The Zombies the Zombies Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

The Zombies The Zombies mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Zombies Country: US Released: 1965 Style: Pop Rock, Mod MP3 version RAR size: 1352 mb FLAC version RAR size: 1375 mb WMA version RAR size: 1640 mb Rating: 4.5 Votes: 651 Other Formats: AA VQF DMF AU AUD VOX AA Tracklist Hide Credits She's Not There A1 2:20 Written-By – Argent* Summertime A2 2:12 Written-By – Heyward*, Gershwin* It's Alright With Me A3 1:49 Written-By – Argent* You've Really Got A Hold On Me A4 3:36 Written-By – Robinson* Sometimes A5 2:02 Written-By – Argent* Woman A6 2:24 Written-By – Argent* Tell Her No B1 2:08 Written-By – Argent* I Don't Want To Know B2 2:03 Written-By – White* Work 'N' Play B3 2:01 Written-By – Jones* Can't Nobody Love You B4 2:12 Written-By – Mitchell* What More Can I Do B5 1:36 Written-By – White* I've Got My Mojo Working B6 3:32 Written-By – Morgenfield* Companies, etc. Pressed By – Decca Records Pressing Plant, Gloversville Distributed By – London Records, Inc. Credits Bass Guitar – Chris White Directed By – Ken Jones Drums – Hugh Grundy Lead Guitar – Paul Atkinson Piano – Rod Argent Vocals, Guitar – Colin Blunstone Notes Decca Records Pressing Plant, Gloversville denoted by stick "I" in runout. Label variation small pressing ring, "Stereo" top center above hole and "Made In U.S.A." on bottom. Also available in mono (PA 61001) Barcode and Other Identifiers Matrix / Runout (Side A Runout, stamped / [etched]): ZAL 6625-4 [I] Matrix / Runout (Side B Runout, stamped / [etched]): ZAL 6626-4 [I I] Other versions Category Artist Title (Format) Label Category Country Year The Zombies (LP, PA 61001 The Zombies Parrot PA 61001 US 1965 Album, Mono) The Zombies (LP, PAS 71001 The Zombies Parrot PAS 71001 US 1965 Album, Lab) The Zombies (LP, PA 61001 The Zombies Album, Mono, Parrot PA 61001 Canada 1965 M/Print) First The Zombies (LP, FL-S 1391, Record, FL-S 1391, The Zombies Album, Unofficial, Taiwan Unknown FL-1391 First FL-1391 Ora) Record The Zombies (LP, PAS 71001 The Zombies Parrot PAS 71001 US 1965 Album) Related Music albums to The Zombies by The Zombies Argent - In Deep The Zombies - The Zombies 1964-67 Les Zombies - Kind Of Girl Les Sœurs Étienne - Quelle Heure Est-il? / Vif Argent The Zombies - Zombies Argent - Thunder And Lightning Argent - Ring Of Hands Argent - The Best Of Argent - An Anthology Argent - The Argent Anthology - A Collection Of Greatest Hits Argent - It's Only Money Part 2.

Copy Link

Recommended publications

Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
[Show full text]
Rocking the Digital & Physical World
ROCKING THE DIGITAL & PHYSICAL WORLD When you can’t welcome fans to the Rock & Roll Hall of Fame, you take the Rock & Roll DAWN WAYT Hall of Fame to the fans. Learn how the Rock VP of Marketing & Sales Hall pivoted during the pandemic to connect people of all backgrounds and beliefs to the July 28, 2020 music we love through engaging content, exhibits, and experiences that make life just a little bit better. 2020: Pandemic, protest & Pivot • 2019 ROCKED • 2020 ON A ROLL • 2020 WTF JUST HAPPENED • 2020 WE GOT THIS 3 2019 rocked 4 2019 rocked McDANIELS of Run DMC 2019 rocked GEORGE CLINTON THE ZOMBIES of Parliament Funkadelic 2019 rocked MAVIS STAPLES JACKSON BROWNE of the Staple Singers 2019 rocked ROBERT TRUJILLO of Metallica DON FELDER KIRK HAMMETT NANCY WILSON formerly of the Eagles of Metallica of Heart FAST FACTS 13M+ 338 8M+ INDUCTEES FANS HAVE VISITED FAN VOTES IN THE ROCK & ROLL THE MUSEUM CAST FOR THE HALL OF FAME CLASS OF 2020 2.3K+ 35K+ ARTISITS & VIPS ONE-OF-A-KIND TOURED IN 2019 ARTIFACTS 2020 ON A ROLL 20-20 COVID-19: THIS WAS NOT THE PLAN What a difference a year makes 2019 2020 What a difference a year makes 2019 2020 What a difference a year makes 2019 2020 OUR TARGET Music Fan 2 local 11% regional 40% national 41% global 8% 2020 18 DRIVE CONVERSION visit join attend support shop partner share host 2020 PIVOT: STRATEGIC priority BLOW OUT DIGITAL TO Grow, ENGAGE & CONVERT targets to ENGAGE Educators Media Partners Music Fans (Segment 2s) Digital / Current + Current + Social Prospective Ecommerce Prospective Partners + Members
[Show full text]
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War.
