Index of John Drewry's Dances

Total Page:16

File Type:pdf, Size:1020Kb

Index of John Drewry's Dances Index of John Drewry's Dances DRAFT: Last Revised on October 30, 2018 © Scottish Country Dance Teachers' Association (Canada) Index of John Drewry's Dances FOREWORD John Drewry was born on the 14th of July 1923 in Melton Mowbray in Leicestershire. Sadly, he died on the 18th of June 2014 in Aberdeen. He was 90 years old. John's legacy includes a collection of dances that number more than 800, which he bequeathed the copyright to Teachers' Association (Canada) (hereafter referred to as TAC). TAC's first action has been to create a comprehensive list of all dances written by John Drewry. Our second action will be to prepare, for sale, all of the dances in digital format. As you can imagine, this is a huge undertaking with more than 800 dances on the list, so it will take some time. Our aim is have each dance available individually, as part of a collection of dances from a particular source, and finally, as the complete collection. A project of this size and scope does not happen at the hands of only one person. The TAC executive would like to thank everyone who has had a hand in organizing, printing, cross checking, providing missing copies of dances, and of course, all of the typing. We would especially like to thank Betsy Brydon, Barbara Johnston, Anne Miller, Fiona Miller, Paul Miller, Mary Murray, Ron Wallace, Stephen Webb and Vicky Zeltins for their work on this project so far. There will be many more opportunities for more people to get involved as time goes by and requests will go out by email or through TACTalk at the appropriate time. Sincerely, Sharon Barker And now, a few words from John Drewry himself: How I Started Devising Scottish Country Dances It all began with Flora (No, not Marge!). Flora was a member of our Dancing Class who had elastic legs which stretched remarkably when pulled ever so gently. Flora was not actually her name - just another leg-pull - and its use occasioned loud shouts of "You know that is not my name!". Ian, who had christened her "Flora", suspected that she secretly enjoyed the attention and quoted Queen Gertrude - "The lady doth protest too much, methinks". "But to our tale:-" it was decided that we should make up a dance for Flora - just another leg-pull. After several attempts by various people, my reel was chosen; it was taught, without a name, to the class by Liz our teacher, who then, at the end, announced that we had just danced "Flora's Rant". The results can be imagined! That dance has faded into history - I no longer even remember how it went - but the seed had been sown and started to grow. Dances began to appear. For some reason, which I cannot myself explain, I seem to have the ability to imagine new movements in dances. This may be related to a facility for geometry which I had at school often getting 100% marks in exams. Page 2 of 44 Index of John Drewry's Dances The first dance of any lasting value I devised was "A Trip to Tobermory" - a 24-bar strathspey - which I had printed on a leaflet. Liz took copies to St. Andrews (I had not advanced that far in those days) and gave one to Miss Milligan. A year or so later, this dance appeared on Younger Hall programmes at the Summer School and I felt that I had arrived! In the meantime I had become a member of the Carlisle and Border Branch and, when I had produced a set of reasonably interesting dances, friends in the Branch organised a session to try them out. They were so enthusiastic that they encouraged me to produce a booklet of the best of the dances and the "Bon Accord Book" was the result. The first copies were duplicated by