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Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Money, and Power by Shanti Webley
lll.llt: \C(. Sf(. I IIF [t.tP.£~~!" Marilyn Massey makes 10£1.1 f'lllo ~Ill ~.UI· Pitze( svery own R Revolution in · Sex, Money, Interview with F Welcome home' Volume XXVI February 1996 the other side Its confusing. And yet there doesn't seem to time for confusion volume xxvi these days. We've made some changes in this issue of the Other Side. It goes issue #1 without saying that last semester the magazine drew some criticism for its '1ess than objective" crusade against the administration. It's not that I editors-in-chief: feel guilty about that, or even at faull Last semester was a different time, aaron balkan ~~Fm·~~~ll"''r·""·those tmprecedented Pitzer days; where an Wlprecedented 85 degreetempera~· different feelings. I think there were a lot of us who felt compelled to try 11.1 for what seems like WeeiCS; when an Wlprecedented February snn ~ks over Mt. and change some things about Pitzer that we thought were wrong. And quinn burson at just the angle to cut through the smog to convene upon the glorious Inland Valley:.Empire at we weren't wrong for that; perhaps a bit foolish, but certainly not wrong. director of the media lab: F";)~~~: the'Jight spot: Pitzer's campus; not Pomona, not the Oaremont Colleges, but Pitzer. An tmprecedented Its funny, because in retrospect, I don't remember being convinced that matthew cooke thaf makes for unprecedented discussion. On one such day I was walking with a friend when here these "problems" were vealed to me, "If I were a perspective student and I came to Pitzer on a day like this. -
Dischord Records 3819 BEECHER ST
FUGAZi "First Demo" dischord rEcords DIS181 DIS181CD 11-song CD DIS181V 11-song LP+MP3 Release Date: November 18, 2014 Ian MacKaye - vocals, guitar Guy Picciotto - vocals Joe Lally - bass Brendan Canty - drums In early January 1988 and after only ten shows, Fugazi decided to go into Inner Ear Studio to see what their music sounded like on tape. Despite the fact that Ian, Joe, and Brendan had been playing together for nearly a year, it was still early days for the band. Guy had only been a full member of Fugazi for a few months and only sang lead on one song ("Break In"). It would be nearly another year before he would start playing guitar with the band. At that time, the studio was still located in the basement of engineer Don Zientara's family house. It was a familiar space as almost all of the members of Fugazi had recorded there with their previous bands (Teen Idles, Minor Threat, Deadline, Insurrection, Rites of Spring, Skewbald, Embrace, and One Last Wish). Joey Picuri (aka Joey P), who would later become one of Fugazi's longtime sound engineers, joined the band for the initial tracking. The sessions only lasted a couple of days, but tour dates and indecision about the tape would delay the final mix for another two months. Though the band was at first pleased with the results, it soon became clear that this tape would remain a demo as new songs were being written and the older songs were evolving and changing shape while the band was out on tour. -
Punk, Confrontation, and the Process of Validating Truth Claims
