X-Mist Distro-Catalog – October 2013
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Rill^ 1980S DC
rill^ 1980S DC rii£!St MTEVOLUTIO N AND EVKllMSTINO KFFK Ai\ liXTEiniKM^ WITH GUY PICCIOTTO BY KATni: XESMITII, IiV¥y^l\^ IKWKK IXSTRUCTOU: MR. HiUfiHT FmAL DUE DATE: FEBRUilRY 10, SOOO BANNED IN DC PHOTOS m AHEcoorts FROM THE re POHK UMOEAG ROUND pg-ssi OH t^€^.S^ 2006 EPISCOPAL SCHOOL American Century Oral History Project Interviewee Release Form I, ^-/ i^ji^ I O'nc , hereby give and grant to St. Andrew's (interviewee) Episcopal School llie absolute and unqualified right to the use ofmy oral history memoir conducted by KAi'lL I'i- M\-'I I on / // / 'Y- .1 understand that (student interviewer) (date) the purpose of (his project is to collect audio- and video-taped oral histories of first-hand memories ofa particular period or event in history as part of a classroom project (The American Century Project). 1 understand that these interviews (tapes and transcripts) will be deposited in the Saint Andrew's Episcopal School library and archives for the use by ftiture students, educators and researchers. Responsibility for the creation of derivative works will be at the discretion of the librarian, archivist and/or project coordinator. I also understand that the tapes and transcripts may be used in public presentations including, but not limited to, books, audio or video doe\imcntaries, slide-tape presentations, exhibits, articles, public performance, or presentation on the World Wide Web at t!ic project's web site www.americaiicenturyproject.org or successor technologies. In making this contract I understand that I am sharing with St. Andrew's Episcopal School librai-y and archives all legal title and literary property rights which i have or may be deemed to have in my inten'iew as well as my right, title and interest in any copyright related to this oral history interview which may be secured under the laws now or later in force and effect in the United States of America. -
Played 2013 IMOJP
Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy -
La Fugazi Live Series Sylvain David
Document generated on 10/01/2021 9:37 p.m. Sens public « Archive-it-yourself » La Fugazi Live Series Sylvain David (Re)constituer l’archive Article abstract 2016 Fugazi, one of the most respected bands of the American independent music scene, recently posted almost all of its live performances online, releasing over URI: https://id.erudit.org/iderudit/1044387ar 800 recordings made between 1987 and 2003. Such a project is atypical both by DOI: https://doi.org/10.7202/1044387ar its size, rock groups being usually content to produce one or two live albums during the scope of their career, and by its perspective, Dischord Records, an See table of contents independent label, thus undertaking curatorial activities usually supported by official cultural institutions such as museums, libraries and universities. This approach will be considered here both in terms of documentation, the infinite variations of the concerts contrasting with the arrested versions of the studio Publisher(s) albums, and of the musical canon, Fugazi obviously wishing, by the Département des littératures de langue française constitution of this digital archive, to contribute to a parallel rock history. ISSN 2104-3272 (digital) Explore this journal Cite this article David, S. (2016). « Archive-it-yourself » : la Fugazi Live Series. Sens public. https://doi.org/10.7202/1044387ar Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International This document is protected by copyright law. Use of the services of Érudit (CC BY-NC-SA 4.0) Sens-Public, 2016 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
THE CHRONICLE Save the Whale
ANNUAL SEND-HOME ISSUE Save the whale HooPn'Hornisscheduled to produce "Moby 1 Dick: A Whale of a Tale" this November. T THE CHRONICLE See jVrts, page 4. WEDNESDAY. JULY 28. 1993 DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 20,000 VOL 89. NO. S8 Employees charge Medical Center with discrimination By ALISON STUEBE chancellor for health affairs, to pressed to them, as unambigu cal Center had established a bers ofthe University commu Employees pleaded for help examine the status of minority ously as I could, that I take "Jewish Connection." Members nity can focus their energies on to end the "plantation mental employees. allegations of~ discrimination ofthe task force declined to com improving tolerance and hu ity" in the Medical Center in a In their letter, the nine mem very seriously," Keohane said ment on this statement. man understanding and not be letter sent to NAACP bers ofthe task force in a letter to the executive di Heads of the University and distracted by efforts to divide leaders and local poli accusethe University rector of the National Associa the Medical Center denounced us," Keohane said in a state ticians last week. of ignoring discrimi tion forthe Advancementof Col the Jewish connection reference. ment. The letter, written nation in the work ored People and the president "The inclusion of the blatantly Last November, the Medical by members of the place, limiting the ofthe Durham chapter. anti-Semitic comment in the let Center conducted a Gallup poll Medical Center minor power of minority ad Taskforce members said they ter... is appalling to me person of 7,505 non-faculty employees. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Album of the Week: and So I Watch You from Afar – <I>The Endless
