours to the likes of Doc Scott and Fabio getting booked for house and techno parties. Check out the mega list of those still smashing it below. Not only is Andy C still at the top of his game, his residency at club XOYO in was one of Jungle Drum n Bass most talked-about series of parties in recent times. And guess what? If that's not evidence of a DJ riding high two decades after starting their career, I really don't know what is. British music culture - and culture in general - would be a lot less vibrant without the Jungle Drum n Bass of . From way back in the mids when he released the iconic 'Timeless' to still being capable of DJ'ing sets loaded with top-level d'n'b, the founder's ensured his bling-bling aesthetic has always been in the public's gaze. The , 'Act Jungle Drum n Bass - Music For Inanimate Objects', isn't made for dark Jungle Drum n Bass, instead Jungle Drum n Bass , and ambient paradise with vocal features from the likes of Tyler Daley and . His label Metalheadz hit the year milestone last year and is still firing out releases of the finest quality, too. Ukrainian techno DJ Nastia, who spoke to Goldie as part of our Back 2 Back series last yearwould surely back up the notion of him still bringing his A-game. When your DJ-Kicks mix from 21 years ago is being reissued, you know people have still got a craving for your goods. That's the case for DJ Storm whose - alongside Kemistry, who passed away in - edition of the Studio! K7 series got a fresh release this month. This reissue follows somewhat of a renaissance for Storm who has seen herself playing events such as Unsound Festival in Poland and Amsterdam's Dekmantel in recent years, as well as sharing line-ups with the likes of Eris DrewJosey Rebelle and Donato Dozzy. Hard-hitting jungle and d'n'b, much like the tracks on the DJ-Kicks mix, are still very much at the top of her agenda, proving that she's just as much of a banging selector as she was back in the day. In some shape or form, he's released an album a year since The first was a mini-album with Kabuki, the second is 's 'A Love I Jungle Drum n Bass Explain'the third being 'Lineage' and the fourth Jungle Drum n Bass, released this year. Not someone with a conventional breaks-drums-breaks approach to d'n'b, dBridge steps away from the norm on each of the , dishing out dark tech-steppers, blissful ambience, glitchy and other bass experimentations. It's refreshing that someone who's been in the game for nearly two decades - either as dBridge the DJ and Jungle Drum n Bass, Records boss or as part of Bad Company - still has the desire and ambition for so much experimentation. Too hot to handle, DJ Randall! Thanks to a long-standing Rinse FM residencyRandall continues to bless the airwaves with gritted-teeth d'n'b. The fact he's on such a prominent radio station, one so tightly entwined with youth culture, is testament of his relevance and stature in jungle and d'n'b. Dekmantel Festival showed its respect to Randall in by booking him to play a '90s Metalheadz set with Goldie. Quite the feat at a festival so heavily linked to house and techno. Read this next: 15 house DJs from the 90s who are still at the top of their game. The demand for DJ Hype 's Playaz rave just doesn't look like slowing down. The rowdy d'n'b and jump-up party's in Jungle Drum n Bass second decade, with a takeover of mega London club Printworks recently ticked off the list. All that matters is that Hype's still got the hype. Have a conversation about jungle and d'n'b in the '90s and it's likely 'Shadow Boxing' by Nasty Habits Doc Scott's alias will come up. The moody, martial arts films-sampling cut is a classic. It's importance was highlighted recently, with Doc Scott releasing it digitally for the first timealongside a bunch of other Nasty Habits tunes from to Don't go thinking he only looks back on past glories, though. His Future Beats radio Jungle Drum n Bass is proof of his commitment to forward-thinking d'n'b. A recent tweet declaring German techno-meets- breaks label Ilian Tape as his favourite label shows he's got his finger on the pulse. It's been one helluva journey for Shy FX, who's gone from bedroom producer as seen in this doc Jungle Fever this doc Jungle FeverJungle Fever to calling on Idris Elba for a new version of his legendary tune 'Original Nuttah'. It was the original of that track Jungle Drum n Bass UK Apachi which swung open the door for Shy's career, one that also spawned the anthem 'Bambaata' in Model Cara Delevingne even features on that, proof of Shy's pulling power these days. His Cult. You'd DJ Zinc 's looking to beat a record he's ticked off so many new collaborators recently. , Alicai Harley and Chris Lorenzo have all been in the studio with him and while he might not be making tunes like breakthrough track 'Super Sharp Shooter'his productions are still loaded with bass and have all it takes to make the rave go off. Volume 21' Jungle Drum n Bass from and, my gosh, it's a gooden. Bukem in the early and mids was flawless, leading the charge in 'intelligent jungle', as it was coined, with his club night Speed. His own tunes from Jungle Drum n Bass era are layered with gorgeous atmospherics: 'Atlantis I Need You ', 'Music', 'Horizons', the list