stencil (not printed) and I painted a design of a white rose and heather on pale blue card for the first hundred covers. Sometimes ideas came to me with remarkable speed - for example:- "The Bonnie Lass of Bon Accord" was devised in about ten minutes while listening to a Jimmy Blair recording of the music. (the recording had no initial chord - hence the 8-bar introduction to the dance). The dance "Bratach Bana" was inspired by listening to the tune on the radio while I was camping on the shores of Loch Sunart near Strontian - I walked it through alone on the smooth sand. Occasionally I have woken up in the middle of the night with a complete dance in my head - this has happened spontaneously without my intending to make up a dance before going to sleep. Very soon after I started devising dances, I met Hugh Foss who gave me tremendous encouragement. He supplied me with blank sheets and Lettraset stencils for setting out the music for the Bon Accord Book. This was a slow procedure - I think it took about twelve hours to prepare each tune. The dance "Bon Accord" was devised in imitation of a Foss "fugue". It needed special music because it began with two twelve-bar phrases. Miss Winnie Carnie of Glasgow was kind enough to compose two tunes for the dance and the second had a quotation from "The Bonnie Lass of Bon Accord" in it. Miss Allie Anderson took a liking to the dance and it was included in the programme for "An Edinburgh Fancy" in 1966 ("A Trip to Tobermory" was also in the same programme). Since then, The programmes for "An Edinburgh Fancy" have almost all contained at least one of my dances, which I take as a great compliment. I moved to Aberdeen in 1965 and the "Drewry" collection has grown and grown until it now numbers over four hundred dances. Many of them have been devised to satisfy requests and others for me to take with me when I have been invited to teach in far away places. (I do not always feel able to respond to some requests, like the one from a lassie who wanted a dance to show her boy-friend how much she loved him). From the humble beginnings of "Flora's Rant" in Cumberland, the dances have spread over the whole of the Scottish Country Dancing world and have resulted in my visiting many interesting places and forming many good and lasting friendships. Page 3 of 44 Index of John Drewry's Dances Codes (Abbreviations) Used for Book Sources Code Book Title Published By Year 2003 New Dances by John Drewry 2003 John Drewry 2003 2004 New Dances by John Drewry 2004 John Drewry 2004 2005 New Dances by John Drewry 2005 John Drewry 2005 20ND 20 New Dances by John Drewry 1999-2000 John Drewry 2000 2DWM Two Dances with Music Bradford Reel Club 7PL2 A Book of Seven (Plus Two) Paul Bond 9 for 90 RSCDS Aberdeen Branch 90th AB90 Anniversary RSCDS Aberdeen Branch 2015 ABCL An Aberdeen Collection RSCDS Aberdeen Branch 2000 AU83 Autumn Collection 1983 John Drewry 1983 AU84 Autumn Collection 1984 John Drewry 1984 AU86 Autumn Collection 1986 John Drewry 1986 AUSB The Australian Book John Drewry 1995 BFDL Bradford Leaflet BK23 Book 23 Royal Scottish Country Dance Society BK31 Book 31 Royal Scottish Country Dance Society 1983 BK33 Book 33 Royal Scottish Country Dance Society BK35 Book 35 Royal Scottish Country Dance Society BK38 Book 38 Royal Scottish Country Dance Society 1994 BK42 Book 42 Royal Scottish Country Dance Society BK43 Book 43 Royal Scottish Country Dance Society 2003 BKLO Leaflet Dances 1964-1998 and Other Dances Royal Scottish Country Dance Society 2014 BKLT Leaflet Dances With Music Royal Scottish Country Dance Society 2001 BNK1 The Bankhead Book Part 1 John Drewry 1992 BNK2 The Bankhead Book Part 2 John Drewry 1992 BNK3 