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 2011 Being in the Know: Punk, Confrontation, and the Process of Validating Truth Claims Christopher Richard Penna Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Philosophy Commons Recommended Citation Penna, Christopher Richard, "Being in the Know: Punk, Confrontation, and the Process of Validating Truth Claims" (2011). Master's Theses. 525. https://ecommons.luc.edu/luc_theses/525 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Christopher Richard Penna LOYOLA UNIVERSITY CHICAGO BEING IN THE KNOW: PUNK, CONFRONTATION, AND THE PROCESS OF VALIDATING TRUTH CLAIMS A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS PROGRAM IN CULTURAL AND EDUCATIONAL POLICY STUDIES BY CHRISTOPHER R. PENNA DIRECTOR: NOAH W. SOBE, PH.D CHICAGO, IL AUGUST 2011 Copyright by Christopher R. Penna, 2011 All rights reserved. ACKNOWLEDGEMENTS I would first like to thank all of the people who helped me a long this process of writing this thesis. I was blessed to have a line of outstanding professors in my program in Cultural Educational Policy Studies at Loyola University Chicago, but I want to thank in particular, Dr. Noah Sobe for advising me and encouraging me to believe that I am not crazy to write about punk. -
Kurt Sayenga Interviewed by John Davis June 13, 2017 Pasadena, California 0:00:00 to 1:22:55
Kurt Sayenga Interviewed by John Davis June 13, 2017 Pasadena, California 0:00:00 to 1:22:55 ________________________________________________________________________ 0:00:00 Sayenga: I’m Kurt Sayenga. Davis: And I’m John Davis. I’m the performing arts metadata archivist at the University of Maryland. Today is June 13th, 2017. So, we're here to talk about your work that you did with fanzines in Washington D.C., particularly in the… Sayenga: My juvenilia, yes. Davis: Yes, [laugh] in the 1980s. I’m basically trying to speak to people to hear their stories about why they did zines, how they did zines. What were the experiences like? What did they take from it? You today, how do you connect to it? All these things. I’m just kind of trying to review that with some people who have done fanzines, who are from D.C. and just see kind of where it took them, as well as how they did it. So as far as Greed goes, first issue was I think 1985? Let’s consult. Sayenga: Good question. I’m going to look it up here. Let’s see. Oh, there’s a picture of—man, late Winter 1986. [laugh] Davis: OK. Very specific. Sayenga: So basically probably almost 1987, which makes it—no, ’86 is right though, because I know it took a while to actually pull it all together. So, well, sort of relatively—it seemed like a while at the time, because everything seemed to take forever. But actually when you look at it, it all flowed together with amazing speed. -
Something Happened to Me Yesterday © Felix Aeppli 06-2019 / 06-2020
TUMBLING DICE / FOOL TO CRY 1974 Something Happened To Me Yesterday © Felix Aeppli 06-2019 / 06-2020 FEBRUARY 8-13 Musicland Studios, Munich (Entry 0.249A) FEBRUARY 20 – MARCH 3 Musicland Studios, Munich (Entry 0.249A) APRIL 10-15 Rolling Stones Mobile (RSM), Stargroves, Newbury, Hampshire (Entry 0.249B) JUNE 1 Promotional film recordings, probably LWT Studios, London (Entry 0.250B) DECEMBER 7-15 Musicland Studios, Munich (Entry 0.254) 1974 Links Ian McPherson’s Stonesvaganza http://www.timeisonourside.com/chron1974.html Nico Zentgraf’s Database http://www.nzentgraf.de/books/tcw/1974.htm Ian McPherson’s Discography http://www.timeisonourside.com/disco3.html Which Album May I Show You? http://www.beatzenith.com/the_rolling_stones/rs2.htm#74iorr Sessions & Bootlegs at a Glance https://dbboots.com/content.php?op=lstshow&cmd=showall&year=1974 Japanese Archives Studio Website https://www10.atwiki.jp/stones/m/pages/282.html?guid=on The Rolling Stones on DVD http://www.beatlesondvd.com/19701974/1974year-sto.htm NOTES: Whilst every care has been taken in selecting these links, the author, of course, cannot guarantee that the links will continue to be active in the future. Further, the author is not responsible for the copyright or legality of the linked websites. TUMBLING DICE / FOOL TO CRY 1974 Sing This All Together LIVE & MEDIA SHOWS STUDIO SESSIONS RELEASES 0.248A JANUARY, 1974 SYMPATHY FOR THE DEVIL (SINGLE), DECCA DL 25610 (WEST GERMANY) A Sympathy For The Devil B Prodigal Son (Rev. Wilkins) Side A: Recorded at the One Plus One sessions, Olympic Sound Studios, London, June 4-10, 1968. -
