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SEM 62 Annual Meeting
SEM 62nd Annual Meeting Denver, Colorado October 26 – 29, 2017 Hosted by University of Denver University of Colorado Boulder and Colorado College SEM 2017 Annual Meeting Table of Contents Sponsors .............................................................................................................................................................................................................. 1 Committees, Board, Staff, and Council ................................................................................................................................................... 2 – 3 Welcome Messages ............................................................................................................................................................................................. 4 Exhibitors and Advertisers ............................................................................................................................................................................... 5 General Information ................................................................................................................................................................................. 5 – 7 Charles Seeger Lecture...................................................................................................................................................................................... 8 Schedule at a Glance. ........................................................................................................................................................................................ -
I Silenti the Next Creation of Fabrizio Cassol and Tcha Limberger Directed by Lisaboa Houbrechts
I SILENTI THE NEXT CREATION OF FABRIZIO CASSOL AND TCHA LIMBERGER DIRECTED BY LISABOA HOUBRECHTS Notre Dame de la détérioration © The Estate of Erwin Blumenfeld, photo Erwin Blumenfeld vers 1930 THE GOAL For several years Fabrizio Cassol has been concentrating on this form, said to be innovative, between concert, opera, dance and theatre. It brings together several artistic necessities and commitments, with the starting point of previously composed music that follows its own narrative. His recent projects, such as Coup Fatal and Requiem pour L. with Alain Platel and Macbeth with Brett Bailey, are examples of this. “I Silenti proposes to be the poetical expression of those who are reduced to silence, the voiceless, those who grow old or have disappeared with time, the blank pages of non-written letters, blindness, emptiness and ruins that could be catalysers to other ends: those of comfort, recovery, regeneration and beauty.” THE MUSIC Monteverdi’s Madrigals, the first vocal music of our written tradition to express human emotions with its dramas, passions and joys. These Madrigals, composed between 1587 and 1638, are mainly grouped around three themes: love, separation and war. The music is rooted, for the first time, in the words and their meaning, using poems by Pétraque, Le Tasse or Marino. It is during the evolution of this form and the actual heart of these polyphonies that Monteverdi participated in the creation of the Opera as a new genre. Little by little the voices become individualized giving birth to “arias and recitatives”, like suspended songs prolonging the narrative of languorous grievances. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Petroleum – Cooperation for a Sustainable Future
Vienna, Austria Petroleum – cooperation for a sustainable future 20–21 June 2018 Hofburg Palace www.opec.org Dialogue is alive and well In an increasingly globalized, complex and interdependent ity in the market and risks for future investment,” he stated. energy industry, dialogue has become essential for any stake- “While some ups and downs are endemic to the oil industry, holder to accomplish its goals. In times such as these, no one we can certainly lessen their impact by sharing information can go the distance alone. and moving towards a common goal.” OPEC has been at the forefront of international energy A week later, the Secretary General was in New Delhi to dialogue since the early 1990s, when it joined forces with take part in the first-ever India Energy Forum. Again here, he Commentary the International Energy Agency to begin a platform for pro- underlined the prominent role of dialogue between OPEC and ducer-consumer dialogue through the establishment of the one of the world’s largest consumers. International Energy Forum (IEF). “This premier energy forum marks a new stage in the grow- Since its founding in July of 1991 in Paris, the IEF has ing strategic relationship between OPEC and India, and builds evolved to become the world’s preeminent venue for dia- on previous meetings and interactions that we have had so far,” logue between global oil and gas producing and consuming he said. “My friend, Honourable Minister Pradhan, reminded countries. me on Sunday, during our OPEC-India bilateral meeting, that Today, its 72 Member Countries, representing all six con- within less than a year, we have already met five times. -
David A. Mcdonald 800 E. Third St. Bloomington, in 47405 (812) 855-0396 [email protected]