The Bankhead Book Part 3 John Drewry 1993 BNK4 The Bankhead Book Part 4 John Drewry 1994 BNK5 The Bankhead Book Part 5 John Drewry 1995 BNK6 The Bankhead Book Part 6 John Drewry The Bon Accord Book of Scottish Country BONA Dances John Drewry 1968 BROD The Brodie Book John Drewry 1994 BRUN New Brunswick Collection Fredricton SCD Group 1984 Scottish Country Dances Books 19 to 24 CB19 (Combined A5 edition) Royal Scottish Country Dance Society 2012 Scottish Country Dances Books 31 to 38 CB31 (Combined A5 edition) Royal Scottish Country Dance Society 2017 RSCDS St. John's (Newfoundland) CIRC All Around the Circle Branch CHBL Cherry Blossom Book John Drewry 1998 CNDN The Canadian Book of Scottish Country Dances John Drewry/RSCDS Toronto Branch 1977 Page 4 of 44 Index of John Drewry's Dances Codes (Abbreviations) Used for Book Sources Code Book Title Published By Year A Guide to Scottish Country Dancing (ex- Collins)/Collins Pocket Reference: Scottish Country Dancing/Collins Little Books: Scottish Royal Scottish Country Dance COLL Dance Society/HarperCollins 1996 CROY Croydon & District 1989 RSCDS Croydon & District Branch 1989 The Deeside Book of Scottish Country Dances DEE1 Part 1 John Drewry 1981 The Deeside Book of Scottish Country Dances DEE2 Part 2 John Drewry 1981 DGFT Dancing Forth Too RSCDS Edinburgh Branch DMDD Diamond Jubilee 1925-1985 RSCDS Dundee Branch DONS The Donside Book of Scottish Country Dances John Drewry 1990 David Rorie Society Song, Dance and Fiddle DROR Music David Rorie Society 1985 EDIN Edinburgh Fancy Leaflet GLEN Gleneagles Gold Collection Simon Scott 2013 GRBN The Greenburn Book John Drewry 1998 GRB2 The Greenburn Book Volume II John Drewry 2000 GRB3 The Greenburn Book 3 John Drewry 2000 HAML Hamilton Silver Anniversary Collection RSCDS Hamilton (Ont.) Branch HCV1 Highlander Collection Vol 1 Highlander Music 2008 INVC Inverclyde Foursome RSCDS West Renfrewshire Assoc.
Recommended publications
  • The Scottish Banner
    thethethe ScottishScottishScottish Banner BannerBanner 44 Years Strong - 1976-2020 www.scottishbanner.com A’ Bhratach Albannach Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 VolumeVolumeVolume 44 36 Number36 Number Number 6 11 The 11 The world’sThe world’s world’s largest largest largest international international international Scottish Scottish Scottish newspaper newspaper newspaper December May May 2013 2013 2020 Celebrating US Barcodes Hebridean history 7 25286 844598 0 1 The long lost knitting tradition » Pg 13 7 25286 844598 0 9 US Barcodes 7 25286 844598 0 3 7 25286 844598 0 1 7 25286 844598 1 1 The 7 25286 844598 0 9 Stone of 7 25286 844598 1 2 Destiny An infamous Christmas 7 25286 844598 0 3 repatriation » Pg 12 7 25286 844598 1 1 Sir Walter’s Remembering Sir Sean Connery ............................... » Pg 3 Remembering Paisley’s Dryburgh ‘Black Hogmanay’ ...................... » Pg 5 What was Christmas like » Pg 17 7 25286 844598 1 2 for Mary Queen of Scots?..... » Pg 23 THE SCOTTISH BANNER Volume 44 - Number 6 Scottishthe Banner The Banner Says… Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Publisher Contact: Scottish Banner Pty Ltd. The Scottish Banner Editor PO Box 6202 For Auld Lang Syne Sean Cairney Marrickville South, NSW, 2204 forced to cancel their trips. I too was 1929 in Paisley. Sadly, a smoking EDITORIAL STAFF Tel:(02) 9559-6348 meant to be over this year and know film canister caused a panic during Jim Stoddart [email protected] so many had planned to visit family, a packed matinee screening of a The National Piping Centre friends, attend events and simply children’s film where more than David McVey take in the country we all love so 600 kids were present.
