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1 the Legendary Saga of the Volsungs Cecelia Lefurgy Viking Art and Literature October 4, 2007 Professor Tinkler and Professor E
1 The Legendary Saga of the Volsungs Cecelia Lefurgy Viking Art and Literature October 4, 2007 Professor Tinkler and Professor Erussard Stories that are passed down through oral and written traditions are created by societies to give meaning to, and reinforce the beliefs, rules and habits of a particular culture. For Germanic culture, The Saga of the Volsungs reflected the societal traditions of the people, as well as their attention to mythology. In the Saga, Sigurd of the Volsung 2 bloodline becomes a respected and heroic figure through the trials and adventures of his life. While many of his encounters are fantastic, they are also deeply rooted in the values and belief structures of the Germanic people. Tacitus, a Roman, gives his account of the actions and traditions of early Germanic peoples in Germania. His narration remarks upon the importance of the blood line, the roles of women and also the ways in which Germans viewed death. In Snorri Sturluson’s The Prose Edda, a compilation of Norse mythology, Snorri Sturluson touches on these subjects and includes the perception of fate, as well as the role of shape changing. Each of these themes presented in Germania and The Prose Edda aid in the formation of the legendary saga, The Saga of the Volsungs. Lineage is a meaningful part of the Germanic culture. It provides a sense of identity, as it is believed that qualities and characteristics are passed down through generations. In the Volsung bloodline, each member is capable of, and expected to achieve greatness. As Sigmund, Sigurd’s father, lay wounded on the battlefield, his wife asked if she should attend to his injuries so that he may avenge her father. -
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EFNI GRI Michael MacPherson and Yoav Tirosh: A Stylometric Analysis of Ljósvetninga saga Þórdís Edda Jóhannesdóttir: P „Hugblauð hormegðarbikkja“: Um Bósa sögu yngri LA GRIPLA Mikael Males: Fóstbrœðra saga : A Missing Link? XXXI Rósa Þorsteinsdóttir: XXXI Þjóðsögur Magnúsar Grímssonar: Hlutur Magnúsar Grímssonar í upphafi þjóðsagnasöfnunar á 19. öld Philip Lavender: Timur, ‘The Wrath of God’: An Unknown Source of Oddverjaannáll and the Vindication of a Tyrant in Ambáles saga and Ambáles rímur Leiv Olsen: Of/um-partikkelen som dateringskriterium for eddakvada Klaus Johan Myrvoll: Gísli Súrsson as Egða andspillir An Obscure Kenning and its Implications for Tribal Identities in Tenth-Century Iceland Anna Katharina Heiniger: The Silenced Trauma in the Íslendingasögur Christopher Crocker: Narrating Blindness and Seeing Ocularcentrism in Þorsteins saga hvíta Árni Heimir Ingólfsson: Sléttsöngur í lútherskum sið á Íslandi 1550–1800 Handrit REYKJAVÍK U202030 STOFNUN ÁRNA MAGNÚSSONAR 2020 2020 GRIPLA Ráðgjafar FRANÇOIS-XAVIER DILLMANN, MATTHEW JAMES DRISCOLL, JÜRG GLAUSER, STEFANIE GROPPER, HAKI ANTONSSON, TATJANA N. JACKSON, KARL G. JOHANSSON, MARIANNE E. KALINKE, STEPHEN A. MITCHELL, JUDY QUINN, LENA ROHRBACH, ANDREW WAWN Gripla er ritrýnt tímarit sem kemur út einu sinni á ári. Það er alþjóðlegur vettvangur fyrir rannsóknir á sviði íslenskra og norrænna fræða, einkum handrita- og textafræða, bókmennta og þjóðfræða. Birtar eru útgáfur á stuttum textum, greinar og ritgerðir og stuttar fræðilegar athuga- semdir. Greinar skulu að jafnaði skrifaðar á íslensku en einnig eru birtar greinar á öðrum norræ- num málum, ensku, þýsku og frönsku. Leiðbeiningar um frágang handrita er að finna á heima síðu Árnastofnunar: https://www.arnastofnun.is/is/leidbeiningar-um-skil-og-fragang-greina. -
The Prose Edda
THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., -
Gram (Mythology)
Gram (mythology) Gram (mythology)'s wiki: In Norse mythology, Gram ( Old Norse Gramr , meaning Wrath) is the sword that Sigurd used to kill the dragon Fafnir. [2] It is primarily used by the Volsungs in the Volsunga Saga . However, it is also seen in other legends Description. Nowhere in the Volsunga Saga is a clear description of Gram given, but there is enough scattered throughout the story to draw a picture of the sword. Sigurd's weapons, Gram included, are described as being âœall decked with gold and gleaming bright." Gram (disambiguation) â” Gram is a unit of measurement of mass. Otherwise, gram may refer to: gram, the Greek based suffix meaning drawing or representation. Contents 1 Places 2 People ⦠Wikipedia. Norse mythology in popular culture â” The Norse mythology, preserved in such ancient Icelandic texts as the Poetic Edda, the Prose Edda, and other lays and sagas, was little known outside Scandinavia until the 19th century. With the widespread publication of Norse myths and legends⦠⦠Wikipedia. Gram (mythology). Quite the same Wikipedia. Just better. In Norse mythology, Gram, (Old Norse Gramr, meaning Wrath)[1] is the sword that Sigurd used to kill the dragon Fafnir.