goes on. He's still at it now. It's not a shock to see him playing alongside other pioneers such as , either. What a decision that was. Marky's had his own fair share of wicked releases in the last decade, from 'Yellow Shoes' and 'Mystic Sunset' with compatriot S. Jungle Drum n Bass to 'Amen Tune' with Calibre, once a tune that was heard at every d'n'b rave going, yet couldn't be identified until it appeared on 'Shelflife 4' with Calibre. A superstar in his native Brazil, he'll still clock up bookings around the country, with gigs last year also taking place in Japan, the UK, Australia and all over Europe. This man ain't gonna stop. No big deal. Especially that funky . He Jungle Drum n Bass the album back to life indebuting a live show to celebrate the record's 20th anniversary, while DJ gigs in recent times have seen him travel Jungle Drum n Bass the US, China and plenty of other spots around the world, as well as alongside LTJ Bukem. His and 's label Full Cycle also reopened inwith the most recent release coming from Unkut. , the Jungle Drum n Bass behind a trove of jungle treasures 'Arabian Nights', 'Your Sound' and loads more from the mids onwards, returned with his first album since last year. Dreamy pads, crunchy breaks and enticing vocals all feature, reminding you just how talented J Majik is as a producer. Read this next: 14 of the best vocal d'n'b tracks. You won't read or watch many interviews with Northern Irish producer Calibre, but what he lacks in press he certainly makes up for in musical output. The term liquid was coined by Fabio and it was on his label, Creative Source, that Calibre released 'Mystic'his breakthrough tune, in Since then he's been relentless, releasing album after album, including the beautiful 'Second Sun' and, most recently, 'Shelflife 6'. He's known to put d'n'b aside now and then and saw him release a heavenly album Jungle Drum n Bass ambient and downtempo cuts in 'Planet Hearth'. That's not to say he's slowed down on club-destined tracks. First breaking into the scene in with 'Critical Mass' as part of Kinnetix, Friction 's career is one loaded with accolades. Now focusing on DJing out, producing and running his label Shogun Audio, which was joined by sister label Elevate Audio in That led to longstanding residency with Metalheadz, a label she's still tight with today. 's been the man behind the wheel since launching in the mids and has guided it on the road to world domination, bringing on artists such as and Netsky. Last year he released 'Building Better Worlds', an album filled with playful, melodic d'n'b, featuring the likes of regular collaborator Elsa Esmerelda, Inja, Urbandawn and Whiney. His DJ sets are just as ferocious as the tunes he makes. Last year the pair even played back-to-back at Tomorrowland, a festival usually reserving its line-ups for pyrotechnic-mad EDM stars. Proper d'n'b heads still got to see him join DJ Marky and Kasra in the last year, though. Home Latest News Menu. Share on Facebook Share on Twitter Copy link. Jungle/Drum'n' Genre Overview | AllMusic

The genre is characterized by fast typically between — BPMwith heavy bass and sub-bass lines. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style. History… In the late s and early s, a growing and overnight outdoor event culture gave birth to a new style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other Jungle Drum n Bass from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and programmes. But rave music tended to feature stronger bass sounds and a faster than that of most hip-hop or , Jungle Drum n Bass from to over beats per minute. By this point the genre was incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, , MC chants, dub , and increasingly complex, heavily edited percussion. However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. As the genre became generally more polished and sophisticated technically, it began to expand its reach from pirate radio to commercial stations and gain widespread acceptance circa It also began to split into recognizable subgenres Jungle Drum n Bass as jump-up and . But towards the turn of the millennium its popularity was deemed to have dwindled as the UK garage style known as yielded several hit singles. Despite this, the emergence of further subgenres and related styles such as liquid brought a wave of new artists incorporating new ideas and techniques, supporting continual evolution of the genre. One of the more common and traditional elements is a prominent snare drum falling on the second and fourth beats. There has been considerable exploration of different in the bass Jungle Drum n Bass region, particularly within . The bass lines most notably originate from sampled sources or Jungle Drum n Bass. Bass lines performed with a bass instrument, whether it is electric, acoustic or a , are less Jungle Drum n Bass but examples can be found in the work of artists such as Shapeshifter, , Roni Size and STS9. Jungle Drum n Bass basslines are often taken from double bass recordings or from publicly available loops. The relatively fast Jungle Drum n Bass beat forms a canvas on which a producer can create tracks to appeal to almost any taste and often will form only a background to