Still on the Road Session Pages: : 1978 Europe Tour
STILL ON THE ROAD 1978 WORLD TOUR: EUROPE JUNE 15 London, England Earls Court 16 London, England Earls Court 17 London, England Earls Court 18 London, England Earls Court 19 London, England Earls Court 20 London, England Earls Court 23 Rotterdam, The Netherlands Feijenoord Stadion 26 Dortmund, West Germany Westfalenhalle 27 Dortmund, West Germany Westfalenhalle 29 West Berlin, West Germany AMK Berlin Deutschlandhalle JULY 1 Nuremberg, West Germany Zeppelindfeld 3 Paris, France Pavillon de Paris 4 Paris, France Pavillon de Paris 5 Paris, France Pavillon de Paris 6 Paris, France Pavillon de Paris 8 Paris, France Pavillon de Paris 11 Gothenburg, Sweden Scandinavium 12 Gothenburg, Sweden Scandinavium 15 Camberley, England Blackbushe Aerodrome Still On The Road: 1978 World Tour: Europe 4000 Earls Court London, England 15 June 1978 1. A Hard Rain's A-Gonna Fall 2. Love Her With A Feeling (Tampa Red) 3. Baby Stop Crying 4. Mr. Tambourine Man 5. Shelter From The Storm 6. Love Minus Zero/No Limit 7. Tangled Up In Blue 8. Ballad Of A Thin Man 9. Maggie's Farm 10. I Don’t Believe You (She Acts Like We Never Have Met) 11. Like A Rolling Stone 12. I Shall Be Released 13. Going, Going, Gone 14. Rainy Day Women # 12 & 35 15. One Of Us Must Know (Sooner Or Later) 16. You're A Big Girl Now 17. One More Cup Of Coffee (Valley Below) 18. Blowin' In The Wind 19. I Want You 20. Señor (Tales Of Yankee Power) 21. Masters Of War 22. Just Like A Woman 23. -
BRENT GREEN /A BRIEF SPARK BOOKENDED by DARKNESS W
BRENT GREEN / A BRIEF SPARK BOOKENDED BY DARKNESS w/ The Messthetics CONTACT: Thomas O. Kriegsmann, President E [email protected] T 917.386.5468 www.arktype.org ABOUT A BRIEF SPARK BOOKENDED BY DARKNESS A wholly unique live cinema experiment live cinema conceived and illustrated by acclaimed filmmaker, mu- sician and author Brent Green, the work features live music by The Messthetics (Brendan Canty and Joe Lally of Fugazi with guitarist Anthony Pirog) and includes several short film works all narrated live with addition- al musical accompaniment. The full length evening of work includes A Brief Spark Bookended by Darkness, Carlin, Paulina Hollers, Hadacol Christmas and Strange Fates, along with Green’s own commentary and unfurl- ing rapport with the audience that defines the unique, localized experience of every engagement. A Brief Spark Bookended by Darkness is characterized by Green’s spindly drawing style and moving musical score guided by spoken lyrics in the artist’s inimitable, quivering voice. The story he recounts is caught up in despair and apprehension – as he seeks comfort by losing himself in his love of another. The world that Green presents is so intimate as to verge on the claustrophobic, a startling carnival set-up in a cramped bedroom. Though made to appear damaged and from another era, everything about A Brief Spark is calculated, consid- ered and timed to affect. All of this poignantly represents Green’s themes of deep and desperate love, in a world that is endlessly on the verge of calamity. 2 3 4 TOUR & PRODUCTION AVAILABILITY 2019-20 WORLDWIDE OPEN Production: Cinematic Video Projection Space: Black Box / Proscenium Band /Vocal Amplification Tour Personnel: 4 Performers Backline 1 Tech / Company Management Schedule: Same Day Load-in / Tech / Perform 5 COMPANY BIOGRAPHIES Working on his farm outside of New Paltz, NY, Brent urgent and inspired, and the portraits of musicians and Green is a self-taught visual artist and filmmaker. -