    [Show full text]
  • Spring 2015 Vol. 44, No. 1 Table of Contents
    Spring 2015 Vol. 44, No. 1 Table of Contents 4 President’s Message Music 5 Editorial 33 Jimmy Tweedie’s Sealegs 6 Letters to the Editor 43 Report for the Reviews Executive Secretary 34 Review of Gibson Pipe Chanter Spring 2015 35 The Campbell Vol. 44, No. 1 Basics Tunable Chanter 9 Snare Basics: Snare FAQ THE VOICE is the official publication of the Eastern United 11 Bass & Tenor Basics: Semiquavers States Pipe Band Association. Writing a Basic Tenor Score 35 The Making of the 13 Piping Basics: “Piob-ogetics” Casco Bay Contest John Bottomley 37 Pittsburgh Piping EDITOR [email protected] Features Society Reborn 15 Interview Shawn Hall 17 Bands, Games Come Together Branch Notes ART DIRECTOR 19 Willie Wows ‘Em 39 Southwest Branch [email protected] 21 The Last Happy Days – 39 Metro Branch Editorial Inquiries/Letters the Great Highland Bagpipe 40 Ohio Valley Branch THE VOICE in JFK’s Camelot 41 Northeast Branch [email protected] ADVERTISING INQUIRIES John Bottomley [email protected] THE VOICE welcomes submissions, news items, and ON THE COVER: photographs. Please send your Derek Midgley captured the joy submissions to the email above. of early St. Patrick’s parades in the northeast with this photo of Rich Visit the EUSPBA online at www.euspba.org Harvey’s pipe at the Belmar NJ event. ©2014 Eastern United States Pipe Band EUSPBA MEMBERS receive a subscription to THE VOICE paid for, in part, Association. All rights reserved. No part of this magazine may be reproduced or transmitted by their dues ($8 per member is designated for THE VOICE).
    [Show full text]
  • 45Th Annual Burns Night Celebration
    January 2020 2018-2019 DSHA BOARD OF DIRECTORS President: Pam Longville The Duluth Scottish Heritage Association Vice President: Daniel Mckee cordially invites you to the Secretary: Laura Jacobs Treasurer: David Vosen 45th Annual Burns Night At-Large Board Members: Mary Rasch Mary Gaidis Celebration Past President: John Stewart Membership Director 261st Anniversary of the Poet’s Birth Jason Reid Saturday, January 25th, 2020 Webpage: David Vosen Social Hour begins at 5:30pm STANDING COMMITTEES Haggis Presentation at 6:00pm Dance Class Instructors: Barbara Reyelts Diana Dodge The Kitchi Gammi Club Dance Competition: Mary Rasch 831 East Superior Street • Duluth, MN Steve Reyelts Pipes and Drums Band: Charles Bergquist Join us for the traditional toasts and address to the haggis. There will be Caledonian Grounds: Mary Gaidis clan rooms serving a wide variety of Scottish fare, and whisky tasting. Along Remembrance Day: with a musical tribute to Robert Burns, Highland Dance Exhibition & pipe Laura Jacobs Mary Gaidis band, Scottish Country Dancing and Singing of Auld Lang Syne. Highland Kirkin’ o’ the Tartans: wear is encouraged. Kathy Peterson Burns Night Dinner: The Social Hour will include an opportunity for Clan Photos in the Steve Reyelts Library. This is an opportunity to show off your Scottish Finery. Daniel McKee Tartan Day: Call the Kitchi Gammi Club Pam Longville Newsletter: to make your reservations Erin Reid Spring Concert: 218.724.8589 Barbara Reyelts Diana Dodge $70.00 per person Jason Reid Page 2 January 2020 More Highlights for This Year’s 45th Annual Robert Burns Dinner Featured Entertainment DSHA Clan Rooms This year’s featured entertainment will be the Scottish group EIRA who will be performing in an A highlight of the Burns Night in recent years has been expanded Ceilidh format in the West Lounge.
