Adrian Mole: Diary of a Provincial Man
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BBC AR Front Part 2 Pp 8-19
Executive Committee Greg Dyke Director-General since Jana Bennett OBE Director of Mark Byford Director of World customer services and audience January 2000, having joined the BBC Television since April 2002. Service & Global News since research activities. Previously as D-G Designate in November Responsible for the BBC’s output October 2001. Responsible for all European Director for Unilever’s 1999. Previously Chairman and Chief on BBC One, BBC Two, BBC Three the BBC’s international news and Food and Beverages division. Former Executive of Pearson Television from and BBC Four and for overseeing information services across all media positions include UK Marketing 1995 to 1999. Former posts include content on the UKTV joint venture including BBC World Service radio, Director then European Marketing Editor in Chief of TV-am (1983); channels and the international BBC World television and the Director with Unilever’s UK Food Director of Programmes for TVS channels BBC America and BBC international-facing online news and Beverages division and (1984), and Director of Programmes Prime. Previously General Manager sites. Previously Director of Regional Chairman of the Tea Council. (1987), Managing Director (1990) and Executive Vice President at Broadcasting. Former positions and Group Chief Executive (1991) at Discovery Communications Inc. include Head of Centre, Leeds and Carolyn Fairbairn Director of London Weekend Television. He has in the US. Former positions include Home Editor Television News. Strategy & Distribution since April also been Chairman of Channel 5; Director of Production at BBC; Head 2001. Responsible for strategic Chairman of the ITA; a director of BBC Science; Editor of Horizon, Stephen Dando Director of planning and the distribution of BBC of ITN, Channel 4 and BSkyB, and and Senior Producer on Newsnight Human Resources & Internal services. -
Adrian Strikes Back with Style and Humour
JoLIE 2:2 (2009) ADRIAN STRIKES BACK WITH STYLE AND HUMOUR Alcina Sousa University of Madeira, Portugal Abstract More than half of Adrian’s diary entries (by Sue Townsend, 1982, 1984, 1988, 1991, 1993 and 1999) encompass two decades of the protagonist’s maturing process and existence, in a working class setting. These cover different periods of the British History and socio- political events: from Margaret Thatcher’s takeover to Tony Blair’s government. Indeed, Adrian finds it difficult to conform to a way of life which he holds up as trivial. Besides, “Englishness” has acquired, in his unexpected conservative stance, a multicultural dimension for much of Adrian’s disenchantment. Therefore, he is fiercely committed to preserve the all-British standards, evidenced in his behaviour and discursive practices, by means of a witty dialogue, irony, hyperbole, and parody. The aim of this paper is to bring to the fore some of the protagonist’s socio- cultural references and stylistic choices which challenge readers with humorously “unusual and unexpected events to the ‘maps of meaning’ (Hall et al., 1978: 54-55), that already form the basis of their cultural knowledge” of everyday language. Readers identify strings of continuity, on the one hand, and of rupture between the scheming of the old empires and the new goals of global capitalism, on the other. Perhaps Townsend’s premise against life’s “alogical” course of events led her to create a fictional character for whom humour may be suggestive of “a certain ideal image of the world” (Critchley 2002: 87-90). Key words: Carnivalisation; Defamiliarisation; Uncrowning; Style; Satire. -
School Wars: the Conflict of British Education in the Official Discourse and Its Representation in Sue Townsend's Early Narrat
SCHOOL WARS: THE CONFLICT OF BRITISH EDUCATION IN THE OFFICIAL DISCOURSE AND ITS REPRESENTATION IN SUE TOWNSEND’S EARLY NARRATIVE Nieves de Mingo Izquierdo UNED [email protected] Abstract In the last decades of the twentieth century British society witnessed a ferocious attack against long-term assumptions on welfare provisions, the role of local authorities or the so- called post-war consensus that had marked the history of the country since the end of World War II. In the 1980s, the official Thatcherite discourse on family, healthcare or education was clearly aimed at dismantling the alleged persistence of Labour ideology and resulted in open confrontation between Margaret Thatcher’s successive governments and the different social groups involved, the school community among them. In this last case, the conflict was so evident that it soon became literary matter, particularly when depicted by the skilful pen of Sue Townsend. In The Secret Diary of Adrian Mole Aged 13 and ¾ (1982) and The Growing Pains of Adrian Mole (1984), the