the other elements of the music. A listener or Jungle Drum n Bass can concentrate on this element rather than the faster drums. The faster a track is in BPM terms, the less complex its drum patterns can be because at higher Jungle Drum n Bass the elements cease to be heard separately, turning them into a wall of sound. These rules do not apply to a production from single drums IE, drum machines, sequencers, sliced beats. It exhibits a full frequency response which can only be appreciated on sound systems which can handle very low frequencies. There are however many albums specifically designed for personal listening. Additionally, there are many albums containing unmixed tracks, suited for home or car listening. Sometimes the drop is used to switch between tracks, layering components of different tracks, though as the two records may be simply ambient breakdowns at this point, though some DJs prefer to combine breakbeats, a more difficult exercise. When the beats re-commence Jungle Drum n Bass are often more complex and accompanied by a heavier bassline, encouraging the crowd to dance. DJ support that is playing a track in a club atmosphere or on Jungle Drum n Bass is critical in track Jungle Drum n Bass, even if the track producer Jungle Drum n Bass well known. To this end, DJs will receive dub plates a long time before a general release of a track, sometimes many months before, in order to spark interest in it as well Jungle Drum n Bass benefit the DJ exclusive and early access to tracks is a hallmark of DJ success, EG, the case of Andy C. Many producers release Jungle Drum n Bass and tracks which touch into many of the above styles and there are significant arguments as to the classification of tracks as well as the basic defining characteristics of subgenres. The list of arguable subgenres in particular should not be treated as definitive. Clipz often produces songs adhering to the clownstep sound. Jungle vs. The truth is more Jungle Drum n Bass than this, however. After a while, tracks using the virtually had a genre all of their own. This reflected a change in the musical style which incorporated increased drum break editing. Towards late and especially in there was a definite distinction between the and sounding jungle and the tracks with heavily edited breaks, such as the Jungle Drum n Bass Remarc and the Dream Team on Records. The Dream Team consisted of Bizzy B and Pugwash; Bizzy B did however have a history of complex breakbeat tracks released before any real notion of a change in genre name. This would become a new sub-genre Jump-Up, though Jungle Drum n Bass of the early jump-up tracks incorporated edited amens at the drop. Influential artists include Zinc, Hype, Dillinja and Aphrodite amongst many others. The Jungle Drum n Bass Team would also produce jump-up tracks, usually under the name Dynamic Duo on Joker Records, in a style with similarities and differences to their Suburban Base releases. It still remains a fusion music style. has been named as one the most important influences, and artists like Leadbelly, Johnson, Charlie Patton, and BB King have also been cited by producers as inspirations. This influence has lessened with time but is still evident with many tracks containing ragga vocals. Dre, Mos Def, and the Pharcyde are very often directly sampled, regardless of their general influence. The quality of these varies from the simple and primitive adding of broken beats to a vocal track or to complete reworkings that may exceed the original in quality and effort put into them. On the other hand, some tracks are illegally remixed and released on technically bootlegoften to acclaim. Another artist who was important for the scene Jungle Drum n Bass . See it? A green flare, coming from Mars, kind of a green mist behind it. You see it, Bermuda? You know why? It was outta respect. Speed garage and two-step in the UK were born at the height of the popularity of jungle, copying the basslines, fast tempo though much slowed downragga vocals with frequent MC accompaniment and production techniques. combines sounds of two-step with the deep basslines and the reggae vibe of early jungle. This is only the tip of the iceberg in terms of impact and influence. It is popular throughout continental Europe, and in South America. The show Skins uses the genre in some episodes. Each tape can contain one or two sets by DJs at that particular event usually including the MCs. Most of these packs contain between 6 and 8 CDs sometimes incorporating a limited edition DVD featuring footage from the event. Samplers have also been taken live by playing samples on drum pads or , assigning samples to Jungle Drum n Bass specific drum pad or key. MCs are frequently featured in live performances. Their show features them battling live on stage in a DJ versus drummer scenario. Some bands have even taken the term somewhat literally, such as Lightning Bolt, White Mice, and Comparative Anatomy band. The network also organises a week-long tour of the UK each year called . Seattle also has a long standing show known as Expansions on At Jungle Drum n Bass same time WUFM In Tucson, Arizona In the Philippines, The editor was Richard Yuzon. Internet sites are a source of the