David A. McDonald Curriculum Vitae David A. McDonald 800 E. Third St. Bloomington, IN 47405 (812) 855-0396 [email protected] Education 2006 Ph.D., Ethnomusicology, School of Music, University of Illinois at Urbana Champaign. Urbana, Illinois. 2001 M.M., Ethnomusicology, School of Music, University of Illinois at Urbana- Champaign. Urbana, Illinois. 1998 B.M., Music Performance, School of Music, Theatre, and Dance, Colorado State University, Ft. Collins, Colorado. Minor in History, with concentration in the Arab Middle East. Professional Experience 2017-21 Chair, Department of Folklore and Ethnomusicology, Indiana University 2017– Series Editor, Activist Encounters in Folklore and Ethnomusicology, Indiana University Press 2017– Associate Editor for Performing Arts, Review of Middle East Studies 2016– Associate Editor for Ethnomusicology, Journal of Folklore Research 2014-15, Director, Ethnomusicology Institute, Indiana University 2016-20 2008-present Associate Professor of Ethnomusicology, Department of Folklore and Ethnomusicology, Indiana University, Bloomington, Indiana Adjunct Associate Professor, Dept. of Anthropology Adjunct Associate Professor, Institute for European Studies (Irish) Adjunct Associate Professor, Dept. Near Eastern Languages and Cultures Adjunct Associate Professor, Dept. Gender Studies Adjunct Associate Professor, Center for the Study of the Middle East 1 David A. McDonald Curriculum Vitae 2007-08 Visiting Assistant Professor of Ethnomusicology, College of Musical Arts, Bowling Green State University, Bowling Green, Ohio 2006-07 Visiting Assistant Professor of Anthropology, Department of Anthropology, University of Illinois Urbana-Champaign 2006-07 Program Coordinator, Ethnography of the University Initiative (EUI), Department of Anthropology, University of Illinois Urbana-Champaign 2003-04 Visiting Professor, National Music Conservatory of Jordan, Queen Noor Al- Hussein Foundation, Amman, Jordan Publications Refereed / Peer-reviewed Books 2013 My Voice is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance. -
Qatar Lesson 1 : Where Is Qatar?
First Grade Arabic Unit 7: Qatar Lesson 1 : Where is Qatar? Language Objectives: SWBAT recognize and begin to use numbers above ten. SWBAT name the country of Qatar. Content Objective: SWBAT know where to find the Arab World on a map. Essential Vocabulary New Words and Phrases: Numbers 1120 ﺍﻟﻌﺎﻟﻢ ﺍﻟﻌﺮﺑﻲ The Arab World ﻗﻄﺮ Qatar ﻣﺼﺮ Egypt Review: Numbers 110 Structures: Formation of numbers 1120 Comparison to “teens” in English A.Warmup Activity: Whose Name Is It? (See Unit 2) Choose one name, and have that student complete the Weather Board (see unit 5) with the local weather. After the student has put the picture(s) for the day’s weather in place, show the students a weather forecast (projected, from the internet, if possible) which gives the forecast for the local high temperature in both Fahrenheit and Celsius, or write the numbers for the predicted high temperatures on the board. B. Qatar Show the students a map of the world. Point out to students your area on the map, and say the name of your state. Point to each of the places you used during the weather unit, Have students ."ﺍﻟﻌﺎﻟﻢ ﺍﻟﻌﺮﺑﻲ“ ,saying the names out loud. Point to the Arab World, and say repeat. Move your hand over the area on the map in a circle, indicating that this is the Have students repeat. Now point "ﻣﺼﺮ" ,name of the entire area. Point to Egypt, and say ."ﺍﻟﻌﺎﻟﻢ ﺍﻟﻌﺮﺑﻲ“ ,Circle your hand over the entire area again, saying ."ﻗﻄﺮ“ to Qatar and say Have students repeat. -
Westminsterresearch Song Is the Secret of of Existence: Fairouz And
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Song is the Secret of of Existence: Fairouz and the Arab Diaspora in London and Doha Issa, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Ms Dima Issa, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] SONG IS THE SECRET OF EXISTENCE: FAIROUZ AND THE ARAB DIASPORA IN LONDON AND DOHA DIMA ISSA A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS OF THE UNIVERSITY OF WESTMINSTER FOR THE DEGREE OF DOCTOR OF PHILOSOPHY July 2019 Abstract Nestling in the hearts and minds of her listeners, the Lebanese singer and performer, Fairouz, travels across land and seas, offering gentle reminders of the past or inspiring hope for the future. With the objective of exploring the role that Fairouz plays in the lives of the Arab diaspora, this project examines possible identity constructions and concepts of belonging, investigating how Fairouz factors in diasporic space and how her music offers opportunities to navigate individual and social positions in such space. Through an ethnographic study, focusing on in-depth interviews, narratives of 59 members of the Arab diaspora living in Doha, Qatar and London, England were heard, understood and categorised thematically, highlighting how music can elucidate and situate experiences of migration, positioning listeners on a fluctuating continuum, which moves beyond standard private and public lines of domesticity, nationalism and religion. -
Thunder: L'última Gran Banda De Hard Rock Británic
