A Social History of Music in Coolgardie, Kalgoorlie and Boulder
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NEWSLETTER ISSN 1443-4962 No
AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 29 September 2004 Compiled for the ANHG by Rod Kirkpatrick, 13 Sumac Street, Middle Park, Qld, 4074, Ph. 07-3279 2279, E-mail: [email protected] 29.1 COPY DEADLINE AND WEBSITE ADDRESS Deadline for next Newsletter: 30 November 2004. Send copy to acting editor, Victor Isaacs at <[email protected]> or post to 43 Lowanna St, Braddon, ACT, 2612. Subscription details appear at end of Newsletter. [Number 1 appeared October 1999.] The Newsletter is online through the “Publications” link from the University of Queensland’s School of Journalism & Communication Website at www.uq.edu.au/journ-comm/ and through the ePrint Archives at the University of Queensland at http://eprint.uq.edu.au/ Barry Blair, of Tamworth, NSW, and Victor Isaacs, of Canberra, are major contributors to this Newsletter. Two books published this month by the Australian Newspaper History Group – See Page 20 CURRENT DEVELOPMENTS: METROPOLITAN 29.2 THE AUSTRALIAN AT 40 (see also 28.2) The Weekend Australian of 17-18 July 2004 followed up the editorial that appeared on the Australian’s 40th birthday (15 July) with another about the newspaper (“For the nation’s newspaper, life begins at 40”), probably largely because the readership of the weekend edition is much greater than that of the weekday issues. The editorial says, in part: “In an age where many so-called quality newspapers emphasise the fripperies of fashion – there is an endless obsession with lifestyle over substance in our rivals – the Australian remains true to its original mission. -
The Use of Rachmaninov's Second Piano Concerto in the Film Brief
Soundtrack to a Love Story: The Use of Rachmaninov’s Second Piano Concerto In the Film Brief Encounter Sean O’Connor MHL 252 April 22, 2013 Soundtrack to a Love Story 1 Classic FM, an independent radio station in the United Kingdom, has held a poll each Easter weekend since 1996 where listeners can vote on the top 300 most popular works of classical music. In 2013, Sergei Rachmaninov’s Piano Concerto No. 2 in C minor filled the number-one spot for the third year in a row. However, when BBC News first published an online article about this in April 2011, the headline did not mention the composition’s actual title. Instead, it referred to the concerto as the “Brief Encounter theme”1. Rather than being known as a concerto by Rachmaninov, many listeners in the United Kingdom recognize the music as the score prominently used in the classic British motion picture Brief Encounter (1945). How is it that so many listeners associate the music with this film rather than as arguably Rachmaninov’s most celebrated work? To determine the reason, listeners must critically analyze the concerto and the film together to find a unifying emotion through recurring themes. This analysis will do just that, examining each movement and where excerpts from those movements appear in the film. That analysis must begin, however, with background information on both works. Today, Rachmaninov’s Second Piano Concerto is considered one of the finest musical compositions of the late romantic period, as well as, according to the poll mentioned earlier, one of the most popular pieces of “classical music” around the world. -
Nominal Roll Project
The University of Western Australia and the Second World War Nominal Roll Project Remembering the service of staff, students and graduates of UWA UWA Historical Society With support from UWA Convocation Authors Dr Margaret Warburton Dr Joan Pope OAM Acknowledgements Elizabeth Borrello Wendy Birman Terry Larder Dr John Meyer Dr Fran Pesich Elizabeth Rowlands James Stevens Winthrop Professor Marc Tennant St George’s College UWA Convocation UWA Archives Further Information Australian Dictionary of Biography http://adb.anu.edu.au/ Australians at War Film Archive http://australiansatwarfilmarchive.unsw.edu.au/ Commonwealth War Graves Commission https://www.cwgc.org/ Australian War Memorial (AWM) https://www.awm.gov.au/ Department of Veterans’ Affairs https://www.dva.gov.au/ Edward de Courcy Clarke Earth Science Museum UWA https://www.earthmuseum.see.uwa.edu.au/ Highgate RSL Hall of Honour https://highgate-rsl.org.au/hall-of-honour/ National Archives of Australia https://www.naa.gov.au/ National Centre of Biography https://history.cass.anu.edu.au/centres/ncb Obituaries Australia http://oa.anu.edu.au/ Presbyterian Ladies College Archive https://www.plc.wa.edu.au/news-categories/resources/ Scotch College Archives https://archives.scotch.wa.edu.au/pages/home.php St George’s College Archives https://www.stgeorges-windsor.org/archives/ Trove https://trove.nla.gov.au/ UWA Archives https://www.uwa.edu.au/library/find-resources/records-and-archives UWA Historical Society https://www.web.uwa.edu.au/uwahs UWA Historical Society (UWAHS) The University -