    [Show full text]
  • This Week's Topic…
    this week’s toVOLUME pI - 2007ic… developed by Dr. Peter L. Heineman for the Omaha Pipes and Drums All rights reserved. Any reproduction is prohibited without the written permission of the Omaha Pipes and Drums. This material may not be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying, recording or by any information and retrieval system without the written permission of the Omaha Pipes and Drums. CONTENTS Page i Introduction 1 Band Grades 3 Blogs and More 4 Canntaireachd 6 Caring for Your Pipes 8 Ceilidh 9 Chanter Reed Basics 12 Cold Weather Piping 13 Drone Reeds 15 Drone Valves 17 Hemping 19 History of the Kilt 21 Hogmany 24 The Kelpie 26 Key Signatures and Key 28 Matching a Reed to the Chanter 29 Modifying the Chanter Reed 32 Moisture Control 34 Oiling the Drones…Or Not 36 Piobaireachd 37 Playing in the Rain 39 Pronunciation of “Celtic” 40 Scotland’s Thistle 41 Skirl of the Bagpipes 42 The Band Mess 44 The Kilt Pin 45 The Queen Mother’s Piper 47 The Sovereign’s Piper 49 The Story Behind the Badge 52 Traditional Christmas Yule 53 Tuning 54 Types of Tunes 58 What a Piping Judges Listens For 59 What Grade Should I Compete? 60 What the Score on Your Sheet Really Means 62 Why Compete as a Soloist? 63 Why Scotland is Called “Scotland INTRODUCTION In 2007, The Omaha Pipes and Drums created a Grade 5 band to give students who were transitioning to the Highland Bagpipes the opportunity to play in a band setting.
    [Show full text]
  • 1993 the Digital Conversion of This Burns Chronicle Was Sponsored By
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk August 1993 The digital conversion of this Burns Chronicle was sponsored by Lodge Greenock Kilwinning NoXII Burns Club The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com BURNS CHRONICLE INCORPORATING "THE BURNSIAN" Official Publication of The Burns Federation VOLUME 3 (NEW SERIES) AUGUST 1993 NUMBER 1 PRICE: £1.70 'that greatest of benevolent institutions established in honour of Robert Burns'. - Glasgow Herald. The National Burns Memorial Homes, Mauchline, Ayrshire Created for Deserving Old People - as the most fitting Memorial to Robert Burns EIGHTEEN of these comfortable houses, built at Mauchline, in the heart of the Burns Country, are occupied by deserving old folks, carefully selected from all quarters. Many of the Cottagers left tied houses on retirement with nowhere else to stay. There are no irksome restrictions. They have their own key, their own furniture if they so desire, come and go as they please, and have their own friends calling on them as they wish. The whole aim and object of the scheme is to allow the Cottagers to continue the enjoyment of the quiet comfort of their 'ain fireside' in ideal surroundings. The amenities of the Homes are constantly being improved and added to, and for this purpose MONEY IS ALWAYS REQUIRED WILL YOU PLEASE HELP by sending a donation to : A. J. Campbell, Secretary, Mitchells Roberton George House, 36 North Hanover Street, Glasgow G1 2AD Tel. 041-552-3422 - BURNS CHRONICLE INCORPORATING "THE BURNSIAN" Contents President Charles Kennedy .................
    [Show full text]
  • Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist Biographies and Programme Notes
    Princess Margaret of the Isles Memorial Prize for Senior Clàrsach, 16 June 2018 Finallist biographies and programme notes Màiri Chaimbeul is a Boston, Massachusetts-based harp player and composer from the Isle of Skye. Described by Folk Radio UK as "astonishing", she is known for her versatile sound, which combines deep roots in Gaelic tradition with a distinctive improvising voice and honed classical technique. Màiri tours regularly throughout the UK, Europe and in North America. Recent highlights include performances at major festivals and events including the Cambridge Folk Festival, Fairport's Cropredy Convention, Hillside Festival (Canada), WGBH's St Patrick's Day Celtic Sojourn, Celtic Connections, and Encuentro Internacional Maestros del Arpa, Bogota, Colombia. Màiri can currently be heard regularly in duo with US fiddler Jenna Moynihan, progressive-folk Toronto group Aerialists, with her sister Brìghde Chaimbeul, and with legendary violinist Darol Anger & the Furies. She is featured in series 2 of Julie Fowlis and Muireann NicAmhlaoibh's BBC Alba/TG4 television show, Port. Màiri was twice- nominated for the BBC Radio 2 Young Folk Award, finalist in the BBC Young Traditional & Jazz Musicians of the year and twice participated in Savannah Music Festival's prestigious Acoustic Music Seminar. She is a graduate of the Berklee College of Music, where she attended with full scholarship, and was awarded the prestigious American Roots Award. Màiri joins the faculty at Berklee College of Music this year as their lever harp instructor. Riko Matsuoka was born in the Osaka prefecture of Japan and began playing the piano at the age of three. She started playing the harp at the age of fourteen.