[Show full text]
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs *
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs * Mark Spicer NOTE: The examples for the (text-only) PDF version of this item are available online at: h'p://www.mtosmt.org/issues/mto.17.23..(mto.17.23.2.spicer.php 0E1WORDS: tonality, popular song, rock harmony, ragile tonics, emergent tonics, absent tonics, soul dominant, Sisyphus e3ect A4STRACT: This article explores the sometimes tricky 6uestion o tonality in pop and rock songs by positing three tonal scenarios: 1) songs with a fragile tonic, in which the tonic chord is present but its hierarchical status is weakened, either by relegating the tonic to a more unstable chord in 7rst or second inversion or by positioning the tonic mid-phrase rather than at structural points o departure or arrival8 .) songs with an emergent tonic, in which the tonic chord is initially absent yet deliberately saved or a triumphant arrival later in the song, usually at the onset o the chorus8 and 3) songs with an absent tonic, an extreme case in which the promised tonic chord never actually materiali9es. In each o these scenarios, the composer’s toying with tonality and listeners’ expectations may be considered hermeneutically as a means o enriching the song’s overall message. Close analyses o songs with ragile, emergent, and absent tonics are o3ered, drawing representative examples rom a wide range o styles and genres across the past 7 ty years o popular music, including 1960s Motown, 1970s soul, 1980s synthpop, 1990s alternative rock, and recent A.S. and A.0. B1 hits. Received November 2016 Colume 23, Number 2, Dune 2017 Copyright © 2017 Society for Music Theory F,G Skilled nineteenth-century song composers such as Robert Schumann and Dohannes 4rahms o ten exploited tonality and its expectations or symbolic or expressive purposes.
[Show full text]
Mixed Media December Online Supplement | Long Island Pulse
Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo.
[Show full text]
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
[Show full text]
GOOD MORNING: 03/29/19 Farm Directionанаvan Trump Report
Tim Francisco <[email protected]> GOOD MORNING: 03/29/19 Farm Direction Van Trump Report 1 message The Van Trump Report <reply@vantrumpreportemail.com> Fri, Mar 29, 2019 at 7:14 AM ReplyTo: Jordan <replyfec01675756d0c7a314_HTML362509461000034501@vantrumpreportemail.com> To: [email protected] "Smooth seas do not make skillful sailors." African proverb FRIDAY, MARCH 29, 2019 1776, Putnam Named Printable Copy or Audio Version Commander of New York Troops On this day in 1776, Morning Summary: Stocks are slightly higher this morning but continue to consolidate General George Washington into the end of the first quarter, where it will post its best start to a new year since appoints Major General Israel 1998. It seems like the bulls are still trying to catch their breath after posting the Putnam commander of the troops in New massive rebound from December. The S&P 500 was up over +12% in the first quarter York. In his new capacity, Putnam was of 2019. We've known for sometime this would be a tough area technically. There's also expected to execute plans for the defense the psychological wave of market participants trying to get off the ride at this level, of New York City and its waterways. A having recouped most of what they lost in late2018. I mentioned many weeks ago, if veteran military man, Putnam had served we made it back to these levels it would get very interesting, as those who took the as a lieutenant in the Connecticut militia tumble would have an opportunity to get out of the market with most of their money during the French and Indian War, where back in their account.
[Show full text]
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.