latest mixes professional or amateur and tracks by unsigned producers or artists. The involves quick step-like movements, whereby the dancer hops between their heels and toes in a rapid motion, from leg to leg. The dancer would also often rock forwards and back on their heels and toes with one of their legs in front. Involving many different flavours of body movements, the dance is also danced to and certain other types of free techno and rave music. Many X-Outing dancers upload videos of themselves performing the dance to the popular video-hosting website YouTube. X-Outing dancers often participate in underground social competitions of the dance amongst other dancers on of Moscow. Tecktonik is also often danced to the music. As such, reference materials are generally primary particularly interviews with music producers, DJs, owners and listeners and online. Once it had achieved the traditional markers of success, its emergence was rewritten into the pages of musical history. Thematticus theme by Anthagio. Oldskool Jungle Drum n Bass Mix | Drum n bass, Drum and bass, Drums

The music grew out of breakbeat hardcore and its derivatives of darkcoreand hardcore jungle. A major influence was the original Jamaican dub and reggae sound that came into London in the s. Drum and bass subgenres include breakcoreragga junglehardstepdarksteptechstepneurofunkambient drum and bass, liquid funk a. From its roots in the United Kingdom, the style has established itself around the world. Drum and bass has influenced many other genres like hip hopbig beatdubstephousetrip Jungle Drum n Bassambient musictechnojazzrock and pop. Drum and bass is dominated by a relatively small group Jungle Drum n Bass record labels. In the late s and early s, a growing nightclub and overnight outdoor event culture gave birth to new genres in the rave scene including breakbeat hardcoredarkcoreand hardcore junglewhich combined sampled syncopated beats, or breakbeats, and other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. From as early astracks were beginning to strip away some of the heavier sampling and "hardcore noises" and create more bassline and breakbeat led tracks. Some tracks increasingly took their influence from reggae and this style would become known as hardcore jungle later to become simply junglewhilst with Jungle Drum n Bass such as GoldieDoc Scott4heroand 2 Bad Mice were experimenting with sounds and creating a blueprint for drum and bass, especially noticeable by late Byjungle had begun to gain mainstream popularity, and fans of the music often referred to as became a more recognisable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehallMC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the Jungle Drum n Bass -fuelled rave scene, jungle also inherited associations with violence and criminal activity, Jungle Drum n Bass from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence usually reflected in the choice of samples. However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. Bywhether as a reaction to, or independently of this cultural schism, some Jungle Drum n Bass producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass. As the genre became generally more polished and sophisticated technically, it began to expand its reach from pirate radio to commercial stations and gain widespread acceptance circa — It also began to split into recognisable subgenres such as HardstepJump up, Ragga, Techstep, and what was known at the time as Intelligent. As more melodic and often -influenced subgenres of drum and bass called Atmospheric Jungle Drum n Bass Intelligent music producer and and JazzStep 4HeroRoni Size gained mainstream appeal, additional subgenres emerged including techstep indrawing influence from techno. The popularity of drum and bass at its commercial peak ran parallel to Jungle Drum n Bass other genres native to the UK, including and hard house. Towards the turn of the millennium, however, its popularity was deemed to have Jungle Drum n Bass, as the UK garage offshoot known as speed Jungle Drum n Bass yielded several hit singles. Speed garage shared high and heavy basslines with drum and bass, but otherwise followed the established conventions of "house music", with this and its freshness giving it an advantage commercially. The beats and tempo that define house Jungle Drum n Bass entirely different. This did cause further confusion in the presence of new house music of the mids being played alongside what was now being called garage. Despite this, the emergence of further subgenres and related styles such as liquid funk brought a wave Jungle Drum n Bass new artists incorporating new Jungle Drum n Bass and techniques, supporting continual evolution of the genre. Drum and bass incorporates a number of scenes and styles, from the highly electronic, industrial sounds of techstep to the use of conventional, acoustic instrumentation that characterise the more jazz-influenced end of the spectrum. Drum and bass could at one time be defined as a strictly electronic musical genre, with the only "live" element being the DJ's selection and mixing of records during a set. B King have also been cited by producers as inspirations. Even modern avant-garde composers