    [Show full text]
  • SCOTTISH COUNTRY DANCING Their Annual Sum- a RICH HERITAGE Mer School in St
    SCOTTISH COUNTRY DANCING their annual sum- A RICH HERITAGE mer school in St. Andrews, the Society Scottish Country Dancing is the traditional ball- ensures that Scot- room dancing of Scotland and is part of the ordinary tish Country Danc- social life of the community. The French ballet ing is done the same Scottish was the origin of Scottish Country Dancing which, way throughout the in turn, is the forerunner of American Square world. Dancing. Unlike square dancing, however, most of the dances are done in longwise sets and are not T h e L o s A n g e l e s “called.” Branch offers classes Country each week from as far north as Santa Barbara and Bakers- field to Torrance in the south. Partners are not required although couples are, of course, welcome, Dancing and you need not be Scottish to participate. Danc- ers routinely change partners after each dance so there are many opportunities to meet new people. Each month, the Branch holds a dance which is an opportunity to show off what you have learned in your weekly class. The Los Angeles Branch is part of an international Being part of the RSCDS provides an individual organization - The Royal Scottish Country Dance with a worldwide network of friends who enjoy Society. Founded in 1923 and headquartered participating in this unique Scottish art form. in Edinburgh, the Society aims to preserve the traditional dances of Scotland. Through their teacher-training program, their publications and The Royal Scottish Country Dance Society Los Angeles Branch PO Box 90871 Los Angeles CA 90009 4/24/08 Scottish Country Dance Classes Please contact teacher before going to a class.
    [Show full text]
  • Book 2 of the Structured Learning Guide of the Royal Scottish Pipe Band Association
    SECOND EDITION 1993 PREFACE It is with very real pleasure that I introduce Book 2 of the Structured learning Guide of The Royal Scottish Pipe Band Association. The growing international popularity of Book 1 in the series is positive proof of the acceptance of the clear concise teaching methods being used in the education programme now introduced. Pipe band enthusiasts all over the world are due a debt of gratitude to the members of the team of diligent, talented personnel who have created and presented this comprehensive and imaginative learning aid. This debt will be amply repaid by the conscientious use of Books 1 and 2 and by the subsequent attainment of a higher standard of performance of Pipe Band Music. E. Sturgeon PRESIDENT - 1 INTRODUCTION The Music Board of the Royal Scottish Pipe Band Association is delighted to present Book 2 in the Structured Learning series which covers the revised curriculum of the Intermediate Certificate course. We believe that this second publication provides a well balanced and coherent framework of learning material against which students can further develop their musical competence in piping and drumming. The successful presentation format which was established in Book 1 has been continued and built upon to ensure continuity of the learning process. It also maintains the capability of the material for use in a distance learning mode where the student has limited or perhaps no access to formal instruction. A key objective of the Music Board is to offer musical education of the highest quality and to support this by the provision of appropriate learning resource material which will be available to the membership of the Association and to the many Affiliated Associations throughout the World.