Album of the Week: And So I Watch You from Afar – The Endless Shimmering The Endless Shimmering by And So I Watch You from Afar Pushing the musical envelope has always been part of And So I Watch You from Afar’s forte. The instrumental experimental progressive math rock act from Belfast, Northern Ireland, use an abundance of guitar shredding and rhythms that escape the inhibitions. It’s a sound that hits on multiple levels and never lets up. Their fifth full-length album The Endless Shimmering released on Oct 20 by the Los Angeles indie label Sargent House shows the band moving forward while bringing back what made them great in the first place. The main difference between The Endless Shimmering and the past couple of albums from And So I Watch You from Afar is that they stopped doing the group chanting and singing. They went back to purely instrumental jams, much like what’s in their initial releases. There’s also a different tone that keeps the band’s raw amplification intact along with having everything sounding clearer. It’s an album that pleases the senses. The variety of progressions within each song’s structure also makes for an interesting listening experience. A band pushing their sound forward by harking back to their beginnings is unheard of these days. Usually they will keep going with whatever they discovered while making a successful album and riding the wave of its success, but musically it amounts to something that’s nothing like what they started out with. And So I Watch You from Afar reached back to their artistic origins in stunning fashion and made an album that’s brilliant. -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
GROOVY TIMES Fanzine Fun Et Punchy
GROOVY TIMES Fanzine Fun et Punchy N°1 Groovy Times, 2020 Times, Groovy TRIMESTRIEL : décembre 2020, janvier, février 2021 Groovy Times, 2020, mise en page Vladimir Arsenic Vladimir page en mise 2020, Times, Groovy Groovy Times : Fanzine Fun et Punchy C’est avec un immense plaisir que l’équipe de Groovy Times vous adresse le N° 1 de son Fanzine. Nous espérons que vous trouverez dans ses rubriques de quoi alimenter votre curiosité, mais aussi et surtout : de quoi oublier pendant quelques L’ÉDITO instants la morosité ambiante générée par le Coronavirus. Si ce Fanzine vous plaît, n’hésitez pas à le partager avec vos amis, nous n’en serons que plus heureux ! Vladimir Arsenic Un fanzine (contraction de l'expression anglaise « fanatic magazine ») est une publication, imprimée ou en ligne, périodique ou non, institutionnellement indépendante, créée et réalisée par des amateurs passionnés pour d'autres passionnés. Ce type de publication est fortement ancré dans la philosophie « Do it yourself » , popularisée par le mouvement punk. Collage : Chachastarlight, 2020 Chachastarlight, : Collage Groovy Times, 2020 : Mise en page Vladimir Arsenic Vladimir page en Mise : 2020 Times, Groovy Groovy Times : Fanzine Fun et Punchy Pages 17, 18, 19, 20 : Le SOMMAIRE de… Pages 22, 23, 24, 25 : FAN L’archéologue des POCHETTES … Page 2 : Le Coin de la CHANSON ENGAGÉE Pages 26, 27 : Voyage en ABSURDIE … Page 3 : Le Monde de L’EPICERIE FINE Pages 28, 29 : Le billet d’humeur de Page 4 : L’art de la REPRISE l’oncle PAUL Pages 5, 6, 7 : Page 30 : Un groupe à la La -
[email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October. -
Amanda Huron Interviewed by John Davis January 18, 2019 Washington, D.C
Amanda Huron Interview Amanda Huron Interviewed by John Davis January 18, 2019 Washington, D.C. 0:00:00 to 0:44:55 ________________________________________________________________________ 0:00:00 Davis: Today is January 18th, 2019. My name is John Davis. I'm the performing arts metadata archivist at the University of Maryland. Today I'm speaking with Amanda Huron, co-creator of Brickthrower. Also the Movement Empowerment Solidarity Through Art or MESA zines, during your years in D.C. Am I missing anything zine-wise from the D.C. years? Huron: Not from the D.C. years. I did a zine when I was living in Minnesota, and then I did the final issue of it when I had moved back to D.C. And that was called Splatterspleen. Issue number five, I did when I was here. But the rest of it was Minnesota-based. And then what else? Yeah, no, that’s it for D.C. Davis You were mentioning Minnesota. Huron: Yeah. Davis: So let’s talk about getting into punk in the first place, and what interested you in punk. How did you get into it? Huron: I got into punk in high school here in D.C. I think in 11th grade was when I first heard about Fugazi, so that would have been ’88 or ’89. And a friend of mine—actually, let’s see—10th grade, a friend of mine gave me a tape of the first Fugazi—13 Songs. And the first time I saw them was at All Souls Church, a show with Jawbox and Shudder to Think. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.