[2]. Description. Gram was forged by Volund; Sigmund received it in the hall of the Völsung after pulling it out of the tree Barnstokkr where Odin placed it. The sword was destroyed in battle when Sigmund struck the spear of an enemy dressed in a black hooded cloak. In Norse mythology, Gram [1] is the sword that Sigurd used to kill the dragon Fafnir.[2] It is primarily used by the Volsungs in the Volsunga Saga. -
Old Norse Mythology and the Ring of the Nibelung
Declaration in lieu of oath: I, Erik Schjeide born on: July 27, 1954 in: Santa Monica, California declare, that I produced this Master Thesis by myself and did not use any sources and resources other than the ones stated and that I did not have any other illegal help, that this Master Thesis has not been presented for examination at any other national or international institution in any shape or form, and that, if this Master Thesis has anything to do with my current employer, I have informed them and asked their permission. Arcata, California, June 15, 2008, Old Norse Mythology and The Ring of the Nibelung Master Thesis zur Erlangung des akademischen Grades “Master of Fine Arts (MFA) New Media” Universitätslehrgang “Master of Fine Arts in New Media” eingereicht am Department für Interaktive Medien und Bildungstechnologien Donau-Universität Krems von Erik Schjeide Krems, July 2008 Betreuer/Betreuerin: Carolyn Guertin Table of Contents I. Abstract 1 II. Introduction 3 III. Wagner’s sources 7 IV. Wagner’s background and The Ring 17 V. Das Rheingold: Mythological beginnings 25 VI. Die Walküre: Odin’s intervention in worldly affairs 34 VII. Siegfried: The hero’s journey 43 VIII. Götterdämmerung: Twilight of the gods 53 IX. Conclusion 65 X. Sources 67 Appendix I: The Psychic Life Cycle as described by Edward Edinger 68 Appendix II: Noteworthy Old Norse mythical deities 69 Appendix III: Noteworthy names in The Volsung Saga 70 Appendix IV: Summary of The Thidrek Saga 72 Old Norse Mythology and The Ring of the Nibelung I. Abstract As an MFA student in New Media, I am creating stop-motion animated short films. -
Study Guide for School Days at the New Jersey Renaissance Faire
Study Guide for School Days at the New Jersey Renaissance Faire New Jersey Renaissance Faire 2016 NJRenFaire.com Facebook.com/NewJerseyRenFaire @NJRenFaire Facebook.com/NJRFedutainment 2 New Jersey Renaissance Faire WELCOME TO CROSSFORD “There be magic in these woods” The small village of Crossford is a typical English village of the 16th century. It has its farmers, its miller, its baker, oh, and its magical forest. Perhaps that is not typical, but it is ordinary for the citizens of Crossford, as it has been for decades. This forest is very old indeed. It has an energy all its own. It is the home to many fairies who hold court within its very boundaries. During times of magical power, which fall upon the solstices and equinoxes, the forest finds a person in need of direction, someone caught at a crossroads...and it brings him or her here to Crossford. This gateway transcends not only space but time itself. Where is Crossford? Crossford is a village in Northumberland, England. If it existed in 2016, it would stand approximately 20 miles southwest of Alnwick Castle, home of the Duke of Northumberland. However, as with all magical places, it has faded away with time. Northumberland Northumberland is a county in Northeast England. It shares a border with Scotland along its northern edge. Due to its geographical location, it has been the scene of many battles between England and Scotland. As evidence of its violent history, Northumberland has more castles than any other county in England. This includes the castles of Alnwick, Bamburgh, Dunstanburgh, Newcastle and Warkworth. -
The Children of Odin
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Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Praise and Censure in the Heroic Poems of the Poetic Edda