Apo-Nid63005.Pdf
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1991-92 Australian Broadcasting Tribunal Sydney 1992 ©Commonwealth of Australia ISSN 0728-8883 Design by Media and Public Relations Branch, Australian Broadcasting Tribunal. Printed in Australia by Pirie Printers Sales Pty Ltd, Fyshwick, A.CT. 11 Contents 1. MEMBERSIDP OF THE TRIBUNAL 1 2. THE YEAR IN REVIEW 7 3. POWERS AND FUNCTIONS OF THE TRIBUNAL 13 Responsible Minister 16 4. LICENSING 17 Number and Type of Licences on Issue 19 Grant of Limited Licences 20 Commercial Radio Licence Grant Inquiries 21 Supplementary Radio Grant Inquiries 23 Joined Supplementary /Independent Radio Grant Inquiries 24 Remote Licences 26 Public Radio Licence Grants 26 Renewal of Licences with Conditions or Licensee Undertaking 30 Revocation/Suspension/Conditions Inquiries 32 Allocation of Call Signs 37 5. OWNERSHIP AND CONTROL 39 Applications and Notices Received 41 Most Significant Inquiries 41 Unfinished Inquiries 47 Contraventions Amounting To Offences 49 Licence Transfers 49 Uncompleted Inquiries 50 Operation of Service by Other than Licensee 50 Registered Lender and Loan Interest Inquiries 50 6. PROGRAM AND ADVERTISING STANDARDS 51 Program and Advertising Standards 53 Australian Content 54 Compliance with Australian Content Television Standard 55 Children's Television Standards 55 Compliance with Children's Standards 58 Comments and Complaints 59 Broadcasting of Political Matter 60 Research 61 iii 7. PROGRAMS - PUBLIC INQUIRIES 63 Public Inquiries 65 Classification of Television Programs 65 Foreign Content In Television Advertisements 67 Advertising Time On Television 68 Film And Television Co-productions 70 Australian Documentary Programs 71 Cigarette Advertising During The 1990 Grand Prix 72 Test Market Provisions For Foreign Television Advertisements 72 Public Radio Sponsorship Announcements 73 Teenage Mutant Ninja Turtles 74 John Laws - Comments About Aborigines 75 Anti-Discrimination Standards 75 Accuracy & Fairness in Current Affairs 76 Religious Broadcasts 77 Review of Classification Children's Television Programs 78 8. -
2021 2021Course Guide Course Guide Exmouth
2021 2021COURSE GUIDE COURSE GUIDE EXMOUTH CARNARVON GERALDTON BATAVIA COAST MARITIME INSTITUTE Contents TECHNOLOGY PARK IT ALL STARTS HERE 2 MOORA At Central Regional TAFE we’ll help you find your career, find your calling, find your start. KALGOORLIE MERREDIN LET’S GET THE FACTS 4 NORTHAM Why choose Vocational Education & Training? LEARN BY DOING 5 Simulated workplace learning HELPING YOU SUCCEED 6 Contact us Student Services 1800 672 700 JOBS & SKILLS CENTRES 7 [email protected] We can make it easier! centralregionaltafe.wa.edu.au WHERE ARE YOU HEADING? 8 VETDSS, PAIS, Pre-Apprenticeship, Apprenticeship/ Traineeship, University Pathways, Qualifications Batavia Coast Kalgoorlie Maritime Institute 34 Cheetham St 133 Separation Point Cl Kalgoorlie WA 6430 GET STRAIGHT INTO IT 10 Geraldton WA 6530 Pre-apprenticeships, Apprenticeships & Traineeships Merredin Carnarvon 42 Throssell Rd FOR ALL YOUR TRAINING NEEDS 11 14 Camel Ln Merredin WA 6415 Workforce solutions Carnarvon WA 6701 Moora Exmouth 242 Berkshire Valley Rd MAKING TRAINING AFFORDABLE 12 Ningaloo Centre Moora WA 6510 Don’t put your future on hold Cnr Murat Rd & Truscott Cres Northam Exmouth WA 6707 GET SKILLS READY 13 LOT 1 Hutt St There’s never been a better time to get into training Geraldton Northam WA 6401 173 – 175 Fitzgerald St Technology Park Geraldton WA 6530 STUDY OPTIONS FOR ALL 14 Cnr Deepdale Rd & What study mode suits you? Arthur Rd Geraldton WA 6532 THE NEXT STEP 15 How to enrol CRTAFE acknowledges the Aboriginal peoples of the Midwest, Gascoyne, Wheatbelt and Goldfields regions as traditional custodians COURSE INDEX 67 of the lands and waters. -
Australian Exchange (Kalgoorlie) 2017