author describes in diary format the misfortunes of a neurotic, pseudo-intellectual, provincial teenager. His remarks on school impositions instilled by official policies and the subsequent reactions of some teachers and students illustrate the extent to which British schools were turned into minor battlefields, where things beyond marks, forms and course books were at stake; namely a prevailing vision of the rules of the socioeconomic game. Key words: political discourse; conflict; school; Sue Townsend; Adrian Mole Resumen En las últimas décadas del siglo XX la sociedad británica fue testigo de un ataque abru- mador a ciertos postulados históricamente asumidos relativos, por ejemplo, al estado del bienestar, el papel de las autoridades locales o el denominado «consenso de postguerra» que habían marcado la historia de Gran Bretaña desde el final de la Segunda Guerra Mundial. -
NO ME WITHOUT YOU Thesis Submitted to the College of Arts
NO ME WITHOUT YOU Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in English By Sandra E. Riley, M.Ed UNIVERSITY OF DAYTON Dayton, Ohio August 2017 NO ME WITHOUT YOU Name: Riley, Sandra Elizabeth APPROVED BY: ____________________________________ PJ Carlisle, Ph.D Advisor, H.W. Martin Post Doc Fellow ____________________________________ Andrew Slade, Ph.D Department Chair, Reader #1 ____________________________________ Bryan Bardine, Ph.D Associate Professor of English, Reader #2 ii ABSTRACT NO ME WITHOUT YOU Name: Riley, Sandra Elizabeth University of Dayton Advisor: Dr. PJ Carlisle This novel is an exploration of the narrator‟s grief as she undertakes a quest to understand the reasons for her sister‟s suicide. Through this grieving process, the heroine must confront old family traumas and negotiate ways of coping with these ugly truths. It is a novel about family secrets, trauma, addiction, mental illness, and ultimately, resilience. iii Dedicated to JLH iv ACKNOWLEDGMENTS Thank you to my earliest reader at the University of Dayton—Dr. Meredith Doench, whose encouragement compelled me to keep writing, despite early frustrations in the drafting process. Thank you to Professor Al Carrillo—our initial conversations gave me the courage to keep writing, and convinced me that I did in fact have the makings of a novel. Thank you to Dr. Andy Slade, who has been gracious and accommodating throughout my journey to the MA, and to Dr. PJ Carlisle, who not only agreed to be my thesis advisor her last semester at UD, but gave me the direction and input I needed while understanding my vision for No Me Without You. -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
267800022.Pdf
1 Adrian Mole The Wilderness Years Sue Townsend To my sisters, Barbara and Kate ‘What’s gone and what’s past help Should be past grief.’ William Shakespeare The Winter’s Tale 2 Winter Tuesday January 1st 1991 I start the year with a throbbing head and shaking limbs, owing to the excessive amounts of alcohol I was forced to drink at my mother’s party last night. I was quite happy sitting on a dining chair, watching the dancing and sipping on a low‐ calorie soft drink, but my mother kept shouting at me: ‘Join in, fish‐face and wouldn’t rest until I’d consumed a glass and a half of Lambrusco. As she slopped the wine into a plastic glass for me, I had a close look at her. Her lips were surrounded by short lines, like numerous river beds running into a scarlet lake; her hair was red and glossy almost until it reached her scalp and then a grey layer revealed the truth: her neck was saggy her cleavage wrinkled and her belly protruded from the little black dress (very little) she wore. The poor woman is forty‐seven, twenty‐three years older than her second husband. I know for a fact that he, Martin Muffet, has never seen her without make‐up. Her pillow slips are a disgrace; they are covered in pan‐stick and mascara. It wasn’t long before I found myself on the improvised dance floor in my mother’s lounge, dancing to ‘The Birdie Song', in a line with Pandora, the love of my life; Pandora’s new lover, Professor Jack Cavendish; Martin Muffet, my boyish stepfather; Ivan and Tania, Pandora’s bohemian parents; and other inebriated friends and relations of my mother’s. -
Leisure Opportunities 20Th September 2016 Issue