Master’s Degree programme in Language Sciences D.M. 270/2004 Final Thesis Praise and Censure in the Heroic Poems of the Poetic Edda Supervisor Ch. Prof. Marina Buzzoni Assistant supervisor Ch. Prof. Massimiliano Bampi Graduand Francesco Bergo Matriculation Number 840838 Academic Year 2016 / 2017 Praise and Censure in the Heroic Poems of the Poetic Edda 2 Contents Praise and Censure in the Heroic Poems of the Poetic Edda ............................................... 1 Introduction .................................................................................................................................. 5 1. The Sources and their Origins ................................................................................................... 9 1.1. The Historical and Cultural Context ................................................................................... 9 1.2. Eddic poetry: Medieval texts from an oral tradition ........................................................ 12 1.3. Transcribed Eddic poetry in the Codex Regius ................................................................. 15 2. A Framework for the analysis of Heroism ............................................................................... 19 2.1. A textual approach for the description of heroes ............................................................ 20 2.2. A synthetic view of characters ......................................................................................... 22 2.3. Differentiation at the reception level ............................................................................. -
The Curse of the Ring a Play in Four Acts for Fourth Grade
The Curse of the Ring a Play in Four Acts for Fourth Grade by Roberto Trostli The Hartsbrook School 193 Bay Rd Hadley, MA 01035 (413) 5860-1908 [email protected] Author’s note: This play is one of a group of plays written for the classes I taught at the Rudolf Steiner School in New York from 1982–1991 and at The Hartsbrook School in Hadley, MA from 1991-1999. The theme of each play was chosen to address a particular class’s issues and interests, and the characters were rendered with specific students in mind. When other teachers and classes have performed my plays, I have encouraged them to adapt or revise the play as necessary to derive the maximum pedagogical value from it. Other class’s performances have showed me artistic dimensions of my plays that I could not have imagined, and I have always been grateful to see that my work has taken on new life. I have posted my plays on the Online Waldorf Library as Microsoft Word documents so that they can easily be downloaded and changed. I have purposely given few stage directions so that teachers and students will make the plays more their own. Dear Colleagues: I hope that these plays will serve you well as inspiration, as a scaffold on which to build your own creation, or as a script to make your own. Please don’t hesitate to take whatever liberties you wish so that the play may serve you in your work. If you have questions, don’t hesitate to phone or email me. -
Fafnir, from the Icelandic Volsunga Saga Hreidmar, Who Was the King
Fafnir, from the Icelandic Volsunga Saga Hreidmar, who was the King of the Dwarf People, had three sons. Fafnir was the eldest and he was gifted with a fearless soul and a powerful arm. The second son, Otr, was a shape-shifter, and then there was Regin who built a house of gold to please his father. No-one dared to approach Fafnir because of his fierce glances and Ægis helmet. His fearsome appearance was one of the reasons he guarded the gold house of his father. One day, something terrible happened. Odin and Loki were walking by a stream in Midgard, one of the nine worlds of Yggdrasil, the sacred tree of life in Norse mythology. Trickster God Loki killed an otter and flung it over his shoulder. What he did not know was that, being something of a magician, Otr often took the form of an otter during the day. The gods continued their journey until they came to the house of Hreidmar, whom they asked for shelter for the night. At first Hreidmar was welcoming enough, but when he saw the otter, he shouted in rage and grief, for the dead creature was his son. Hreidmar summoned his other two sons, Regin and Fafnir. Then, with his magic spells, he disarmed the gods and bound them. Odin told Hreidmar that he and his companions would pay whatever ransom he asked. Hreidmar and his sons demanded that the otter’s skin should be stuffed with gold treasures. Loki, the most cunning of the gods, went straight to the place where he had killed the otter and stared down into the water.