Australian Exchange (Kalgoorlie) 2017 Erena Hosford—RMIP Wairarapa We are all visitors to this time, this place. We are just passing through. Our purpose here is to observe, to learn, to grow, to love… and then we return home. – Australian Aboriginal Proverb The super pit In July 2017 I was lucky enough to be given the opportunity to be placed in rural Western Australia for two weeks of my 5th year medical training. I was placed at Kalgoorlie Hospital in the city of Kalgoorlie-Boulder, which is in the goldfields 595km inland from Perth. The town has a population of over 32,000 people and was founded in 1893 during the gold rush. The largest employer in the area is the ‘Super pit’, an open cut gold mine, which is over 3 km long. The evening my fellow RMIP classmate and I landed in Kalgoorlie we were greeted at the airport by staff from the medical school who took us to our accommodation. There we met some of the Australian rural medical students. They had just started their mid year break but were still happy to take us out for dinner and show us around the town. The next day we started at the hospital. Kalgoorlie Hospital has an incredibly large catchment area, with some patients having travelled over 900km to attend clinics. While in Kalgoorlie I was on the Paediatric and General Medicine teams. I found the medicine there to be really interesting. There were many indigenous Australian patients, as well as a surprisingly large amount of New Zealanders (who move to Kalgoorlie to work in the mines). -
OPERA, COMIC OPERA, MUSICAL Box 4/1
Enid Robertson Theatre Programme Collection MSS 792 T3743.R OPERA, COMIC OPERA, MUSICAL Box 4/1 Artist Date Venue, notes Melba, Dame Nellie, with Frederic Griffith 12.11.1902 Direction Mr George (Flute), Llewela Davies (Piano) M. (Second Musgrove Bensaude (Vocal) Signorina Sassoli Concert:15.11) Town Hall, Adelaide (Harp)Louis Arens, (Vocal)Dr. F. Matthew Ennis (Piano) Handel, Thomas, Arditi. Melba, Dame Nellie with, Tom Burke 15.6.1919 Royal Albert Hall, (Tenor), Bronislaw Huberman (Violin) London Frank St. Leger (Piano) Arthur Mason (Organ) Verdi, Puccini, etc. Melba, Dame Nellie 4.10.1921 Manager, John Lemmone, With Una Bourne (Piano), W.F.G.Steele (Second Concert Town Hall, Adelaide (Organ), John Lemmone (Flute) Mozart, 6.10.21) Verdi Melba, Dame Nellie & J.C. Williamson 26.9.1924 Direction, Nevin Tait Grand Opera Season , Aida (Verdi) Theatre Royal Adelaide Conductor Franco Paolantonio, with Augusta Concato, Phyllis Archibald, Nino Piccaluga, Edmondo Grandini, Gustave Huberdeau, Oreste Carozzi Melba, Dame Nellie & J.C. Williamson, 4.10.1924 Direction, Nevin Tait Grand Opera Season, Andrea Chenier, Theatre Royal Adelaide (Giordano) First Adelaide Performance, Franco Paolantonio (Conductor) Nino Piccaluga, Apollo Granforte, Doris McInnes, Antonio Laffi, Oreste Carozzi, Gaetano Azzolini, Luigi Cilla, Luigi Parodi, Antonio Venturi, Alfredo Muro, Vanni Cellini Melba, Dame Nellie & J.C. Williamson, 6.10.1924 Direction, Nevin Tait Grand Opera Season, DonPasquale, Theatre Royal, Adelaide (Donizetti) First Performance in Adelaide, Arnaldo -
'Mightier Than the Sword': the Life and Times of Sir John Waters Kirwan
‘Mightier than the Sword’: The Life and Times of Sir John Waters Kirwan (1866-1949) By Anne Partlon MA (Eng) and Grad. Dip. Ed This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2011 I declare that this thesis is my own account of my research and contains as its main content work which has not been previously submitted for a degree at any tertiary education institution. ............................................................... Anne Partlon ii Table of Contents Abstract iv Acknowledgements v Introduction: A Most Unsuitable Candidate 1 Chapter 1:The Kirwans of Woodfield 14 Chapter 2:‘Bound for South Australia’ 29 Chapter 3: ‘Westward Ho’ 56 Chapter 4: ‘How the West was Won’ 72 Chapter 5: The Honorable Member for Kalgoorlie 100 Chapter 6: The Great Train Robbery 120 Chapter 7: Changes 149 Chapter 8: War and Peace 178 Chapter 9: Epilogue: Last Post 214 Conclusion 231 Bibliography 238 iii Abstract John Waters Kirwan (1866-1949) played a pivotal role in the Australian Federal movement. At a time when the Premier of Western Australia Sir John Forrest had begun to doubt the wisdom of his resource rich but under-developed colony joining the emerging Commonwealth, Kirwan conspired with Perth Federalists, Walter James and George Leake, to force Forrest’s hand. Editor and part- owner of the influential Kalgoorlie Miner, the ‘pocket-handkerchief’ newspaper he had transformed into one of the most powerful journals in the colony, he waged a virulent press campaign against the besieged Premier, mocking and belittling him at every turn and encouraging his east coast colleagues to follow suit. -