Atom and His Package Possibly the Smallest Band on the List, Atom & His
Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to. -
Magic, Gatefold Sleeve
VINYLES #2 , MUSIQUE ET CAPSULES 1 . Lot blues divers. US, French, Germany press. Near mint except Johnny 20 / 30 Winter first CBS LP. English press. VG -. - The Blues Band Live, Bye bye blues. - Josh White, Spirituals & Blues. - The Blues Band, Brand loyalty. - The Blues Band, Ready. - The Jeff Healey Band, See the light. - The De Luxe Blues Band, The first live. - Blues Deluxe, Sampler. 2 . Lot. Divers rock US, 60's, 70's. French, US press. Heavy rock style. 50 / 60 - Iggy Pop, New values. - The Stooges, Fun house, orignal French press, VG - - John Fogerty : Centerfield, Blue ridge rangers. - John Fogerty, First US album (near mint). - Alice Cooper, Lace and Whiskey. - Grand Funk, Closer to Home. - Cactus, One way... or another, original french press, VG - - Bob Seger, Smoki'n O.P'.S, 'Live' Bullet, near mint - MC5, First LP French press near mint, re-issued, gatefold. 3 . Various Rock US. West coast and sampler. 20 / 25 - The Beach Boys Interviews, Keepin' the summer alive, promotion album only with musical extract, English press. - Randy California, All along the watchtower, Sleeve VG +, Record near mint, English press. - Superb Super Pop Session n°2 and n°3, Sampler, VG - - Rare Earth, Get ready, VG - - Crosby, Still & nash, VG - - The Stills -Young Band, Long may you run, VG - - Todd Rundgre, Wizard a true star, VG - 4 . US, punk and rock, new wave, 70's, 80's. 50 / 60 - Johnny Thunders & The heartbreakers, Live at the speakeasy, near mint, English press. - Television, Marquee Moon, French press, Sleeve VG +, Record near mint. - New York Dolls, First LP, French press, VG +. -
Hôtel Des Ventes De Senlis
Hôtel des Ventes de Senlis Commissaire-priseur judiciaire et habilité VENTE AUX ENCHERES SAMEDI 07 AVRIL 2018 à 14 H 30 Liste éditée le 29 mars susceptible de modifications 1 JAZZ, BLUES dont Sidney Bechet, Miles Davis, Oscar Peterson, Erroll Garner, Satchmo, Louis Armstrong, Robeson... Réunion d'environ 44 disques - 31 x 31 cm. VENDU EN L'ETAT - SANS RECLAMATION - UNE EXPOSITION PREALABLE AYANT PERMIS AUX ACQUEREURS DE SE FAIRE LEUR OPINION SUR L'ETAT DES DISQUES ET DES POCHETTES 50 / 80 2 JAZZ, BLUES, dont Django Reinhardt, Sidney Bechet, Porgy Bess... Réunion d'environ 30 disques - 31 x 31 cm. VENDU EN L'ETAT - SANS RECLAMATION - UNE EXPOSITION PREALABLE AYANT PERMIS AUX ACQUEREURS DE SE FAIRE LEUR OPINION SUR L'ETAT DES DISQUES ET DES POCHETTES 50 / 80 3 JAZZ, BLUES, FUNK, GOSPEL, ROCK, COUNTRY, dont Ray Charles, Mahalia Jackson, Ella Fitzgerald, The Platters... Réunion d'environ 33 disques - 31 x 31 cm et 4 disques 26 x 26 cm. VENDU EN L'ETAT - SANS RECLAMATION - UNE EXPOSITION PREALABLE AYANT PERMIS AUX ACQUEREURS DE SE FAIRE LEUR OPINION SUR L'ETAT DES DISQUES ET DES POCHETTES 50 / 80 4 JAZZ DIVERS DONT : Sidney Bechet, Django Reinhard et Séphane Grappelly. Réunion de 18 disques - 31 x 31 cm. VENDU EN L'ETAT - SANS RECLAMATION - UNE EXPOSITION PREALABLE AYANT PERMIS AUX ACQUEREURS DE SE FAIRE LEUR OPINION SUR L'ETAT DES DISQUES ET DES POCHETTES 30 / 50 5 JAZZ dont Sidney Bechet, Claude Luter... Réunion d'environ 7 disques - 31 x 31 cm. VENDU EN L'ETAT - SANS RECLAMATION - UNE EXPOSITION PREALABLE AYANT PERMIS AUX ACQUEREURS DE SE FAIRE LEUR OPINION SUR L'ETAT DES DISQUES ET DES POCHETTES 15 / 20 6 GOSPEL et JAZZ, dont Nahalia JACKSON, Earth Wind Fire, un coffret de Tina Turner.