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Lecture #16 Glass-Ceramics: Nature, Properties and Processing Edgar Dutra Zanotto Federal University of São Carlos, Brazil [email protected] Spring 2015
Glass Processing Lecture #16 Glass-ceramics: Nature, properties and processing Edgar Dutra Zanotto Federal University of São Carlos, Brazil [email protected] Spring 2015 Lectures available at: www.lehigh.edu/imi Sponsored by US National Science Foundation (DMR-0844014) 1 Glass-ceramics: nature, applications and processing (2.5 h) 1- High temperature reactions, melting, homogeneization and fining 2- Glass forming: previous lectures 3- Glass-ceramics: definition & applications (March 19) Today, March 24: 4- Composition and properties - examples 5- Thermal treatments – Sintering (of glass powder compactd) or -Controlled nucleation and growth in the glass bulk 6- Micro and nano structure development April 16 7- Sophisticated processing techniques 8- GC types and applications 9- Concluding remmarks 2 Review of Lecture 15 Glass-ceramics -Definition -History -Nature, main characteristics -Statistics on papers / patents - Properties, thermal treatments micro/ nanostructure design 3 Reading assignments E. D. Zanotto – Am. Ceram. Soc. Bull., October 2010 Zanotto 4 The discovery of GC Natural glass-ceramics, such as some types of obsidian “always” existed. René F. Réaumur – 1739 “porcelain” experiments… In 1953, Stanley D. Stookey, then a young researcher at Corning Glass Works, USA, made a serendipitous discovery ...… 5 <rms> 1nm Zanotto 6 Transparent GC for domestic uses Zanotto 7 Company Products Crystal type Applications Photosensitive and etched patterned Foturan® Lithium-silicate materials SCHOTT, Zerodur® β-quartz ss Telescope mirrors Germany -
Descendants of Maunsell John Bacon
Descendants of Maunsell John Bacon Descendants of Maunsell John Bacon Maunsell John Bacon {277}, son of John Bacon {78} and Mary Baruh Lousada {69}, was born on 26 Oct 1839 in Woodland St Mary, Berkshire, England, 1 died on 29 Apr 1924 in West Ward, Westmorland, England2 aged 84, and was buried on 2 May 1924 in All Saints, Swallowfield, Berkshire, England. 3 General Notes: 1881 Census: Institution: "Felstead Grammar School" Census Place: Felstead, Essex, England Source: FHL Film 1341437 PRO Ref RG11 Piece 1812 Folio 129 Page 1 Marr Age Sex Birthplace Institution of Delaval Shafto INGRAM Charles Henry ROGERS U 28 M Newmarket, Cambridge, England Rel: Officer Occ: Clerk In Holy Orders Assistant Master Francis Hardwicke MANLEY U 29 M Jubbulpore, East Indies Rel: Officer Occ: Clerk In Holy Orders Assistant Master William Franklen EVANS U 27 M Wick, Glamorgan, Wales Rel: Officer Occ: B A Assistant Master Oakley Elford HIGGENS U 24 M Bengal, East Indies Rel: Officer Occ: M A Assistant Master John Henry FREESE U 29 M Wimbledon, Surrey, England Rel: Officer Occ: M A Assistant Master Charles Hugh PEARSON U 32 M Midhurst, Sussex, England Rel: Officer Occ: M A Assistant Master Edward NOAKS U 24 M Ascension Island Off Of, At Sea Rel: Officer Occ: B A Assistant Master Richard Middeton HILL U 23 M Beaumaris, Anglesey, Wales Rel: Officer Occ: B A Assistant Master Gerald Henry WILLIAMS U 28 M Skelton, Cumberland, England Rel: Officer Occ: M A Assistant Master William Sidney BURTON U 24 M Appleford, Berkshire, England Rel: Officer Occ: Assistant Master -
Baltic Glass the Development of New Creative Models Based on Historical and Contemporary Contextualization
Vesele, Anna (2010) Baltic Glass The development of new creative models based on historical and contemporary contextualization. Doctoral thesis, University of Sunderland. Downloaded from: http://sure.sunderland.ac.uk/3659/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact [email protected]. Baltic Glass The development of new creative models based on historical and contemporary contextualization Anna Vesele A thesis submitted in partial fulfilment of the requirements of the University of Sunderland for the degree of Doctor of Philosophy Faculty of Arts, Design and Media, University of Sunderland April 2010 1 Abstract The aim of this research was to demonstrate the creative potential of a particular type of coloured flat glass. This glass is produced in Russia