[Show full text]
The Bosstown Sound. PUB DATE Mar 88 NOTE 39P.; Paper Presented at the Annual Meeting of the American Culture Association (10Th, New Orleans, LA, March 23-26, 1988)
DOCUMENT RESUME ED 292 153 CS 506 070 AUTHOR Burns, Gary TITLE The Bosstown Sound. PUB DATE Mar 88 NOTE 39p.; Paper presented at the Annual Meeting of the American Culture Association (10th, New Orleans, LA, March 23-26, 1988). PUB TYPE Viewpoints (120) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Bands (Music); Content Analysis; Discographies; *Music; Musicians; *Popular Culture IDENTIFIERS Media History; Music Ensembles; *Rock and Roll; *Rock Music ABSTRACT Based on the argument that (contrary to critical opinion) the musicians in the various bands associated with Bosstown Sound were indeed talented, cohesive individuals and that the bands' lack of renown was partially a result of ill-treatment by record companies and the press, this paper traces the development of the Bosstown Sound from its beginnings in the nightclubs of Boston in 1967 to its end in 1969. In addition, the paper provides complete discographies, including critical commentary, of records produced by bands associated with the Bosstown Sound. The bands of the Bosstown Sound include: The Apple Pie Motherhood Band, The Bagatelle, The Beacon Street Union, Bo Grumpus, Eagle, Earth Opera, Eden's Children, Sure Looks Real, The Ill Wind, Jolliver Arkansaw, Orpheus, Phluph, Puff, and Ultimate Spinach. (Thirty-three references are attached.) (ARH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Bosstown Sound Gary Burns, Assistant Professor Department of Communication University of Missouri-St. Louis St. Louis, MO 63121 314-553-5485 American Culture Association, New Orleans, March 24, 1988 My thanks to Jeff Tamarkin of Goldmine magazine.
[Show full text]
The Zombies, “Odessey & Oracle: the 40Th Anniversary Concert”
DVD Review: The Zombies, "Odessey & Oracle (Revisited)" | Popdose http://popdose.com/dvd-review-the-zombies-odessey-oracle-the-40th-ann... MUSIC | FILM | TV | THEATRE | CURRENT EVENTS | BOOKS | CONSUMERISM | VIDEO GAMES | SHOP Tuesday, December 29th, 2009 SUBSCRIBE DVD Review: The Zombies, “Odessey & Oracle: The 40th RSS | Email Anniversary Concert” ABOUT POPDOSE by Ken Shane Site Information Staff List In June of 1967, the Zombies entered EMI’s Abbey Road studios to record their masterpiece, Odessey & Oracle . Earlier HEAR POPDOSE that year, the Beatles had recorded their own masterpiece, Sgt. The Popdose Podcast Popdose on Overnight America Pepper , in the same studio. In November, the Zombies completed their sessions, but by then the band was close to the STALK POPDOSE breaking point. Tempers flared during the recording of “Time of On Twitter: the Season,” which later became a massive hit. When keyboard Freedy Johnston talks about his player Rod Argent and bassist Chris White, who had produced new album, his long hiatus, and his outlook on the music biz: the album and written the songs, delivered the mono masters to http://bit.ly/697zRW 10 minutes ago CBS, they were told that stereo masters would be required. They were out of money, and had to take money out of their Be our Facebook fan! own songwriting royalties to pay for the new mixes. It was the BLOGROLL last straw. Singer Colin Blunstone and guitarist Paul Atkinson 3 Minutes 49 Seconds left the band. The stereo mix was completed on January 1, 1968, but by then the Zombies had broken AM, Then FM up.
[Show full text]
Hugh Grundy, Colin Blunstone, Paul Atkinson, Chris White, and Rod Argent (From Le )
The Zombies in West London, 1965: Hugh Grundy, Colin Blunstone, Paul Atkinson, Chris White, and Rod Argent (from le ) > The > 20494_RNRHF_Text_Rev1_70-95.pdfZombies 1 3/11/19 5:19 PM his year’s induction of the Zombies into the Rock & Roll Hall of Fame is at once a celebration and a culmina- tion of one of the oddest and most convoluted careers in the history of popular music. While not the first band to have two smash hits right out of the box, they may be the only group who pro- ceeded to then fail miserably with their next ten sin- gles over a three-year period before finally achieving immortality with an album, Odessey [sic] and Oracle (1968) and a single, “Time of the Season,” that were released only after they had broken up. Even then, it would be a year after the album’s ini- tial release that, through the intercession of fate and Tthe idiosyncratic tastes of a handful of radio listeners in Boise, Idaho, “Time of the Season” would become a million-selling single and remain one of the most beloved staples of classic-rock radio to this day. Even more ironic was the fact that, despite that hit single, the album Odessey and Oracle was still met with indif- ference. Decades later, succeeding generations of crit- ics and an ever-growing cult fan base raised Odessey and Oracle to its status as one of the most cherished and revered albums of late 1960s British rock. As the album approached its fiftieth anniversary, four of the five original Zombies (guitarist Paul Atkinson passed away in 2004) went on tour, playing it in its entirety for sellout crowds throughout North America and the United Kingdom.
[Show full text]
THE GARY MOORE DISCOGRAPHY (The GM Bible)
THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.
[Show full text]