Find great staffTM leisure opportunities 20 SEPTEMBER - 3 OCTOBER 2016 ISSUE 693 Daily news & jobs: www.leisureopportunities.co.uk ukactive: Tech to ‘transform fitness’ Health club members expect there is hope for club operators wearable technology and too, as a clear majority (66 per Netflix-style workout services cent) cite the gym as their main to “transform” their gym way of keeping fit – now and in experience over the next decade. the future. That is the headline finding When it comes to predicting of a study commissioned by what a future health club could ukactive and retailer Argos look like, expectations include which quizzed more than 1,000 anti-gravity workout rooms fitness fans on what they expect and machines that ‘trick fitness to look like in 2026. muscles’ into thinking they’re Two thirds (66 per cent) working out. of respondents believe Baroness Tanni Grey- technological advances will help Thompson, ukactive chair, keep them fitter, while more than said: “As physical activity and half think wearable technology technology align, we’re entering will dictate their workouts. a brave new world with exciting One in five (20 per cent) Technological advances such as virtual fitness are expected to transform the sector opportunities to get people think virtual reality will allow more active. With two thirds them to work out with their favourite athletes (22 per cent) expecting roads to have jogging of those questioned expecting to be fitter in in their own living rooms and more than half lanes next to cycling lanes, while 8 per cent future, there is growth potential for the sector.” (57 per cent) expect to engage virtually with think drones will be on hand to encourage Undertaken in July 2016, the study of personal trainers via TVs and computers. -
UEFA"Direct #155 (01.03.2016)
No. 155 MARCH 2016 OFFICIAL PUBLICATION OF THE UNION OF EUROPEAN FOOTBALL ASSOCIATIONS A BREATH OF NONO TOTO RACISMRACISM FRESH AIR How Iceland, one of Europe’s smallest nations, made the big time No.155 • March 2016 • March No.155 FUTSAL THE FOR THE EURO TECHNICIAN RECORD A record-breaking A hat-trick for 10 years of tournament Del Bosque? club licensing BIRTHDAYS, COMMUNICATIONS, FORTHCOMING EVENTS BIRTHDAYS Jim Boyce (Northern Ireland, 21 March) Alan Snoddy (Northern Ireland, 29 March) Kai-Erik Arstad (Norway, 21 March) Bernadette Constantin (France, 29 March) Denis Bastari (Albania, 21 March) Bernadino González Vázquez (Spain, Benny Jacobsen (Denmark, 1 March) Ginés Meléndez (Spain, 22 March) 29 March) 50th Luis Medina Cantalejo (Spain, 1 March) Chris Georghiades (Cyprus, 22 March) Sanna Pirhonen (Finland, 29 March) Damir Vrbanović (Croatia, 2 March) Michail Kassabov (Bulgaria, 22 March) William Hugh Wilson (Scotland, 30 March) Jenni Kennedy (England, 2 March) Pascal Fritz (France, 25 January) Richard Havrilla (Slovakia, 31 March) 50th Hans Lorenz (Germany, 3 March) Luca Zorzi (Switzerland, 22 March) Marina Mamaeva (Russia, 31 March) Zbigniew Boniek (Poland, 3 March) 60th Hugo Quaderer (Liechtenstein, 22 March) Matteo Simone Trefoloni (Italy, 31 March) Alexandru Deaconu (Romania, 3 March) Pafsanias Papanikolaou (Greece, Carolin Greiner Mai (Germany, 3 March) 22 March) 40th François Vasseur (France, 3 March) Andrew Niven (Scotland, 22 March) COMMUNICATIONS Patrick McGrath (Republic of Ireland, Franz Krösslhuber (Austria, 23 March) -
Leseprobe 9783453407435.Pdf
DDieie verschollenenverschollenen TagebuTagebüchercher desdes AdrianAdrian Mole.inddMole.indd 1 114.09.20094.09.2009 12:57:1012:57:10 UhrUhr ZUM BUCH Für Adrian Mole beginnt ein neuer Lebensabschnitt. Er ist jetzt »ge- nauso alt wie Jesus, als er starb« (33) und alleinerziehender Vater. Ein Sohn ist leicht legasthenisch, der andere nimmt gerne ein Kondom mit in die Schule, um die Funktionsweise eines Heißluftballons zu erklä- ren. Dann hat Adrian auch noch eine Affäre mit seiner Immobilien- maklerin Pamela Pigg. Und nicht zuletzt muss er sich auch noch mit seinen Eltern herumschlagen, die ihn nur zu gerne mit der wunder- schönen, aber unerreichbaren Pandora verkuppeln wollen. Doch die hat ganz andere Pläne: unermüdlich und ehrgeizig verfolgt sie ihr Ziel, die erste weibliche Ministerpräsidentin der Labour Party zu wer- den. Auch sonst hat Adrian so einige Sorgen und Nöte, die er sei- nem Tagebuch anvertraut: eine schier nicht einzudämmende Läuse- plage; seine unverkäufliche Serienkillerkomödie; die rasende Eifersucht auf seinen erfolgreichen Halbbruder Brett; ein kleineres Erd beben in Leicester und, nicht zu vergessen, der Anbruch eines neuen Jahrtau- sends. »Ich weinte nicht nur vor Lachen, ich heulte, jaulte, musste bei der Lektüre aufspringen und meine Tränen trocknen – um weiterlesen zu können.« Tom Sharpe ZUR AUTORIN Sue Townsend wurde in Leicester geboren, wo sie auch heute noch lebt. Nachdem sie mit 15 die Schule verließ, hielt sie sich mit verschie- denen Jobs über Wasser. Seit 1978 hat Sue Townsend zahlreiche Büh- nenstücke geschrieben. Mit den Tagebüchern des unverbesserlichen Adrian Mole gelang Sue Townsend der internationale Durchbruch. Sie ist seit Jahrzehnten eine der meistgelesenen Autorinnen Englands. -
The Premier League and Tile New Consumption. Of