and is known as Russian glass. The present researcher has refined methods used by Baltic glass artists to create three- dimensional artworks. The examination of the development of glass techniques in Estonia, Latvia and Lithuania was necessary in order to identify these methods and to contextualize the researcher’s personal practice. This study describes for the first time the development of glass art techniques in the Baltic States from the 1950s to the present day. A multi-method approach was used to address research issues from the perspective of the glass practitioner. The methods consisted of the development of sketches, models and glass artworks using existing and unique assembling methods. The artworks underlined the creative potential of flat material and gave rise to a reduction in costs. In conjunction with these methods, the case studies focused on the identification of similarities among Baltic glass practices and similarities of approach to using various glass techniques. -
Whitby (Ontario, Canada) SELLER MANAGED Downsizing Online Auction - Victoria Street
09/30/21 03:12:04 Whitby (Ontario, Canada) SELLER MANAGED Downsizing Online Auction - Victoria Street Auction Opens: Fri, Jul 8 5:00pm ET Auction Closes: Thu, Jul 14 7:00pm ET Lot Title Lot Title 0001 Antique Cromwellian / Jacobean Set of 6 0024 Collection of Antique & Vintage Bottles Upholstered Oak Chairs 0025 Mid Century Modern Crystal Serving Ware 0002 Mid Century Walnut Dining Table & Chairs 0026 Vintage Coca Cola & Mother's Pizza Tumblers 0003 Mid Century Retro Chrome Upholstered Bar 0027 Vintage Glass & Crystal Collection Stools 0028 Barware - Glass Carafe & Wine Glasses 0004 Mid Century Retro Chrome Upholstered Bar Stools 0029 Vintage Cornflower Compote Set 0005 6 Matching Black & White Mid Century 1950's 0030 Barware - Vintage Etched, Cornflower, Crystal Chrome Kitchen Chairs & Table Aperitif/Liqueur Glasses & More 0006 Mid Century Modern Danish Teak Side Table 0031 Barware - Vintage Etched, Cornflower Wine Glasses & More 0007 Mid Century Modern Danish Teak Side Table 0032 Vintage Art Glass & More 0008 Mid Century Modern Teak Side Table 0033 Vintage Barware & More 0009 Mid Century Modern Teak Step-Up Side Table 0034 Barware 0010 Vintage Heavy Glass Salad Serving Bowl Set 0035 Vintage Pewter & Ceramic Beer Steins 0011 Antique / Vintage Ruby /Cranberry Glass Barware Pitcher & Glasses Set 0036 Vintage Teal Wine Glasses 0012 Vintage Green Forest Glass 0037 Vintage Ruby Glass Anchor Hocking by Hallingtons 0013 Vintage Barware Silvered Tumbler Set 0038 Vintage Barware Decanter & Glasses Set 0014 Vintage Tiffin Cranberry Kings Crown -
Femtosecond Laser Induced Photochemistry in Materials Tailored with Photosensitive Agents Invited
University of Central Florida STARS Faculty Bibliography 2010s Faculty Bibliography 1-1-2011 Femtosecond laser induced photochemistry in materials tailored with photosensitive agents Invited Arnaud Royon Yannick Petit Gautier Papon Martin Richardson University of Central Florida Lionel Canioni Find similar works at: https://stars.library.ucf.edu/facultybib2010 University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by the Faculty Bibliography at STARS. It has been accepted for inclusion in Faculty Bibliography 2010s by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Royon, Arnaud; Petit, Yannick; Papon, Gautier; Richardson, Martin; and Canioni, Lionel, "Femtosecond laser induced photochemistry in materials tailored with photosensitive agents Invited" (2011). Faculty Bibliography 2010s. 1831. https://stars.library.ucf.edu/facultybib2010/1831 Femtosecond laser induced photochemistry in materials tailored with photosensitive agents [Invited] Arnaud Royon,1,* Yannick Petit,1,2 Gautier Papon,1 Martin Richardson,3 and Lionel Canioni1 1Laboratoire Ondes et Matière d’Aquitaine, CNRS, Université de Bordeaux, 351 Cours de la Libération, 33405 Talence cedex, France 2Institut de Chimie et de la Matière Condensée de Bordeaux, CNRS, Université de Bordeaux, 87 Avenue du Docteur Schweitzer, 33608 Pessac cedex, France 3College of Optics and Photonics/CREOL, University of Central Florida, 4000 Central Florida Boulevard, Orlando, Florida 32816, USA *[email protected] Abstract: This article deals with the recent advances in photochemistry in optical materials induced by femtosecond laser pulses. The field of investigation of this paper is limited to bulk solid isotropic transparent materials (glasses and polymers), specifically tailored with photoactive agents. -