Port Related Structures on the Coast of Western Australia
Port Related Structures on the Coast of Western Australia By: D.A. Cumming, D. Garratt, M. McCarthy, A. WoICe With <.:unlribuliuns from Albany Seniur High Schoul. M. Anderson. R. Howard. C.A. Miller and P. Worsley Octobel' 1995 @WAUUSEUM Report: Department of Matitime Archaeology, Westem Australian Maritime Museum. No, 98. Cover pholograph: A view of Halllelin Bay in iL~ heyday as a limber porl. (W A Marilime Museum) This study is dedicated to the memory of Denis Arthur Cuml11ing 1923-1995 This project was funded under the National Estate Program, a Commonwealth-financed grants scheme administered by the Australian HeriL:'lge Commission (Federal Government) and the Heritage Council of Western Australia. (State Govenlluent). ACKNOWLEDGEMENTS The Heritage Council of Western Australia Mr lan Baxter (Director) Mr Geny MacGill Ms Jenni Williams Ms Sharon McKerrow Dr Lenore Layman The Institution of Engineers, Australia Mr Max Anderson Mr Richard Hartley Mr Bmce James Mr Tony Moulds Mrs Dorothy Austen-Smith The State Archive of Westem Australia Mr David Whitford The Esperance Bay HistOIical Society Mrs Olive Tamlin Mr Merv Andre Mr Peter Anderson of Esperance Mr Peter Hudson of Esperance The Augusta HistOIical Society Mr Steve Mm'shall of Augusta The Busselton HistOlical Societv Mrs Elizabeth Nelson Mr Alfred Reynolds of Dunsborough Mr Philip Overton of Busselton Mr Rupert Genitsen The Bunbury Timber Jetty Preservation Society inc. Mrs B. Manea The Bunbury HistOlical Society The Rockingham Historical Society The Geraldton Historical Society Mrs J Trautman Mrs D Benzie Mrs Glenis Thomas Mr Peter W orsley of Gerald ton The Onslow Goods Shed Museum Mr lan Blair Mr Les Butcher Ms Gaye Nay ton The Roebourne Historical Society. -
University of Debrecen Doctoral Programme in British and American Studies
University of Debrecen Doctoral Programme in British and American Studies A TALE OF A PUB: READING THE “CYCLOPS” EPISODE OF JAMES JOYCE’S ULYSSES IN THE CONTEXT OF IRISH CULTURAL NATIONALISM Marianna Gula 1 Introduction The 1990s’ introduction of post-colonial theory into Joyce criticism has brought about a thorough reassessment of Joyce’s relationship to politics and history in general, and British imperialism and Irish nationalism in particular. In contrast to the New Critical vision of his work as the manifestation of an apolitical, cosmopolitan modernist aestheticism, his texts have come increasingly to be seen as complex − most often subversive − sites of ideological involvement. The “Cyclops” episode of Ulysses, which most explicitly engages with the issue of Irish nationalism, has been at the forefront in this process. The chapter’s engagement with Irish nationalism, noted by the first commentators, underwent a particularly vigorous reappraisal in the past decade. This process evinced a shift from associating nationalism exclusively with the xenophobic citizen’s nostalgia and violence against Bloom to problematising the issue by contextualised readings accommodating the discourses of imperialism and nationalism. My inquiry aims to further this ongoing critical enterprise by placing the episode in the discursive context of Irish cultural nationalism. Highlighting the text against the backdrop of Irish cultural nationalism in general, not only the 1890s Celtic Revival, which provided the most immediate cultural context for Joyce and which has hitherto been mostly targeted, I explore how the text ironically re-inscribes crucial discursive formations arising out of an organic conception of the nation, and how it subversively enlists the key cultural means of their dissemination. -
Australian Elegy: Landscape and Identity
Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead. -
Western Australia), 1900-1950
Edith Cowan University Research Online Theses : Honours Theses 2007 An investigation of musical life and music societies in Perth (Western Australia), 1900-1950 Jessica Sardi Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Other Music Commons, and the Work, Economy and Organizations Commons Recommended Citation Sardi, J. (2007). An investigation of musical life and music societies in Perth (Western Australia), 1900-1950. https://ro.ecu.edu.au/theses_hons/1290 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1290 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. Youe ar reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form.