THE PREMIER LEAGUE AND TILE NEW CONSUMPTION. OF FOOTBALL ANTHONY KING PhD THESIS UNIVERSITY OF SALFORD INSTITUTE FOR SOCIAL RESEARCH 1995 Abstract: This thesis is a historical and critical examination of the development of the Premier League and the new consumption of football, which attempts to link these developments with wider post-Fordist transformations. The thesis argues that the transformation of labour relations in football set the Football League on a course of organic political economic development which privileged the big city clubs. During the 1980s, these clubs became conscious of this divide and, in a complex series of negotiations, effected a breakaway from the League to form the Premier League. It is argued that the latter organisation was the institutional framework in which the new consumption of football was possible. The particular form of that new consumption of football was determined by certain discursive interventions from 1985, which prescribed a particular course of reform for football. The thesis argues that these discourses were intimately related to wider post-Fordist developments and were privileged both because of those (post- Fordist) developments and the organic transformation of football itself. The thesis goes on to suggest that the conjunctural discourses of reform were implemented by a fraction of the capitalist class, the new business class and Part N, involves an extensive examination of this class fraction's participation in the game and the fans' resistance and compliance to this project. By examining both the long-term, organic developments and the more immediate conjunctural moments of the 1980s, the thesis attempts to provide a holistic account of recent developments in football, which it is hoped will throw light on Britain's post-Fordist transformation. -
Subject Knowledge Œ How It Helps Take Care of the Business
Subject knowledge – how it helps take care of the business Sylvia Coates Sylvia Coates examines how respecting and complying with specific academic style guides and conventions may lead to better client relationships, increased professional credibility, and a steady supply of indexing projects. Last summer I was indexing a project which had a number of to give consideration to these differences may damage an titles incorrectly formatted in the text. Most of these errors indexer’s credibility, reputation, and have a direct impact were easy to recognize and correct, along with a written on their ability to receive repeat work. It also brings the flag for the editor, except for one specific title. The title in profession into disrepute, and puts potential indexing clients question was Tchaikovsky’s Symphony No. 6 in B minor, off the idea altogether, causing them to do future indexes ‘Pathétique’. The text was not on a music-related topic but themselves or to get a research student to do them. this title was used as an example to illustrate a point. Though So in what situation can this become a problem, and how music theory is not a topic I work in, I vaguely remem- do we guard against the one-size-fits-all trap? First, we need bered that musical titles have different, and very specific, to be cautious about accepting work in areas outside our formatting requirements depending on the type of music. subject knowledge expertise. While an experienced indexer Unfortunately that was all I could remember, and given the may be able to bluff their way through an unfamiliar topic, number of format errors in the text, I could not assume that it is unlikely that they will be able to include the nuances of Pathétique was correctly formatted. -
Library 3398 Songs, 7.2 Days, 12.30 GB
Library 3398 songs, 7.2 days, 12.30 GB Song Name Artist Album _Secret Agent - Guster Keep It Together – Celtic Twilight Loreena McKennitt '85 Radio Special Thank You They Might Be Giants Then: The Earlier Years (CD 1) 'Ama'ama Israel "IZ" Kamakawiwo'ole Facing Future 'Round Springfield (Medley) The Simpsons Songs In The Key Of Spring… 'S Wonderful Ella Fitzgerald The Best Of the Song Books 'Til Him The Producers "Badge OF Honor"- Jerry Goldsmith Jerry Goldsmith L.A. Confidential "Chief Wiggum, P.I." Main Title The Simpsons Go Simpsonic With The Sim… "Eye On Springfield" Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" End Credits Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" Main Title Theme The Simpsons Songs In The Key Of Spring… "Kamp Krusty" Theme Song The Simpsons Go Simpsonic With The Sim… "Krusty The Clown" Main Title The Simpsons Go Simpsonic With The Sim… "Oh, Streetcar!" (The Musical) The Simpsons Songs In The Key Of Spring… "Quimby" Campaign Commercial The Simpsons Go Simpsonic With The Sim… "Scorpio" End Credits The Simpsons Go Simpsonic With The Sim… "Simpsoncalifragilisticexpiala(Annoyed Grunt)Cio… The Simpsons Go Simpsonic With The Sim… "Skinner & The Superintendent" Theme The Simpsons Go Simpsonic With The Sim… "The Itchy & Scratchy & Poochie Show" Theme The Simpsons Go Simpsonic With The Sim… "The Love-Matic Grampa" Main Title The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme (Jazz Quartet