Contextualizing the Archaeometric Analysis of Roman Glass
Contextualizing the Archaeometric Analysis of Roman Glass A thesis submitted to the Graduate School of the University of Cincinnati Department of Classics McMicken College of Arts and Sciences in partial fulfillment of the requirements of the degree of Master of Arts August 2015 by Christopher J. Hayward BA, BSc University of Auckland 2012 Committee: Dr. Barbara Burrell (Chair) Dr. Kathleen Lynch 1 Abstract This thesis is a review of recent archaeometric studies on glass of the Roman Empire, intended for an audience of classical archaeologists. It discusses the physical and chemical properties of glass, and the way these define both its use in ancient times and the analytical options available to us today. It also discusses Roman glass as a class of artifacts, the product of technological developments in glassmaking with their ultimate roots in the Bronze Age, and of the particular socioeconomic conditions created by Roman political dominance in the classical Mediterranean. The principal aim of this thesis is to contextualize archaeometric analyses of Roman glass in a way that will make plain, to an archaeologically trained audience that does not necessarily have a history of close involvement with archaeometric work, the importance of recent results for our understanding of the Roman world, and the potential of future studies to add to this. 2 3 Acknowledgements This thesis, like any, has been something of an ordeal. For my continued life and sanity throughout the writing process, I am eternally grateful to my family, and to friends both near and far. Particular thanks are owed to my supervisors, Barbara Burrell and Kathleen Lynch, for their unending patience, insightful comments, and keen-eyed proofreading; to my parents, Julie and Greg Hayward, for their absolute faith in my abilities; to my colleagues, Kyle Helms and Carol Hershenson, for their constant support and encouragement; and to my best friend, James Crooks, for his willingness to endure the brunt of my every breakdown, great or small. -
Glass News – Her News Address Is Given at the Back of This Newsletter
Rachel Tyson. Rachel, a specialist in Medieval glass, is well known for her book on Medieval Glass Vessels in England 1200-1500. She brings to the newsletter not only an expertise in glass which will Glass complement that of Sarah, but also has experience of editing for the medieval Finds Research Group newsletter. We welcome her warmly to the editing team and along with Sarah she is happy to receive any contributions to future issues of Glass News – her News address is given at the back of this newsletter. Number 26 July 2009 A subscription to Glass News including Membership of AHG has up to now been available at the bargain Published by price of £5 per year. At the last Board meeting it was THE ASSOCIATION FOR THE HISTORY OF GLASS LIMITED decided that, due to increasing production and postage Reg’d Charity: 275236 ISSN 1362-5195 costs and the extra activity of the Association in study Registered Office: days and grant awards, we need to raise the c/o The Society of Antiquaries of London subscription to £10 per year. The new rate, which we Burlington House, Piccadilly, feel is still a very fair price for everything AHG does, London W1V 0HS, United Kingdom will come into effect when you renew (as we hope Company Registration Number 1348828 you will) for the year 2010. www.historyofglass.org.uk THE ASSOCIATION FOR THE HISTORY OF GLASS IN THIS ISSUE Page 1 - Board members Board of Management President: Caroline Jackson - AHG Spring Study Day 2010 Hon Secretary: Sandy Davison Page 2 - AHG Autumn Study Day 2009 Hon Treasurer: Jim Smedley -
'A Perticuler Sort of Christaline Glasse': a Taste of Politeness And