It's only rock & roll | Pep Saña | Actualitzat el 30/03/2016 a les 16:52 Thunder: L'última gran banda de Hard Rock Británic. Luke Morley i Danny Bowes es van conèixer al Haberdashers' Aske's Boys' School al 1975. A l'edat de 14 anys Danny va entrar a la banda que Luke havia format amb altres nois, al no poder tocar un instrument va decidir cantar, el grup li va fer una audició i va ser considerat apte per ocupar aquest lloc. El noi al que substituïa va ser relegat al baix, convertint-se amb els anys en el manager de Thunder. La banda s'anomenava Nuthin' Fancy, en els anys següents van tocar a pubs del voltant de l'àrea de Londres i van editar un single independent, Looking For A Good Time. Quan Harry James s'hi va unir, després de marxar l'anterior bateria, la banda va passar a anomenar-se Terraplane. Ja com Terraplane van fer moltes actuacions, incloent el famós Marquee Club i una aparició al Festival de Reading de 1982. Van signar per Epic Records i van editar dos àlbums, però es van sentir molt frustrats per l'orientació pop en què la companyia els estava venent. Després d'un viatge als Estats Units es van adonar que hi havia una escena de rock vibrant, van tenir clar que hi havia un lloc per al tipus de música que volien fer i van tornar a Anglaterra per formar Thunder, amb clares connotacions i regust pels clàssics del rock britànic com Free i Bad Company. -
An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California
UCLA UCLA Entertainment Law Review Title Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California Permalink https://escholarship.org/uc/item/88z2z7wm Journal UCLA Entertainment Law Review, 20(2) ISSN 1073-2896 Author Tsai, Patricia Publication Date 2013 DOI 10.5070/LR8202027172 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Tal- ent Agencies Act of California Patricia Tsai* The 360 deal has been an attractive option for music labels in the United States to gain traction in the faltering music industry, but po- tential legal obstacles may hinder the incentive to enter into the deals both for the label andfor the artist. Labels entering into 360 deals may find themselves liablefor violating the Seven-Year Statute or the Talent Agencies Act (TAA). With 360 agreements becoming more popular, labels should turn to an existing music industry that has dealt with the potentiallegal problems of 360 dealsfor years. The Korean pop industry, commonly called "K-pop, " has taken advantage of a 360-deal-like model for many years, and as a conse- quence, many Korean labels have experienced the potential legal prob- lems that American labels may face. Particularly,the legal problems faced by S.M Entertainment, a talent agency and music label giant in South Korea, as a result of their contract with TVXQ, a popular and hugely successful boy band,reveal exactly the type ofpotential liability faced by American music labels. -
Shaft of Steel Châlice the Music Is out There 1 Free
wine. We are able to accept the egos of all band members without losing our own. In the end you get very special melodic rock stuff you can’t compete in total with anybody. Every song is an experiment - no chance for stereotype thinking,” Gino laughs. The band are very happy with the new record. “Yes, it took some in London, but the vocals were recorded all over the years to write the new SHAFT OF STEEL place, as Rob lived in Germany for a while and Andy material and to work on lives in Sheffield. “So all of his backing vocals were it until it was definitely recorded up there. Of course the legend that is Dennis ready to be recorded. Ward from Pink Cream 69 also sings backing vocals on But in the end it is a big the record, so he sent us his choirs over from Germany. reflection, a picture of It took about three years to record, which sounds like our lives. We put in all an awfully long time, but a few of us have moved our creativity and energy house, changed jobs or got married, which certainly to make it happen. The difficult tide of events of all didn’t speed up the process! I handled production our lives, like birth, marriage, children, divorce, ups duties myself and because I’m a huge perfectionist, and downs of all colours forced us to take time for the there were a few rewrites and we ended up scrapping whole process. But as the music was always part of a song at last minute in favour of ‘Drive’, which has our lives it was also our personal catalyser of it all. -
A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave As a Cultural Industry Yeojin Kim
Hastings Communications and Entertainment Law Journal Volume 36 | Number 1 Article 3 1-1-2014 A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry Yeojin Kim Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Yeojin Kim, A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry, 36 Hastings Comm. & Ent. L.J. 59 (2014). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol36/iss1/3 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A Possibility of the Korean Wave Renaissance Construction Through K-Pop: Sustainable Development of the Korean Wave as a Cultural Industry by YEOJIN KIM* I. Introduction .......................................................................................................................... 60 II. Recent Trend of the Korean Wave and K-Pop ...................................................................... 62 A. Appearance and Development of