    [Show full text]
  • Patterns in Pibroch the Secret to Composing, Memorizing, and Appreciating Ceol Mór
    MUSIC The Design of It: Patterns in Pibroch The secret to composing, memorizing, and appreciating ceol mór. (Part II) by Barnaby Brown GEOMETRICAL AND LYRICAL The contrast in sonority between played before competitions replaced PRINCIPLES A and B phrases can be either slight or this genre’s original performance con- There are two opposite forces in pi- bold. A popular work in the eighteenth text: the gathering of warriors, or their broch design. “Geometrical” principles century, “War or Peace,” uses bold encouragement in battle. of pattern, order and symmetry have contrast to produce a more battle-like one effect on the brain, while “lyrical” effect. In Example 3a, the A phrase uses LYRICAL INTERLACED principles of spontaneity and tuneful- the consonant notes A-C-E, to contrast ness have quite another effect. In the with the dissonant sonority of the B �������������� Ùrlar of most pibrochs, geometrical phrase (highlighted in red), which lies ����� �������� and lyrical principles operate in part- on the notes G-B-D, clashing with the nership, but in some works, the Ùrlar drones. The four repetitions of “ho- The lyrical principal comes to the fore is relentlessly geometrical, devoid of droha” in the 4th eighth are answered in the Lyrical Interlaced Ùrlar design melody. Only in a couple of instances by the four “haninun” beats in the last family, which includes “Lament for is the Ùrlar a pure, uncomplicated eighth. “Haninun” in MacCrimmon the Children” (3: 99), “Hiotrotraho tune, without any intellectual clever- canntaireachd corresponds to “hiharin” hiobabem” (15: 535), “Salute to Don- ness. Generally, professional pipers of in Campbell notation.
    [Show full text]
  • Appendix I Profile of Arts Activity
    appendix I profile of arts activity DANCE Drama Club, Carradale Dunaverty Players BUTE AND COWAL OBAN, LORN AND THE ISLES Scottish Community Drama Association (Kintyre) Scottish Community Drama Association (Argyll) Bute Dance Club Ballet West lascene Players Bute Scottish Country Dance Club Oban, Lorn and Strathspey Reel Society Future Generations Youth Drama Christina Cairns School of Highland Dancing Appin Highland Dancing School Cowal Scottish Country Dance Club Country Dance Club - Kilmore Dunoon Disco Dance Club Country Dance Club - Taynuilt OBAN, LORN AND THE ISLES Sarah Knox School of Dance Royal Scottish Country Dance Society - Lorn Mull Theatre Anne McIlroy School of Dance Oban and Mull School of Dance Lorn Drama Festival Royal Scottish Country Dance Society - Innellan Appin Drama Club – Youth Section Royal Scottish Country Dance Society - Cowal DRAMA Taynuilt Amateur Dramatic Society Appin Drama Group Salsa Dance Club Oban High School Drama Club Speirs School of Dance BUTE AND COWAL Benderloch and North Connel Drama Club ‘Juniors’ McKinnon School of Dance Theatre Wild Benderloch and North Connel Drama Club Belly Dancers Achievement Bute - Drama Club Dalmally and Loch Awe Drama Club Cowal Line Dancers The Bute Players Players, Dervaig Strachur and District Scottish Country Dance Group Tighnabruaich Players Coll Players Benmore Players Argyll Youth Theatre HELENSBURGH AND LOMOND Strachur Players Margaret Rose School of Dance Cardross Scottish Country Dance HELENSBURGH AND LOMOND MUSIC Rosneath Scottish Country Dance Peninsula
    [Show full text]
  • Fiddle Grade 1