VIDES XII SANGEETA BEDI ‘A perticuler sort of Christaline Glasse’: A taste of politeness and politics in the early eighteenth century This paper examines and compares two artefacts of the early eighteenth century; a heavy baluster wine glass c.1700 - 1710 and the poem Glass by Anne Finch, Countess of Winchilsea (1661-1720) first published as a separate verse in her Miscellany of Poems on Several Occasions in 1713. From her unique position as a female aristocrat, once at the centre of court as maid of honour to Mary of Modena, and then for many years an internal political exile, Finch’s poem explores how the humble wine glass and its contents can embody an external and internal form of politeness and the division between the temporal and spiritual condition. n 1674, George Ravenscroft was granted a patent for the English manufacture of ‘a perticuler sort of Christaline Glasse…not formerly exercised or vsed in this Iour Kingdome’.1 Whilst the patent itself is silent on the raw materials used in production, presumably to prevent competition, contemporary evidence suggests that it was substantially different in composition to existing glass manufacture.2 This initial composition was prone to ‘crizzling’; a form of glass corrosion which renders blown glass cloudy and eventually causes breakage.3 The defect was later corrected with the addition of lead oxide and as John Houghton, writing at the turn of the seventeenth century notes, Ravenscroft’s modified metal became known as ‘flint glass’- the term synonymous with colourless lead-based glass.4 This new brilliant English crystal, which mimicked naturally found rock crystal, had an extraordinary ability to refract light and was heavy, ‘hard, durable and whiter than any from Venice.’5 Whilst knowledge of producing coloured domestic glass was also 1 Albert Hartshorne, Old English Glasses: An account of glass drinking vessels in England from early times to the end of the eighteenth century (London, 1897), p. -
The Play of Colours of Prisms
The play of colours of prisms Amelia Carolina Sparavigna Institute of Fundamental Physics and Nanotechnology Department of Applied Science and Technology Politecnico di Torino, C.so Duca degli Abruzzi 24, Torino, Italy A short history of prisms from Lucius Anneus Seneca to George Ravenscroft The first scientific paper written by Newton was on the compound nature of white light, a paper where he described his experiments with prisms and the spectrum produced by the light. Newton had performed the experiments, probably between 1664 and 1667, in Woolsthorpe and Cambridge, using several glass prisms [1]. These glass artifacts existed and were sold at the country fairs to be used for the "play of colours", that is, to see the rainbow colours looking through them. This phenomenon of white light dispersion, created by crystals and glasses, was well known from ancient times and reported by Latin writers. Newton, experimenting with glass to improve optical instruments, explained that the play of colours was inside the nature of light. Few years after the Newton's studies, the development of lead glasses allowed new applications for the play of colours. Here a short history of prisms from Seneca to Ravenscroft. 1. Seneca, Pliny and their prisms A Latin writer, Lucius Anneus Seneca, was fascinated by prisms. In his Natural Questions, [2,3], he told that there existed some glass rods commonly made in two forms: striated, and with many angles. If they received the sun's rays obliquely, they create the colours as it is usually seen in a rainbow. It seems therefore that the glassmakers were producing such rods for observing the play of colours. -
Glossary of Glass Terms
Glossary of Glass Terms A Abrasion The technique of creating shallow decoration by grinding with a wheel or other device. The decorated areas remain unpolished. Acanthus In art, an ornament that resembles the leaves of the species Acanthus spinosus plant. Acid Etching The process of creating decoration on the surface of glass by applying hydrofluoric acid. A similar effect is weathering, obtained by exposing glass to fumes of hydrofluoric acid to create an all- over matte surface. Acid Polishing The technique of creating a glossy, polished surface by dipping (usually) cut glass into a mixture of hydrofluoric and sulfuric acids. Developed in the late 19th century. Acid Stamping The process of acid etching a trademark or signature