such as Henryk Gorecki have received mention. One of his more famous basslines Reese — "Just Want Another Chance", Incognito Records, was indeed sampled on Renegade's Terrorist and countless others since, being known simply as the 'Reese' bassline. He followed these up with equally influential and bassline-heavy tracks in the UK hardcore style as Tronik House in — Another Detroit artist who was important to the scene was Carl Craig. The sampled-up jazz break on Craig's Bug in the Bassbin was also influential on the newly emerging sound. DJs at the nightclub on "Rage" nights used to play it as fast as their record decks would go, pitching it up in the process. By the late s and early s, the tradition of breakbeat use in production had influenced the sound of breakbeat hardcorewhich in turn led to the emergence of jungle, drum and bass, and other genres that shared the same use of broken beats. DreMos DefBeastie Boys and the Pharcyde are very often directly sampled, regardless of their general influence. Clearly, drum and bass has been influenced by other music genres, though influences from sources external to the electronic scene perhaps lessened following the shifts from jungle to drum and Jungle Drum n Bass, and through to so-called "intelligent drum and bass" and techstep. Some tracks are illegally remixed and released on white label technically bootlegoften to acclaim. For example, DJ Zinc's of The ' " Ready or Not Jungle Drum n Bass, also known as "Fugee Or Not", was eventually released with the Fugees' permission after talk of legal action, though ironically, the Fugees' version infringed 's copyright to an earlier song. The Amen break was synonymous with early drum and bass productions but other samples have had a significant impact, including the ApacheFunky Drummer"Soul Pride", "Scorpio" and " Think About It " breaks. Of equal importance is the TR kick drum, an Jungle Drum n Bass pitch-downed or elongated sound sampled from Roland 's classic TR drum machine, and a sound which has been subject to an enormous amount of experimentation over the years. Many drum and bass tracks have featured more than one sampled breakbeat in them and a technique of switching between two breaks after each bar developed. Examples of this can be heard on mids releases such as J Majik 's "Your Sound". A more recent commonly used break is the "Tramen", which combines the Amen breaka funk breakbeat " Tighten Up " or "Samurai" break and an Alex Reece drum and bass breakbeat. The relatively fast drum beat forms a canvas on which a producer can create Jungle Drum n Bass to appeal to almost any taste and often will form only a background to the other elements of the music. The complex of the drum tracks' breakbeat is another facet of production on which producers can spend a very large amount of time. The Amen break is generally acknowledged to have been the most-used and often considered the most powerful break in drum and bass. The genre places great importance on the basslinein this case a deep sub-bass musical pattern which can be felt physically through powerful sound systems due to the low-range frequencies favoured. There has been considerable exploration of different timbres in the bass line region, particularly within techstep. The bass lines most notably originate from sampled sources or synthesizers. Bass lines performed with a bass instrument, whether it is electric, acoustic or a double bassare less common, but examples can be found in the work of artists such as ShapeshifterSquarepusherPendulumRoni Size and STS9. Atmospheric pads and samples may be added over the fundamental drum and bass to provide different feels. These have included "light" elements such as ambient pads as found in ambient electronica and samples of jazz and world musics, or "dark" elements such as dissonant pads and sci-fi samples to induce anxiety in the dancer. Old-school Jungle Drum n Bass usually included an MC providing vocals. Some styles such as jazz influenced DnB also include melodic instruments soloing over the music. Drum and bass is usually between — BPM, in contrast to other breakbeat -based dance styles such as nu skool breakswhich maintain a slower pace at around — BPM. A general upward trend in tempo has been observed during the evolution of drum and bass. Since arounddrum and bass tempos have predominantly stayed in the — range. Recently, some producers have started to once again produce tracks with slower tempos that is, in the bpm rangebut the mids tempo is still a hallmark of the drum and bass sound. A track combining the same elements broken beat, bass, production techniques as a drum and bass track, but with a slower tempo say BPMmight not be drum and bass, but instead may qualify as a drum and bass-influenced breakbeat track. Many Jungle Drum n Bass points begin or end with a " drop ". The drop is the point in a track where a switch of rhythm or bassline occurs and usually follows a recognisable build section and breakdown. Sometimes, the drop Jungle Drum n Bass used to switch between tracks, layering components of different tracks, as the two records may be simply ambient breakdowns at this point. Some DJs prefer to combine breakbeats, a more difficult exercise. Some