    © 2014 Royal Conservatoire of Scotland FIDDLE GRADE 1 1. PERFORMANCE: you have a maximum of 4 ½ minutes to play: One air: Title Composer Time- Type Source Sig A1 Come By the Hills Traditional 3/4 Waltz Ref. 2 A2 Morag of Dunvegan Traditional 3/4 Waltz Ref. 8/9 A3 The Nameless Lassie Alex Mackenzie 4/4 Air Ref.8/9 A4 The Yellow Haired Laddie Traditional 4/4 Air Ref. 24 A5 Tuireadh Iain Ruaidh Traditional 6/8 Air Ref. 6/7 A6 Will Ye No Come Back Again Traditional 4/4 Air Ref. 3 One dance tune: Title Composer Time-Sig Type Source B1 Aitken Drum Traditional 4/4 March/Reel Ref. 2 B2 Fear a’ Phige Traditional 4/4 Schottische Ref. 3 B3 Alasdair an Duin A. MacDonnachaidh 4/4 Reel Ref. 25 B4 Marie’s Wedding Traditional 4/4 March Ref. 2 B5 Oliver Jack Traditional 4/4 Shetland Reel Ref. 26 B6 The Corner House Jig Andrew Rankine 6/8 Jig Ref. 3 B7 The Green Hills of Tyrol PM J. MacLeod 3/4 March Ref. 2 One recently-composed tune: Title Composer Time-Sig Type Source C1 Rocking the Baby Traditional 6/8 Jig Ref. 26 C2 Sunset Over Foula Ronnie Cooper 3/4 Waltz Ref. 27 C3 The Highlander’s Revenge Bruce MacGregor 4/4 March Ref. 28 C4 The Seven Step Polka Traditional 4/4 Polka Ref. 29 C5 The Stronsay Wedding John Mason 2/4 Reel Ref. 2 2. TECHNICAL WORK: played from memory from among the following keys and ranges: A, D, G majors (one octave) Any standard fingering is acceptable.
    [Show full text]
  • Pinewoods Gazette 2019
    Pinewoods: Back to the Highlands Scottish Sessions 2019: Session 1: July 5-8 ~ Session 2: July 8-13 ! Our Deepest Appreciations Button Design Ellen Scannell-Woods Button Assembly MaryEllen and John Scannell Tour Guides Laura and Meyer Billmers Parking Coordinator Karen Sollins Bookstore Manager Dawn Little Webmasters Laura and Meyer Billmers Dance Binders Betty Allen Sound Manager Cathy Fahey Sound Assistant Thom Howe IT Guru !Ross Parker Session 1 Rides Coordinator Keira Hartstein Bookstore Assistant Mike Little Welcome Party Hosts Ellie and Mel Briscoe !Marian and Kent Smith First Night Party Hosts Elena and Justin Giacoletti First-timer Party Host Laurie Somario Sherry Party Hosts Debbie Jarvis and Jessica Kittel Tea Party Hosts MaryEllen Scannell and Hannah McArdle Ceilidh MC Jack O’Connor Ceilidh Refreshments Marsha Byrnes Teacup Auctioneers Sam and Nathan Wiesler, Julie MacRae Pinewoods Reel Demystified Teacher Karen Sollins Ball Decorations Elizabeth Holtan Grand March Devisor BDan Fairchild Session 2 Rides Coordinator Mary and Peter Olszowka Bookstore Assistant Nicole Wimberger Welcome Party Hosts kate fais and Ian Patrick First Night Party Hosts Ilene Goldstein First-Timer Party Hosts Dale Birdsall Lowland Games Coordinator Blaine Peet Games Night Hosts Mary and Peter Olszowka Feelies Creator Becka Pouy Live Auctioneer Terry Harvey Silent Auctioneers Janet Anderson and Leslie Drost Auction Accountants The Accounting Firm of Friedman- !Shedlov and Friedman-Shedlov Auction Refreshments Sally and David Grubb Ceilidh MC Linda McJannet Ceilidh Refreshments Amy and Ned Cummings-Leight Pinewoods Reel Demystified Teacher Marc Hartstein Candlelight Dinner Decor MaryEllen Scannell Liqueur Party Hosts Fen-Lan Bohan and John Horrell Ball Decorations Chrissy Gore Grand March Devisor Robert McOwen Greetings from! the Co-Chairs !Welcome! Whether it’s your first year attending Pinewoods or you really are coming “back to the Highlands”, we are so excited to have you here for !a wonderful week of dancing, music, and friendship.
    [Show full text]