onto annealed glass using a rubber stamp-like tool. Aeolipile (From Greek): Globular or pear-shaped object with a narrow neck and mouth. Its function is believed to be as containers. See Grenade Agate Glass See Calcedonio Air Trap, Air Lock An air-filled void of almost any shape. Air traps in glass stems are frequently tear- shaped or elongated and spirally twisted. See Diamond Air Trap, Pegging, Twist Air Twist See Twist Alabaster Glass A type of translucent white glass first produced in Bohemia in the 19th century. Similar to opal glass. Alabastron (From Greek): A small bottle or flask for perfume or oil, usually with a flattened rim, narrow neck, cylindrical body, and two handles. Ale Glass An English drinking glass for ale or beer first made in the 17th century, with a tall and conical cup, a stem, and a foot. -
The Corning Museum of Glass Annual Report 2018 Cover: Officers of the Board Antony E
The Corning Museum of Glass Annual Report 2018 Cover: Officers of the Board Antony E. Snow* Jim Oliveira The Manhattan skyline at dusk Susan M. Taylor Jutta-Annette Page Jeffrey W. Evenson Peter F. Volanakis* Elmerina L. Parkman creates a beautiful backdrop Chairman for GlassBarge at its stop in Wendell P. Weeks Paul D. Parkman Brooklyn, New York. James B. Flaws Ian McKibbin White* Lindsy R. Parrott Vice Chairman Karol B. Wight Paul N. Perrot + Opposite: John V. B. Perry Linda E. Jolly * Trustee Emeritus Joan P. Randles Staff members of The Corning Secretary Richard F. Randles Museum of Glass and the crew Peter B. Rath of GlassBarge stand on its upper Melissa J. Gambol The Fellows of The Corning Rachel Russell Assistant Secretary deck for a group photo. Museum of Glass Josh Simpson John P. Smith Mark S. Rogus Carole Allaire Treasurer Walter Spiegl+ John Allaire Jane Shadel Spillman+ Michael J. Burns III James K. Asselstine Paul J. Stankard§ Assistant Treasurer Sheldon Barr Arlie Sulka Mike Belkin Lino Tagliapietra Alan L. Cameros§ Jennifer Thalheimer Officers of the Lt. Gen. Christian Clausen, retired§ Catherine M. V. Thuro-Gripton+ Corporation Simon Cottle Kenneth R. Treis Damon Crain Deborah Truitt Karol B. Wight Kenneth C. Depew Durk Valkema President and Executive Thomas P. Dimitroff William Warmus Director Jay R. Doros† Mark J. West Alan T. Eusden Micki Doros Karol B. Wight Chief Operating Officer Paul E. Doros Diane C. Wright David Dowler Rainer M. Zietz Roland “Max” Erlacher+ Maris Zuika Trustees Christopher T. G. Fish Alice Cooney Frelinghuysen * Life Fellow Roger G. -
Forest Glass (Edited from Wikipedia)
Forest Glass (Edited from Wikipedia) SUMMARY Forest glass is late Medieval glass produced in North-Western and Central Europe from about 1000-1700 AD using wood ash and sand as the main raw materials and made in factories known as glass-houses in forest areas. It is characterized by a variety of greenish-yellow colors, the earlier products being often of crude design and poor quality, and was used mainly for everyday vessels and increasingly for church stained glass windows. Its composition and manufacture contrast sharply with Roman and pre- Roman glass making centered on the Mediterranean and contemporaneous Islamic glass making to the east. HISTORY While under Roman rule the raw materials and manufacturing methods of Northern Europe were those of the Roman tradition, using the mineral Natron. For several centuries after the fall of the Western Roman Empire around 450 AD, recycling of Roman glass formed the major part of the local industry and glass-making skills declined. With the rise of the Carolingian Empire in north-west Europe around 800 AD increasing demand for glass and problems with supply of traditional raw materials, together with an imperial desire to emulate the more sophisticated culture of the Islamic Empire (which was producing high quality glass) led to experimentation with new raw materials and the development of a totally new glass-making technology. Archaeologically, numerous medieval glass-houses have been found in western and central Europe, particularly in the mountains of Germany. Due to later reuse of the building material, most are poorly preserved, but there is evidence that both glass- making and working were often done on the same site.