drops are so popular that the DJ will "rewind" or "reload" or "lift up" the record by spinning it back and restarting it at the build. The drop is often Jungle Drum n Bass key point from the point of view of Jungle Drum n Bass dance floor, since the drum breaks often fade out to leave an ambient intro playing. When the beats re-commence they are often more complex and accompanied by a heavier bassline, encouraging the crowd to begin dancing. Drum and bass exhibits a full frequency response which can sometimes only be fully appreciated on sound systems which can handle very low frequencies, including sub-bass frequencies that are often Jungle Drum n Bass more than heard. As befits its name, the bass element of the music is particularly pronounced, with the comparatively sparse of drum and bass tracks allowing room for basslines that are deeper than most other forms of dance music. Consequently, drum Jungle Drum n Bass bass parties are often advertised as featuring uncommonly loud and bass-heavy sound systems. There are however many albums specifically designed for personal listening. The DJ mix is a particularly popular form of release, with a popular DJ or producer mixing live, or on a computer, a variety of tracks for personal listening. Additionally, there are many albums containing unmixed tracks, suited for home or car listening. Many musicians have adapted drum and bass to live performances, which feature instruments such as drums acoustic or electronicsamplerssynthesizers Jungle Drum n Bass, turntablesbass either upright or electric and acoustic or electric. Samplers have also been used live by assigning samples to a specific drum pad or key on drum pads or synthesizers. MCs are frequently featured in live performances. Smaller scenes within the drum and bass community have developed and the scene as a whole has become much more fractured into specific subgenres, which have been grouped [45] into "light" influenced by ambientjazzand and "heavy" influenced by industrial musicsci-fiand anxiety styles, Jungle Drum n Bass. Born around the same time as jungle, breakcore and share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German drum and bass DJ The Panacea is also one of the leading digital hardcore artists. Raggacore resembles a faster version of the ragga-influenced of the s, similar to breakcore but with more Jungle Drum n Bass dancehall beats dancehall itself being a very important influence on drum and bass. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries. IDM is a form of art music based on DnB and other electronic dance musics, exploring their boundaries using ideas from science, technology, contemporary and progressive rock, often creating un-danceable, art gallery style music. Recently created Jungle Drum n Bass the United States is a genre called which contains synth and basslines similar to drum and bass. Drum and bass is dominated by a small group of record labels. Prior tothe major international music labels such as and Universal had shown Jungle Drum n Bass little interest in the drum and bass scene, with the exception of some notable signings, including Pendulum 's In Silico LP to Warner. Roni Size's label played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. also played a large part of the development of drum and bass. RAM Records has been pushing the boundaries of drum and bass further into the mainstream with artists such as Chase and Status and . Now defunct labels, include Rob Playford 's Moving Shadowrunning from untilJungle Drum n Bass played a pivotal role in the nineties drum and bass scene, releasing records Jungle Drum n Bass artists such as Omni Trio. Originally drum and bass was Jungle Drum n Bass sold in inch vinyl single format. With the emergence of drum and bass into mainstream music markets, more albums, compilations and DJ mixes started to be sold on CDs. As digital music became more popular, websites focused on electronic music, such as Beatportbegan to sell drum and bass in digital format. As of 11 SeptemberNu Urban ceased trading and RSM Tenon were instructed to assist in convening statutory meetings of members and creditors to appoint a liquidator. This left many labels short on sales, as Nu Urban were one of the main distributors for the vinyl market in the drum and bass scene. Despite its roots in the UK, still treated as the "home" of drum and bass, the style has firmly established itself around the world. DnB is popular in continental Europe. During club season, promoters race between each other to organise better events, often resulting in up to ten parties being held during one weekend, with no more than a two-hour travel between them. Skillz and mainly the Mainframe record label being all based in or around Vienna. In Ireland, the biggest scene by far is in Dublin, with a night every Sunday by the Initial Kru mostly showcasing local DJ's but occasionally bringing over international guests such as Spirit and Seba. There are much smaller regional scenes in areas such as Limerick, Cork and Galway which usually have monthly nights. Brazilian drum and bass is sometimes referred to as " ", Jungle Drum n Bass a specific -influenced style and sound made popular by artists like DJ Marky and XRS.